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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #871AD0 it is the complementary color #78E52F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #871AD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #871AD0 shade: #8C1ACB, #9D2CDE, #AE3EF1, #BF50FF and #D062FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #871AD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #871AD0 shade: #871AD0, #7608BD, #6500AA, #540097 and #430084

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #871AD0 shade: #8719D0, #B819D0, #D019B7, #D01986 and #D01954

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #871AD0 shade: #8719D0, #5619D0, #2419D0 and #1919D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #871AD0 shade matches the following richer shades: #8719D0 and #8B06E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #871AD0 shade: #8719D0, #832CBD, #7F3FAA, #7C5297 and #786584

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #871AD0 shade: #2219D0, #5319D0, #8419D0, #B519D0 and #D019BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #871AD0 shade: #571087, #6F15AC, #8719D0, #9B2EE5 and #AD53E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #871AD0 shade: #871AD0, #D01941 and #19D03B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #871AD0 shade: #871AD0, #D08419 and #19D084

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #871AD0 shade: #871AD0, #D01941, #66D019 and #19D0A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #871AD0 shade: #871AD0, #D02919, #66D019 and #19C1D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 88 / 0 / 18

HEX #871AD0

RGB 135 26 208

HSL 275.93, 0.78%, 0.46%

LAB 38.63, 70.35, -70.28

 

Complementary color

CMYK 48 / 0 / 79 / 10

HEX #78E52F

RGB 120 229 47

HSL 95.93, 0.78%, 0.54%

LAB 81.97, -59.58, 71.95

 

CMYK 31 / 87 / 0 / 20

HEX #8C1ACB

RGB 140 26 203

HSL 278.64, 0.77%, 0.45%

LAB 38.94, 70, -66.83

 

CMYK 29 / 80 / 0 / 13

HEX #9D2CDE

RGB 157 44 222

HSL 278.09, 0.73%, 0.52%

LAB 44.58, 71.53, -68.48

 

CMYK 28 / 74 / 0 / 5

HEX #AE3EF1

RGB 174 62 241

HSL 277.54, 0.86%, 0.59%

LAB 50.45, 72.16, -69.59

 

CMYK 25 / 69 / 0 / 0

HEX #BF50FF

RGB 191 80 255

HSL 278.06, 1%, 0.66%

LAB 56.12, 71.19, -68.1

 

CMYK 18 / 62 / 0 / 0

HEX #D062FF

RGB 208 98 255

HSL 282.04, 1%, 0.69%

LAB 61.1, 67.02, -59.98

 

CMYK 35 / 88 / 0 / 18

HEX #871AD0

RGB 135 26 208

HSL 275.93, 0.78%, 0.46%

LAB 38.63, 70.35, -70.28

 

CMYK 38 / 96 / 0 / 26

HEX #7608BD

RGB 118 8 189

HSL 276.46, 0.92%, 0.39%

LAB 33.35, 67.58, -67.92

 

CMYK 41 / 100 / 0 / 33

HEX #6500AA

RGB 101 0 170

HSL 275.65, 1%, 0.33%

LAB 28.56, 63.02, -64.55

 

CMYK 44 / 100 / 0 / 41

HEX #540097

RGB 84 0 151

HSL 273.38, 1%, 0.3%

LAB 24.06, 57.24, -60.47

 

CMYK 49 / 100 / 0 / 48

HEX #430084

RGB 67 0 132

HSL 270.45, 1%, 0.26%

LAB 19.47, 51.36, -56.27

 

CMYK 35 / 88 / 0 / 18

HEX #8719D0

RGB 135 25 208

HSL 276.07, 0.79%, 0.46%

LAB 38.55, 70.57, -70.4

 

CMYK 12 / 88 / 0 / 18

HEX #B819D0

RGB 184 25 208

HSL 292.13, 0.79%, 0.46%

LAB 46.23, 77.78, -57.58

 

CMYK 0 / 88 / 12 / 18

HEX #D019B7

RGB 208 25 183

HSL 308.2, 0.79%, 0.46%

LAB 48.91, 78.27, -38.52

 

CMYK 0 / 88 / 36 / 18

HEX #D01986

RGB 208 25 134

HSL 324.26, 0.79%, 0.46%

LAB 46.75, 72.47, -12.62

 

CMYK 0 / 88 / 60 / 18

HEX #D01954

RGB 208 25 84

HSL 340.66, 0.79%, 0.46%

LAB 45.28, 68.38, 16.15

 

CMYK 35 / 88 / 0 / 18

HEX #8719D0

RGB 135 25 208

HSL 276.07, 0.79%, 0.46%

LAB 38.55, 70.57, -70.4

 

CMYK 59 / 88 / 0 / 18

HEX #5619D0

RGB 86 25 208

HSL 260, 0.79%, 0.46%

LAB 32.32, 65.31, -80.88

 

CMYK 83 / 88 / 0 / 18

HEX #2419D0

RGB 36 25 208

HSL 243.61, 0.79%, 0.46%

LAB 28.44, 62.43, -87.43

 

CMYK 88 / 88 / 0 / 18

HEX #1919D0

RGB 25 25 208

HSL 240, 0.79%, 0.46%

LAB 28, 62.12, -88.19

 

CMYK 35 / 88 / 0 / 18

HEX #8719D0

RGB 135 25 208

HSL 276.07, 0.79%, 0.46%

LAB 38.55, 70.57, -70.4

 

CMYK 39 / 97 / 0 / 11

HEX #8B06E3

RGB 139 6 227

HSL 276.11, 0.95%, 0.46%

LAB 39.86, 77.78, -79.16

 

