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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #86D0E5 it is the complementary color #792F1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #86D0E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #86D0E5 shade: #8BD0E0, #9CE2F3, #ADF4FF, #BEFFFF and #CFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #86D0E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #86D0E5 shade: #86D0E5, #75BED2, #64ACBF, #539AAC and #428899

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #86D0E5 shade: #84CFE5, #84B5E5, #849CE5, #8784E5 and #A184E5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #86D0E5 shade: #84CFE5, #84B5E5, #849CE5 and #8484E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #86D0E5 shade matches the following richer shades: #84CFE5, #79D6F1 and #6DDDFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #86D0E5 shade: #84CFE5, #90C9D9, #9CC2CD, #A8BBC1 and #B4B5B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #86D0E5 shade: #84E5C6, #84E5E0, #84D0E5, #84B6E5 and #849DE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #86D0E5 shade: #40B5D6, #62C2DD, #84CFE5, #A7DDEC and #C9EAF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #86D0E5 shade: #86D0E5, #AD84E5 and #E5D384

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #86D0E5 shade: #86D0E5, #E584D0 and #D0E584

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #86D0E5 shade: #86D0E5, #AD84E5, #E59984 and #BDE584

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #86D0E5 shade: #86D0E5, #C984E5, #E59984 and #A0E584

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 9 / 0 / 10

HEX #86D0E5

RGB 134 208 229

HSL 193.26, 0.65%, 0.71%

LAB 79.52, -17.66, -17.61

 

Complementary color

CMYK 0 / 61 / 79 / 53

HEX #792F1A

RGB 121 47 26

HSL 13.26, 0.65%, 0.29%

LAB 29.84, 31.04, 29.15

 

CMYK 38 / 7 / 0 / 12

HEX #8BD0E0

RGB 139 208 224

HSL 191.29, 0.58%, 0.71%

LAB 79.6, -17.66, -14.78

 

CMYK 36 / 7 / 0 / 5

HEX #9CE2F3

RGB 156 226 243

HSL 191.72, 0.78%, 0.78%

LAB 85.97, -17.68, -15.23

 

CMYK 32 / 4 / 0 / 0

HEX #ADF4FF

RGB 173 244 255

HSL 188.05, 1%, 0.84%

LAB 92.05, -19.32, -12.33

 

CMYK 25 / 0 / 0 / 0

HEX #BEFFFF

RGB 190 255 255

HSL 180, 1%, 0.87%

LAB 95.87, -20.05, -6.56

 

CMYK 19 / 0 / 0 / 0

HEX #CFFFFF

RGB 207 255 255

HSL 180, 1%, 0.91%

LAB 96.82, -15.12, -5.04

 

CMYK 41 / 9 / 0 / 10

HEX #86D0E5

RGB 134 208 229

HSL 193.26, 0.65%, 0.71%

LAB 79.52, -17.66, -17.61

 

CMYK 44 / 10 / 0 / 18

HEX #75BED2

RGB 117 190 210

HSL 192.9, 0.51%, 0.64%

LAB 73.06, -17.56, -17.18

 

CMYK 48 / 10 / 0 / 25

HEX #64ACBF

RGB 100 172 191

HSL 192.53, 0.42%, 0.57%

LAB 66.5, -17.42, -16.73

 

CMYK 52 / 10 / 0 / 33

HEX #539AAC

RGB 83 154 172

HSL 192.13, 0.35%, 0.5%

LAB 59.82, -17.21, -16.27

 

CMYK 57 / 11 / 0 / 40

HEX #428899

RGB 66 136 153

HSL 191.72, 0.4%, 0.43%

LAB 53.02, -16.9, -15.77

 

CMYK 42 / 10 / 0 / 10

HEX #84CFE5

RGB 132 207 229

HSL 193.61, 0.65%, 0.71%

LAB 79.15, -17.65, -18.18

 

CMYK 42 / 21 / 0 / 10

HEX #84B5E5

RGB 132 181 229

HSL 209.69, 0.65%, 0.71%

LAB 71.97, -3.91, -29.12

 

