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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #860CBF it is the complementary color #79F340. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #860CBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #860CBF shade: #8B0CBA, #9C1ECD, #AD30E0, #BE42F3 and #CF54FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #860CBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #860CBF shade: #860CBF, #7500AC, #640099, #530086 and #420073

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #860CBF shade: #860CBF, #B60CBF, #BF0C98, #BF0C67 and #BF0C37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #860CBF shade: #860CBF, #560CBF, #250CBF and #0C0CBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #860CBF shade matches the following richer shades: #860CBF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #860CBF shade: #860CBF, #801CAF, #7A2D9E, #743D8E and #6E4E7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #860CBF shade: #240CBF, #540CBF, #830CBF, #B30CBF and #BF0C9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #860CBF shade: #500772, #6B0998, #860CBF, #A10EE6 and #B22CF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #860CBF shade: #860CBF, #BF0C24 and #0CBF3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #860CBF shade: #860CBF, #BF830C and #0CBF83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #860CBF shade: #860CBF, #BF0C24, #48BF0C and #0CBFA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #860CBF shade: #860CBF, #BF2A0C, #48BF0C and #0CA1BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 94 / 0 / 25

HEX #860CBF

RGB 134 12 191

HSL 280.89, 0.88%, 0.4%

LAB 36.16, 69.39, -64.39

 

Complementary color

CMYK 50 / 0 / 74 / 5

HEX #79F340

RGB 121 243 64

HSL 100.89, 0.88%, 0.6%

LAB 86.27, -63.47, 70.96

 

CMYK 25 / 94 / 0 / 27

HEX #8B0CBA

RGB 139 12 186

HSL 283.79, 0.88%, 0.39%

LAB 36.55, 69.1, -60.78

 

CMYK 24 / 85 / 0 / 20

HEX #9C1ECD

RGB 156 30 205

HSL 283.2, 0.74%, 0.46%

LAB 41.85, 71.83, -63.15

 

CMYK 23 / 79 / 0 / 12

HEX #AD30E0

RGB 173 48 224

HSL 282.61, 0.74%, 0.53%

LAB 47.47, 73.34, -64.82

 

CMYK 22 / 73 / 0 / 5

HEX #BE42F3

RGB 190 66 243

HSL 282.03, 0.88%, 0.61%

LAB 53.29, 74.02, -66

 

CMYK 19 / 67 / 0 / 0

HEX #CF54FF

RGB 207 84 255

HSL 283.16, 1%, 0.66%

LAB 58.81, 72.78, -63.66

 

CMYK 30 / 94 / 0 / 25

HEX #860CBF

RGB 134 12 191

HSL 280.89, 0.88%, 0.4%

LAB 36.16, 69.39, -64.39

 

CMYK 32 / 100 / 0 / 33

HEX #7500AC

RGB 117 0 172

HSL 280.81, 1%, 0.34%

LAB 31.26, 65.2, -61.23

 

CMYK 35 / 100 / 0 / 40

HEX #640099

RGB 100 0 153

HSL 279.22, 1%, 0.3%

LAB 26.76, 59.39, -57.17

 

CMYK 38 / 100 / 0 / 47

HEX #530086

RGB 83 0 134

HSL 277.16, 1%, 0.26%

LAB 22.16, 53.45, -53.02

 

CMYK 43 / 100 / 0 / 55

HEX #420073

RGB 66 0 115

HSL 274.43, 1%, 0.23%

LAB 17.44, 47.37, -48.76

 

CMYK 30 / 94 / 0 / 25

HEX #860CBF

RGB 134 12 191

HSL 280.89, 0.88%, 0.4%

LAB 36.16, 69.39, -64.39

 

CMYK 5 / 94 / 0 / 25

HEX #B60CBF

RGB 182 12 191

HSL 296.98, 0.88%, 0.4%

LAB 44.19, 76.5, -51

 

CMYK 0 / 94 / 20 / 25

HEX #BF0C98

RGB 191 12 152

HSL 313.07, 0.88%, 0.4%

LAB 43.66, 72.67, -28.55

 

CMYK 0 / 94 / 46 / 25

HEX #BF0C67

RGB 191 12 103

HSL 329.5, 0.88%, 0.4%

LAB 41.72, 67.53, -1.29

 

CMYK 0 / 94 / 71 / 25

HEX #BF0C37

RGB 191 12 55

HSL 345.59, 0.88%, 0.4%

LAB 40.6, 64.46, 27.52

 

CMYK 30 / 94 / 0 / 25

HEX #860CBF

RGB 134 12 191

HSL 280.89, 0.88%, 0.4%

LAB 36.16, 69.39, -64.39

 

CMYK 55 / 94 / 0 / 25

HEX #560CBF

RGB 86 12 191

HSL 264.8, 0.88%, 0.4%

LAB 29.42, 64.28, -75.73

 

CMYK 81 / 94 / 0 / 25

HEX #250CBF

RGB 37 12 191

HSL 248.38, 0.88%, 0.4%

LAB 25.01, 61.61, -83.19

 

CMYK 94 / 94 / 0 / 25

HEX #0C0CBF

RGB 12 12 191

HSL 240, 0.88%, 0.4%

LAB 24.01, 61.11, -84.88

 

CMYK 30 / 94 / 0 / 25

HEX #860CBF

RGB 134 12 191

HSL 280.89, 0.88%, 0.4%

LAB 36.16, 69.39, -64.39

 

CMYK 30 / 94 / 0 / 25

HEX #860CBF

RGB 134 12 191

HSL 280.89, 0.88%, 0.4%

LAB 36.16, 69.39, -64.39

 

