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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #86D7EA it is the complementary color #792815. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #86D7EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #86D7EA shade: #8BD7E5, #9CE9F8, #ADFBFF, #BEFFFF and #CFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #86D7EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #86D7EA shade: #86D7EA, #75C5D7, #64B3C4, #53A1B1 and #428F9E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #86D7EA shade: #85D6E9, #85BBE9, #85A0E9, #8585E9 and #A085E9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #86D7EA shade: #85D6E9, #85BBE9, #85A0E9, #8585E9 and #8585E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #86D7EA shade matches the following richer shades: #85D6E9 and #7ADDF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #86D7EA shade: #85D6E9, #91CFDE, #9CC8D2, #A8C1C6 and #B3B9BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #86D7EA shade: #85E9C6, #85E9E1, #85D7E9, #85BCE9 and #85A1E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #86D7EA shade: #3FBFDD, #62CAE3, #85D6E9, #A8E2EF and #CBEDF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #86D7EA shade: #86D7EA, #AB85E9 and #E9D385

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #86D7EA shade: #86D7EA, #E985D7 and #D7E985

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #86D7EA shade: #86D7EA, #AB85E9, #E99785 and #C3E985

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #86D7EA shade: #86D7EA, #C985E9, #E99785 and #A5E985

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 8 / 0 / 8

HEX #86D7EA

RGB 134 215 234

HSL 191.4, 0.7%, 0.72%

LAB 81.63, -19.93, -17.1

 

Complementary color

CMYK 0 / 67 / 83 / 53

HEX #792815

RGB 121 40 21

HSL 11.4, 0.7%, 0.28%

LAB 28.48, 34.31, 30.57

 

CMYK 39 / 6 / 0 / 10

HEX #8BD7E5

RGB 139 215 229

HSL 189.33, 0.63%, 0.72%

LAB 81.7, -19.96, -14.3

 

CMYK 37 / 6 / 0 / 3

HEX #9CE9F8

RGB 156 233 248

HSL 189.78, 0.87%, 0.79%

LAB 88.03, -19.97, -14.77

 

CMYK 32 / 2 / 0 / 0

HEX #ADFBFF

RGB 173 251 255

HSL 182.93, 1%, 0.84%

LAB 93.93, -22.76, -9.53

 

CMYK 25 / 0 / 0 / 0

HEX #BEFFFF

RGB 190 255 255

HSL 180, 1%, 0.87%

LAB 95.87, -20.05, -6.56

 

CMYK 19 / 0 / 0 / 0

HEX #CFFFFF

RGB 207 255 255

HSL 180, 1%, 0.91%

LAB 96.82, -15.12, -5.04

 

CMYK 43 / 8 / 0 / 8

HEX #86D7EA

RGB 134 215 234

HSL 191.4, 0.7%, 0.72%

LAB 81.63, -19.93, -17.1

 

CMYK 46 / 8 / 0 / 16

HEX #75C5D7

RGB 117 197 215

HSL 191.02, 0.55%, 0.65%

LAB 75.21, -19.83, -16.64

 

CMYK 49 / 9 / 0 / 23

HEX #64B3C4

RGB 100 179 196

HSL 190.63, 0.45%, 0.58%

LAB 68.7, -19.68, -16.17

 

CMYK 53 / 9 / 0 / 31

HEX #53A1B1

RGB 83 161 177

HSL 190.21, 0.38%, 0.51%

LAB 62.09, -19.46, -15.66

 

CMYK 58 / 9 / 0 / 38

HEX #428F9E

RGB 66 143 158

HSL 189.78, 0.41%, 0.44%

LAB 55.35, -19.14, -15.12

 

CMYK 43 / 8 / 0 / 9

HEX #85D6E9

RGB 133 214 233

HSL 191.4, 0.69%, 0.72%

LAB 81.27, -19.92, -17.11

 

CMYK 43 / 20 / 0 / 9

HEX #85BBE9

RGB 133 187 233

HSL 207.6, 0.69%, 0.72%

LAB 73.81, -5.82, -28.46

 

