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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #864B5F it is the complementary color #79B4A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #864B5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #864B5F shade: #8B4B5A, #9C5D6D, #AD6F80, #BE8193 and #CF93A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #864B5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #864B5F shade: #864B5F, #75394C, #642739, #531526 and #420313

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #864B5F shade: #854B5F, #854B4F and #854B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #864B5F shade: #854B5F, #854B6E, #854B7E, #7D4B85 and #6D4B85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #864B5F shade matches the following richer shades: #854B5F, #963A59, #A72954, #B8184E and #C90749

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #864B5F shade: #854B5F, #745C64, #636D6A, #537E6F and #428E74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #864B5F shade: #854B7E, #854B6F, #854B5F, #854B50 and #85564B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #864B5F shade: #512D39, #6B3C4C, #854B5F, #A05A71 and #B07387

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #864B5F shade: #864B5F, #857D4B and #4B7785

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #864B5F shade: #864B5F, #5F854B and #4B5F85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #864B5F shade: #864B5F, #857D4B, #4B8571 and #4B5485

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #864B5F shade: #864B5F, #7D854B, #4B8571 and #544B85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 29 / 47

HEX #864B5F

RGB 134 75 95

HSL 339.66, 0.28%, 0.41%

LAB 39.46, 27.59, -0.74

 

Complementary color

CMYK 33 / 0 / 11 / 29

HEX #79B4A0

RGB 121 180 160

HSL 159.66, 0.28%, 0.59%

LAB 68.93, -23.57, 4.12

 

CMYK 0 / 46 / 35 / 45

HEX #8B4B5A

RGB 139 75 90

HSL 345.94, 0.3%, 0.42%

LAB 40.01, 28.82, 3.27

 

CMYK 0 / 40 / 30 / 39

HEX #9C5D6D

RGB 156 93 109

HSL 344.76, 0.25%, 0.49%

LAB 46.98, 27.85, 1.99

 

CMYK 0 / 36 / 26 / 32

HEX #AD6F80

RGB 173 111 128

HSL 343.55, 0.27%, 0.56%

LAB 53.83, 26.95, 0.9

 

CMYK 0 / 32 / 23 / 25

HEX #BE8193

RGB 190 129 147

HSL 342.3, 0.32%, 0.63%

LAB 60.56, 26.14, -0.05

 

CMYK 0 / 29 / 20 / 19

HEX #CF93A6

RGB 207 147 166

HSL 341, 0.38%, 0.69%

LAB 67.19, 25.4, -0.9

 

CMYK 0 / 44 / 29 / 47

HEX #864B5F

RGB 134 75 95

HSL 339.66, 0.28%, 0.41%

LAB 39.46, 27.59, -0.74

 

CMYK 0 / 51 / 35 / 54

HEX #75394C

RGB 117 57 76

HSL 341, 0.34%, 0.34%

LAB 32.32, 28.56, 0.61

 

CMYK 0 / 61 / 43 / 61

HEX #642739

RGB 100 39 57

HSL 342.3, 0.44%, 0.27%

LAB 25.12, 29.49, 2.39

 

CMYK 0 / 75 / 54 / 67

HEX #531526

RGB 83 21 38

HSL 343.55, 0.6%, 0.2%

LAB 17.99, 30.06, 4.98

 

CMYK 0 / 95 / 71 / 74

HEX #420313

RGB 66 3 19

HSL 344.76, 0.91%, 0.14%

LAB 11.07, 29.96, 8.57

 

CMYK 0 / 44 / 29 / 48

HEX #854B5F

RGB 133 75 95

HSL 339.31, 0.28%, 0.41%

LAB 39.32, 27.21, -0.96

 

CMYK 0 / 44 / 41 / 48

HEX #854B4F

RGB 133 75 79

HSL 355.86, 0.28%, 0.41%

LAB 38.87, 25.01, 8.38

 

