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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #86339D it is the complementary color #79CC62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #86339D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #86339D shade: #8B3398, #9C45AB, #AD57BE, #BE69D1 and #CF7BE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #86339D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #86339D shade: #86339D, #75218A, #640F77, #530064 and #420051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #86339D shade: #86339D, #9D3398, #9D337B, #9D335E and #9D3341

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #86339D shade: #86339D, #69339D, #4D339D and #33339D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #86339D shade matches the following richer shades: #86339D, #9022AE, #9911BF and #A300D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #86339D shade: #86339D, #7D448C, #73557C, #6A656B and #60765A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #86339D shade: #4C339D, #68339D, #84339D, #9D339A and #9D337D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #86339D shade: #511F5F, #6C297E, #86339D, #A13DBD and #B15AC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #86339D shade: #86339D, #9D3336 and #339D5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #86339D shade: #86339D, #9D8433 and #339D84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #86339D shade: #86339D, #9D3336, #4C9D33 and #339D9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #86339D shade: #86339D, #9D4F33, #4C9D33 and #33819D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 68 / 0 / 38

HEX #86339D

RGB 134 51 157

HSL 286.98, 0.51%, 0.41%

LAB 37.61, 51.2, -41.78

 

Complementary color

CMYK 41 / 0 / 52 / 20

HEX #79CC62

RGB 121 204 98

HSL 106.98, 0.51%, 0.59%

LAB 74.91, -45.17, 44.63

 

CMYK 9 / 66 / 0 / 40

HEX #8B3398

RGB 139 51 152

HSL 292.28, 0.5%, 0.4%

LAB 38.06, 51.41, -37.99

 

CMYK 9 / 60 / 0 / 33

HEX #9C45AB

RGB 156 69 171

HSL 291.18, 0.43%, 0.47%

LAB 44.61, 51.18, -38.81

 

CMYK 9 / 54 / 0 / 25

HEX #AD57BE

RGB 173 87 190

HSL 290.1, 0.44%, 0.54%

LAB 51.17, 50.65, -39.39

 

CMYK 9 / 50 / 0 / 18

HEX #BE69D1

RGB 190 105 209

HSL 289.04, 0.53%, 0.62%

LAB 57.71, 49.98, -39.82

 

CMYK 9 / 46 / 0 / 11

HEX #CF7BE4

RGB 207 123 228

HSL 288, 0.66%, 0.69%

LAB 64.19, 49.24, -40.17

 

CMYK 15 / 68 / 0 / 38

HEX #86339D

RGB 134 51 157

HSL 286.98, 0.51%, 0.41%

LAB 37.61, 51.2, -41.78

 

CMYK 15 / 76 / 0 / 46

HEX #75218A

RGB 117 33 138

HSL 288, 0.61%, 0.34%

LAB 31.12, 50.92, -40.7

 

CMYK 16 / 87 / 0 / 53

HEX #640F77

RGB 100 15 119

HSL 289.04, 0.78%, 0.26%

LAB 24.9, 49.53, -38.92

 

CMYK 17 / 100 / 0 / 61

HEX #530064

RGB 83 0 100

HSL 289.8, 1%, 0.2%

LAB 19.05, 46.52, -36.19

 

CMYK 19 / 100 / 0 / 68

HEX #420051

RGB 66 0 81

HSL 288.89, 1%, 0.16%

LAB 14.13, 40.07, -31.56

 

CMYK 15 / 68 / 0 / 38

HEX #86339D

RGB 134 51 157

HSL 286.98, 0.51%, 0.41%

LAB 37.61, 51.2, -41.78

 

CMYK 0 / 68 / 3 / 38

HEX #9D3398

RGB 157 51 152

HSL 302.83, 0.51%, 0.41%

LAB 40.9, 55.83, -33.31

 

CMYK 0 / 68 / 22 / 38

HEX #9D337B

RGB 157 51 123

HSL 319.25, 0.51%, 0.41%

LAB 39.52, 51.3, -17.72

 

