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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #86CD07 it is the complementary color #7932F8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #86CD07. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #86CD07 shade: #8BCD02, #9CDF15, #ADF128, #BEFF3B and #CFFF4E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #86CD07. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #86CD07 shade: #86CD07, #75BB00, #64A900, #539700 and #428500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #86CD07 shade: #87CE07, #BCCE07, #CEAA07, #CE7407 and #CE3F07

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #86CD07 shade: #87CE07, #51CE07, #1BCE07, #07CE28 and #07CE5E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #86CD07 shade matches the following richer shades: #87CE07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #86CD07 shade: #87CE07, #82BD18, #7DAC2A, #789A3B and #73894C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #86CD07 shade: #CEAA07, #BECE07, #88CE07, #53CE07 and #1ECE07

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #86CD07 shade: #537F04, #6DA606, #87CE07, #A1F609 and #B0F731

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #86CD07 shade: #86CD07, #07CE75 and #C407CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #86CD07 shade: #86CD07, #0788CE and #CE0788

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #86CD07 shade: #86CD07, #07CE75, #4D07CE and #CE0761

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #86CD07 shade: #86CD07, #07CEB0, #4D07CE and #CE0725

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 97 / 20

HEX #86CD07

RGB 134 205 7

HSL 81.52, 0.93%, 0.42%

LAB 75.29, -46.76, 73.85

 

Complementary color

CMYK 51 / 80 / 0 / 3

HEX #7932F8

RGB 121 50 248

HSL 261.52, 0.93%, 0.58%

LAB 42.95, 70.36, -86.04

 

CMYK 32 / 0 / 99 / 20

HEX #8BCD02

RGB 139 205 2

HSL 79.51, 0.98%, 0.41%

LAB 75.55, -45, 74.66

 

CMYK 30 / 0 / 91 / 13

HEX #9CDF15

RGB 156 223 21

HSL 79.9, 0.83%, 0.48%

LAB 81.78, -46.05, 77.91

 

CMYK 28 / 0 / 83 / 5

HEX #ADF128

RGB 173 241 40

HSL 80.3, 0.88%, 0.55%

LAB 87.94, -46.92, 79.96

 

CMYK 25 / 0 / 77 / 0

HEX #BEFF3B

RGB 190 255 59

HSL 79.9, 1%, 0.62%

LAB 92.92, -45.91, 79.95

 

CMYK 19 / 0 / 69 / 0

HEX #CFFF4E

RGB 207 255 78

HSL 76.27, 1%, 0.65%

LAB 94.03, -38.61, 75.32

 

CMYK 35 / 0 / 97 / 20

HEX #86CD07

RGB 134 205 7

HSL 81.52, 0.93%, 0.42%

LAB 75.29, -46.76, 73.85

 

CMYK 37 / 0 / 100 / 27

HEX #75BB00

RGB 117 187 0

HSL 82.46, 1%, 0.37%

LAB 68.98, -45.5, 69.31

 

CMYK 41 / 0 / 100 / 34

HEX #64A900

RGB 100 169 0

HSL 84.5, 1%, 0.33%

LAB 62.58, -44.09, 63.98

 

CMYK 45 / 0 / 100 / 41

HEX #539700

RGB 83 151 0

HSL 87.02, 1%, 0.3%

LAB 56.06, -42.62, 58.56

 

CMYK 50 / 0 / 100 / 48

HEX #428500

RGB 66 133 0

HSL 90.23, 1%, 0.26%

LAB 49.42, -41.03, 53.05

 

CMYK 34 / 0 / 97 / 19

HEX #87CE07

RGB 135 206 7

HSL 81.41, 0.93%, 0.42%

LAB 75.64, -46.81, 74.15

 

CMYK 9 / 0 / 97 / 19

HEX #BCCE07

RGB 188 206 7

HSL 65.43, 0.93%, 0.42%

LAB 78.95, -25.9, 78.14

 

CMYK 0 / 17 / 97 / 19

HEX #CEAA07

RGB 206 170 7

HSL 49.15, 0.93%, 0.42%

LAB 70.79, 0.17, 72.76

 

CMYK 0 / 44 / 97 / 19

HEX #CE7407

RGB 206 116 7

HSL 32.86, 0.93%, 0.42%

LAB 57.68, 29.29, 63.6

 

CMYK 0 / 69 / 97 / 19

HEX #CE3F07

RGB 206 63 7

HSL 16.88, 0.93%, 0.42%

LAB 47.87, 54.47, 57.48

 

CMYK 34 / 0 / 97 / 19

HEX #87CE07

RGB 135 206 7

HSL 81.41, 0.93%, 0.42%

LAB 75.64, -46.81, 74.15

 

CMYK 61 / 0 / 97 / 19

HEX #51CE07

RGB 81 206 7

HSL 97.69, 0.93%, 0.42%

LAB 73.49, -63.22, 71.51

 

CMYK 87 / 0 / 97 / 19

HEX #1BCE07

RGB 27 206 7

HSL 113.97, 0.93%, 0.42%

LAB 72.49, -71.83, 70.29

 

CMYK 97 / 0 / 81 / 19

HEX #07CE28

RGB 7 206 40

HSL 129.95, 0.93%, 0.42%

LAB 72.46, -71.78, 64.19

 

CMYK 97 / 0 / 54 / 19

HEX #07CE5E

RGB 7 206 94

HSL 146.23, 0.93%, 0.42%

LAB 72.89, -66.33, 43.49

 

CMYK 34 / 0 / 97 / 19

HEX #87CE07

RGB 135 206 7

HSL 81.41, 0.93%, 0.42%

LAB 75.64, -46.81, 74.15

 