CMYK 27 / 84 / 0 / 31

HEX #801CAF

RGB 128 28 175

HSL 280.82, 0.72%, 0.4%

LAB 35.03, 62.05, -56.79

 

CMYK 23 / 72 / 0 / 38

HEX #7A2D9E

RGB 122 45 158

HSL 280.88, 0.56%, 0.4%

LAB 34.97, 51.32, -46.72

 

CMYK 18 / 57 / 0 / 44

HEX #743D8E

RGB 116 61 142

HSL 280.74, 0.4%, 0.4%

LAB 35.99, 38.4, -35.39

 

CMYK 12 / 38 / 0 / 51

HEX #6E4E7D

RGB 110 78 125

HSL 280.85, 0.23%, 0.4%

LAB 38.28, 22.71, -21.42

 

CMYK 81 / 94 / 0 / 25

HEX #240CBF

RGB 36 12 191

HSL 248.04, 0.88%, 0.4%

LAB 24.95, 61.58, -83.28

 

CMYK 56 / 94 / 0 / 25

HEX #540CBF

RGB 84 12 191

HSL 264.13, 0.88%, 0.4%

LAB 29.18, 64.12, -76.13

 

CMYK 31 / 94 / 0 / 25

HEX #830CBF

RGB 131 12 191

HSL 279.89, 0.88%, 0.4%

LAB 35.69, 69, -65.18

 

CMYK 6 / 94 / 0 / 25

HEX #B30CBF

RGB 179 12 191

HSL 295.98, 0.88%, 0.4%

LAB 43.67, 76.01, -51.87

 

CMYK 0 / 94 / 19 / 25

HEX #BF0C9B

RGB 191 12 155

HSL 312.07, 0.88%, 0.4%

LAB 43.81, 73.04, -30.14

 

CMYK 30 / 94 / 0 / 55

HEX #500772

RGB 80 7 114

HSL 280.93, 0.88%, 0.24%

LAB 20.33, 47.04, -43.28

 

CMYK 30 / 94 / 0 / 40

HEX #6B0998

RGB 107 9 152

HSL 281.12, 0.89%, 0.32%

LAB 28.35, 58.47, -53.91

 

CMYK 30 / 94 / 0 / 25

HEX #860CBF

RGB 134 12 191

HSL 280.89, 0.88%, 0.4%

LAB 36.16, 69.39, -64.39

 

CMYK 30 / 94 / 0 / 10

HEX #A10EE6

RGB 161 14 230

HSL 280.83, 0.89%, 0.48%

LAB 43.66, 79.98, -74.51

 

CMYK 26 / 82 / 0 / 5

HEX #B22CF1

RGB 178 44 241

HSL 280.81, 0.88%, 0.56%

LAB 49.03, 78.56, -71.87

 

CMYK 30 / 94 / 0 / 25

HEX #860CBF

RGB 134 12 191

HSL 280.89, 0.88%, 0.4%

LAB 36.16, 69.39, -64.39

 

CMYK 0 / 94 / 81 / 25

HEX #BF0C24

RGB 191 12 36

HSL 351.96, 0.88%, 0.4%

LAB 40.36, 63.78, 38.65

 

CMYK 94 / 0 / 69 / 25

HEX #0CBF3C

RGB 12 191 60

HSL 136.09, 0.88%, 0.4%

LAB 67.77, -65.7, 52.69

 

CMYK 30 / 94 / 0 / 25

HEX #860CBF

RGB 134 12 191

HSL 280.89, 0.88%, 0.4%

LAB 36.16, 69.39, -64.39

 

CMYK 0 / 31 / 94 / 25

HEX #BF830C

RGB 191 131 12

HSL 39.89, 0.88%, 0.4%

LAB 59.28, 14.68, 62.98

 

CMYK 94 / 0 / 31 / 25

HEX #0CBF83

RGB 12 191 131

HSL 159.89, 0.88%, 0.4%

LAB 68.74, -54.21, 19.23

 

CMYK 30 / 94 / 0 / 25

HEX #860CBF

RGB 134 12 191

HSL 280.89, 0.88%, 0.4%

LAB 36.16, 69.39, -64.39

 

CMYK 0 / 94 / 81 / 25

HEX #BF0C24

RGB 191 12 36

HSL 351.96, 0.88%, 0.4%

LAB 40.36, 63.78, 38.65

 

CMYK 62 / 0 / 94 / 25

HEX #48BF0C

RGB 72 191 12

HSL 99.89, 0.88%, 0.4%

LAB 68.51, -60.23, 66.81

 

CMYK 94 / 0 / 13 / 25

HEX #0CBFA7

RGB 12 191 167

HSL 171.96, 0.88%, 0.4%

LAB 69.56, -45.24, 0.85

 

CMYK 30 / 94 / 0 / 25

HEX #860CBF

RGB 134 12 191

HSL 280.89, 0.88%, 0.4%

LAB 36.16, 69.39, -64.39

 

CMYK 0 / 78 / 94 / 25

HEX #BF2A0C

RGB 191 42 12

HSL 10.06, 0.88%, 0.4%

LAB 42.4, 57.04, 51.38

 

CMYK 62 / 0 / 94 / 25

HEX #48BF0C

RGB 72 191 12

HSL 99.89, 0.88%, 0.4%

LAB 68.51, -60.23, 66.81

 

CMYK 94 / 16 / 0 / 25

HEX #0CA1BF

RGB 12 161 191

HSL 190.06, 0.88%, 0.4%

LAB 61.07, -23.82, -25.21

 

Description

Color code: HEX #860CBF | qconv.com Color code: HEX #860CBF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 12 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 12 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 94 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 94% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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