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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #863E22 it is the complementary color #79C1DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #863E22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #863E22 shade: #8B3E1D, #9C5030, #AD6243, #BE7456 and #CF8669

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #863E22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #863E22 shade: #863E22, #752C0F, #641A00, #530800 and #420000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #863E22 shade: #863D21, #862221 and #862121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #863E22 shade: #863D21, #865921, #867421, #7D8621 and #628621

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #863E22 shade matches the following richer shades: #863D21, #943714 and #A13106

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #863E22 shade: #863D21, #79432F, #6B493C, #5D4F4A and #505558

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #863E22 shade: #86213C, #862121, #863C21, #865721 and #867221

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #863E22 shade: #441F11, #652E19, #863D21, #A74D29 and #C85C32

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #863E22 shade: #863E22, #578621 and #212F86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #863E22 shade: #863E22, #21863C and #3C2186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #863E22 shade: #863E22, #578621, #216B86 and #502186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #863E22 shade: #863E22, #398621, #216B86 and #6F2186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 75 / 47

HEX #863E22

RGB 134 62 34

HSL 16.8, 0.6%, 0.33%

LAB 35.26, 28.78, 31.12

 

Complementary color

CMYK 45 / 13 / 0 / 13

HEX #79C1DD

RGB 121 193 221

HSL 196.8, 0.6%, 0.67%

LAB 74.46, -15.2, -21.02

 

CMYK 0 / 55 / 79 / 45

HEX #8B3E1D

RGB 139 62 29

HSL 18, 0.65%, 0.33%

LAB 36.03, 30.63, 34.9

 

CMYK 0 / 49 / 69 / 39

HEX #9C5030

RGB 156 80 48

HSL 17.78, 0.53%, 0.4%

LAB 42.79, 28.92, 32.69

 

CMYK 0 / 43 / 61 / 32

HEX #AD6243

RGB 173 98 67

HSL 17.55, 0.44%, 0.47%

LAB 49.53, 27.39, 30.64

 

CMYK 0 / 39 / 55 / 25

HEX #BE7456

RGB 190 116 86

HSL 17.31, 0.44%, 0.54%

LAB 56.2, 26.03, 28.8

 

CMYK 0 / 35 / 49 / 19

HEX #CF8669

RGB 207 134 105

HSL 17.06, 0.52%, 0.61%

LAB 62.79, 24.84, 27.16

 

CMYK 0 / 54 / 75 / 47

HEX #863E22

RGB 134 62 34

HSL 16.8, 0.6%, 0.33%

LAB 35.26, 28.78, 31.12

 

CMYK 0 / 62 / 87 / 54

HEX #752C0F

RGB 117 44 15

HSL 17.06, 0.77%, 0.26%

LAB 28.43, 30.54, 33.39

 

CMYK 0 / 74 / 100 / 61

HEX #641A00

RGB 100 26 0

HSL 15.6, 1%, 0.2%

LAB 21.76, 32.11, 32.23

 

CMYK 0 / 90 / 100 / 67

HEX #530800

RGB 83 8 0

HSL 5.78, 1%, 0.16%

LAB 15.55, 32.75, 24.01

 

CMYK 0 / 100 / 100 / 74

HEX #420000

RGB 66 0 0

HSL 0, 1%, 0.13%

LAB 10.25, 30.37, 16.16

 

CMYK 0 / 54 / 75 / 47

HEX #863D21

RGB 134 61 33

HSL 16.63, 0.6%, 0.33%

LAB 35.03, 29.28, 31.44

 

CMYK 0 / 75 / 75 / 47

HEX #862221

RGB 134 34 33

HSL 0.59, 0.6%, 0.33%

LAB 30.21, 42.08, 26.07

 

CMYK 0 / 75 / 75 / 47

HEX #862121

RGB 134 33 33

HSL 0, 0.6%, 0.33%

LAB 30.07, 42.46, 25.91

 

CMYK 0 / 54 / 75 / 47

HEX #863D21

RGB 134 61 33

HSL 16.63, 0.6%, 0.33%

LAB 35.03, 29.28, 31.44

 

CMYK 0 / 34 / 75 / 47

HEX #865921

RGB 134 89 33

HSL 33.27, 0.6%, 0.33%

LAB 41.72, 13.21, 38.48

 

CMYK 0 / 13 / 75 / 47

HEX #867421

RGB 134 116 33

HSL 49.31, 0.6%, 0.33%

LAB 49.09, -2.49, 45.81

 

CMYK 7 / 0 / 75 / 47

HEX #7D8621

RGB 125 134 33

HSL 65.35, 0.6%, 0.33%

LAB 53.51, -16.5, 49.78

 

CMYK 27 / 0 / 75 / 47

HEX #628621

RGB 98 134 33

HSL 81.39, 0.6%, 0.33%

LAB 51.56, -28.18, 47.22

 

CMYK 0 / 54 / 75 / 47

HEX #863D21

RGB 134 61 33

HSL 16.63, 0.6%, 0.33%

LAB 35.03, 29.28, 31.44

 

CMYK 0 / 63 / 86 / 42

HEX #943714

RGB 148 55 20

HSL 16.41, 0.76%, 0.33%

LAB 36.14, 37.47, 39.98

 

CMYK 0 / 70 / 96 / 37

HEX #A13106

RGB 161 49 6

HSL 16.65, 0.93%, 0.33%

LAB 37.46, 44.67, 47.33

 

CMYK 0 / 54 / 75 / 47

HEX #863D21

RGB 134 61 33

HSL 16.63, 0.6%, 0.33%

LAB 35.03, 29.28, 31.44

 