CMYK 0 / 44 / 44 / 48

HEX #854B4B

RGB 133 75 75

HSL 0, 0.28%, 0.41%

LAB 38.77, 24.53, 10.74

 

CMYK 0 / 44 / 29 / 48

HEX #854B5F

RGB 133 75 95

HSL 339.31, 0.28%, 0.41%

LAB 39.32, 27.21, -0.96

 

CMYK 0 / 44 / 17 / 48

HEX #854B6E

RGB 133 75 110

HSL 323.79, 0.28%, 0.41%

LAB 39.82, 29.61, -9.54

 

CMYK 0 / 44 / 5 / 48

HEX #854B7E

RGB 133 75 126

HSL 307.24, 0.28%, 0.41%

LAB 40.45, 32.49, -18.45

 

CMYK 6 / 44 / 0 / 48

HEX #7D4B85

RGB 125 75 133

HSL 291.72, 0.28%, 0.41%

LAB 39.72, 31.25, -23.94

 

CMYK 18 / 44 / 0 / 48

HEX #6D4B85

RGB 109 75 133

HSL 275.17, 0.28%, 0.41%

LAB 37.8, 26.09, -27.09

 

CMYK 0 / 44 / 29 / 48

HEX #854B5F

RGB 133 75 95

HSL 339.31, 0.28%, 0.41%

LAB 39.32, 27.21, -0.96

 

CMYK 0 / 61 / 41 / 41

HEX #963A59

RGB 150 58 89

HSL 339.78, 0.44%, 0.41%

LAB 38.25, 41.61, 1.57

 

CMYK 0 / 75 / 50 / 35

HEX #A72954

RGB 167 41 84

HSL 339.52, 0.61%, 0.41%

LAB 38.62, 53.43, 5.67

 

CMYK 0 / 87 / 58 / 28

HEX #B8184E

RGB 184 24 78

HSL 339.75, 0.77%, 0.41%

LAB 40.24, 62.11, 12.24

 

CMYK 0 / 97 / 64 / 21

HEX #C90749

RGB 201 7 73

HSL 339.59, 0.93%, 0.41%

LAB 42.84, 68.3, 19.52

 

CMYK 0 / 44 / 29 / 48

HEX #854B5F

RGB 133 75 95

HSL 339.31, 0.28%, 0.41%

LAB 39.32, 27.21, -0.96

 

CMYK 0 / 21 / 14 / 55

HEX #745C64

RGB 116 92 100

HSL 340, 0.12%, 0.41%

LAB 41.67, 11.2, -0.85

 

CMYK 9 / 0 / 3 / 57

HEX #636D6A

RGB 99 109 106

HSL 162, 0.05%, 0.41%

LAB 45.12, -4.43, 0.37

 

CMYK 34 / 0 / 12 / 51

HEX #537E6F

RGB 83 126 111

HSL 159.07, 0.21%, 0.41%

LAB 49.38, -18.42, 3.45

 

CMYK 54 / 0 / 18 / 44

HEX #428E74

RGB 66 142 116

HSL 159.47, 0.37%, 0.41%

LAB 53.78, -30.13, 6.75

 

CMYK 0 / 44 / 5 / 48

HEX #854B7E

RGB 133 75 126

HSL 307.24, 0.28%, 0.41%

LAB 40.45, 32.49, -18.45

 

CMYK 0 / 44 / 17 / 48

HEX #854B6F

RGB 133 75 111

HSL 322.76, 0.28%, 0.41%

LAB 39.86, 29.78, -10.1

 

CMYK 0 / 44 / 29 / 48

HEX #854B5F

RGB 133 75 95

HSL 339.31, 0.28%, 0.41%

LAB 39.32, 27.21, -0.96

 

CMYK 0 / 44 / 40 / 48

HEX #854B50

RGB 133 75 80

HSL 354.83, 0.28%, 0.41%

LAB 38.89, 25.14, 7.8

 

CMYK 0 / 35 / 44 / 48

HEX #85564B

RGB 133 86 75

HSL 11.38, 0.28%, 0.41%

LAB 41.45, 18.1, 14.43

 