CMYK 0 / 68 / 40 / 38

HEX #9D335E

RGB 157 51 94

HSL 335.66, 0.51%, 0.41%

LAB 38.45, 47.6, -1.16

 

CMYK 0 / 68 / 59 / 38

HEX #9D3341

RGB 157 51 65

HSL 352.08, 0.51%, 0.41%

LAB 37.69, 44.88, 16.17

 

CMYK 15 / 68 / 0 / 38

HEX #86339D

RGB 134 51 157

HSL 286.98, 0.51%, 0.41%

LAB 37.61, 51.2, -41.78

 

CMYK 33 / 68 / 0 / 38

HEX #69339D

RGB 105 51 157

HSL 270.57, 0.51%, 0.41%

LAB 33.57, 44.56, -48.48

 

CMYK 51 / 68 / 0 / 38

HEX #4D339D

RGB 77 51 157

HSL 254.72, 0.51%, 0.41%

LAB 30.35, 38.82, -53.86

 

CMYK 68 / 68 / 0 / 38

HEX #33339D

RGB 51 51 157

HSL 240, 0.51%, 0.41%

LAB 28.13, 34.56, -57.58

 

CMYK 15 / 68 / 0 / 38

HEX #86339D

RGB 134 51 157

HSL 286.98, 0.51%, 0.41%

LAB 37.61, 51.2, -41.78

 

CMYK 17 / 80 / 0 / 32

HEX #9022AE

RGB 144 34 174

HSL 287.14, 0.67%, 0.41%

LAB 38.07, 62.89, -51.15

 

CMYK 20 / 91 / 0 / 25

HEX #9911BF

RGB 153 17 191

HSL 286.9, 0.84%, 0.41%

LAB 39.47, 71.31, -58.87

 

CMYK 22 / 100 / 0 / 18

HEX #A300D0

RGB 163 0 208

HSL 287.02, 1%, 0.41%

LAB 41.75, 77.67, -64.99

 

CMYK 15 / 68 / 0 / 38

HEX #86339D

RGB 134 51 157

HSL 286.98, 0.51%, 0.41%

LAB 37.61, 51.2, -41.78

 

CMYK 11 / 51 / 0 / 45

HEX #7D448C

RGB 125 68 140

HSL 287.5, 0.35%, 0.41%

LAB 38.53, 36.7, -30.08

 

CMYK 7 / 31 / 0 / 51

HEX #73557C

RGB 115 85 124

HSL 286.15, 0.19%, 0.41%

LAB 40.57, 19.96, -17.23

 

CMYK 1 / 6 / 0 / 58

HEX #6A656B

RGB 106 101 107

HSL 290, 0.03%, 0.41%

LAB 43.41, 3.19, -2.68

 

CMYK 19 / 0 / 24 / 54

HEX #60765A

RGB 96 118 90

HSL 107.14, 0.13%, 0.41%

LAB 47.21, -13.88, 12.82

 

CMYK 52 / 68 / 0 / 38

HEX #4C339D

RGB 76 51 157

HSL 254.15, 0.51%, 0.41%

LAB 30.25, 38.64, -54.03

 

CMYK 34 / 68 / 0 / 38

HEX #68339D

RGB 104 51 157

HSL 270, 0.51%, 0.41%

LAB 33.45, 44.34, -48.7

 

CMYK 16 / 68 / 0 / 38

HEX #84339D

RGB 132 51 157

HSL 285.85, 0.51%, 0.41%

LAB 37.31, 50.73, -42.27

 

CMYK 0 / 68 / 2 / 38

HEX #9D339A

RGB 157 51 154

HSL 301.7, 0.51%, 0.41%

LAB 41.01, 56.17, -34.35

 

CMYK 0 / 68 / 20 / 38

HEX #9D337D

RGB 157 51 125

HSL 318.11, 0.51%, 0.41%

LAB 39.61, 51.58, -18.82

 

