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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8725AE it is the complementary color #78DA51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8725AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8725AE shade: #8C25A9, #9D37BC, #AE49CF, #BF5BE2 and #D06DF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8725AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8725AE shade: #8725AE, #76139B, #650188, #540075 and #430062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8725AE shade: #8524AC, #AA24AC, #AC2489, #AC2465 and #AC2440

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8725AE shade: #8524AC, #6124AC, #3C24AC and #2424AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8725AE shade matches the following richer shades: #8524AC, #8D13BD and #9402CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8725AE shade: #8524AC, #7E359B, #77468A, #6F5779 and #686868

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8725AE shade: #3B24AC, #5F24AC, #8324AC, #A724AC and #AC248C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8725AE shade: #511668, #6B1D8A, #8524AC, #A02BCE and #B04AD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8725AE shade: #8725AE, #AC2432 and #24AC4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8725AE shade: #8725AE, #AC8324 and #24AC83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8725AE shade: #8725AE, #AC2432, #4DAC24 and #24AC9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8725AE shade: #8725AE, #AC3F24, #4DAC24 and #2491AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 79 / 0 / 32

HEX #8725AE

RGB 135 37 174

HSL 282.92, 0.65%, 0.41%

LAB 36.99, 60.3, -52.98

 

Complementary color

CMYK 45 / 0 / 63 / 15

HEX #78DA51

RGB 120 218 81

HSL 102.92, 0.65%, 0.59%

LAB 78.89, -53, 56.88

 

CMYK 17 / 78 / 0 / 34

HEX #8C25A9

RGB 140 37 169

HSL 286.82, 0.64%, 0.4%

LAB 37.41, 60.25, -49.26

 

CMYK 16 / 71 / 0 / 26

HEX #9D37BC

RGB 157 55 188

HSL 286.02, 0.55%, 0.48%

LAB 43.55, 60.85, -50.49

 

CMYK 16 / 65 / 0 / 19

HEX #AE49CF

RGB 174 73 207

HSL 285.22, 0.58%, 0.55%

LAB 49.82, 60.84, -51.32

 

CMYK 15 / 60 / 0 / 11

HEX #BF5BE2

RGB 191 91 226

HSL 284.44, 0.7%, 0.62%

LAB 56.14, 60.46, -51.89

 

CMYK 15 / 56 / 0 / 4

HEX #D06DF5

RGB 208 109 245

HSL 283.68, 0.87%, 0.69%

LAB 62.46, 59.89, -52.31

 

CMYK 22 / 79 / 0 / 32

HEX #8725AE

RGB 135 37 174

HSL 282.92, 0.65%, 0.41%

LAB 36.99, 60.3, -52.98

 

CMYK 24 / 88 / 0 / 39

HEX #76139B

RGB 118 19 155

HSL 283.68, 0.78%, 0.34%

LAB 31.08, 58.74, -51.23

 

CMYK 26 / 99 / 0 / 47

HEX #650188

RGB 101 1 136

HSL 284.44, 0.99%, 0.27%

LAB 25.46, 55.92, -48.75

 

CMYK 28 / 100 / 0 / 54

HEX #540075

RGB 84 0 117

HSL 283.08, 1%, 0.23%

LAB 20.71, 50.02, -44.57

 

CMYK 32 / 100 / 0 / 62

HEX #430062

RGB 67 0 98

HSL 281.02, 1%, 0.19%

LAB 15.88, 43.74, -40.17

 

CMYK 23 / 79 / 0 / 33

HEX #8524AC

RGB 133 36 172

HSL 282.79, 0.65%, 0.41%

LAB 36.42, 59.86, -52.72

 

CMYK 1 / 79 / 0 / 33

HEX #AA24AC

RGB 170 36 172

HSL 299.12, 0.65%, 0.41%

LAB 42.44, 66.98, -42.72

 

