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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #861B39 it is the complementary color #79E4C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #861B39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #861B39 shade: #8B1B34, #9C2D47, #AD3F5A, #BE516D and #CF6380

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #861B39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #861B39 shade: #861B39, #750926, #640013, #530000 and #420000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #861B39 shade: #871B39, #871B1C and #871B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #861B39 shade: #871B39, #871B56, #871B74, #7D1B87 and #601B87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #861B39 shade matches the following richer shades: #871B39, #940E34 and #A1012E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #861B39 shade: #871B39, #7A283F, #6D3645, #5F434B and #525051

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #861B39 shade: #871B73, #871B56, #871B3A, #871B1D and #87361B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #861B39 shade: #420D1C, #65142B, #871B39, #A92248 and #CB2957

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #861B39 shade: #861B39, #877E1B and #1B6587

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #861B39 shade: #861B39, #3A871B and #1B3A87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #861B39 shade: #861B39, #877E1B, #1B8768 and #1B2487

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #861B39 shade: #861B39, #70871B, #1B8768 and #331B87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 57 / 47

HEX #861B39

RGB 134 27 57

HSL 343.18, 0.66%, 0.32%

LAB 29.78, 46.05, 9.89

 

Complementary color

CMYK 47 / 0 / 13 / 11

HEX #79E4C6

RGB 121 228 198

HSL 163.18, 0.66%, 0.68%

LAB 83.77, -38, 5.11

 

CMYK 0 / 81 / 63 / 45

HEX #8B1B34

RGB 139 27 52

HSL 346.61, 0.67%, 0.33%

LAB 30.69, 47.19, 14.61

 

CMYK 0 / 71 / 54 / 39

HEX #9C2D47

RGB 156 45 71

HSL 345.95, 0.55%, 0.39%

LAB 36.74, 47.5, 11.03

 

CMYK 0 / 64 / 48 / 32

HEX #AD3F5A

RGB 173 63 90

HSL 345.27, 0.47%, 0.46%

LAB 43.03, 47.14, 8.3

 

CMYK 0 / 57 / 43 / 25

HEX #BE516D

RGB 190 81 109

HSL 344.59, 0.46%, 0.53%

LAB 49.42, 46.46, 6.14

 

CMYK 0 / 52 / 38 / 19

HEX #CF6380

RGB 207 99 128

HSL 343.89, 0.53%, 0.6%

LAB 55.83, 45.62, 4.38

 

CMYK 0 / 80 / 57 / 47

HEX #861B39

RGB 134 27 57

HSL 343.18, 0.66%, 0.32%

LAB 29.78, 46.05, 9.89

 

CMYK 0 / 92 / 68 / 54

HEX #750926

RGB 117 9 38

HSL 343.89, 0.86%, 0.25%

LAB 24.06, 44.48, 14.44

 

CMYK 0 / 100 / 81 / 61

HEX #640013

RGB 100 0 19

HSL 348.6, 1%, 0.2%

LAB 19.04, 40.86, 20.46

 

CMYK 0 / 100 / 100 / 67

HEX #530000

RGB 83 0 0

HSL 0, 1%, 0.16%

LAB 14.62, 35.43, 22.82

 

CMYK 0 / 100 / 100 / 74

HEX #420000

RGB 66 0 0

HSL 0, 1%, 0.13%

LAB 10.25, 30.37, 16.16

 

CMYK 0 / 80 / 58 / 47

HEX #871B39

RGB 135 27 57

HSL 343.33, 0.67%, 0.32%

LAB 29.99, 46.35, 10.2

 

CMYK 0 / 80 / 79 / 47

HEX #871B1C

RGB 135 27 28

HSL 359.44, 0.67%, 0.32%

LAB 29.46, 44.68, 28.37

 

CMYK 0 / 80 / 80 / 47

HEX #871B1B

RGB 135 27 27

HSL 0, 0.67%, 0.32%

LAB 29.45, 44.64, 28.97

 

CMYK 0 / 80 / 58 / 47

HEX #871B39

RGB 135 27 57

HSL 343.33, 0.67%, 0.32%

LAB 29.99, 46.35, 10.2

 

CMYK 0 / 80 / 36 / 47

HEX #871B56

RGB 135 27 86

HSL 327.22, 0.67%, 0.32%

LAB 30.89, 49.14, -7.68

 

CMYK 0 / 80 / 14 / 47

HEX #871B74

RGB 135 27 116

HSL 310.56, 0.67%, 0.32%

LAB 32.25, 53.14, -24.93

 

CMYK 7 / 80 / 0 / 47

HEX #7D1B87

RGB 125 27 135

HSL 294.44, 0.67%, 0.32%

LAB 31.56, 54.07, -38.06

 

CMYK 29 / 80 / 0 / 47

HEX #601B87

RGB 96 27 135

HSL 278.33, 0.67%, 0.32%

LAB 26.79, 48.32, -45.99

 

CMYK 0 / 80 / 58 / 47

HEX #871B39

RGB 135 27 57

HSL 343.33, 0.67%, 0.32%

LAB 29.99, 46.35, 10.2

 

CMYK 0 / 91 / 65 / 42

HEX #940E34

RGB 148 14 52

HSL 342.99, 0.83%, 0.32%

LAB 31.48, 52.89, 16.01

 

CMYK 0 / 99 / 71 / 37

HEX #A1012E

RGB 161 1 46

HSL 343.13, 0.99%, 0.32%

LAB 33.55, 57.81, 23.16

 

CMYK 0 / 80 / 58 / 47

HEX #871B39

RGB 135 27 57

HSL 343.33, 0.67%, 0.32%

LAB 29.99, 46.35, 10.2

 

