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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85E9C7 it is the complementary color #7A1638. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85E9C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85E9C7 shade: #8AE9C2, #9BFBD5, #ACFFE8, #BDFFFB and #CEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85E9C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85E9C7 shade: #85E9C7, #74D7B4, #63C5A1, #52B38E and #41A17B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85E9C7 shade: #86E8C7, #86E8AC, #86E892, #95E886 and #AFE886

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85E9C7 shade: #86E8C7, #86E8E1, #86D5E8, #86BAE8 and #86A0E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85E9C7 shade matches the following richer shades: #86E8C7 and #7AF4CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85E9C7 shade: #86E8C7, #91DDC3, #9DD1BF, #A8C6BC and #B4BAB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85E9C7 shade: #86E891, #86E8AC, #86E8C6, #86E8E0 and #86D6E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85E9C7 shade: #40DCA7, #63E2B7, #86E8C7, #A9EFD7 and #CCF5E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85E9C7 shade: #85E9C7, #8695E8 and #E89E86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85E9C7 shade: #85E9C7, #C686E8 and #E8C686

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85E9C7 shade: #85E9C7, #8695E8, #E886A8 and #E8DA86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85E9C7 shade: #85E9C7, #9586E8, #E886A8 and #DAE886

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 15 / 9

HEX #85E9C7

RGB 133 233 199

HSL 159.6, 0.69%, 0.72%

LAB 85.7, -37.11, 7.42

 

Complementary color

CMYK 0 / 82 / 54 / 52

HEX #7A1638

RGB 122 22 56

HSL 339.6, 0.69%, 0.28%

LAB 26.73, 43.96, 5.93

 

CMYK 41 / 0 / 17 / 9

HEX #8AE9C2

RGB 138 233 194

HSL 155.37, 0.68%, 0.73%

LAB 85.79, -36.88, 10.2

 

CMYK 38 / 0 / 15 / 2

HEX #9BFBD5

RGB 155 251 213

HSL 156.25, 0.92%, 0.8%

LAB 92.03, -36.66, 9.33

 

CMYK 33 / 0 / 9 / 0

HEX #ACFFE8

RGB 172 255 232

HSL 163.37, 1%, 0.84%

LAB 94.36, -29.96, 2.99

 

CMYK 26 / 0 / 2 / 0

HEX #BDFFFB

RGB 189 255 251

HSL 176.36, 1%, 0.87%

LAB 95.71, -21.19, -4.74

 

CMYK 19 / 0 / 0 / 0

HEX #CEFFFF

RGB 206 255 255

HSL 180, 1%, 0.9%

LAB 96.76, -15.42, -5.14

 

CMYK 43 / 0 / 15 / 9

HEX #85E9C7

RGB 133 233 199

HSL 159.6, 0.69%, 0.72%

LAB 85.7, -37.11, 7.42

 

CMYK 46 / 0 / 16 / 16

HEX #74D7B4

RGB 116 215 180

HSL 158.79, 0.55%, 0.65%

LAB 79.39, -37.28, 8.32

 

CMYK 50 / 0 / 18 / 23

HEX #63C5A1

RGB 99 197 161

HSL 157.96, 0.46%, 0.58%

LAB 73, -37.43, 9.29

 

CMYK 54 / 0 / 21 / 30

HEX #52B38E

RGB 82 179 142

HSL 157.11, 0.39%, 0.51%

LAB 66.51, -37.51, 10.34

 

CMYK 60 / 0 / 24 / 37

HEX #41A17B

RGB 65 161 123

HSL 156.25, 0.42%, 0.44%

LAB 59.93, -37.51, 11.49

 

CMYK 42 / 0 / 14 / 9

HEX #86E8C7

RGB 134 232 199

HSL 159.8, 0.68%, 0.72%

LAB 85.46, -36.4, 7.07

 

CMYK 42 / 0 / 26 / 9

HEX #86E8AC

RGB 134 232 172

HSL 143.27, 0.68%, 0.72%

LAB 84.87, -41.86, 20.35

 