CMYK 42 / 32 / 0 / 10

HEX #849CE5

RGB 132 156 229

HSL 225.15, 0.65%, 0.71%

LAB 65.23, 10.11, -39.57

 

CMYK 41 / 42 / 0 / 10

HEX #8784E5

RGB 135 132 229

HSL 241.86, 0.65%, 0.71%

LAB 59.26, 24.83, -48.96

 

CMYK 30 / 42 / 0 / 10

HEX #A184E5

RGB 161 132 229

HSL 257.94, 0.65%, 0.71%

LAB 61.43, 31.65, -45.39

 

CMYK 42 / 10 / 0 / 10

HEX #84CFE5

RGB 132 207 229

HSL 193.61, 0.65%, 0.71%

LAB 79.15, -17.65, -18.18

 

CMYK 42 / 21 / 0 / 10

HEX #84B5E5

RGB 132 181 229

HSL 209.69, 0.65%, 0.71%

LAB 71.97, -3.91, -29.12

 

CMYK 42 / 32 / 0 / 10

HEX #849CE5

RGB 132 156 229

HSL 225.15, 0.65%, 0.71%

LAB 65.23, 10.11, -39.57

 

CMYK 42 / 42 / 0 / 10

HEX #8484E5

RGB 132 132 229

HSL 240, 0.65%, 0.71%

LAB 59.03, 24.08, -49.33

 

CMYK 42 / 10 / 0 / 10

HEX #84CFE5

RGB 132 207 229

HSL 193.61, 0.65%, 0.71%

LAB 79.15, -17.65, -18.18

 

CMYK 50 / 11 / 0 / 5

HEX #79D6F1

RGB 121 214 241

HSL 193.5, 0.81%, 0.71%

LAB 81.02, -20.55, -21.79

 

CMYK 57 / 13 / 0 / 1

HEX #6DDDFD

RGB 109 221 253

HSL 193.33, 0.97%, 0.71%

LAB 82.94, -23.14, -25.28

 

CMYK 42 / 10 / 0 / 10

HEX #84CFE5

RGB 132 207 229

HSL 193.61, 0.65%, 0.71%

LAB 79.15, -17.65, -18.18

 

CMYK 34 / 7 / 0 / 15

HEX #90C9D9

RGB 144 201 217

HSL 193.15, 0.49%, 0.71%

LAB 77.7, -14.45, -13.85

 

CMYK 24 / 5 / 0 / 20

HEX #9CC2CD

RGB 156 194 205

HSL 193.47, 0.33%, 0.71%

LAB 76.11, -10.15, -9.69

 

CMYK 13 / 3 / 0 / 24

HEX #A8BBC1

RGB 168 187 193

HSL 194.4, 0.17%, 0.71%

LAB 74.65, -5.26, -5.25

 

CMYK 1 / 0 / 0 / 29

HEX #B4B5B5

RGB 180 181 181

HSL 180, 0.01%, 0.71%

LAB 73.6, -0.35, -0.13

 

CMYK 42 / 0 / 14 / 10

HEX #84E5C6

RGB 132 229 198

HSL 160.82, 0.65%, 0.71%

LAB 84.49, -35.75, 6.2

 

CMYK 42 / 0 / 2 / 10

HEX #84E5E0

RGB 132 229 224

HSL 176.91, 0.65%, 0.71%

LAB 85.16, -29.77, -6.53

 

CMYK 42 / 9 / 0 / 10

HEX #84D0E5

RGB 132 208 229

HSL 192.99, 0.65%, 0.71%

LAB 79.43, -18.16, -17.76

 

CMYK 42 / 21 / 0 / 10

HEX #84B6E5

RGB 132 182 229

HSL 209.07, 0.65%, 0.71%

LAB 72.24, -4.45, -28.7

 

CMYK 42 / 31 / 0 / 10

HEX #849DE5

RGB 132 157 229

HSL 224.54, 0.65%, 0.71%

LAB 65.5, 9.53, -39.16

 

