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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #86CAF7 it is the complementary color #793508. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #86CAF7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #86CAF7 shade: #8BCAF2, #9CDCFF, #ADEEFF, #BEFFFF and #CFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #86CAF7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #86CAF7 shade: #86CAF7, #75B8E4, #64A6D1, #5394BE and #4282AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #86CAF7 shade: #87CAF7, #87ACF7, #878EF7, #9E87F7 and #BC87F7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #86CAF7 shade: #87CAF7, #87ACF7, #878EF7 and #8787F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #86CAF7 shade matches the following richer shades: #87CAF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #86CAF7 shade: #87CAF7, #91C8ED, #9BC6E2, #A6C4D8 and #B0C2CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #86CAF7 shade: #87F7E6, #87EAF7, #87CCF7, #87AEF7 and #8790F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #86CAF7 shade: #39A8F2, #60B9F4, #87CAF7, #ADDBF9 and #D4ECFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #86CAF7 shade: #86CAF7, #C887F7 and #F7F587

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #86CAF7 shade: #86CAF7, #F787CC and #CCF787

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #86CAF7 shade: #86CAF7, #C887F7, #F7B287 and #B5F787

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #86CAF7 shade: #86CAF7, #EA87F7, #F7B287 and #94F787

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 18 / 0 / 3

HEX #86CAF7

RGB 134 202 247

HSL 203.89, 0.88%, 0.75%

LAB 78.48, -9.77, -28.83

 

Complementary color

CMYK 0 / 56 / 93 / 53

HEX #793508

RGB 121 53 8

HSL 23.89, 0.88%, 0.25%

LAB 30.95, 27.24, 38.72

 

CMYK 43 / 17 / 0 / 5

HEX #8BCAF2

RGB 139 202 242

HSL 203.3, 0.8%, 0.75%

LAB 78.54, -9.91, -26.03

 

CMYK 39 / 14 / 0 / 0

HEX #9CDCFF

RGB 156 220 255

HSL 201.21, 1%, 0.81%

LAB 84.73, -11.65, -23.44

 

CMYK 32 / 7 / 0 / 0

HEX #ADEEFF

RGB 173 238 255

HSL 192.44, 1%, 0.84%

LAB 90.44, -16.34, -14.73

 

CMYK 25 / 0 / 0 / 0

HEX #BEFFFF

RGB 190 255 255

HSL 180, 1%, 0.87%

LAB 95.87, -20.05, -6.56

 

CMYK 19 / 0 / 0 / 0

HEX #CFFFFF

RGB 207 255 255

HSL 180, 1%, 0.91%

LAB 96.82, -15.12, -5.04

 

CMYK 46 / 18 / 0 / 3

HEX #86CAF7

RGB 134 202 247

HSL 203.89, 0.88%, 0.75%

LAB 78.48, -9.77, -28.83

 

CMYK 49 / 19 / 0 / 11

HEX #75B8E4

RGB 117 184 228

HSL 203.78, 0.67%, 0.68%

LAB 72, -9.44, -28.59

 

CMYK 52 / 21 / 0 / 18

HEX #64A6D1

RGB 100 166 209

HSL 203.67, 0.54%, 0.61%

LAB 65.42, -9.03, -28.36

 

CMYK 56 / 22 / 0 / 25

HEX #5394BE

RGB 83 148 190

HSL 203.55, 0.45%, 0.54%

LAB 58.73, -8.51, -28.13

 

CMYK 61 / 24 / 0 / 33

HEX #4282AB

RGB 66 130 171

HSL 203.43, 0.44%, 0.46%

LAB 51.91, -7.83, -27.89

 

CMYK 45 / 18 / 0 / 3

HEX #87CAF7

RGB 135 202 247

HSL 204.11, 0.88%, 0.75%

LAB 78.52, -9.53, -28.75

 

CMYK 45 / 30 / 0 / 3

HEX #87ACF7

RGB 135 172 247

HSL 220.18, 0.88%, 0.75%

LAB 70.44, 6.85, -41.27

 

CMYK 45 / 43 / 0 / 3

HEX #878EF7

RGB 135 142 247

HSL 236.25, 0.88%, 0.75%

LAB 62.69, 24.11, -53.48

 

CMYK 36 / 45 / 0 / 3

HEX #9E87F7

RGB 158 135 247

HSL 252.32, 0.88%, 0.75%

LAB 62.77, 33.77, -53.24

 

CMYK 24 / 45 / 0 / 3

HEX #BC87F7

RGB 188 135 247

HSL 268.39, 0.88%, 0.75%

LAB 65.54, 41.64, -48.67

 

CMYK 45 / 18 / 0 / 3

HEX #87CAF7

RGB 135 202 247

HSL 204.11, 0.88%, 0.75%

LAB 78.52, -9.53, -28.75

 

CMYK 45 / 30 / 0 / 3

HEX #87ACF7

RGB 135 172 247

HSL 220.18, 0.88%, 0.75%

LAB 70.44, 6.85, -41.27

 

CMYK 45 / 43 / 0 / 3

HEX #878EF7

RGB 135 142 247

HSL 236.25, 0.88%, 0.75%

LAB 62.69, 24.11, -53.48

 

CMYK 45 / 45 / 0 / 3

HEX #8787F7

RGB 135 135 247

HSL 240, 0.88%, 0.75%

LAB 60.95, 28.2, -56.24

 

CMYK 45 / 18 / 0 / 3

HEX #87CAF7

RGB 135 202 247

HSL 204.11, 0.88%, 0.75%

LAB 78.52, -9.53, -28.75

 

CMYK 45 / 18 / 0 / 3

HEX #87CAF7

RGB 135 202 247

HSL 204.11, 0.88%, 0.75%

LAB 78.52, -9.53, -28.75

 