CMYK 35 / 88 / 0 / 18

HEX #8719D0

RGB 135 25 208

HSL 276.07, 0.79%, 0.46%

LAB 38.55, 70.57, -70.4

 

CMYK 31 / 77 / 0 / 26

HEX #832CBD

RGB 131 44 189

HSL 276, 0.62%, 0.46%

LAB 38.38, 60.24, -59.62

 

CMYK 25 / 63 / 0 / 33

HEX #7F3FAA

RGB 127 63 170

HSL 275.89, 0.46%, 0.46%

LAB 39.53, 46.64, -46.55

 

CMYK 18 / 46 / 0 / 41

HEX #7C5297

RGB 124 82 151

HSL 276.52, 0.3%, 0.46%

LAB 42.08, 30.89, -31.16

 

CMYK 9 / 23 / 0 / 48

HEX #786584

RGB 120 101 132

HSL 276.77, 0.13%, 0.46%

LAB 45.59, 13.82, -14.37

 

CMYK 84 / 88 / 0 / 18

HEX #2219D0

RGB 34 25 208

HSL 242.95, 0.79%, 0.46%

LAB 28.35, 62.37, -87.59

 

CMYK 60 / 88 / 0 / 18

HEX #5319D0

RGB 83 25 208

HSL 259.02, 0.79%, 0.46%

LAB 32.01, 65.06, -81.41

 

CMYK 37 / 88 / 0 / 18

HEX #8419D0

RGB 132 25 208

HSL 275.08, 0.79%, 0.46%

LAB 38.12, 70.19, -71.13

 

CMYK 13 / 88 / 0 / 18

HEX #B519D0

RGB 181 25 208

HSL 291.15, 0.79%, 0.46%

LAB 45.73, 77.3, -58.4

 

CMYK 0 / 88 / 10 / 18

HEX #D019BB

RGB 208 25 187

HSL 306.89, 0.79%, 0.46%

LAB 49.12, 78.81, -40.53

 

CMYK 36 / 88 / 0 / 47

HEX #571087

RGB 87 16 135

HSL 275.8, 0.79%, 0.3%

LAB 24.15, 50.44, -50.36

 

CMYK 35 / 88 / 0 / 33

HEX #6F15AC

RGB 111 21 172

HSL 275.76, 0.78%, 0.38%

LAB 31.57, 60.72, -60.76

 

CMYK 35 / 88 / 0 / 18

HEX #8719D0

RGB 135 25 208

HSL 276.07, 0.79%, 0.46%

LAB 38.55, 70.57, -70.4

 

CMYK 32 / 80 / 0 / 10

HEX #9B2EE5

RGB 155 46 229

HSL 275.74, 0.78%, 0.54%

LAB 45.05, 72.04, -71.71

 

CMYK 26 / 64 / 0 / 9

HEX #AD53E9

RGB 173 83 233

HSL 276, 0.77%, 0.62%

LAB 52.9, 61.52, -61.14

 

CMYK 35 / 88 / 0 / 18

HEX #871AD0

RGB 135 26 208

HSL 275.93, 0.78%, 0.46%

LAB 38.63, 70.35, -70.28

 

CMYK 0 / 88 / 69 / 18

HEX #D01941

RGB 208 25 65

HSL 346.89, 0.79%, 0.46%

LAB 44.92, 67.35, 27.45

 

CMYK 88 / 0 / 72 / 18

HEX #19D03B

RGB 25 208 59

HSL 131.15, 0.79%, 0.46%

LAB 73.31, -70.03, 58.91

 

CMYK 35 / 88 / 0 / 18

HEX #871AD0

RGB 135 26 208

HSL 275.93, 0.78%, 0.46%

LAB 38.63, 70.35, -70.28

 

CMYK 0 / 37 / 88 / 18

HEX #D08419

RGB 208 132 25

HSL 35.08, 0.79%, 0.46%

LAB 61.64, 21.81, 62.76

 

CMYK 88 / 0 / 37 / 18

HEX #19D084

RGB 25 208 132

HSL 155.08, 0.79%, 0.46%

LAB 74.18, -59.53, 26.11

 

CMYK 35 / 88 / 0 / 18

HEX #871AD0

RGB 135 26 208

HSL 275.93, 0.78%, 0.46%

LAB 38.63, 70.35, -70.28

 

CMYK 0 / 88 / 69 / 18

HEX #D01941

RGB 208 25 65

HSL 346.89, 0.79%, 0.46%

LAB 44.92, 67.35, 27.45

 

CMYK 51 / 0 / 88 / 18

HEX #66D019

RGB 102 208 25

HSL 94.75, 0.79%, 0.46%

LAB 74.83, -57.98, 70.46

 

CMYK 88 / 0 / 19 / 18

HEX #19D0A9

RGB 25 208 169

HSL 167.21, 0.79%, 0.46%

LAB 74.94, -51.1, 7.54

 

CMYK 35 / 88 / 0 / 18

HEX #871AD0

RGB 135 26 208

HSL 275.93, 0.78%, 0.46%

LAB 38.63, 70.35, -70.28

 

CMYK 0 / 80 / 88 / 18

HEX #D02919

RGB 208 41 25

HSL 5.25, 0.79%, 0.46%

LAB 45.72, 62.55, 50.3

 

CMYK 51 / 0 / 88 / 18

HEX #66D019

RGB 102 208 25

HSL 94.75, 0.79%, 0.46%

LAB 74.83, -57.98, 70.46

 

CMYK 88 / 7 / 0 / 18

HEX #19C1D0

RGB 25 193 208

HSL 184.92, 0.79%, 0.46%

LAB 71.49, -33.46, -18.7

 

Description

Color code: HEX #871AD0 | qconv.com Color code: HEX #871AD0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 26 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 26 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 88 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 88% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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