CMYK 42 / 0 / 37 / 9

HEX #86E892

RGB 134 232 146

HSL 127.35, 0.68%, 0.72%

LAB 84.41, -46.37, 33.05

 

CMYK 36 / 0 / 42 / 9

HEX #95E886

RGB 149 232 134

HSL 110.82, 0.68%, 0.72%

LAB 84.91, -43.65, 39.83

 

CMYK 25 / 0 / 42 / 9

HEX #AFE886

RGB 175 232 134

HSL 94.9, 0.68%, 0.72%

LAB 86.28, -34.99, 41.86

 

CMYK 42 / 0 / 14 / 9

HEX #86E8C7

RGB 134 232 199

HSL 159.8, 0.68%, 0.72%

LAB 85.46, -36.4, 7.07

 

CMYK 42 / 0 / 3 / 9

HEX #86E8E1

RGB 134 232 225

HSL 175.71, 0.68%, 0.72%

LAB 86.12, -30.48, -5.64

 

CMYK 42 / 8 / 0 / 9

HEX #86D5E8

RGB 134 213 232

HSL 191.63, 0.68%, 0.72%

LAB 81.01, -19.43, -16.97

 

CMYK 42 / 20 / 0 / 9

HEX #86BAE8

RGB 134 186 232

HSL 208.16, 0.68%, 0.72%

LAB 73.55, -5.3, -28.31

 

CMYK 42 / 31 / 0 / 9

HEX #86A0E8

RGB 134 160 232

HSL 224.08, 0.68%, 0.72%

LAB 66.55, 9.17, -39.16

 

CMYK 42 / 0 / 14 / 9

HEX #86E8C7

RGB 134 232 199

HSL 159.8, 0.68%, 0.72%

LAB 85.46, -36.4, 7.07

 

CMYK 50 / 0 / 17 / 4

HEX #7AF4CB

RGB 122 244 203

HSL 159.84, 0.85%, 0.72%

LAB 88.52, -43.8, 9.32

 

CMYK 42 / 0 / 14 / 9

HEX #86E8C7

RGB 134 232 199

HSL 159.8, 0.68%, 0.72%

LAB 85.46, -36.4, 7.07

 

CMYK 34 / 0 / 12 / 13

HEX #91DDC3

RGB 145 221 195

HSL 159.47, 0.53%, 0.72%

LAB 82.74, -29.14, 5.33

 

CMYK 25 / 0 / 9 / 18

HEX #9DD1BF

RGB 157 209 191

HSL 159.23, 0.36%, 0.72%

LAB 79.91, -20.55, 3.46

 

CMYK 15 / 0 / 5 / 22

HEX #A8C6BC

RGB 168 198 188

HSL 160, 0.21%, 0.72%

LAB 77.49, -12.05, 1.63

 

CMYK 3 / 0 / 1 / 27

HEX #B4BAB8

RGB 180 186 184

HSL 160, 0.04%, 0.72%

LAB 75, -2.46, 0.28

 

CMYK 42 / 0 / 38 / 9

HEX #86E891

RGB 134 232 145

HSL 126.73, 0.68%, 0.72%

LAB 84.39, -46.53, 33.54

 

CMYK 42 / 0 / 26 / 9

HEX #86E8AC

RGB 134 232 172

HSL 143.27, 0.68%, 0.72%

LAB 84.87, -41.86, 20.35

 

CMYK 42 / 0 / 15 / 9

HEX #86E8C6

RGB 134 232 198

HSL 159.18, 0.68%, 0.72%

LAB 85.43, -36.62, 7.56

 

CMYK 42 / 0 / 3 / 9

HEX #86E8E0

RGB 134 232 224

HSL 175.1, 0.68%, 0.72%

LAB 86.09, -30.72, -5.15

 

CMYK 42 / 8 / 0 / 9

HEX #86D6E8

RGB 134 214 232

HSL 191.02, 0.68%, 0.72%

LAB 81.28, -19.94, -16.55

 