CMYK 0 / 79 / 20 / 33

HEX #AC2489

RGB 172 36 137

HSL 315.44, 0.65%, 0.41%

LAB 40.96, 62.22, -23.91

 

CMYK 0 / 79 / 41 / 33

HEX #AC2465

RGB 172 36 101

HSL 331.32, 0.65%, 0.41%

LAB 39.53, 57.99, -3.68

 

CMYK 0 / 79 / 63 / 33

HEX #AC2440

RGB 172 36 64

HSL 347.65, 0.65%, 0.41%

LAB 38.56, 54.98, 18.47

 

CMYK 23 / 79 / 0 / 33

HEX #8524AC

RGB 133 36 172

HSL 282.79, 0.65%, 0.41%

LAB 36.42, 59.86, -52.72

 

CMYK 44 / 79 / 0 / 33

HEX #6124AC

RGB 97 36 172

HSL 266.91, 0.65%, 0.41%

LAB 31.3, 53.76, -61.26

 

CMYK 65 / 79 / 0 / 33

HEX #3C24AC

RGB 60 36 172

HSL 250.59, 0.65%, 0.41%

LAB 27.3, 48.94, -68

 

CMYK 79 / 79 / 0 / 33

HEX #2424AC

RGB 36 36 172

HSL 240, 0.65%, 0.41%

LAB 25.61, 46.89, -70.85

 

CMYK 23 / 79 / 0 / 33

HEX #8524AC

RGB 133 36 172

HSL 282.79, 0.65%, 0.41%

LAB 36.42, 59.86, -52.72

 

CMYK 25 / 90 / 0 / 26

HEX #8D13BD

RGB 141 19 189

HSL 283.06, 0.82%, 0.41%

LAB 37.49, 68.84, -61.01

 

CMYK 28 / 99 / 0 / 19

HEX #9402CE

RGB 148 2 206

HSL 282.94, 0.98%, 0.41%

LAB 39.23, 75.18, -68.05

 

CMYK 23 / 79 / 0 / 33

HEX #8524AC

RGB 133 36 172

HSL 282.79, 0.65%, 0.41%

LAB 36.42, 59.86, -52.72

 

CMYK 19 / 66 / 0 / 39

HEX #7E359B

RGB 126 53 155

HSL 282.94, 0.49%, 0.41%

LAB 36.65, 47.96, -42.18

 

CMYK 14 / 49 / 0 / 46

HEX #77468A

RGB 119 70 138

HSL 283.24, 0.33%, 0.41%

LAB 38.09, 33.32, -29.61

 

CMYK 8 / 28 / 0 / 53

HEX #6F5779

RGB 111 87 121

HSL 282.35, 0.16%, 0.41%

LAB 40.53, 16.64, -15.48

 

CMYK 0 / 0 / 0 / 59

HEX #686868

RGB 104 104 104

HSL 0, 0%, 0.41%

LAB 44.01, 0, -0.01

 

CMYK 66 / 79 / 0 / 33

HEX #3B24AC

RGB 59 36 172

HSL 250.15, 0.65%, 0.41%

LAB 27.21, 48.83, -68.14

 

CMYK 45 / 79 / 0 / 33

HEX #5F24AC

RGB 95 36 172

HSL 266.03, 0.65%, 0.41%

LAB 31.05, 53.46, -61.69

 

CMYK 24 / 79 / 0 / 33

HEX #8324AC

RGB 131 36 172

HSL 281.91, 0.65%, 0.41%

LAB 36.11, 59.49, -53.23

 

CMYK 3 / 79 / 0 / 33

HEX #A724AC

RGB 167 36 172

HSL 297.79, 0.65%, 0.41%

LAB 41.93, 66.38, -43.56

 

CMYK 0 / 79 / 19 / 33

HEX #AC248C

RGB 172 36 140

HSL 314.12, 0.65%, 0.41%

LAB 41.1, 62.63, -25.53

 