CMYK 34 / 0 / 97 / 19

HEX #87CE07

RGB 135 206 7

HSL 81.41, 0.93%, 0.42%

LAB 75.64, -46.81, 74.15

 

CMYK 31 / 0 / 87 / 26

HEX #82BD18

RGB 130 189 24

HSL 81.45, 0.77%, 0.42%

LAB 70.32, -41.1, 67.34

 

CMYK 27 / 0 / 76 / 33

HEX #7DAC2A

RGB 125 172 42

HSL 81.69, 0.61%, 0.42%

LAB 64.99, -34.7, 57.6

 

CMYK 22 / 0 / 62 / 40

HEX #789A3B

RGB 120 154 59

HSL 81.47, 0.45%, 0.42%

LAB 59.36, -26.99, 44.89

 

CMYK 16 / 0 / 45 / 46

HEX #73894C

RGB 115 137 76

HSL 81.64, 0.29%, 0.42%

LAB 54.09, -18.63, 30.06

 

CMYK 0 / 17 / 97 / 19

HEX #CEAA07

RGB 206 170 7

HSL 49.15, 0.93%, 0.42%

LAB 70.79, 0.17, 72.76

 

CMYK 8 / 0 / 97 / 19

HEX #BECE07

RGB 190 206 7

HSL 64.82, 0.93%, 0.42%

LAB 79.1, -25.06, 78.31

 

CMYK 34 / 0 / 97 / 19

HEX #88CE07

RGB 136 206 7

HSL 81.11, 0.93%, 0.42%

LAB 75.69, -46.45, 74.21

 

CMYK 60 / 0 / 97 / 19

HEX #53CE07

RGB 83 206 7

HSL 97.09, 0.93%, 0.42%

LAB 73.54, -62.74, 71.59

 

CMYK 85 / 0 / 97 / 19

HEX #1ECE07

RGB 30 206 7

HSL 113.07, 0.93%, 0.42%

LAB 72.52, -71.57, 70.33

 

CMYK 35 / 0 / 97 / 50

HEX #537F04

RGB 83 127 4

HSL 81.46, 0.94%, 0.26%

LAB 48.29, -32.15, 51.73

 

CMYK 34 / 0 / 96 / 35

HEX #6DA606

RGB 109 166 6

HSL 81.38, 0.93%, 0.34%

LAB 62.11, -39.43, 63

 

CMYK 34 / 0 / 97 / 19

HEX #87CE07

RGB 135 206 7

HSL 81.41, 0.93%, 0.42%

LAB 75.64, -46.81, 74.15

 

CMYK 35 / 0 / 96 / 4

HEX #A1F609

RGB 161 246 9

HSL 81.52, 0.93%, 0.5%

LAB 88.69, -53.9, 84.79

 

CMYK 29 / 0 / 80 / 3

HEX #B0F731

RGB 176 247 49

HSL 81.52, 0.93%, 0.58%

LAB 89.85, -48.03, 79.56

 

CMYK 35 / 0 / 97 / 20

HEX #86CD07

RGB 134 205 7

HSL 81.52, 0.93%, 0.42%

LAB 75.29, -46.76, 73.85

 

CMYK 97 / 0 / 43 / 19

HEX #07CE75

RGB 7 206 117

HSL 153.17, 0.93%, 0.42%

LAB 73.2, -62.56, 32.53

 

CMYK 5 / 97 / 0 / 19

HEX #C407CE

RGB 196 7 206

HSL 296.98, 0.93%, 0.42%

LAB 47.42, 81.5, -54.4

 

CMYK 35 / 0 / 97 / 20

HEX #86CD07

RGB 134 205 7

HSL 81.52, 0.93%, 0.42%

LAB 75.29, -46.76, 73.85

 

CMYK 97 / 34 / 0 / 19

HEX #0788CE

RGB 7 136 206

HSL 201.11, 0.93%, 0.42%

LAB 54.14, -4.79, -44.48

 

CMYK 0 / 97 / 34 / 19

HEX #CE0788

RGB 206 7 136

HSL 321.11, 0.93%, 0.42%

LAB 45.7, 74.36, -15.45

 

CMYK 35 / 0 / 97 / 20

HEX #86CD07

RGB 134 205 7

HSL 81.52, 0.93%, 0.42%

LAB 75.29, -46.76, 73.85

 

CMYK 97 / 0 / 43 / 19

HEX #07CE75

RGB 7 206 117

HSL 153.17, 0.93%, 0.42%

LAB 73.2, -62.56, 32.53

 

CMYK 63 / 97 / 0 / 19

HEX #4D07CE

RGB 77 7 206

HSL 261.11, 0.93%, 0.42%

LAB 29.88, 68.04, -83.8

 

CMYK 0 / 97 / 53 / 19

HEX #CE0761

RGB 206 7 97

HSL 332.86, 0.93%, 0.42%

LAB 44.43, 70.98, 6.78

 

CMYK 35 / 0 / 97 / 20

HEX #86CD07

RGB 134 205 7

HSL 81.52, 0.93%, 0.42%

LAB 75.29, -46.76, 73.85

 

CMYK 97 / 0 / 15 / 19

HEX #07CEB0

RGB 7 206 176

HSL 170.95, 0.93%, 0.42%

LAB 74.4, -49.22, 2.98

 

CMYK 63 / 97 / 0 / 19

HEX #4D07CE

RGB 77 7 206

HSL 261.11, 0.93%, 0.42%

LAB 29.88, 68.04, -83.8

 

CMYK 0 / 97 / 82 / 19

HEX #CE0725

RGB 206 7 37

HSL 350.95, 0.93%, 0.42%

LAB 43.37, 68.1, 42.13

 

Description

Color code: HEX #86CD07 | qconv.com Color code: HEX #86CD07 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 205 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 205 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 97 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 97% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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