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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #871678 it is the complementary color #78E987. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #871678. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #871678 shade: #8C1673, #9D2886, #AE3A99, #BF4CAC and #D05EBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #871678. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #871678 shade: #871678, #760465, #650052, #54003F and #43002C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #871678 shade: #871678, #87165A, #87163B, #87161C and #871616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #871678 shade: #871678, #781687, #591687, #3A1687 and #1C1687

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #871678 shade matches the following richer shades: #871678 and #940982

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #871678 shade: #871678, #7B226F, #6E2F66, #613C5C and #544953

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #871678 shade: #581687, #761687, #87167A, #87165C and #87163D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #871678 shade: #410A39, #641059, #871678, #AB1B98 and #CE21B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #871678 shade: #871678, #873A16 and #168767

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #871678 shade: #871678, #7A8716 and #167A87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #871678 shade: #871678, #873A16, #168723 and #166387

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #871678 shade: #871678, #875C16, #168723 and #164187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 11 / 47

HEX #871678

RGB 135 22 120

HSL 307.96, 0.72%, 0.31%

LAB 31.99, 55.11, -27.86

 

Complementary color

CMYK 48 / 0 / 42 / 9

HEX #78E987

RGB 120 233 135

HSL 127.96, 0.72%, 0.69%

LAB 83.98, -52.35, 37.89

 

CMYK 0 / 84 / 18 / 45

HEX #8C1673

RGB 140 22 115

HSL 312.71, 0.73%, 0.32%

LAB 32.67, 55.49, -23.56

 

CMYK 0 / 75 / 15 / 38

HEX #9D2886

RGB 157 40 134

HSL 311.79, 0.59%, 0.39%

LAB 38.56, 57, -26

 

CMYK 0 / 67 / 12 / 32

HEX #AE3A99

RGB 174 58 153

HSL 310.86, 0.5%, 0.45%

LAB 44.7, 57.54, -27.77

 

CMYK 0 / 60 / 10 / 25

HEX #BF4CAC

RGB 191 76 172

HSL 309.91, 0.47%, 0.52%

LAB 50.95, 57.51, -29.09

 

CMYK 0 / 55 / 8 / 18

HEX #D05EBF

RGB 208 94 191

HSL 308.95, 0.55%, 0.59%

LAB 57.25, 57.15, -30.11

 

CMYK 0 / 84 / 11 / 47

HEX #871678

RGB 135 22 120

HSL 307.96, 0.72%, 0.31%

LAB 31.99, 55.11, -27.86

 

CMYK 0 / 97 / 14 / 54

HEX #760465

RGB 118 4 101

HSL 308.95, 0.93%, 0.24%

LAB 26.38, 52.27, -24.73

 

CMYK 0 / 100 / 19 / 60

HEX #650052

RGB 101 0 82

HSL 311.29, 1%, 0.2%

LAB 21.49, 46.88, -20.06

 

CMYK 0 / 100 / 25 / 67

HEX #54003F

RGB 84 0 63

HSL 315, 1%, 0.16%

LAB 16.72, 40.57, -14.71

 

CMYK 0 / 100 / 34 / 74

HEX #43002C

RGB 67 0 44

HSL 320.6, 1%, 0.13%

LAB 11.79, 34.07, -8.95

 

CMYK 0 / 84 / 11 / 47

HEX #871678

RGB 135 22 120

HSL 307.96, 0.72%, 0.31%

LAB 31.99, 55.11, -27.86

 

CMYK 0 / 84 / 33 / 47

HEX #87165A

RGB 135 22 90

HSL 323.89, 0.72%, 0.31%

LAB 30.55, 51.04, -10.81

 

CMYK 0 / 84 / 56 / 47

HEX #87163B

RGB 135 22 59

HSL 340.35, 0.72%, 0.31%

LAB 29.51, 47.98, 8.21

 

CMYK 0 / 84 / 79 / 47

HEX #87161C

RGB 135 22 28

HSL 356.81, 0.72%, 0.31%

LAB 28.92, 46.18, 27.79

 

CMYK 0 / 84 / 84 / 47

HEX #871616

RGB 135 22 22

HSL 0, 0.72%, 0.31%

LAB 28.86, 45.98, 31.33

 

CMYK 0 / 84 / 11 / 47

HEX #871678

RGB 135 22 120

HSL 307.96, 0.72%, 0.31%

LAB 31.99, 55.11, -27.86

 

CMYK 11 / 84 / 0 / 47

HEX #781687

RGB 120 22 135

HSL 292.04, 0.72%, 0.31%

LAB 30.2, 54.51, -40.3

 

CMYK 34 / 84 / 0 / 47

HEX #591687

RGB 89 22 135

HSL 275.58, 0.72%, 0.31%

LAB 25.1, 48.88, -48.8

 

CMYK 57 / 84 / 0 / 47

HEX #3A1687

RGB 58 22 135

HSL 259.12, 0.72%, 0.31%

LAB 20.91, 44.36, -55.82

 

CMYK 79 / 84 / 0 / 47

HEX #1C1687

RGB 28 22 135

HSL 243.19, 0.72%, 0.31%

LAB 18.23, 41.51, -60.34

 

CMYK 0 / 84 / 11 / 47

HEX #871678

RGB 135 22 120

HSL 307.96, 0.72%, 0.31%

LAB 31.99, 55.11, -27.86

 

CMYK 0 / 94 / 12 / 42

HEX #940982

RGB 148 9 130

HSL 307.77, 0.89%, 0.31%

LAB 34.2, 61.65, -30.5

 