CMYK 43 / 31 / 0 / 9

HEX #85A0E9

RGB 133 160 233

HSL 223.8, 0.69%, 0.72%

LAB 66.53, 9.2, -39.74

 

CMYK 43 / 43 / 0 / 9

HEX #8585E9

RGB 133 133 233

HSL 240, 0.69%, 0.72%

LAB 59.57, 24.88, -50.71

 

CMYK 31 / 43 / 0 / 9

HEX #A085E9

RGB 160 133 233

HSL 256.2, 0.69%, 0.72%

LAB 61.77, 31.82, -47.08

 

CMYK 43 / 8 / 0 / 9

HEX #85D6E9

RGB 133 214 233

HSL 191.4, 0.69%, 0.72%

LAB 81.27, -19.92, -17.11

 

CMYK 43 / 20 / 0 / 9

HEX #85BBE9

RGB 133 187 233

HSL 207.6, 0.69%, 0.72%

LAB 73.81, -5.82, -28.46

 

CMYK 43 / 31 / 0 / 9

HEX #85A0E9

RGB 133 160 233

HSL 223.8, 0.69%, 0.72%

LAB 66.53, 9.2, -39.74

 

CMYK 43 / 43 / 0 / 9

HEX #8585E9

RGB 133 133 233

HSL 240, 0.69%, 0.72%

LAB 59.57, 24.88, -50.71

 

CMYK 43 / 43 / 0 / 9

HEX #8585E9

RGB 133 133 233

HSL 240, 0.69%, 0.72%

LAB 59.57, 24.88, -50.71

 

CMYK 43 / 8 / 0 / 9

HEX #85D6E9

RGB 133 214 233

HSL 191.4, 0.69%, 0.72%

LAB 81.27, -19.92, -17.11

 

CMYK 50 / 10 / 0 / 4

HEX #7ADDF5

RGB 122 221 245

HSL 191.71, 0.86%, 0.72%

LAB 83.15, -22.76, -20.69

 

CMYK 43 / 8 / 0 / 9

HEX #85D6E9

RGB 133 214 233

HSL 191.4, 0.69%, 0.72%

LAB 81.27, -19.92, -17.11

 

CMYK 35 / 7 / 0 / 13

HEX #91CFDE

RGB 145 207 222

HSL 191.69, 0.54%, 0.72%

LAB 79.57, -16.05, -13.73

 

CMYK 26 / 5 / 0 / 18

HEX #9CC8D2

RGB 156 200 210

HSL 191.11, 0.38%, 0.72%

LAB 77.89, -12.15, -9.73

 

CMYK 15 / 3 / 0 / 22

HEX #A8C1C6

RGB 168 193 198

HSL 190, 0.21%, 0.72%

LAB 76.4, -7.4, -5.37

 

CMYK 4 / 1 / 0 / 27

HEX #B3B9BB

RGB 179 185 187

HSL 195, 0.06%, 0.72%

LAB 74.74, -1.7, -1.75

 

CMYK 43 / 0 / 15 / 9

HEX #85E9C6

RGB 133 233 198

HSL 159, 0.69%, 0.72%

LAB 85.68, -37.33, 7.91

 

CMYK 43 / 0 / 3 / 9

HEX #85E9E1

RGB 133 233 225

HSL 175.2, 0.69%, 0.72%

LAB 86.36, -31.2, -5.29

 

CMYK 43 / 8 / 0 / 9

HEX #85D7E9

RGB 133 215 233

HSL 190.8, 0.69%, 0.72%

LAB 81.55, -20.43, -16.69

 

CMYK 43 / 19 / 0 / 9

HEX #85BCE9

RGB 133 188 233

HSL 207, 0.69%, 0.72%

LAB 74.08, -6.36, -28.04

 

CMYK 43 / 31 / 0 / 9

HEX #85A1E9

RGB 133 161 233

HSL 223.2, 0.69%, 0.72%

LAB 66.79, 8.63, -39.33

 