CMYK 15 / 67 / 0 / 63

HEX #511F5F

RGB 81 31 95

HSL 286.88, 0.51%, 0.25%

LAB 22.14, 34.11, -27.94

 

CMYK 14 / 67 / 0 / 51

HEX #6C297E

RGB 108 41 126

HSL 287.29, 0.51%, 0.33%

LAB 30.11, 43, -34.92

 

CMYK 15 / 68 / 0 / 38

HEX #86339D

RGB 134 51 157

HSL 286.98, 0.51%, 0.41%

LAB 37.61, 51.2, -41.78

 

CMYK 15 / 68 / 0 / 26

HEX #A13DBD

RGB 161 61 189

HSL 286.88, 0.51%, 0.49%

LAB 45.07, 59.49, -48.62

 

CMYK 12 / 55 / 0 / 21

HEX #B15AC9

RGB 177 90 201

HSL 287.03, 0.51%, 0.57%

LAB 52.81, 52.42, -43.09

 

CMYK 15 / 68 / 0 / 38

HEX #86339D

RGB 134 51 157

HSL 286.98, 0.51%, 0.41%

LAB 37.61, 51.2, -41.78

 

CMYK 0 / 68 / 66 / 38

HEX #9D3336

RGB 157 51 54

HSL 358.3, 0.51%, 0.41%

LAB 37.48, 44.12, 22.8

 

CMYK 68 / 0 / 43 / 38

HEX #339D5A

RGB 51 157 90

HSL 142.08, 0.51%, 0.41%

LAB 57.61, -45.5, 26.45

 

CMYK 15 / 68 / 0 / 38

HEX #86339D

RGB 134 51 157

HSL 286.98, 0.51%, 0.41%

LAB 37.61, 51.2, -41.78

 

CMYK 0 / 16 / 68 / 38

HEX #9D8433

RGB 157 132 51

HSL 45.85, 0.51%, 0.41%

LAB 56, 0.13, 45.78

 

CMYK 68 / 0 / 16 / 38

HEX #339D84

RGB 51 157 132

HSL 165.85, 0.51%, 0.41%

LAB 58.49, -36.17, 4.33

 

CMYK 15 / 68 / 0 / 38

HEX #86339D

RGB 134 51 157

HSL 286.98, 0.51%, 0.41%

LAB 37.61, 51.2, -41.78

 

CMYK 0 / 68 / 66 / 38

HEX #9D3336

RGB 157 51 54

HSL 358.3, 0.51%, 0.41%

LAB 37.48, 44.12, 22.8

 

CMYK 52 / 0 / 68 / 38

HEX #4C9D33

RGB 76 157 51

HSL 105.85, 0.51%, 0.41%

LAB 57.93, -44.71, 46.2

 

CMYK 68 / 0 / 2 / 38

HEX #339D9A

RGB 51 157 154

HSL 178.3, 0.51%, 0.41%

LAB 59.11, -30.11, -7.23

 

CMYK 15 / 68 / 0 / 38

HEX #86339D

RGB 134 51 157

HSL 286.98, 0.51%, 0.41%

LAB 37.61, 51.2, -41.78

 

CMYK 0 / 50 / 68 / 38

HEX #9D4F33

RGB 157 79 51

HSL 15.85, 0.51%, 0.41%

LAB 42.76, 30.07, 31.01

 

CMYK 52 / 0 / 68 / 38

HEX #4C9D33

RGB 76 157 51

HSL 105.85, 0.51%, 0.41%

LAB 57.93, -44.71, 46.2

 

CMYK 68 / 18 / 0 / 38

HEX #33819D

RGB 51 129 157

HSL 195.85, 0.51%, 0.41%

LAB 50.5, -14.63, -22

 

Description

Color code: HEX #86339D | qconv.com Color code: HEX #86339D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 51 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 51 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 68 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 68% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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