CMYK 0 / 67 / 48 / 52

HEX #7A283F

RGB 122 40 63

HSL 343.17, 0.51%, 0.32%

LAB 29.45, 37.62, 5.09

 

CMYK 0 / 50 / 37 / 57

HEX #6D3645

RGB 109 54 69

HSL 343.64, 0.34%, 0.32%

LAB 30.2, 26.18, 1.93

 

CMYK 0 / 29 / 21 / 63

HEX #5F434B

RGB 95 67 75

HSL 342.86, 0.17%, 0.32%

LAB 31.7, 13.47, -0.02

 

CMYK 0 / 2 / 1 / 68

HEX #525051

RGB 82 80 81

HSL 330, 0.01%, 0.32%

LAB 34.24, 1.03, -0.3

 

CMYK 0 / 80 / 15 / 47

HEX #871B73

RGB 135 27 115

HSL 311.11, 0.67%, 0.32%

LAB 32.2, 52.99, -24.37

 

CMYK 0 / 80 / 36 / 47

HEX #871B56

RGB 135 27 86

HSL 327.22, 0.67%, 0.32%

LAB 30.89, 49.14, -7.68

 

CMYK 0 / 80 / 57 / 47

HEX #871B3A

RGB 135 27 58

HSL 342.78, 0.67%, 0.32%

LAB 30.01, 46.42, 9.57

 

CMYK 0 / 80 / 79 / 47

HEX #871B1D

RGB 135 27 29

HSL 358.89, 0.67%, 0.32%

LAB 29.47, 44.71, 27.77

 

CMYK 0 / 60 / 80 / 47

HEX #87361B

RGB 135 54 27

HSL 15, 0.67%, 0.32%

LAB 33.71, 33.11, 33.38

 

CMYK 0 / 80 / 58 / 74

HEX #420D1C

RGB 66 13 28

HSL 343.02, 0.67%, 0.15%

LAB 12.8, 26.53, 4.45

 

CMYK 0 / 80 / 57 / 60

HEX #65142B

RGB 101 20 43

HSL 342.96, 0.67%, 0.24%

LAB 21.73, 37.04, 7.24

 

CMYK 0 / 80 / 58 / 47

HEX #871B39

RGB 135 27 57

HSL 343.33, 0.67%, 0.32%

LAB 29.99, 46.35, 10.2

 

CMYK 0 / 80 / 57 / 34

HEX #A92248

RGB 169 34 72

HSL 343.11, 0.67%, 0.4%

LAB 37.93, 55.24, 12.42

 

CMYK 0 / 80 / 57 / 20

HEX #CB2957

RGB 203 41 87

HSL 342.96, 0.66%, 0.48%

LAB 45.59, 63.77, 14.55

 

CMYK 0 / 80 / 57 / 47

HEX #861B39

RGB 134 27 57

HSL 343.18, 0.66%, 0.32%

LAB 29.78, 46.05, 9.89

 

CMYK 0 / 7 / 80 / 47

HEX #877E1B

RGB 135 126 27

HSL 55, 0.67%, 0.32%

LAB 52.01, -7.88, 50.79

 

CMYK 80 / 25 / 0 / 47

HEX #1B6587

RGB 27 101 135

HSL 198.89, 0.67%, 0.32%

LAB 40.06, -9.79, -25.15

 

CMYK 0 / 80 / 57 / 47

HEX #861B39

RGB 134 27 57

HSL 343.18, 0.66%, 0.32%

LAB 29.78, 46.05, 9.89

 

CMYK 57 / 0 / 80 / 47

HEX #3A871B

RGB 58 135 27

HSL 102.78, 0.67%, 0.32%

LAB 49.87, -43.18, 47.01

 

CMYK 80 / 57 / 0 / 47

HEX #1B3A87

RGB 27 58 135

HSL 222.78, 0.67%, 0.32%

LAB 26.76, 18.45, -46.34

 

CMYK 0 / 80 / 57 / 47

HEX #861B39

RGB 134 27 57

HSL 343.18, 0.66%, 0.32%

LAB 29.78, 46.05, 9.89

 

CMYK 0 / 7 / 80 / 47

HEX #877E1B

RGB 135 126 27

HSL 55, 0.67%, 0.32%

LAB 52.01, -7.88, 50.79

 

CMYK 80 / 0 / 23 / 47

HEX #1B8768

RGB 27 135 104

HSL 162.78, 0.67%, 0.32%

LAB 50.17, -37.09, 8.4

 

CMYK 80 / 73 / 0 / 47

HEX #1B2487

RGB 27 36 135

HSL 235, 0.67%, 0.32%

LAB 21, 33.41, -55.77

 

CMYK 0 / 80 / 57 / 47

HEX #861B39

RGB 134 27 57

HSL 343.18, 0.66%, 0.32%

LAB 29.78, 46.05, 9.89

 

CMYK 17 / 0 / 80 / 47

HEX #70871B

RGB 112 135 27

HSL 72.78, 0.67%, 0.32%

LAB 52.79, -23.07, 50.8

 

CMYK 80 / 0 / 23 / 47

HEX #1B8768

RGB 27 135 104

HSL 162.78, 0.67%, 0.32%

LAB 50.17, -37.09, 8.4

 

CMYK 62 / 80 / 0 / 47

HEX #331B87

RGB 51 27 135

HSL 253.33, 0.67%, 0.32%

LAB 20.97, 41.17, -55.76

 

Description

Color code: HEX #861B39 | qconv.com Color code: HEX #861B39 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 27 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 27 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 57 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 57% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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