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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85EF6C it is the complementary color #7A1093. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85EF6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85EF6C shade: #8AEF67, #9BFF7A, #ACFF8D, #BDFFA0 and #CEFFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85EF6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85EF6C shade: #85EF6C, #74DD59, #63CB46, #52B933 and #41A720

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85EF6C shade: #85EE6C, #A8EE6C, #CBEE6C, #EEEE6C and #EECB6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85EF6C shade: #85EE6C, #6CEE76, #6CEE99, #6CEEBC and #6CEEE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85EF6C shade matches the following richer shades: #85EE6C and #7CFB5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85EF6C shade: #85EE6C, #8DE179, #95D486, #9DC793 and #A5B9A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85EF6C shade: #CBEE6C, #A9EE6C, #86EE6C, #6CEE74 and #6CEE97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85EF6C shade: #47E621, #66EA46, #85EE6C, #A3F291 and #C2F6B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85EF6C shade: #85EF6C, #6CEEEE and #EE6CBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85EF6C shade: #85EF6C, #6C86EE and #EE6C86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85EF6C shade: #85EF6C, #6CEEEE, #D46CEE and #EE6C6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85EF6C shade: #85EF6C, #6CC7EE, #D46CEE and #EE936C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 55 / 6

HEX #85EF6C

RGB 133 239 108

HSL 108.55, 0.8%, 0.68%

LAB 85.91, -54.69, 53.24

 

Complementary color

CMYK 17 / 89 / 0 / 42

HEX #7A1093

RGB 122 16 147

HSL 288.55, 0.8%, 0.32%

LAB 30.91, 58.52, -46.56

 

CMYK 42 / 0 / 57 / 6

HEX #8AEF67

RGB 138 239 103

HSL 104.56, 0.81%, 0.67%

LAB 86.06, -53.74, 55.71

 

CMYK 39 / 0 / 52 / 0

HEX #9BFF7A

RGB 155 255 122

HSL 105.11, 1%, 0.74%

LAB 91.64, -52.95, 53.94

 

CMYK 33 / 0 / 45 / 0

HEX #ACFF8D

RGB 172 255 141

HSL 103.68, 1%, 0.78%

LAB 92.67, -45.33, 46.51

 

CMYK 26 / 0 / 37 / 0

HEX #BDFFA0

RGB 189 255 160

HSL 101.68, 1%, 0.81%

LAB 93.83, -37.24, 38.95

 

CMYK 19 / 0 / 30 / 0

HEX #CEFFB3

RGB 206 255 179

HSL 98.68, 1%, 0.85%

LAB 95.12, -28.82, 31.38

 

CMYK 44 / 0 / 55 / 6

HEX #85EF6C

RGB 133 239 108

HSL 108.55, 0.8%, 0.68%

LAB 85.91, -54.69, 53.24

 

CMYK 48 / 0 / 60 / 13

HEX #74DD59

RGB 116 221 89

HSL 107.73, 0.66%, 0.61%

LAB 79.7, -54.58, 54.32

 

CMYK 51 / 0 / 66 / 20

HEX #63CB46

RGB 99 203 70

HSL 106.92, 0.56%, 0.54%

LAB 73.42, -54.3, 55.24

 

CMYK 56 / 0 / 72 / 27

HEX #52B933

RGB 82 185 51

HSL 106.12, 0.57%, 0.46%

LAB 67.07, -53.78, 55.81

 

CMYK 61 / 0 / 81 / 35

HEX #41A720

RGB 65 167 32

HSL 105.33, 0.68%, 0.39%

LAB 60.66, -52.88, 55.73

 

CMYK 44 / 0 / 55 / 7

HEX #85EE6C

RGB 133 238 108

HSL 108.46, 0.79%, 0.68%

LAB 85.61, -54.29, 52.9

 

CMYK 29 / 0 / 55 / 7

HEX #A8EE6C

RGB 168 238 108

HSL 92.31, 0.79%, 0.68%

LAB 87.27, -43.04, 55.25

 

