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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #871F59 it is the complementary color #78E0A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #871F59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #871F59 shade: #8C1F54, #9D3167, #AE437A, #BF558D and #D067A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #871F59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #871F59 shade: #871F59, #760D46, #650033, #540020 and #43000D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #871F59 shade: #891F5A, #891F3D, #891F21 and #891F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #871F59 shade: #891F5A, #891F76, #7E1F89, #621F89 and #451F89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #871F59 shade matches the following richer shades: #891F5A, #96115B and #A4035D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #871F59 shade: #891F5A, #7B2C58, #6D3A57, #604755 and #525553

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #871F59 shade: #7E1F89, #891F77, #891F5B, #891F3E and #891F22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #871F59 shade: #450F2E, #671744, #891F5A, #AA2670 and #CC2E86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #871F59 shade: #871F59, #89621F and #1F8589

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #871F59 shade: #871F59, #5B891F and #1F5B89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #871F59 shade: #871F59, #89621F, #1F894D and #1F4689

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #871F59 shade: #871F59, #89821F, #1F894D and #1F2689

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 34 / 47

HEX #871F59

RGB 135 31 89

HSL 326.54, 0.63%, 0.33%

LAB 31.47, 48.2, -8.77

 

Complementary color

CMYK 46 / 0 / 26 / 12

HEX #78E0A6

RGB 120 224 166

HSL 146.54, 0.63%, 0.67%

LAB 81.87, -43.19, 19.22

 

CMYK 0 / 78 / 40 / 45

HEX #8C1F54

RGB 140 31 84

HSL 330.83, 0.64%, 0.34%

LAB 32.25, 49.02, -4.24

 

CMYK 0 / 69 / 34 / 38

HEX #9D3167

RGB 157 49 103

HSL 330, 0.52%, 0.4%

LAB 38.45, 49.47, -6.84

 

CMYK 0 / 61 / 30 / 32

HEX #AE437A

RGB 174 67 122

HSL 329.16, 0.44%, 0.47%

LAB 44.83, 49.28, -8.79

 

CMYK 0 / 55 / 26 / 25

HEX #BF558D

RGB 191 85 141

HSL 328.3, 0.45%, 0.54%

LAB 51.26, 48.76, -10.31

 

CMYK 0 / 50 / 23 / 18

HEX #D067A0

RGB 208 103 160

HSL 327.43, 0.53%, 0.61%

LAB 57.7, 48.08, -11.54

 

CMYK 0 / 77 / 34 / 47

HEX #871F59

RGB 135 31 89

HSL 326.54, 0.63%, 0.33%

LAB 31.47, 48.2, -8.77

 

CMYK 0 / 89 / 41 / 54

HEX #760D46

RGB 118 13 70

HSL 327.43, 0.8%, 0.26%

LAB 25.51, 46.6, -5.46

 

CMYK 0 / 100 / 50 / 60

HEX #650033

RGB 101 0 51

HSL 329.7, 1%, 0.2%

LAB 20.07, 43.23, -0.78

 

CMYK 0 / 100 / 62 / 67

HEX #540020

RGB 84 0 32

HSL 337.14, 1%, 0.16%

LAB 15.43, 37.23, 5.78

 

CMYK 0 / 100 / 81 / 74

HEX #43000D

RGB 67 0 13

HSL 348.36, 1%, 0.13%

LAB 10.72, 31.25, 11.46

 

CMYK 0 / 77 / 34 / 46

HEX #891F5A

RGB 137 31 90

HSL 326.6, 0.63%, 0.33%

LAB 31.89, 48.87, -8.75

 

CMYK 0 / 77 / 55 / 46

HEX #891F3D

RGB 137 31 61

HSL 343.02, 0.63%, 0.33%

LAB 30.96, 45.94, 8.96

 

CMYK 0 / 77 / 76 / 46

HEX #891F21

RGB 137 31 33

HSL 358.87, 0.63%, 0.33%

LAB 30.42, 44.17, 26.47

 

CMYK 0 / 77 / 77 / 46

HEX #891F1F

RGB 137 31 31

HSL 0, 0.63%, 0.33%

LAB 30.39, 44.09, 27.68

 

CMYK 0 / 77 / 34 / 46

HEX #891F5A

RGB 137 31 90

HSL 326.6, 0.63%, 0.33%

LAB 31.89, 48.87, -8.75

 

CMYK 0 / 77 / 14 / 46

HEX #891F76

RGB 137 31 118

HSL 310.75, 0.63%, 0.33%

LAB 33.15, 52.69, -24.75

 

CMYK 8 / 77 / 0 / 46

HEX #7E1F89

RGB 126 31 137

HSL 293.77, 0.63%, 0.33%

LAB 32.31, 53.36, -38.1

 

CMYK 28 / 77 / 0 / 46

HEX #621F89

RGB 98 31 137

HSL 277.92, 0.63%, 0.33%

LAB 27.8, 47.59, -45.59

 

CMYK 50 / 77 / 0 / 46

HEX #451F89

RGB 69 31 137

HSL 261.51, 0.63%, 0.33%

LAB 23.84, 42.35, -52.22

 

CMYK 0 / 77 / 34 / 46

HEX #891F5A

RGB 137 31 90

HSL 326.6, 0.63%, 0.33%

LAB 31.89, 48.87, -8.75

 

CMYK 0 / 89 / 39 / 41

HEX #96115B

RGB 150 17 91

HSL 326.62, 0.8%, 0.33%

LAB 33.22, 56.02, -7.14

 

CMYK 0 / 98 / 43 / 36

HEX #A4035D

RGB 164 3 93

HSL 326.46, 0.96%, 0.33%

LAB 35.49, 61.5, -4.73

 