CMYK 0 / 45 / 61 / 53

HEX #79432F

RGB 121 67 47

HSL 16.22, 0.44%, 0.33%

LAB 34.57, 21.22, 22.17

 

CMYK 0 / 32 / 44 / 58

HEX #6B493C

RGB 107 73 60

HSL 16.6, 0.28%, 0.33%

LAB 34.43, 12.71, 13.59

 

CMYK 0 / 15 / 20 / 64

HEX #5D4F4A

RGB 93 79 74

HSL 15.79, 0.11%, 0.33%

LAB 34.83, 4.91, 5.1

 

CMYK 9 / 3 / 0 / 65

HEX #505558

RGB 80 85 88

HSL 202.5, 0.05%, 0.33%

LAB 35.8, -1.31, -2.44

 

CMYK 0 / 75 / 55 / 47

HEX #86213C

RGB 134 33 60

HSL 343.96, 0.6%, 0.33%

LAB 30.6, 44.21, 9.03

 

CMYK 0 / 75 / 75 / 47

HEX #862121

RGB 134 33 33

HSL 0, 0.6%, 0.33%

LAB 30.07, 42.46, 25.91

 

CMYK 0 / 55 / 75 / 47

HEX #863C21

RGB 134 60 33

HSL 16.04, 0.6%, 0.33%

LAB 34.82, 29.82, 31.21

 

CMYK 0 / 35 / 75 / 47

HEX #865721

RGB 134 87 33

HSL 32.08, 0.6%, 0.33%

LAB 41.21, 14.38, 37.95

 

CMYK 0 / 15 / 75 / 47

HEX #867221

RGB 134 114 33

HSL 48.12, 0.6%, 0.33%

LAB 48.53, -1.35, 45.26

 

CMYK 0 / 54 / 75 / 73

HEX #441F11

RGB 68 31 17

HSL 16.47, 0.6%, 0.17%

LAB 16.75, 16.43, 17.32

 

CMYK 0 / 54 / 75 / 60

HEX #652E19

RGB 101 46 25

HSL 16.58, 0.6%, 0.25%

LAB 26.13, 23.07, 24.69

 

CMYK 0 / 54 / 75 / 47

HEX #863D21

RGB 134 61 33

HSL 16.63, 0.6%, 0.33%

LAB 35.03, 29.28, 31.44

 

CMYK 0 / 54 / 75 / 35

HEX #A74D29

RGB 167 77 41

HSL 17.14, 0.61%, 0.41%

LAB 43.78, 34.65, 38.06

 

CMYK 0 / 54 / 75 / 22

HEX #C85C32

RGB 200 92 50

HSL 16.8, 0.6%, 0.49%

LAB 52.02, 40.37, 43.7

 

CMYK 0 / 54 / 75 / 47

HEX #863E22

RGB 134 62 34

HSL 16.8, 0.6%, 0.33%

LAB 35.26, 28.78, 31.12

 

CMYK 35 / 0 / 75 / 47

HEX #578621

RGB 87 134 33

HSL 87.92, 0.6%, 0.33%

LAB 50.9, -32.56, 46.35

 

CMYK 75 / 65 / 0 / 47

HEX #212F86

RGB 33 47 134

HSL 231.68, 0.6%, 0.33%

LAB 23.93, 26.4, -50.32

 

CMYK 0 / 54 / 75 / 47

HEX #863E22

RGB 134 62 34

HSL 16.8, 0.6%, 0.33%

LAB 35.26, 28.78, 31.12

 

CMYK 75 / 0 / 55 / 47

HEX #21863C

RGB 33 134 60

HSL 136.04, 0.6%, 0.33%

LAB 49.13, -44.94, 31.54

 

CMYK 55 / 75 / 0 / 47

HEX #3C2186

RGB 60 33 134

HSL 256.04, 0.6%, 0.33%

LAB 22.89, 39, -51.93

 

CMYK 0 / 54 / 75 / 47

HEX #863E22

RGB 134 62 34

HSL 16.8, 0.6%, 0.33%

LAB 35.26, 28.78, 31.12

 

CMYK 35 / 0 / 75 / 47

HEX #578621

RGB 87 134 33

HSL 87.92, 0.6%, 0.33%

LAB 50.9, -32.56, 46.35

 

CMYK 75 / 20 / 0 / 47

HEX #216B86

RGB 33 107 134

HSL 196.04, 0.6%, 0.33%

LAB 42.09, -12.89, -21.39

 

CMYK 40 / 75 / 0 / 47

HEX #502186

RGB 80 33 134

HSL 267.92, 0.6%, 0.33%

LAB 25.3, 42.5, -47.89

 

CMYK 0 / 54 / 75 / 47

HEX #863E22

RGB 134 62 34

HSL 16.8, 0.6%, 0.33%

LAB 35.26, 28.78, 31.12

 

CMYK 57 / 0 / 75 / 47

HEX #398621

RGB 57 134 33

HSL 105.74, 0.6%, 0.33%

LAB 49.53, -42.65, 44.53

 

CMYK 75 / 20 / 0 / 47

HEX #216B86

RGB 33 107 134

HSL 196.04, 0.6%, 0.33%

LAB 42.09, -12.89, -21.39

 

CMYK 17 / 75 / 0 / 47

HEX #6F2186

RGB 111 33 134

HSL 286.34, 0.6%, 0.33%

LAB 29.88, 48.83, -40.26

 

Description

Color code: HEX #863E22 | qconv.com Color code: HEX #863E22 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 62 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 62 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 75 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 75% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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