CMYK 15 / 0 / 55 / 7

HEX #CBEE6C

RGB 203 238 108

HSL 76.15, 0.79%, 0.68%

LAB 89.36, -30.26, 58.22

 

CMYK 0 / 0 / 55 / 7

HEX #EEEE6C

RGB 238 238 108

HSL 60, 0.79%, 0.68%

LAB 91.87, -16.57, 61.75

 

CMYK 0 / 15 / 55 / 7

HEX #EECB6C

RGB 238 203 108

HSL 43.85, 0.79%, 0.68%

LAB 82.9, 1.01, 51.36

 

CMYK 44 / 0 / 55 / 7

HEX #85EE6C

RGB 133 238 108

HSL 108.46, 0.79%, 0.68%

LAB 85.61, -54.29, 52.9

 

CMYK 55 / 0 / 50 / 7

HEX #6CEE76

RGB 108 238 118

HSL 124.62, 0.79%, 0.68%

LAB 84.82, -59.76, 47.09

 

CMYK 55 / 0 / 36 / 7

HEX #6CEE99

RGB 108 238 153

HSL 140.77, 0.79%, 0.68%

LAB 85.32, -54.36, 30.55

 

CMYK 55 / 0 / 21 / 7

HEX #6CEEBC

RGB 108 238 188

HSL 156.92, 0.79%, 0.68%

LAB 85.99, -47.52, 13.46

 

CMYK 55 / 0 / 6 / 7

HEX #6CEEE0

RGB 108 238 224

HSL 173.54, 0.79%, 0.68%

LAB 86.86, -39.16, -4.12

 

CMYK 44 / 0 / 55 / 7

HEX #85EE6C

RGB 133 238 108

HSL 108.46, 0.79%, 0.68%

LAB 85.61, -54.29, 52.9

 

CMYK 51 / 0 / 63 / 2

HEX #7CFB5E

RGB 124 251 94

HSL 108.54, 0.95%, 0.68%

LAB 88.96, -63.22, 62.68

 

CMYK 44 / 0 / 55 / 7

HEX #85EE6C

RGB 133 238 108

HSL 108.46, 0.79%, 0.68%

LAB 85.61, -54.29, 52.9

 

CMYK 37 / 0 / 46 / 12

HEX #8DE179

RGB 141 225 121

HSL 108.46, 0.63%, 0.68%

LAB 82.32, -44.9, 42.85

 

CMYK 30 / 0 / 37 / 17

HEX #95D486

RGB 149 212 134

HSL 108.46, 0.48%, 0.68%

LAB 79.16, -34.71, 32.36

 

CMYK 21 / 0 / 26 / 22

HEX #9DC793

RGB 157 199 147

HSL 108.46, 0.32%, 0.68%

LAB 76.14, -23.75, 21.62

 

CMYK 11 / 0 / 14 / 27

HEX #A5B9A0

RGB 165 185 160

HSL 108, 0.15%, 0.68%

LAB 73.05, -11.61, 10.38

 

CMYK 15 / 0 / 55 / 7

HEX #CBEE6C

RGB 203 238 108

HSL 76.15, 0.79%, 0.68%

LAB 89.36, -30.26, 58.22

 

CMYK 29 / 0 / 55 / 7

HEX #A9EE6C

RGB 169 238 108

HSL 91.85, 0.79%, 0.68%

LAB 87.32, -42.69, 55.33

 

CMYK 44 / 0 / 55 / 7

HEX #86EE6C

RGB 134 238 108

HSL 108, 0.79%, 0.68%

LAB 85.66, -54, 52.95

 

CMYK 55 / 0 / 51 / 7

HEX #6CEE74

RGB 108 238 116

HSL 123.69, 0.79%, 0.68%

LAB 84.79, -60.03, 48

 

CMYK 55 / 0 / 37 / 7

HEX #6CEE97

RGB 108 238 151

HSL 139.85, 0.79%, 0.68%

LAB 85.29, -54.71, 31.52

 