CMYK 0 / 77 / 34 / 46

HEX #891F5A

RGB 137 31 90

HSL 326.6, 0.63%, 0.33%

LAB 31.89, 48.87, -8.75

 

CMYK 0 / 64 / 28 / 52

HEX #7B2C58

RGB 123 44 88

HSL 326.58, 0.47%, 0.33%

LAB 31.15, 39.16, -8.81

 

CMYK 0 / 47 / 20 / 57

HEX #6D3A57

RGB 109 58 87

HSL 325.88, 0.31%, 0.33%

LAB 31.73, 26.64, -7.52

 

CMYK 0 / 26 / 11 / 62

HEX #604755

RGB 96 71 85

HSL 326.4, 0.15%, 0.33%

LAB 33.24, 13.23, -4.15

 

CMYK 4 / 0 / 2 / 67

HEX #525553

RGB 82 85 83

HSL 140, 0.02%, 0.33%

LAB 35.82, -1.63, 0.74

 

CMYK 8 / 77 / 0 / 46

HEX #7E1F89

RGB 126 31 137

HSL 293.77, 0.63%, 0.33%

LAB 32.31, 53.36, -38.1

 

CMYK 0 / 77 / 13 / 46

HEX #891F77

RGB 137 31 119

HSL 310.19, 0.63%, 0.33%

LAB 33.2, 52.84, -25.3

 

CMYK 0 / 77 / 34 / 46

HEX #891F5B

RGB 137 31 91

HSL 326.04, 0.63%, 0.33%

LAB 31.93, 48.99, -9.34

 

CMYK 0 / 77 / 55 / 46

HEX #891F3E

RGB 137 31 62

HSL 342.45, 0.63%, 0.33%

LAB 30.99, 46.02, 8.33

 

CMYK 0 / 77 / 75 / 46

HEX #891F22

RGB 137 31 34

HSL 358.3, 0.63%, 0.33%

LAB 30.43, 44.22, 25.86

 

CMYK 0 / 78 / 33 / 73

HEX #450F2E

RGB 69 15 46

HSL 325.56, 0.64%, 0.16%

LAB 14.42, 28.93, -6.36

 

CMYK 0 / 78 / 34 / 60

HEX #671744

RGB 103 23 68

HSL 326.25, 0.63%, 0.25%

LAB 23.38, 39.26, -7.6

 

CMYK 0 / 77 / 34 / 46

HEX #891F5A

RGB 137 31 90

HSL 326.6, 0.63%, 0.33%

LAB 31.89, 48.87, -8.75

 

CMYK 0 / 78 / 34 / 33

HEX #AA2670

RGB 170 38 112

HSL 326.36, 0.63%, 0.41%

LAB 39.75, 58.05, -10.3

 

CMYK 0 / 77 / 34 / 20

HEX #CC2E86

RGB 204 46 134

HSL 326.58, 0.63%, 0.49%

LAB 47.64, 66.81, -11.34

 

CMYK 0 / 77 / 34 / 47

HEX #871F59

RGB 135 31 89

HSL 326.54, 0.63%, 0.33%

LAB 31.47, 48.2, -8.77

 

CMYK 0 / 28 / 77 / 46

HEX #89621F

RGB 137 98 31

HSL 37.92, 0.63%, 0.33%

LAB 44.45, 9.22, 42.24

 

CMYK 77 / 3 / 0 / 46

HEX #1F8589

RGB 31 133 137

HSL 182.26, 0.63%, 0.33%

LAB 50.54, -26.13, -10.31

 

CMYK 0 / 77 / 34 / 47

HEX #871F59

RGB 135 31 89

HSL 326.54, 0.63%, 0.33%

LAB 31.47, 48.2, -8.77

 

CMYK 34 / 0 / 77 / 46

HEX #5B891F

RGB 91 137 31

HSL 86.04, 0.63%, 0.33%

LAB 52.08, -32.52, 48.3

 

CMYK 77 / 34 / 0 / 46

HEX #1F5B89

RGB 31 91 137

HSL 206.04, 0.63%, 0.33%

LAB 37.08, -2.4, -31.04

 

CMYK 0 / 77 / 34 / 47

HEX #871F59

RGB 135 31 89

HSL 326.54, 0.63%, 0.33%

LAB 31.47, 48.2, -8.77

 

CMYK 0 / 28 / 77 / 46

HEX #89621F

RGB 137 98 31

HSL 37.92, 0.63%, 0.33%

LAB 44.45, 9.22, 42.24

 

CMYK 77 / 0 / 44 / 46

HEX #1F894D

RGB 31 137 77

HSL 146.04, 0.63%, 0.33%

LAB 50.36, -43.47, 23.98

 

CMYK 77 / 49 / 0 / 46

HEX #1F4689

RGB 31 70 137

HSL 217.92, 0.63%, 0.33%

LAB 30.59, 11.44, -41.38

 

CMYK 0 / 77 / 34 / 47

HEX #871F59

RGB 135 31 89

HSL 326.54, 0.63%, 0.33%

LAB 31.47, 48.2, -8.77

 

CMYK 0 / 5 / 77 / 46

HEX #89821F

RGB 137 130 31

HSL 56.04, 0.63%, 0.33%

LAB 53.37, -8.98, 50.73

 

CMYK 77 / 0 / 44 / 46

HEX #1F894D

RGB 31 137 77

HSL 146.04, 0.63%, 0.33%

LAB 50.36, -43.47, 23.98

 

CMYK 77 / 72 / 0 / 46

HEX #1F2689

RGB 31 38 137

HSL 236.04, 0.63%, 0.33%

LAB 21.89, 33.25, -55.55

 

Description

Color code: HEX #871F59 | qconv.com Color code: HEX #871F59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 31 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 31 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 34 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 34% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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