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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85FF5A it is the complementary color #7A00A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85FF5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85FF5A shade: #8AFF55, #9BFF68, #ACFF7B, #BDFF8E and #CEFFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85FF5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85FF5A shade: #85FF5A, #74ED47, #63DB34, #52C921 and #41B70E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85FF5A shade: #86FF5B, #B2FF5B, #DEFF5B, #FFF35B and #FFC75B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85FF5A shade: #86FF5B, #5BFF5D, #5BFF89, #5BFFB5 and #5BFFE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85FF5A shade matches the following richer shades: #86FF5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85FF5A shade: #86FF5B, #8CF169, #92E476, #99D783 and #9FCA90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85FF5A shade: #DEFF5B, #B2FF5B, #87FF5B, #5BFF5B and #5BFF87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85FF5A shade: #49FF09, #67FF32, #86FF5B, #A4FF85 and #C3FFAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85FF5A shade: #85FF5A, #5BFFF4 and #FF5BC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85FF5A shade: #85FF5A, #5B87FF and #FF5B87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85FF5A shade: #85FF5A, #5BFFF4, #D35BFF and #FF5B66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85FF5A shade: #85FF5A, #5BD8FF, #D35BFF and #FF815B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 65 / 0

HEX #85FF5A

RGB 133 255 90

HSL 104.36, 1%, 0.68%

LAB 90.43, -62.6, 65.99

 

Complementary color

CMYK 26 / 100 / 0 / 35

HEX #7A00A5

RGB 122 0 165

HSL 284.36, 1%, 0.32%

LAB 31.47, 64.48, -56.63

 

CMYK 46 / 0 / 67 / 0

HEX #8AFF55

RGB 138 255 85

HSL 101.29, 1%, 0.67%

LAB 90.59, -61.59, 68.14

 

CMYK 39 / 0 / 59 / 0

HEX #9BFF68

RGB 155 255 104

HSL 99.74, 1%, 0.7%

LAB 91.45, -54.82, 61.65

 

CMYK 33 / 0 / 52 / 0

HEX #ACFF7B

RGB 172 255 123

HSL 97.73, 1%, 0.74%

LAB 92.45, -47.43, 54.65

 

CMYK 26 / 0 / 44 / 0

HEX #BDFF8E

RGB 189 255 142

HSL 95.04, 1%, 0.78%

LAB 93.58, -39.55, 47.36

 

CMYK 19 / 0 / 37 / 0

HEX #CEFFA1

RGB 206 255 161

HSL 91.28, 1%, 0.82%

LAB 94.83, -31.3, 39.95

 

CMYK 48 / 0 / 65 / 0

HEX #85FF5A

RGB 133 255 90

HSL 104.36, 1%, 0.68%

LAB 90.43, -62.6, 65.99

 

CMYK 51 / 0 / 70 / 7

HEX #74ED47

RGB 116 237 71

HSL 103.73, 0.82%, 0.6%

LAB 84.35, -62.19, 66.56

 

CMYK 55 / 0 / 76 / 14

HEX #63DB34

RGB 99 219 52

HSL 103.11, 0.7%, 0.53%

LAB 78.21, -61.53, 66.67

 

CMYK 59 / 0 / 84 / 21

HEX #52C921

RGB 82 201 33

HSL 102.5, 0.72%, 0.46%

LAB 72.01, -60.54, 66.03

 

CMYK 64 / 0 / 92 / 28

HEX #41B70E

RGB 65 183 14

HSL 101.89, 0.86%, 0.39%

LAB 65.77, -59.1, 64.18

 

CMYK 47 / 0 / 64 / 0

HEX #86FF5B

RGB 134 255 91

HSL 104.27, 1%, 0.68%

LAB 90.48, -62.23, 65.65

 

CMYK 30 / 0 / 64 / 0

HEX #B2FF5B

RGB 178 255 91

HSL 88.17, 1%, 0.68%

LAB 92.46, -48.31, 68.37

 

CMYK 13 / 0 / 64 / 0

HEX #DEFF5B

RGB 222 255 91

HSL 72.07, 1%, 0.68%

LAB 95.08, -32.1, 71.93

 

CMYK 0 / 5 / 64 / 0

HEX #FFF35B

RGB 255 243 91

HSL 55.61, 1%, 0.68%

LAB 94.36, -13.29, 71.94

 

CMYK 0 / 22 / 64 / 0

HEX #FFC75B

RGB 255 199 91

HSL 39.51, 1%, 0.68%

LAB 83.37, 8.9, 60.19

 

CMYK 47 / 0 / 64 / 0

HEX #86FF5B

RGB 134 255 91

HSL 104.27, 1%, 0.68%

LAB 90.48, -62.23, 65.65

 

CMYK 64 / 0 / 64 / 0

HEX #5BFF5D

RGB 91 255 93

HSL 120.73, 1%, 0.68%

LAB 89.17, -72.35, 63.05

 

CMYK 64 / 0 / 46 / 0

HEX #5BFF89

RGB 91 255 137

HSL 136.83, 1%, 0.68%

LAB 89.65, -66.88, 43.99

 

CMYK 64 / 0 / 29 / 0

HEX #5BFFB5

RGB 91 255 181

HSL 152.93, 1%, 0.68%

LAB 90.36, -59.13, 23.1

 

CMYK 64 / 0 / 12 / 0

HEX #5BFFE1

RGB 91 255 225

HSL 169.02, 1%, 0.68%

LAB 91.32, -49.31, 1.82

 

CMYK 47 / 0 / 64 / 0

HEX #86FF5B

RGB 134 255 91

HSL 104.27, 1%, 0.68%

LAB 90.48, -62.23, 65.65

 

