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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8631A4 it is the complementary color #79CE5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8631A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8631A4 shade: #8B319F, #9C43B2, #AD55C5, #BE67D8 and #CF79EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8631A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8631A4 shade: #8631A4, #751F91, #640D7E, #53006B and #420058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8631A4 shade: #8631A4, #A431A3, #A43184, #A43165 and #A43146

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8631A4 shade: #8631A4, #6731A4, #4831A4 and #3131A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8631A4 shade matches the following richer shades: #8631A4, #8F1FB6 and #970EC7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8631A4 shade: #8631A4, #7E4293, #765382, #6D6570 and #65765F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8631A4 shade: #4831A4, #6731A4, #8631A4, #A431A4 and #A43186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8631A4 shade: #521E65, #6C2785, #8631A4, #A03BC4 and #AF5ACD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8631A4 shade: #8631A4, #A43138 and #31A457

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8631A4 shade: #8631A4, #A48631 and #31A486

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8631A4 shade: #8631A4, #A43138, #50A431 and #31A49D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8631A4 shade: #8631A4, #A44C31, #50A431 and #3189A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 70 / 0 / 36

HEX #8631A4

RGB 134 49 164

HSL 284.35, 0.54%, 0.42%

LAB 37.74, 53.5, -45.78

 

Complementary color

CMYK 41 / 0 / 56 / 19

HEX #79CE5B

RGB 121 206 91

HSL 104.35, 0.54%, 0.58%

LAB 75.43, -46.82, 48.54

 

CMYK 13 / 69 / 0 / 38

HEX #8B319F

RGB 139 49 159

HSL 289.09, 0.53%, 0.41%

LAB 38.18, 53.62, -42.03

 

CMYK 12 / 62 / 0 / 30

HEX #9C43B2

RGB 156 67 178

HSL 288.11, 0.45%, 0.48%

LAB 44.66, 53.5, -42.87

 

CMYK 12 / 57 / 0 / 23

HEX #AD55C5

RGB 173 85 197

HSL 287.14, 0.49%, 0.55%

LAB 51.17, 53.03, -43.44

 

CMYK 12 / 52 / 0 / 15

HEX #BE67D8

RGB 190 103 216

HSL 286.19, 0.59%, 0.63%

LAB 57.66, 52.38, -43.85

 

CMYK 12 / 49 / 0 / 8

HEX #CF79EB

RGB 207 121 235

HSL 285.26, 0.74%, 0.7%

LAB 64.11, 51.66, -44.17

 

CMYK 18 / 70 / 0 / 36

HEX #8631A4

RGB 134 49 164

HSL 284.35, 0.54%, 0.42%

LAB 37.74, 53.5, -45.78

 

CMYK 19 / 79 / 0 / 43

HEX #751F91

RGB 117 31 145

HSL 285.26, 0.65%, 0.35%

LAB 31.36, 53.05, -44.64

 

CMYK 21 / 90 / 0 / 51

HEX #640D7E

RGB 100 13 126

HSL 286.19, 0.81%, 0.27%

LAB 25.27, 51.39, -42.77

 

CMYK 22 / 100 / 0 / 58

HEX #53006B

RGB 83 0 107

HSL 286.54, 1%, 0.21%

LAB 19.64, 47.88, -39.84

 

CMYK 25 / 100 / 0 / 65

HEX #420058

RGB 66 0 88

HSL 285, 1%, 0.17%

LAB 14.75, 41.49, -35.32

 

CMYK 18 / 70 / 0 / 36

HEX #8631A4

RGB 134 49 164

HSL 284.35, 0.54%, 0.42%

LAB 37.74, 53.5, -45.78

 

CMYK 0 / 70 / 1 / 36

HEX #A431A3

RGB 164 49 163

HSL 300.52, 0.54%, 0.42%

LAB 42.36, 60.12, -37.54

 

CMYK 0 / 70 / 20 / 36

HEX #A43184

RGB 164 49 132

HSL 316.7, 0.54%, 0.42%

LAB 40.82, 55.28, -21.16

 

CMYK 0 / 70 / 38 / 36

HEX #A43165

RGB 164 49 101

HSL 332.87, 0.54%, 0.42%

LAB 39.63, 51.32, -3.7

 

CMYK 0 / 70 / 57 / 36

HEX #A43146

RGB 164 49 70

HSL 349.04, 0.54%, 0.42%

LAB 38.78, 48.4, 14.7

 

CMYK 18 / 70 / 0 / 36

HEX #8631A4

RGB 134 49 164

HSL 284.35, 0.54%, 0.42%

LAB 37.74, 53.5, -45.78

 

CMYK 37 / 70 / 0 / 36

HEX #6731A4

RGB 103 49 164

HSL 268.17, 0.54%, 0.42%

LAB 33.48, 46.91, -52.88

 

CMYK 56 / 70 / 0 / 36

HEX #4831A4

RGB 72 49 164

HSL 252, 0.54%, 0.42%

LAB 30.05, 41.22, -58.62

 

CMYK 70 / 70 / 0 / 36

HEX #3131A4

RGB 49 49 164

HSL 240, 0.54%, 0.42%

LAB 28.19, 37.96, -61.73

 

CMYK 18 / 70 / 0 / 36

HEX #8631A4

RGB 134 49 164

HSL 284.35, 0.54%, 0.42%

LAB 37.74, 53.5, -45.78

 

CMYK 21 / 83 / 0 / 29

HEX #8F1FB6

RGB 143 31 182

HSL 284.5, 0.71%, 0.42%

LAB 38.19, 65.09, -55.71

 

CMYK 24 / 93 / 0 / 22

HEX #970EC7

RGB 151 14 199

HSL 284.43, 0.87%, 0.42%

LAB 39.61, 72.91, -63.34

 

