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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85F48D it is the complementary color #7A0B72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85F48D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85F48D shade: #8AF488, #9BFF9B, #ACFFAE, #BDFFC1 and #CEFFD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85F48D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85F48D shade: #85F48D, #74E27A, #63D067, #52BE54 and #41AC41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85F48D shade: #85F38D, #9BF385, #B9F385, #D6F385 and #F3F285

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85F48D shade: #85F38D, #85F3AB, #85F3C8, #85F3E6 and #85E3F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85F48D shade matches the following richer shades: #85F38D and #7AFE84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85F48D shade: #85F38D, #90E996, #9BDE9F, #A5D3A9 and #B0C8B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85F48D shade: #B9F385, #9BF385, #85F38D, #85F3AA and #85F3C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85F48D shade: #3AEC47, #5FF06A, #85F38D, #ABF7B0 and #D1FAD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85F48D shade: #85F48D, #85D6F3 and #F385AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85F48D shade: #85F48D, #8D85F3 and #F38D85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85F48D shade: #85F48D, #85D6F3, #F385EC and #F3A385

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85F48D shade: #85F48D, #85B5F3, #F385EC and #F3C485

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 42 / 4

HEX #85F48D

RGB 133 244 141

HSL 124.32, 0.83%, 0.74%

LAB 87.78, -52.42, 39.93

 

Complementary color

CMYK 0 / 91 / 7 / 52

HEX #7A0B72

RGB 122 11 114

HSL 304.32, 0.83%, 0.26%

LAB 28.36, 53.81, -29.95

 

CMYK 43 / 0 / 44 / 4

HEX #8AF488

RGB 138 244 136

HSL 118.89, 0.83%, 0.75%

LAB 87.91, -51.74, 42.58

 

CMYK 39 / 0 / 39 / 0

HEX #9BFF9B

RGB 155 255 155

HSL 120, 1%, 0.8%

LAB 92.07, -48.66, 38.79

 

CMYK 33 / 0 / 32 / 0

HEX #ACFFAE

RGB 172 255 174

HSL 121.45, 1%, 0.84%

LAB 93.17, -40.64, 30.94

 

CMYK 26 / 0 / 24 / 0

HEX #BDFFC1

RGB 189 255 193

HSL 123.64, 1%, 0.87%

LAB 94.39, -32.24, 23.16

 

CMYK 19 / 0 / 17 / 0

HEX #CEFFD4

RGB 206 255 212

HSL 127.35, 1%, 0.9%

LAB 95.75, -23.56, 15.49

 

CMYK 45 / 0 / 42 / 4

HEX #85F48D

RGB 133 244 141

HSL 124.32, 0.83%, 0.74%

LAB 87.78, -52.42, 39.93

 

CMYK 49 / 0 / 46 / 11

HEX #74E27A

RGB 116 226 122

HSL 123.27, 0.65%, 0.67%

LAB 81.57, -52.51, 41.19

 

CMYK 52 / 0 / 50 / 18

HEX #63D067

RGB 99 208 103

HSL 122.2, 0.54%, 0.6%

LAB 75.29, -52.5, 42.49

 

CMYK 57 / 0 / 56 / 25

HEX #52BE54

RGB 82 190 84

HSL 121.11, 0.45%, 0.53%

LAB 68.94, -52.33, 43.78

 

CMYK 62 / 0 / 62 / 33

HEX #41AC41

RGB 65 172 65

HSL 120, 0.45%, 0.46%

LAB 62.52, -51.91, 45.01

 

CMYK 45 / 0 / 42 / 5

HEX #85F38D

RGB 133 243 141

HSL 124.36, 0.82%, 0.74%

LAB 87.49, -52.01, 39.56

 

CMYK 36 / 0 / 45 / 5

HEX #9BF385

RGB 155 243 133

HSL 108, 0.82%, 0.74%

LAB 88.33, -46.63, 44.72

 