CMYK 0 / 44 / 30 / 68

HEX #512D39

RGB 81 45 57

HSL 340, 0.29%, 0.25%

LAB 23.41, 18.35, -0.48

 

CMYK 0 / 44 / 29 / 58

HEX #6B3C4C

RGB 107 60 76

HSL 339.57, 0.28%, 0.33%

LAB 31.53, 22.89, -0.73

 

CMYK 0 / 44 / 29 / 48

HEX #854B5F

RGB 133 75 95

HSL 339.31, 0.28%, 0.41%

LAB 39.32, 27.21, -0.96

 

CMYK 0 / 44 / 29 / 37

HEX #A05A71

RGB 160 90 113

HSL 340.29, 0.28%, 0.49%

LAB 46.95, 31.59, -0.4

 

CMYK 0 / 35 / 23 / 31

HEX #B07387

RGB 176 115 135

HSL 340.33, 0.28%, 0.57%

LAB 55.32, 26.89, -0.97

 

CMYK 0 / 44 / 29 / 47

HEX #864B5F

RGB 134 75 95

HSL 339.66, 0.28%, 0.41%

LAB 39.46, 27.59, -0.74

 

CMYK 0 / 6 / 44 / 48

HEX #857D4B

RGB 133 125 75

HSL 51.72, 0.28%, 0.41%

LAB 52.02, -4.59, 28.31

 

CMYK 44 / 11 / 0 / 48

HEX #4B7785

RGB 75 119 133

HSL 194.48, 0.28%, 0.41%

LAB 47.47, -11.23, -12.42

 

CMYK 0 / 44 / 29 / 47

HEX #864B5F

RGB 134 75 95

HSL 339.66, 0.28%, 0.41%

LAB 39.46, 27.59, -0.74

 

CMYK 29 / 0 / 44 / 48

HEX #5F854B

RGB 95 133 75

HSL 99.31, 0.28%, 0.41%

LAB 51.51, -24.6, 27.07

 

CMYK 44 / 29 / 0 / 48

HEX #4B5F85

RGB 75 95 133

HSL 219.31, 0.28%, 0.41%

LAB 40.2, 3.08, -23.56

 

CMYK 0 / 44 / 29 / 47

HEX #864B5F

RGB 134 75 95

HSL 339.66, 0.28%, 0.41%

LAB 39.46, 27.59, -0.74

 

CMYK 0 / 6 / 44 / 48

HEX #857D4B

RGB 133 125 75

HSL 51.72, 0.28%, 0.41%

LAB 52.02, -4.59, 28.31

 

CMYK 44 / 0 / 15 / 48

HEX #4B8571

RGB 75 133 113

HSL 159.31, 0.28%, 0.41%

LAB 51.22, -24.02, 4.88

 

CMYK 44 / 37 / 0 / 48

HEX #4B5485

RGB 75 84 133

HSL 230.69, 0.28%, 0.41%

LAB 36.99, 10.04, -28.59

 

CMYK 0 / 44 / 29 / 47

HEX #864B5F

RGB 134 75 95

HSL 339.66, 0.28%, 0.41%

LAB 39.46, 27.59, -0.74

 

CMYK 6 / 0 / 44 / 48

HEX #7D854B

RGB 125 133 75

HSL 68.28, 0.28%, 0.41%

LAB 53.65, -12.46, 30.21

 

CMYK 44 / 0 / 15 / 48

HEX #4B8571

RGB 75 133 113

HSL 159.31, 0.28%, 0.41%

LAB 51.22, -24.02, 4.88

 

CMYK 37 / 44 / 0 / 48

HEX #544B85

RGB 84 75 133

HSL 249.31, 0.28%, 0.41%

LAB 35.22, 18.4, -31.32

 

Description

Color code: HEX #864B5F | qconv.com Color code: HEX #864B5F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 75 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 75 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 29 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 29% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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