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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #861297 it is the complementary color #79ED68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #861297. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #861297 shade: #8B1292, #9C24A5, #AD36B8, #BE48CB and #CF5ADE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #861297. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #861297 shade: #861297, #750084, #640071, #53005E and #42004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #861297 shade: #851196, #961183, #96115F, #96113C and #961118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #861297 shade: #851196, #611196, #3D1196, #1A1196 and #111196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #861297 shade matches the following richer shades: #851196 and #8F04A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #861297 shade: #851196, #7B1F89, #712C7B, #673A6D and #5D4860

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #861297 shade: #3D1196, #611196, #841196, #961184 and #961161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #861297 shade: #44094C, #640D71, #851196, #A616BB and #C71AE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #861297 shade: #861297, #961A11 and #11964F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #861297 shade: #861297, #968411 and #119684

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #861297 shade: #861297, #961A11, #239611 and #118D96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #861297 shade: #861297, #964211, #239611 and #116596

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 88 / 0 / 41

HEX #861297

RGB 134 18 151

HSL 292.33, 0.79%, 0.33%

LAB 33.43, 60.91, -44.85

 

Complementary color

CMYK 49 / 0 / 56 / 7

HEX #79ED68

RGB 121 237 104

HSL 112.33, 0.79%, 0.67%

LAB 84.81, -57.75, 53.63

 

CMYK 5 / 88 / 0 / 43

HEX #8B1292

RGB 139 18 146

HSL 296.72, 0.78%, 0.32%

LAB 33.98, 60.96, -40.85

 

CMYK 5 / 78 / 0 / 35

HEX #9C24A5

RGB 156 36 165

HSL 295.81, 0.64%, 0.39%

LAB 39.66, 63, -43.12

 

CMYK 6 / 71 / 0 / 28

HEX #AD36B8

RGB 173 54 184

HSL 294.92, 0.55%, 0.47%

LAB 45.61, 63.95, -44.72

 

CMYK 6 / 65 / 0 / 20

HEX #BE48CB

RGB 190 72 203

HSL 294.05, 0.56%, 0.54%

LAB 51.72, 64.21, -45.87

 

CMYK 7 / 59 / 0 / 13

HEX #CF5ADE

RGB 207 90 222

HSL 293.18, 0.67%, 0.61%

LAB 57.9, 64.05, -46.72

 

CMYK 11 / 88 / 0 / 41

HEX #861297

RGB 134 18 151

HSL 292.33, 0.79%, 0.33%

LAB 33.43, 60.91, -44.85

 

CMYK 11 / 100 / 0 / 48

HEX #750084

RGB 117 0 132

HSL 293.18, 1%, 0.26%

LAB 27.97, 57.76, -42.03

 

CMYK 12 / 100 / 0 / 56

HEX #640071

RGB 100 0 113

HSL 293.1, 1%, 0.22%

LAB 23.34, 51.67, -37.58

 

CMYK 12 / 100 / 0 / 63

HEX #53005E

RGB 83 0 94

HSL 292.98, 1%, 0.18%

LAB 18.57, 45.4, -32.99

 

CMYK 12 / 100 / 0 / 71

HEX #42004B

RGB 66 0 75

HSL 292.8, 1%, 0.15%

LAB 13.63, 38.9, -28.24

 

CMYK 11 / 89 / 0 / 41

HEX #851196

RGB 133 17 150

HSL 292.33, 0.8%, 0.33%

LAB 33.11, 60.76, -44.75

 

CMYK 0 / 89 / 13 / 41

HEX #961183

RGB 150 17 131

HSL 308.57, 0.8%, 0.33%

LAB 35.05, 60.98, -29.75

 

CMYK 0 / 89 / 37 / 41

HEX #96115F

RGB 150 17 95

HSL 324.81, 0.8%, 0.33%

LAB 33.37, 56.44, -9.5

 

CMYK 0 / 89 / 60 / 41

HEX #96113C

RGB 150 17 60

HSL 340.6, 0.8%, 0.33%

LAB 32.28, 53.36, 11.86

 

CMYK 0 / 89 / 84 / 41

HEX #961118

RGB 150 17 24

HSL 356.84, 0.8%, 0.33%

LAB 31.69, 51.66, 34.04

 

CMYK 11 / 89 / 0 / 41

HEX #851196

RGB 133 17 150

HSL 292.33, 0.8%, 0.33%

LAB 33.11, 60.76, -44.75

 

CMYK 35 / 89 / 0 / 41

HEX #611196

RGB 97 17 150

HSL 276.09, 0.8%, 0.33%

LAB 27.14, 54.98, -54.72

 

CMYK 59 / 89 / 0 / 41

HEX #3D1196

RGB 61 17 150

HSL 259.85, 0.8%, 0.33%

LAB 22.28, 50.67, -62.89

 

CMYK 83 / 89 / 0 / 41

HEX #1A1196

RGB 26 17 150

HSL 244.06, 0.8%, 0.33%

LAB 19.32, 48.29, -67.9

 

CMYK 89 / 89 / 0 / 41

HEX #111196

RGB 17 17 150

HSL 240, 0.8%, 0.33%

LAB 18.89, 47.98, -68.61

 

CMYK 11 / 89 / 0 / 41

HEX #851196

RGB 133 17 150

HSL 292.33, 0.8%, 0.33%

LAB 33.11, 60.76, -44.75

 

CMYK 13 / 98 / 0 / 36

HEX #8F04A4

RGB 143 4 164

HSL 292.13, 0.95%, 0.33%

LAB 35.22, 66.76, -49.78

 