CMYK 70 / 15 / 0 / 16

HEX #40B5D6

RGB 64 181 214

HSL 193.2, 0.65%, 0.55%

LAB 68.75, -21.94, -26.11

 

CMYK 56 / 12 / 0 / 13

HEX #62C2DD

RGB 98 194 221

HSL 193.17, 0.64%, 0.63%

LAB 73.8, -20.76, -22.1

 

CMYK 42 / 10 / 0 / 10

HEX #84CFE5

RGB 132 207 229

HSL 193.61, 0.65%, 0.71%

LAB 79.15, -17.65, -18.18

 

CMYK 29 / 6 / 0 / 7

HEX #A7DDEC

RGB 167 221 236

HSL 193.04, 0.64%, 0.79%

LAB 84.99, -13.81, -12.95

 

CMYK 17 / 4 / 0 / 5

HEX #C9EAF3

RGB 201 234 243

HSL 192.86, 0.64%, 0.87%

LAB 90.66, -8.87, -7.97

 

CMYK 41 / 9 / 0 / 10

HEX #86D0E5

RGB 134 208 229

HSL 193.26, 0.65%, 0.71%

LAB 79.52, -17.66, -17.61

 

CMYK 24 / 42 / 0 / 10

HEX #AD84E5

RGB 173 132 229

HSL 265.36, 0.65%, 0.71%

LAB 62.54, 34.97, -43.56

 

CMYK 0 / 8 / 42 / 10

HEX #E5D384

RGB 229 211 132

HSL 48.87, 0.65%, 0.71%

LAB 84.44, -4.55, 41.3

 

CMYK 41 / 9 / 0 / 10

HEX #86D0E5

RGB 134 208 229

HSL 193.26, 0.65%, 0.71%

LAB 79.52, -17.66, -17.61

 

CMYK 0 / 42 / 9 / 10

HEX #E584D0

RGB 229 132 208

HSL 312.99, 0.65%, 0.71%

LAB 67.81, 47.56, -23.22

 

CMYK 9 / 0 / 42 / 10

HEX #D0E584

RGB 208 229 132

HSL 72.99, 0.65%, 0.71%

LAB 87.54, -21.72, 44.87

 

CMYK 41 / 9 / 0 / 10

HEX #86D0E5

RGB 134 208 229

HSL 193.26, 0.65%, 0.71%

LAB 79.52, -17.66, -17.61

 

CMYK 24 / 42 / 0 / 10

HEX #AD84E5

RGB 173 132 229

HSL 265.36, 0.65%, 0.71%

LAB 62.54, 34.97, -43.56

 

CMYK 0 / 33 / 42 / 10

HEX #E59984

RGB 229 153 132

HSL 12.99, 0.65%, 0.71%

LAB 70.25, 26.04, 22.68

 

CMYK 17 / 0 / 42 / 10

HEX #BDE584

RGB 189 229 132

HSL 84.74, 0.65%, 0.71%

LAB 86.27, -28.82, 43

 

CMYK 41 / 9 / 0 / 10

HEX #86D0E5

RGB 134 208 229

HSL 193.26, 0.65%, 0.71%

LAB 79.52, -17.66, -17.61

 

CMYK 12 / 42 / 0 / 10

HEX #C984E5

RGB 201 132 229

HSL 282.68, 0.65%, 0.71%

LAB 65.42, 42.99, -38.85

 

CMYK 0 / 33 / 42 / 10

HEX #E59984

RGB 229 153 132

HSL 12.99, 0.65%, 0.71%

LAB 70.25, 26.04, 22.68

 

CMYK 30 / 0 / 42 / 10

HEX #A0E584

RGB 160 229 132

HSL 102.68, 0.65%, 0.71%

LAB 84.58, -39.02, 40.5

 

Description

Color code: HEX #86D0E5 | qconv.com Color code: HEX #86D0E5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 208 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 208 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 9 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 9% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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