CMYK 71 / 14 / 0 / 13

HEX #3FBFDD

RGB 63 191 221

HSL 191.39, 0.7%, 0.56%

LAB 71.92, -24.96, -25.07

 

CMYK 57 / 11 / 0 / 11

HEX #62CAE3

RGB 98 202 227

HSL 191.63, 0.7%, 0.64%

LAB 76.3, -23.1, -21.54

 

CMYK 43 / 8 / 0 / 9

HEX #85D6E9

RGB 133 214 233

HSL 191.4, 0.69%, 0.72%

LAB 81.27, -19.92, -17.11

 

CMYK 30 / 5 / 0 / 6

HEX #A8E2EF

RGB 168 226 239

HSL 190.99, 0.69%, 0.8%

LAB 86.48, -15.38, -12.3

 

CMYK 17 / 3 / 0 / 4

HEX #CBEDF5

RGB 203 237 245

HSL 191.43, 0.68%, 0.88%

LAB 91.62, -9.37, -7.57

 

CMYK 43 / 8 / 0 / 8

HEX #86D7EA

RGB 134 215 234

HSL 191.4, 0.7%, 0.72%

LAB 81.63, -19.93, -17.1

 

CMYK 27 / 43 / 0 / 9

HEX #AB85E9

RGB 171 133 233

HSL 262.8, 0.69%, 0.72%

LAB 62.77, 34.81, -45.43

 

CMYK 0 / 9 / 43 / 9

HEX #E9D385

RGB 233 211 133

HSL 46.8, 0.69%, 0.72%

LAB 84.79, -2.86, 41.32

 

CMYK 43 / 8 / 0 / 8

HEX #86D7EA

RGB 134 215 234

HSL 191.4, 0.7%, 0.72%

LAB 81.63, -19.93, -17.1

 

CMYK 0 / 43 / 8 / 9

HEX #E985D7

RGB 233 133 215

HSL 310.8, 0.69%, 0.72%

LAB 68.75, 49.45, -25.62

 

CMYK 8 / 0 / 43 / 9

HEX #D7E985

RGB 215 233 133

HSL 70.8, 0.69%, 0.72%

LAB 89.12, -20.88, 46.47

 

CMYK 43 / 8 / 0 / 8

HEX #86D7EA

RGB 134 215 234

HSL 191.4, 0.7%, 0.72%

LAB 81.63, -19.93, -17.1

 

CMYK 27 / 43 / 0 / 9

HEX #AB85E9

RGB 171 133 233

HSL 262.8, 0.69%, 0.72%

LAB 62.77, 34.81, -45.43

 

CMYK 0 / 35 / 43 / 9

HEX #E99785

RGB 233 151 133

HSL 10.8, 0.69%, 0.72%

LAB 70.28, 28.76, 22.25

 

CMYK 16 / 0 / 43 / 9

HEX #C3E985

RGB 195 233 133

HSL 82.8, 0.69%, 0.72%

LAB 87.76, -28.39, 44.48

 

CMYK 43 / 8 / 0 / 8

HEX #86D7EA

RGB 134 215 234

HSL 191.4, 0.7%, 0.72%

LAB 81.63, -19.93, -17.1

 

CMYK 14 / 43 / 0 / 9

HEX #C985E9

RGB 201 133 233

HSL 280.8, 0.69%, 0.72%

LAB 65.81, 43.28, -40.45

 

CMYK 0 / 35 / 43 / 9

HEX #E99785

RGB 233 151 133

HSL 10.8, 0.69%, 0.72%

LAB 70.28, 28.76, 22.25

 

CMYK 29 / 0 / 43 / 9

HEX #A5E985

RGB 165 233 133

HSL 100.8, 0.69%, 0.72%

LAB 85.99, -39, 41.87

 

Description

Color code: HEX #86D7EA | qconv.com Color code: HEX #86D7EA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 215 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 215 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 8 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 8% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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