CMYK 11 / 89 / 0 / 41

HEX #851196

RGB 133 17 150

HSL 292.33, 0.8%, 0.33%

LAB 33.11, 60.76, -44.75

 

CMYK 10 / 77 / 0 / 46

HEX #7B1F89

RGB 123 31 137

HSL 292.08, 0.63%, 0.33%

LAB 31.8, 52.72, -38.94

 

CMYK 8 / 64 / 0 / 52

HEX #712C7B

RGB 113 44 123

HSL 292.41, 0.47%, 0.33%

LAB 31.21, 42.25, -31.23

 

CMYK 6 / 47 / 0 / 57

HEX #673A6D

RGB 103 58 109

HSL 292.94, 0.31%, 0.33%

LAB 31.84, 28.79, -21.5

 

CMYK 3 / 25 / 0 / 62

HEX #5D4860

RGB 93 72 96

HSL 292.5, 0.14%, 0.33%

LAB 33.58, 13.72, -10.68

 

CMYK 59 / 89 / 0 / 41

HEX #3D1196

RGB 61 17 150

HSL 259.85, 0.8%, 0.33%

LAB 22.28, 50.67, -62.89

 

CMYK 35 / 89 / 0 / 41

HEX #611196

RGB 97 17 150

HSL 276.09, 0.8%, 0.33%

LAB 27.14, 54.98, -54.72

 

CMYK 12 / 89 / 0 / 41

HEX #841196

RGB 132 17 150

HSL 291.88, 0.8%, 0.33%

LAB 32.94, 60.59, -45.04

 

CMYK 0 / 89 / 12 / 41

HEX #961184

RGB 150 17 132

HSL 308.12, 0.8%, 0.33%

LAB 35.1, 61.12, -30.28

 

CMYK 0 / 89 / 35 / 41

HEX #961161

RGB 150 17 97

HSL 323.91, 0.8%, 0.33%

LAB 33.45, 56.66, -10.67

 

CMYK 11 / 88 / 0 / 70

HEX #44094C

RGB 68 9 76

HSL 292.84, 0.79%, 0.17%

LAB 15.2, 36.27, -26.38

 

CMYK 12 / 88 / 0 / 56

HEX #640D71

RGB 100 13 113

HSL 292.2, 0.79%, 0.25%

LAB 24.29, 48.88, -36.06

 

CMYK 11 / 89 / 0 / 41

HEX #851196

RGB 133 17 150

HSL 292.33, 0.8%, 0.33%

LAB 33.11, 60.76, -44.75

 

CMYK 11 / 88 / 0 / 27

HEX #A616BB

RGB 166 22 187

HSL 292.36, 0.79%, 0.41%

LAB 41.64, 71.84, -52.9

 

CMYK 11 / 88 / 0 / 12

HEX #C71AE0

RGB 199 26 224

HSL 292.42, 0.79%, 0.49%

LAB 49.81, 82.64, -60.83

 

CMYK 11 / 88 / 0 / 41

HEX #861297

RGB 134 18 151

HSL 292.33, 0.79%, 0.33%

LAB 33.43, 60.91, -44.85

 

CMYK 0 / 83 / 89 / 41

HEX #961A11

RGB 150 26 17

HSL 4.06, 0.8%, 0.33%

LAB 32.4, 49.32, 38.39

 

CMYK 89 / 0 / 47 / 41

HEX #11964F

RGB 17 150 79

HSL 147.97, 0.8%, 0.33%

LAB 54.55, -49.49, 28.27

 

CMYK 11 / 88 / 0 / 41

HEX #861297

RGB 134 18 151

HSL 292.33, 0.79%, 0.33%

LAB 33.43, 60.91, -44.85

 

CMYK 0 / 12 / 89 / 41

HEX #968411

RGB 150 132 17

HSL 51.88, 0.8%, 0.33%

LAB 55.1, -4.53, 56.82

 

CMYK 89 / 0 / 12 / 41

HEX #119684

RGB 17 150 132

HSL 171.88, 0.8%, 0.33%

LAB 55.68, -36.97, 0.19

 

CMYK 11 / 88 / 0 / 41

HEX #861297

RGB 134 18 151

HSL 292.33, 0.79%, 0.33%

LAB 33.43, 60.91, -44.85

 

CMYK 0 / 83 / 89 / 41

HEX #961A11

RGB 150 26 17

HSL 4.06, 0.8%, 0.33%

LAB 32.4, 49.32, 38.39

 

CMYK 77 / 0 / 89 / 41

HEX #239611

RGB 35 150 17

HSL 111.88, 0.8%, 0.33%

LAB 54.25, -54.07, 53.54

 

CMYK 89 / 6 / 0 / 41

HEX #118D96

RGB 17 141 150

HSL 184.06, 0.8%, 0.33%

LAB 53.35, -27.18, -13.64

 

CMYK 11 / 88 / 0 / 41

HEX #861297

RGB 134 18 151

HSL 292.33, 0.79%, 0.33%

LAB 33.43, 60.91, -44.85

 

CMYK 0 / 56 / 89 / 41

HEX #964211

RGB 150 66 17

HSL 22.11, 0.8%, 0.33%

LAB 38.59, 32.65, 43.44

 

CMYK 77 / 0 / 89 / 41

HEX #239611

RGB 35 150 17

HSL 111.88, 0.8%, 0.33%

LAB 54.25, -54.07, 53.54

 

CMYK 89 / 33 / 0 / 41

HEX #116596

RGB 17 101 150

HSL 202.11, 0.8%, 0.33%

LAB 40.62, -4.98, -33.31

 

Description

Color code: HEX #861297 | qconv.com Color code: HEX #861297 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 18 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 18 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 88 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 88% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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