CMYK 22 / 79 / 0 / 59

HEX #511668

RGB 81 22 104

HSL 283.17, 0.65%, 0.25%

LAB 21.29, 40.3, -35.22

 

CMYK 22 / 79 / 0 / 46

HEX #6B1D8A

RGB 107 29 138

HSL 282.94, 0.65%, 0.33%

LAB 29, 50.34, -44.2

 

CMYK 23 / 79 / 0 / 33

HEX #8524AC

RGB 133 36 172

HSL 282.79, 0.65%, 0.41%

LAB 36.42, 59.86, -52.72

 

CMYK 22 / 79 / 0 / 19

HEX #A02BCE

RGB 160 43 206

HSL 283.07, 0.65%, 0.49%

LAB 43.74, 69.16, -60.64

 

CMYK 19 / 66 / 0 / 15

HEX #B04AD8

RGB 176 74 216

HSL 283.1, 0.65%, 0.57%

LAB 50.79, 62.65, -54.9

 

CMYK 22 / 79 / 0 / 32

HEX #8725AE

RGB 135 37 174

HSL 282.92, 0.65%, 0.41%

LAB 36.99, 60.3, -52.98

 

CMYK 0 / 79 / 71 / 33

HEX #AC2432

RGB 172 36 50

HSL 353.82, 0.65%, 0.41%

LAB 38.31, 54.2, 26.94

 

CMYK 79 / 0 / 55 / 33

HEX #24AC4D

RGB 36 172 77

HSL 138.09, 0.65%, 0.41%

LAB 62.01, -55.54, 38.6

 

CMYK 22 / 79 / 0 / 32

HEX #8725AE

RGB 135 37 174

HSL 282.92, 0.65%, 0.41%

LAB 36.99, 60.3, -52.98

 

CMYK 0 / 24 / 79 / 33

HEX #AC8324

RGB 172 131 36

HSL 41.91, 0.65%, 0.41%

LAB 57.2, 6.73, 53.75

 

CMYK 79 / 0 / 24 / 33

HEX #24AC83

RGB 36 172 131

HSL 161.91, 0.65%, 0.41%

LAB 62.94, -44.99, 11.2

 

CMYK 22 / 79 / 0 / 32

HEX #8725AE

RGB 135 37 174

HSL 282.92, 0.65%, 0.41%

LAB 36.99, 60.3, -52.98

 

CMYK 0 / 79 / 71 / 33

HEX #AC2432

RGB 172 36 50

HSL 353.82, 0.65%, 0.41%

LAB 38.31, 54.2, 26.94

 

CMYK 55 / 0 / 79 / 33

HEX #4DAC24

RGB 77 172 36

HSL 101.91, 0.65%, 0.41%

LAB 62.68, -51.33, 56.56

 

CMYK 79 / 0 / 8 / 33

HEX #24AC9E

RGB 36 172 158

HSL 173.82, 0.65%, 0.41%

LAB 63.63, -37.87, -2.84

 

CMYK 22 / 79 / 0 / 32

HEX #8725AE

RGB 135 37 174

HSL 282.92, 0.65%, 0.41%

LAB 36.99, 60.3, -52.98

 

CMYK 0 / 63 / 79 / 33

HEX #AC3F24

RGB 172 63 36

HSL 11.91, 0.65%, 0.41%

LAB 41.93, 43.23, 39.03

 

CMYK 55 / 0 / 79 / 33

HEX #4DAC24

RGB 77 172 36

HSL 101.91, 0.65%, 0.41%

LAB 62.68, -51.33, 56.56

 

CMYK 79 / 16 / 0 / 33

HEX #2491AC

RGB 36 145 172

HSL 191.91, 0.65%, 0.41%

LAB 55.69, -20.29, -22.7

 

Description

Color code: HEX #8725AE | qconv.com Color code: HEX #8725AE | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 37 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 37 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 79 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 79% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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