CMYK 39 / 16 / 0 / 7

HEX #91C8ED

RGB 145 200 237

HSL 204.13, 0.72%, 0.75%

LAB 78.14, -8.65, -23.94

 

CMYK 31 / 12 / 0 / 11

HEX #9BC6E2

RGB 155 198 226

HSL 203.66, 0.55%, 0.75%

LAB 77.79, -7.63, -18.51

 

CMYK 23 / 9 / 0 / 15

HEX #A6C4D8

RGB 166 196 216

HSL 204, 0.39%, 0.75%

LAB 77.61, -5.69, -13.32

 

CMYK 15 / 6 / 0 / 19

HEX #B0C2CE

RGB 176 194 206

HSL 204, 0.23%, 0.75%

LAB 77.44, -3.67, -8.1

 

CMYK 45 / 0 / 7 / 3

HEX #87F7E6

RGB 135 247 230

HSL 170.89, 0.88%, 0.75%

LAB 90.5, -36.08, -1.8

 

CMYK 45 / 5 / 0 / 3

HEX #87EAF7

RGB 135 234 247

HSL 186.96, 0.88%, 0.75%

LAB 87.34, -25.78, -15.37

 

CMYK 45 / 17 / 0 / 3

HEX #87CCF7

RGB 135 204 247

HSL 203.04, 0.88%, 0.75%

LAB 79.07, -10.59, -27.91

 

CMYK 45 / 30 / 0 / 3

HEX #87AEF7

RGB 135 174 247

HSL 219.11, 0.88%, 0.75%

LAB 70.97, 5.73, -40.44

 

CMYK 45 / 42 / 0 / 3

HEX #8790F7

RGB 135 144 247

HSL 235.18, 0.88%, 0.75%

LAB 63.19, 22.94, -52.68

 

CMYK 76 / 31 / 0 / 5

HEX #39A8F2

RGB 57 168 242

HSL 204, 0.88%, 0.59%

LAB 65.97, -6.51, -45.77

 

CMYK 61 / 24 / 0 / 4

HEX #60B9F4

RGB 96 185 244

HSL 203.92, 0.87%, 0.67%

LAB 72.04, -9.52, -37.28

 

CMYK 45 / 18 / 0 / 3

HEX #87CAF7

RGB 135 202 247

HSL 204.11, 0.88%, 0.75%

LAB 78.52, -9.53, -28.75

 

CMYK 31 / 12 / 0 / 2

HEX #ADDBF9

RGB 173 219 249

HSL 203.68, 0.86%, 0.83%

LAB 85.19, -8.06, -19.47

 

CMYK 16 / 6 / 0 / 1

HEX #D4ECFC

RGB 212 236 252

HSL 204, 0.87%, 0.91%

LAB 92.14, -4.66, -10.39

 

CMYK 46 / 18 / 0 / 3

HEX #86CAF7

RGB 134 202 247

HSL 203.89, 0.88%, 0.75%

LAB 78.48, -9.77, -28.83

 

CMYK 19 / 45 / 0 / 3

HEX #C887F7

RGB 200 135 247

HSL 274.82, 0.88%, 0.75%

LAB 66.77, 44.91, -46.66

 

CMYK 0 / 1 / 45 / 3

HEX #F7F587

RGB 247 245 135

HSL 58.93, 0.88%, 0.75%

LAB 94.67, -14.18, 52.88

 

CMYK 46 / 18 / 0 / 3

HEX #86CAF7

RGB 134 202 247

HSL 203.89, 0.88%, 0.75%

LAB 78.48, -9.77, -28.83

 

CMYK 0 / 45 / 17 / 3

HEX #F787CC

RGB 247 135 204

HSL 323.04, 0.88%, 0.75%

LAB 70.5, 51.07, -16.7

 

CMYK 17 / 0 / 45 / 3

HEX #CCF787

RGB 204 247 135

HSL 83.04, 0.88%, 0.75%

LAB 92.18, -31.41, 49.15

 

CMYK 46 / 18 / 0 / 3

HEX #86CAF7

RGB 134 202 247

HSL 203.89, 0.88%, 0.75%

LAB 78.48, -9.77, -28.83

 

CMYK 19 / 45 / 0 / 3

HEX #C887F7

RGB 200 135 247

HSL 274.82, 0.88%, 0.75%

LAB 66.77, 44.91, -46.66

 

CMYK 0 / 28 / 45 / 3

HEX #F7B287

RGB 247 178 135

HSL 23.04, 0.88%, 0.75%

LAB 78.09, 20.12, 31.89

 

CMYK 27 / 0 / 45 / 3

HEX #B5F787

RGB 181 247 135

HSL 95.36, 0.88%, 0.75%

LAB 90.82, -39.56, 47.16

 

CMYK 46 / 18 / 0 / 3

HEX #86CAF7

RGB 134 202 247

HSL 203.89, 0.88%, 0.75%

LAB 78.48, -9.77, -28.83

 

CMYK 5 / 45 / 0 / 3

HEX #EA87F7

RGB 234 135 247

HSL 293.04, 0.88%, 0.75%

LAB 70.55, 54.39, -40.46

 

CMYK 0 / 28 / 45 / 3

HEX #F7B287

RGB 247 178 135

HSL 23.04, 0.88%, 0.75%

LAB 78.09, 20.12, 31.89

 

CMYK 40 / 0 / 45 / 3

HEX #94F787

RGB 148 247 135

HSL 113.04, 0.88%, 0.75%

LAB 89.19, -50.19, 44.77

 

Description

Color code: HEX #86CAF7 | qconv.com Color code: HEX #86CAF7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 202 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 202 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 18 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 18% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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