CMYK 71 / 0 / 24 / 14

HEX #40DCA7

RGB 64 220 167

HSL 159.62, 0.69%, 0.56%

LAB 79.08, -52.53, 14.56

 

CMYK 56 / 0 / 19 / 11

HEX #63E2B7

RGB 99 226 183

HSL 159.69, 0.69%, 0.64%

LAB 82.09, -45.35, 10.5

 

CMYK 42 / 0 / 14 / 9

HEX #86E8C7

RGB 134 232 199

HSL 159.8, 0.68%, 0.72%

LAB 85.46, -36.4, 7.07

 

CMYK 29 / 0 / 10 / 6

HEX #A9EFD7

RGB 169 239 215

HSL 159.43, 0.69%, 0.8%

LAB 89.43, -26.72, 4.64

 

CMYK 17 / 0 / 6 / 4

HEX #CCF5E7

RGB 204 245 231

HSL 159.51, 0.67%, 0.88%

LAB 93.41, -15.86, 2.34

 

CMYK 43 / 0 / 15 / 9

HEX #85E9C7

RGB 133 233 199

HSL 159.6, 0.69%, 0.72%

LAB 85.7, -37.11, 7.42

 

CMYK 42 / 36 / 0 / 9

HEX #8695E8

RGB 134 149 232

HSL 230.82, 0.68%, 0.72%

LAB 63.66, 15.5, -43.68

 

CMYK 0 / 32 / 42 / 9

HEX #E89E86

RGB 232 158 134

HSL 14.69, 0.68%, 0.72%

LAB 71.78, 24.75, 23.72

 

CMYK 43 / 0 / 15 / 9

HEX #85E9C7

RGB 133 233 199

HSL 159.6, 0.69%, 0.72%

LAB 85.7, -37.11, 7.42

 

CMYK 15 / 42 / 0 / 9

HEX #C686E8

RGB 198 134 232

HSL 279.18, 0.68%, 0.72%

LAB 65.66, 41.67, -40.16

 

CMYK 0 / 15 / 42 / 9

HEX #E8C686

RGB 232 198 134

HSL 39.18, 0.68%, 0.72%

LAB 81.44, 3.56, 36.5

 

CMYK 43 / 0 / 15 / 9

HEX #85E9C7

RGB 133 233 199

HSL 159.6, 0.69%, 0.72%

LAB 85.7, -37.11, 7.42

 

CMYK 42 / 36 / 0 / 9

HEX #8695E8

RGB 134 149 232

HSL 230.82, 0.68%, 0.72%

LAB 63.66, 15.5, -43.68

 

CMYK 0 / 42 / 28 / 9

HEX #E886A8

RGB 232 134 168

HSL 339.18, 0.68%, 0.72%

LAB 67.3, 41.51, -1.52

 

CMYK 0 / 6 / 42 / 9

HEX #E8DA86

RGB 232 218 134

HSL 51.43, 0.68%, 0.72%

LAB 86.51, -6.72, 42.99

 

CMYK 43 / 0 / 15 / 9

HEX #85E9C7

RGB 133 233 199

HSL 159.6, 0.69%, 0.72%

LAB 85.7, -37.11, 7.42

 

CMYK 36 / 42 / 0 / 9

HEX #9586E8

RGB 149 134 232

HSL 249.18, 0.68%, 0.72%

LAB 61.02, 28.07, -47.78

 

CMYK 0 / 42 / 28 / 9

HEX #E886A8

RGB 232 134 168

HSL 339.18, 0.68%, 0.72%

LAB 67.3, 41.51, -1.52

 

CMYK 6 / 0 / 42 / 9

HEX #DAE886

RGB 218 232 134

HSL 68.57, 0.68%, 0.72%

LAB 89.08, -19.14, 45.98

 

Description

Color code: HEX #85E9C7 | qconv.com Color code: HEX #85E9C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 233 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 233 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 15 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 15% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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