CMYK 0 / 84 / 11 / 47

HEX #871678

RGB 135 22 120

HSL 307.96, 0.72%, 0.31%

LAB 31.99, 55.11, -27.86

 

CMYK 0 / 72 / 10 / 52

HEX #7B226F

RGB 123 34 111

HSL 308.09, 0.57%, 0.31%

LAB 30.65, 47.02, -24.41

 

CMYK 0 / 57 / 7 / 57

HEX #6E2F66

RGB 110 47 102

HSL 307.62, 0.4%, 0.31%

LAB 30.17, 35.79, -19.54

 

CMYK 0 / 38 / 5 / 62

HEX #613C5C

RGB 97 60 92

HSL 308.11, 0.24%, 0.31%

LAB 30.75, 21.89, -12.38

 

CMYK 0 / 13 / 1 / 67

HEX #544953

RGB 84 73 83

HSL 305.45, 0.07%, 0.31%

LAB 32.42, 6.69, -4.23

 

CMYK 35 / 84 / 0 / 47

HEX #581687

RGB 88 22 135

HSL 275.04, 0.72%, 0.31%

LAB 24.95, 48.71, -49.05

 

CMYK 13 / 84 / 0 / 47

HEX #761687

RGB 118 22 135

HSL 290.97, 0.72%, 0.31%

LAB 29.85, 54.12, -40.87

 

CMYK 0 / 84 / 10 / 47

HEX #87167A

RGB 135 22 122

HSL 306.9, 0.72%, 0.31%

LAB 32.1, 55.41, -28.95

 

CMYK 0 / 84 / 32 / 47

HEX #87165C

RGB 135 22 92

HSL 322.83, 0.72%, 0.31%

LAB 30.63, 51.28, -11.99

 

CMYK 0 / 84 / 55 / 47

HEX #87163D

RGB 135 22 61

HSL 339.29, 0.72%, 0.31%

LAB 29.57, 48.14, 6.95

 

CMYK 0 / 85 / 12 / 75

HEX #410A39

RGB 65 10 57

HSL 308.73, 0.73%, 0.15%

LAB 13.45, 31.55, -15.86

 

CMYK 0 / 84 / 11 / 61

HEX #641059

RGB 100 16 89

HSL 307.86, 0.72%, 0.23%

LAB 23, 43.87, -22.39

 

CMYK 0 / 84 / 11 / 47

HEX #871678

RGB 135 22 120

HSL 307.96, 0.72%, 0.31%

LAB 31.99, 55.11, -27.86

 

CMYK 0 / 84 / 11 / 33

HEX #AB1B98

RGB 171 27 152

HSL 307.92, 0.73%, 0.39%

LAB 40.75, 66.31, -33.39

 

CMYK 0 / 84 / 11 / 19

HEX #CE21B7

RGB 206 33 183

HSL 307.98, 0.72%, 0.47%

LAB 49.04, 76.47, -38.34

 

CMYK 0 / 84 / 11 / 47

HEX #871678

RGB 135 22 120

HSL 307.96, 0.72%, 0.31%

LAB 31.99, 55.11, -27.86

 

CMYK 0 / 57 / 84 / 47

HEX #873A16

RGB 135 58 22

HSL 19.12, 0.72%, 0.31%

LAB 34.47, 30.83, 36.69

 

CMYK 84 / 0 / 24 / 47

HEX #168767

RGB 22 135 103

HSL 163.01, 0.72%, 0.31%

LAB 50.07, -37.9, 8.83

 

CMYK 0 / 84 / 11 / 47

HEX #871678

RGB 135 22 120

HSL 307.96, 0.72%, 0.31%

LAB 31.99, 55.11, -27.86

 

CMYK 10 / 0 / 84 / 47

HEX #7A8716

RGB 122 135 22

HSL 66.9, 0.72%, 0.31%

LAB 53.52, -18.85, 53.23

 

CMYK 84 / 10 / 0 / 47

HEX #167A87

RGB 22 122 135

HSL 186.9, 0.72%, 0.31%

LAB 46.76, -22.06, -14.85

 

CMYK 0 / 84 / 11 / 47

HEX #871678

RGB 135 22 120

HSL 307.96, 0.72%, 0.31%

LAB 31.99, 55.11, -27.86

 

CMYK 0 / 57 / 84 / 47

HEX #873A16

RGB 135 58 22

HSL 19.12, 0.72%, 0.31%

LAB 34.47, 30.83, 36.69

 

CMYK 84 / 0 / 74 / 47

HEX #168723

RGB 22 135 35

HSL 126.9, 0.72%, 0.31%

LAB 49.03, -49.92, 42.97

 

CMYK 84 / 27 / 0 / 47

HEX #166387

RGB 22 99 135

HSL 199.12, 0.72%, 0.31%

LAB 39.32, -9.14, -26.33

 

CMYK 0 / 84 / 11 / 47

HEX #871678

RGB 135 22 120

HSL 307.96, 0.72%, 0.31%

LAB 31.99, 55.11, -27.86

 

CMYK 0 / 32 / 84 / 47

HEX #875C16

RGB 135 92 22

HSL 37.17, 0.72%, 0.31%

LAB 42.56, 11.43, 44.07

 

CMYK 84 / 0 / 74 / 47

HEX #168723

RGB 22 135 35

HSL 126.9, 0.72%, 0.31%

LAB 49.03, -49.92, 42.97

 

CMYK 84 / 52 / 0 / 47

HEX #164187

RGB 22 65 135

HSL 217.17, 0.72%, 0.31%

LAB 28.64, 13.02, -43.29

 

Description

Color code: HEX #871678 | qconv.com Color code: HEX #871678 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 22 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 22 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 11 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 11% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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