CMYK 18 / 70 / 0 / 36

HEX #8631A4

RGB 134 49 164

HSL 284.35, 0.54%, 0.42%

LAB 37.74, 53.5, -45.78

 

CMYK 14 / 55 / 0 / 42

HEX #7E4293

RGB 126 66 147

HSL 284.44, 0.38%, 0.42%

LAB 38.62, 39.61, -34.19

 

CMYK 9 / 36 / 0 / 49

HEX #765382

RGB 118 83 130

HSL 284.68, 0.22%, 0.42%

LAB 40.65, 23.54, -20.73

 

CMYK 3 / 10 / 0 / 56

HEX #6D6570

RGB 109 101 112

HSL 283.64, 0.05%, 0.42%

LAB 43.84, 5.4, -5.04

 

CMYK 14 / 0 / 19 / 54

HEX #65765F

RGB 101 118 95

HSL 104.35, 0.11%, 0.42%

LAB 47.69, -11.02, 10.6

 

CMYK 56 / 70 / 0 / 36

HEX #4831A4

RGB 72 49 164

HSL 252, 0.54%, 0.42%

LAB 30.05, 41.22, -58.62

 

CMYK 37 / 70 / 0 / 36

HEX #6731A4

RGB 103 49 164

HSL 268.17, 0.54%, 0.42%

LAB 33.48, 46.91, -52.88

 

CMYK 18 / 70 / 0 / 36

HEX #8631A4

RGB 134 49 164

HSL 284.35, 0.54%, 0.42%

LAB 37.74, 53.5, -45.78

 

CMYK 0 / 70 / 0 / 36

HEX #A431A4

RGB 164 49 164

HSL 300, 0.54%, 0.42%

LAB 42.41, 60.29, -38.05

 

CMYK 0 / 70 / 18 / 36

HEX #A43186

RGB 164 49 134

HSL 315.65, 0.54%, 0.42%

LAB 40.91, 55.56, -22.25

 

CMYK 19 / 70 / 0 / 60

HEX #521E65

RGB 82 30 101

HSL 283.94, 0.54%, 0.26%

LAB 22.52, 36.24, -31.27

 

CMYK 19 / 71 / 0 / 48

HEX #6C2785

RGB 108 39 133

HSL 284.04, 0.55%, 0.34%

LAB 30.24, 45.42, -39.09

 

CMYK 18 / 70 / 0 / 36

HEX #8631A4

RGB 134 49 164

HSL 284.35, 0.54%, 0.42%

LAB 37.74, 53.5, -45.78

 

CMYK 18 / 70 / 0 / 23

HEX #A03BC4

RGB 160 59 196

HSL 284.23, 0.54%, 0.5%

LAB 45.06, 61.47, -52.7

 

CMYK 15 / 56 / 0 / 20

HEX #AF5ACD

RGB 175 90 205

HSL 284.35, 0.53%, 0.58%

LAB 52.77, 52.71, -45.47

 

CMYK 18 / 70 / 0 / 36

HEX #8631A4

RGB 134 49 164

HSL 284.35, 0.54%, 0.42%

LAB 37.74, 53.5, -45.78

 

CMYK 0 / 70 / 66 / 36

HEX #A43138

RGB 164 49 56

HSL 356.35, 0.54%, 0.42%

LAB 38.51, 47.44, 23.12

 

CMYK 70 / 0 / 47 / 36

HEX #31A457

RGB 49 164 87

HSL 139.83, 0.54%, 0.42%

LAB 59.79, -49.11, 30.84

 

CMYK 18 / 70 / 0 / 36

HEX #8631A4

RGB 134 49 164

HSL 284.35, 0.54%, 0.42%

LAB 37.74, 53.5, -45.78

 

CMYK 0 / 18 / 70 / 36

HEX #A48631

RGB 164 134 49

HSL 44.35, 0.54%, 0.42%

LAB 57.24, 2.06, 48.19

 

CMYK 70 / 0 / 18 / 36

HEX #31A486

RGB 49 164 134

HSL 164.35, 0.54%, 0.42%

LAB 60.72, -39.11, 6.39

 

CMYK 18 / 70 / 0 / 36

HEX #8631A4

RGB 134 49 164

HSL 284.35, 0.54%, 0.42%

LAB 37.74, 53.5, -45.78

 

CMYK 0 / 70 / 66 / 36

HEX #A43138

RGB 164 49 56

HSL 356.35, 0.54%, 0.42%

LAB 38.51, 47.44, 23.12

 

CMYK 51 / 0 / 70 / 36

HEX #50A431

RGB 80 164 49

HSL 103.83, 0.54%, 0.42%

LAB 60.32, -46.48, 49.6

 

CMYK 70 / 0 / 4 / 36

HEX #31A49D

RGB 49 164 157

HSL 176.35, 0.54%, 0.42%

LAB 61.34, -32.89, -5.63

 

CMYK 18 / 70 / 0 / 36

HEX #8631A4

RGB 134 49 164

HSL 284.35, 0.54%, 0.42%

LAB 37.74, 53.5, -45.78

 

CMYK 0 / 54 / 70 / 36

HEX #A44C31

RGB 164 76 49

HSL 14.09, 0.54%, 0.42%

LAB 43.19, 34.38, 32.91

 

CMYK 51 / 0 / 70 / 36

HEX #50A431

RGB 80 164 49

HSL 103.83, 0.54%, 0.42%

LAB 60.32, -46.48, 49.6

 

CMYK 70 / 16 / 0 / 36

HEX #3189A4

RGB 49 137 164

HSL 194.09, 0.54%, 0.42%

LAB 53.19, -17.02, -21.91

 

Description

Color code: HEX #8631A4 | qconv.com Color code: HEX #8631A4 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 49 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 49 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 70 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 70% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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