CMYK 24 / 0 / 45 / 5

HEX #B9F385

RGB 185 243 133

HSL 91.64, 0.82%, 0.74%

LAB 89.91, -36.61, 47.03

 

CMYK 12 / 0 / 45 / 5

HEX #D6F385

RGB 214 243 133

HSL 75.82, 0.82%, 0.74%

LAB 91.73, -26.05, 49.68

 

CMYK 0 / 0 / 45 / 5

HEX #F3F285

RGB 243 242 133

HSL 59.45, 0.82%, 0.74%

LAB 93.56, -14.46, 52.41

 

CMYK 45 / 0 / 42 / 5

HEX #85F38D

RGB 133 243 141

HSL 124.36, 0.82%, 0.74%

LAB 87.49, -52.01, 39.56

 

CMYK 45 / 0 / 30 / 5

HEX #85F3AB

RGB 133 243 171

HSL 140.73, 0.82%, 0.74%

LAB 87.98, -47.08, 25.14

 

CMYK 45 / 0 / 18 / 5

HEX #85F3C8

RGB 133 243 200

HSL 156.55, 0.82%, 0.74%

LAB 88.57, -41.41, 11

 

CMYK 45 / 0 / 5 / 5

HEX #85F3E6

RGB 133 243 230

HSL 172.91, 0.82%, 0.74%

LAB 89.3, -34.7, -3.57

 

CMYK 45 / 7 / 0 / 5

HEX #85E3F3

RGB 133 227 243

HSL 188.73, 0.82%, 0.74%

LAB 85.2, -23.83, -16.5

 

CMYK 45 / 0 / 42 / 5

HEX #85F38D

RGB 133 243 141

HSL 124.36, 0.82%, 0.74%

LAB 87.49, -52.01, 39.56

 

CMYK 52 / 0 / 48 / 0

HEX #7AFE84

RGB 122 254 132

HSL 124.55, 0.99%, 0.74%

LAB 90.18, -60.51, 47.22

 

CMYK 45 / 0 / 42 / 5

HEX #85F38D

RGB 133 243 141

HSL 124.36, 0.82%, 0.74%

LAB 87.49, -52.01, 39.56

 

CMYK 38 / 0 / 36 / 9

HEX #90E996

RGB 144 233 150

HSL 124.04, 0.67%, 0.74%

LAB 85.2, -43.25, 32.16

 

CMYK 30 / 0 / 28 / 13

HEX #9BDE9F

RGB 155 222 159

HSL 123.58, 0.5%, 0.74%

LAB 82.76, -33.43, 24.35

 

CMYK 22 / 0 / 20 / 17

HEX #A5D3A9

RGB 165 211 169

HSL 125.22, 0.34%, 0.74%

LAB 80.43, -23.18, 15.97

 

CMYK 12 / 0 / 11 / 22

HEX #B0C8B2

RGB 176 200 178

HSL 125, 0.18%, 0.74%

LAB 78.32, -12.29, 8.28

 

CMYK 24 / 0 / 45 / 5

HEX #B9F385

RGB 185 243 133

HSL 91.64, 0.82%, 0.74%

LAB 89.91, -36.61, 47.03

 

CMYK 36 / 0 / 45 / 5

HEX #9BF385

RGB 155 243 133

HSL 108, 0.82%, 0.74%

LAB 88.33, -46.63, 44.72

 

CMYK 45 / 0 / 42 / 5

HEX #85F38D

RGB 133 243 141

HSL 124.36, 0.82%, 0.74%

LAB 87.49, -52.01, 39.56

 

CMYK 45 / 0 / 30 / 5

HEX #85F3AA

RGB 133 243 170

HSL 140.18, 0.82%, 0.74%

LAB 87.96, -47.26, 25.63

 

CMYK 45 / 0 / 18 / 5

HEX #85F3C7

RGB 133 243 199

HSL 156, 0.82%, 0.74%

LAB 88.55, -41.62, 11.49

 