CMYK 69 / 0 / 86 / 10

HEX #47E621

RGB 71 230 33

HSL 108.43, 0.8%, 0.52%

LAB 80.76, -72.28, 73.69

 

CMYK 56 / 0 / 70 / 8

HEX #66EA46

RGB 102 234 70

HSL 108.29, 0.8%, 0.6%

LAB 82.97, -64.82, 65.36

 

CMYK 44 / 0 / 55 / 7

HEX #85EE6C

RGB 133 238 108

HSL 108.46, 0.79%, 0.68%

LAB 85.61, -54.29, 52.9

 

CMYK 33 / 0 / 40 / 5

HEX #A3F291

RGB 163 242 145

HSL 108.87, 0.79%, 0.76%

LAB 88.61, -42.04, 39.29

 

CMYK 21 / 0 / 26 / 4

HEX #C2F6B6

RGB 194 246 182

HSL 108.75, 0.78%, 0.84%

LAB 92.02, -28.18, 25.54

 

CMYK 44 / 0 / 55 / 6

HEX #85EF6C

RGB 133 239 108

HSL 108.55, 0.8%, 0.68%

LAB 85.91, -54.69, 53.24

 

CMYK 55 / 0 / 0 / 7

HEX #6CEEEE

RGB 108 238 238

HSL 180, 0.79%, 0.68%

LAB 87.25, -35.59, -10.89

 

CMYK 0 / 55 / 22 / 7

HEX #EE6CBA

RGB 238 108 186

HSL 324, 0.79%, 0.68%

LAB 63.71, 58.66, -16.98

 

CMYK 44 / 0 / 55 / 6

HEX #85EF6C

RGB 133 239 108

HSL 108.55, 0.8%, 0.68%

LAB 85.91, -54.69, 53.24

 

CMYK 55 / 44 / 0 / 7

HEX #6C86EE

RGB 108 134 238

HSL 228, 0.79%, 0.68%

LAB 58.43, 20.17, -55.4

 

CMYK 0 / 55 / 44 / 7

HEX #EE6C86

RGB 238 108 134

HSL 348, 0.79%, 0.68%

LAB 62.19, 52.46, 10.57

 

CMYK 44 / 0 / 55 / 6

HEX #85EF6C

RGB 133 239 108

HSL 108.55, 0.8%, 0.68%

LAB 85.91, -54.69, 53.24

 

CMYK 55 / 0 / 0 / 7

HEX #6CEEEE

RGB 108 238 238

HSL 180, 0.79%, 0.68%

LAB 87.25, -35.59, -10.89

 

CMYK 11 / 55 / 0 / 7

HEX #D46CEE

RGB 212 108 238

HSL 288, 0.79%, 0.68%

LAB 62.42, 60.01, -48.46

 

CMYK 0 / 55 / 55 / 7

HEX #EE6C6C

RGB 238 108 108

HSL 0, 0.79%, 0.68%

LAB 61.64, 50.15, 24.73

 

CMYK 44 / 0 / 55 / 6

HEX #85EF6C

RGB 133 239 108

HSL 108.55, 0.8%, 0.68%

LAB 85.91, -54.69, 53.24

 

CMYK 55 / 16 / 0 / 7

HEX #6CC7EE

RGB 108 199 238

HSL 198, 0.79%, 0.68%

LAB 76.2, -16.44, -27.59

 

CMYK 11 / 55 / 0 / 7

HEX #D46CEE

RGB 212 108 238

HSL 288, 0.79%, 0.68%

LAB 62.42, 60.01, -48.46

 

CMYK 0 / 38 / 55 / 7

HEX #EE936C

RGB 238 147 108

HSL 18, 0.79%, 0.68%

LAB 69.56, 30.48, 35.01

 

Description

Color code: HEX #85EF6C | qconv.com Color code: HEX #85EF6C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 239 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 239 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 55 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 55% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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