CMYK 47 / 0 / 64 / 0

HEX #86FF5B

RGB 134 255 91

HSL 104.27, 1%, 0.68%

LAB 90.48, -62.23, 65.65

 

CMYK 42 / 0 / 56 / 5

HEX #8CF169

RGB 140 241 105

HSL 104.56, 0.83%, 0.68%

LAB 86.75, -53.73, 55.65

 

CMYK 36 / 0 / 48 / 11

HEX #92E476

RGB 146 228 118

HSL 104.73, 0.67%, 0.68%

LAB 83.39, -44.98, 45.68

 

CMYK 29 / 0 / 39 / 16

HEX #99D783

RGB 153 215 131

HSL 104.29, 0.51%, 0.68%

LAB 80.19, -35.17, 35.28

 

CMYK 21 / 0 / 29 / 21

HEX #9FCA90

RGB 159 202 144

HSL 104.48, 0.35%, 0.68%

LAB 77.06, -25, 24.47

 

CMYK 13 / 0 / 64 / 0

HEX #DEFF5B

RGB 222 255 91

HSL 72.07, 1%, 0.68%

LAB 95.08, -32.1, 71.93

 

CMYK 30 / 0 / 64 / 0

HEX #B2FF5B

RGB 178 255 91

HSL 88.17, 1%, 0.68%

LAB 92.46, -48.31, 68.37

 

CMYK 47 / 0 / 64 / 0

HEX #87FF5B

RGB 135 255 91

HSL 103.9, 1%, 0.68%

LAB 90.52, -61.95, 65.71

 

CMYK 64 / 0 / 64 / 0

HEX #5BFF5B

RGB 91 255 91

HSL 120, 1%, 0.68%

LAB 89.16, -72.54, 63.83

 

CMYK 64 / 0 / 47 / 0

HEX #5BFF87

RGB 91 255 135

HSL 136.1, 1%, 0.68%

LAB 89.62, -67.18, 44.91

 

CMYK 71 / 0 / 96 / 0

HEX #49FF09

RGB 73 255 9

HSL 104.39, 1%, 0.52%

LAB 88.43, -79.98, 83.34

 

CMYK 60 / 0 / 80 / 0

HEX #67FF32

RGB 103 255 50

HSL 104.49, 1%, 0.6%

LAB 89.22, -72.92, 77.63

 

CMYK 47 / 0 / 64 / 0

HEX #86FF5B

RGB 134 255 91

HSL 104.27, 1%, 0.68%

LAB 90.48, -62.23, 65.65

 

CMYK 36 / 0 / 48 / 0

HEX #A4FF85

RGB 164 255 133

HSL 104.75, 1%, 0.76%

LAB 92.18, -48.87, 49.6

 

CMYK 24 / 0 / 32 / 0

HEX #C3FFAE

RGB 195 255 174

HSL 104.44, 1%, 0.84%

LAB 94.39, -33.26, 32.8

 

CMYK 48 / 0 / 65 / 0

HEX #85FF5A

RGB 133 255 90

HSL 104.36, 1%, 0.68%

LAB 90.43, -62.6, 65.99

 

CMYK 64 / 0 / 4 / 0

HEX #5BFFF4

RGB 91 255 244

HSL 175.98, 1%, 0.68%

LAB 91.81, -44.52, -7.3

 

CMYK 0 / 64 / 22 / 0

HEX #FF5BC8

RGB 255 91 200

HSL 320.12, 1%, 0.68%

LAB 64.09, 72.47, -24.11

 

CMYK 48 / 0 / 65 / 0

HEX #85FF5A

RGB 133 255 90

HSL 104.36, 1%, 0.68%

LAB 90.43, -62.6, 65.99

 

CMYK 64 / 47 / 0 / 0

HEX #5B87FF

RGB 91 135 255

HSL 223.9, 1%, 0.68%

LAB 58.76, 22.03, -64.29

 

CMYK 0 / 64 / 47 / 0

HEX #FF5B87

RGB 255 91 135

HSL 343.9, 1%, 0.68%

LAB 62.08, 65.35, 10.21

 

CMYK 48 / 0 / 65 / 0

HEX #85FF5A

RGB 133 255 90

HSL 104.36, 1%, 0.68%

LAB 90.43, -62.6, 65.99

 

CMYK 64 / 0 / 4 / 0

HEX #5BFFF4

RGB 91 255 244

HSL 175.98, 1%, 0.68%

LAB 91.81, -44.52, -7.3

 

CMYK 17 / 64 / 0 / 0

HEX #D35BFF

RGB 211 91 255

HSL 283.9, 1%, 0.68%

LAB 60.38, 70.74, -61.11

 

CMYK 0 / 64 / 60 / 0

HEX #FF5B66

RGB 255 91 102

HSL 355.98, 1%, 0.68%

LAB 61.4, 62.85, 28.33

 

CMYK 48 / 0 / 65 / 0

HEX #85FF5A

RGB 133 255 90

HSL 104.36, 1%, 0.68%

LAB 90.43, -62.6, 65.99

 

CMYK 64 / 15 / 0 / 0

HEX #5BD8FF

RGB 91 216 255

HSL 194.27, 1%, 0.68%

LAB 81.05, -23.14, -29.29

 

CMYK 17 / 64 / 0 / 0

HEX #D35BFF

RGB 211 91 255

HSL 283.9, 1%, 0.68%

LAB 60.38, 70.74, -61.11

 

CMYK 0 / 49 / 64 / 0

HEX #FF815B

RGB 255 129 91

HSL 13.9, 1%, 0.68%

LAB 67.81, 44.99, 42.39

 

Description

Color code: HEX #85FF5A | qconv.com Color code: HEX #85FF5A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 255 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 255 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 65 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 65% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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