CMYK 75 / 0 / 70 / 7

HEX #3AEC47

RGB 58 236 71

HSL 124.38, 0.82%, 0.58%

LAB 82.56, -73.86, 64.25

 

CMYK 60 / 0 / 56 / 6

HEX #5FF06A

RGB 95 240 106

HSL 124.55, 0.83%, 0.66%

LAB 84.89, -64.99, 52.62

 

CMYK 45 / 0 / 42 / 5

HEX #85F38D

RGB 133 243 141

HSL 124.36, 0.82%, 0.74%

LAB 87.49, -52.01, 39.56

 

CMYK 31 / 0 / 29 / 3

HEX #ABF7B0

RGB 171 247 176

HSL 123.95, 0.83%, 0.82%

LAB 90.92, -37.04, 26.89

 

CMYK 16 / 0 / 15 / 2

HEX #D1FAD4

RGB 209 250 212

HSL 124.39, 0.8%, 0.9%

LAB 94.6, -20.17, 13.9

 

CMYK 45 / 0 / 42 / 4

HEX #85F48D

RGB 133 244 141

HSL 124.32, 0.83%, 0.74%

LAB 87.78, -52.42, 39.93

 

CMYK 45 / 12 / 0 / 5

HEX #85D6F3

RGB 133 214 243

HSL 195.82, 0.82%, 0.74%

LAB 81.59, -17.31, -21.94

 

CMYK 0 / 45 / 30 / 5

HEX #F385AA

RGB 243 133 170

HSL 339.82, 0.82%, 0.74%

LAB 68.56, 46.05, -0.64

 

CMYK 45 / 0 / 42 / 4

HEX #85F48D

RGB 133 244 141

HSL 124.32, 0.83%, 0.74%

LAB 87.78, -52.42, 39.93

 

CMYK 42 / 45 / 0 / 5

HEX #8D85F3

RGB 141 133 243

HSL 244.36, 0.82%, 0.74%

LAB 60.7, 29.64, -54.41

 

CMYK 0 / 42 / 45 / 5

HEX #F38D85

RGB 243 141 133

HSL 4.36, 0.82%, 0.74%

LAB 69.33, 37.78, 21.15

 

CMYK 45 / 0 / 42 / 4

HEX #85F48D

RGB 133 244 141

HSL 124.32, 0.83%, 0.74%

LAB 87.78, -52.42, 39.93

 

CMYK 45 / 12 / 0 / 5

HEX #85D6F3

RGB 133 214 243

HSL 195.82, 0.82%, 0.74%

LAB 81.59, -17.31, -21.94

 

CMYK 0 / 45 / 3 / 5

HEX #F385EC

RGB 243 133 236

HSL 303.82, 0.82%, 0.74%

LAB 70.79, 55.98, -33.97

 

CMYK 0 / 33 / 45 / 5

HEX #F3A385

RGB 243 163 133

HSL 16.36, 0.82%, 0.74%

LAB 74.15, 26.27, 27.67

 

CMYK 45 / 0 / 42 / 4

HEX #85F48D

RGB 133 244 141

HSL 124.32, 0.83%, 0.74%

LAB 87.78, -52.42, 39.93

 

CMYK 45 / 26 / 0 / 5

HEX #85B5F3

RGB 133 181 243

HSL 213.82, 0.82%, 0.74%

LAB 72.56, 0.22, -35.8

 

CMYK 0 / 45 / 3 / 5

HEX #F385EC

RGB 243 133 236

HSL 303.82, 0.82%, 0.74%

LAB 70.79, 55.98, -33.97

 

CMYK 0 / 19 / 45 / 5

HEX #F3C485

RGB 243 196 133

HSL 34.36, 0.82%, 0.74%

LAB 81.96, 8.89, 37.89

 

Description

Color code: HEX #85F48D | qconv.com Color code: HEX #85F48D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 244 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 244 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 42 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 42% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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