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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85B236 it is the complementary color #7A4DC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85B236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85B236 shade: #8AB231, #9BC444, #ACD657, #BDE86A and #CEFA7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85B236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85B236 shade: #85B236, #74A023, #638E10, #527C00 and #416A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85B236 shade: #83AF35, #A4AF35, #AF9A35, #AF7935 and #AF5835

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85B236 shade: #83AF35, #62AF35, #41AF35, #35AF4A and #35AF6B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85B236 shade matches the following richer shades: #83AF35, #88C223 and #8DD410

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85B236 shade: #83AF35, #7E9D48, #798A5B, #74776D and #6F6580

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85B236 shade: #AF9935, #A5AF35, #84AF35, #64AF35 and #44AF35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85B236 shade: #547022, #6B902C, #83AF35, #98C647 and #AAD067

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85B236 shade: #85B236, #35AF78 and #A935AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85B236 shade: #85B236, #3584AF and #AF3584

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85B236 shade: #85B236, #35AF78, #6035AF and #AF356C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85B236 shade: #85B236, #35AF9D, #6035AF and #AF3548

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 70 / 30

HEX #85B236

RGB 133 178 54

HSL 81.77, 0.53%, 0.45%

LAB 67.35, -33.61, 55.73

 

Complementary color

CMYK 39 / 62 / 0 / 21

HEX #7A4DC9

RGB 122 77 201

HSL 261.77, 0.53%, 0.55%

LAB 43.74, 45.81, -57.97

 

CMYK 22 / 0 / 72 / 30

HEX #8AB231

RGB 138 178 49

HSL 78.6, 0.57%, 0.45%

LAB 67.63, -31.95, 57.98

 

CMYK 21 / 0 / 65 / 23

HEX #9BC444

RGB 155 196 68

HSL 79.22, 0.52%, 0.52%

LAB 74.1, -32.4, 57.61

 

CMYK 20 / 0 / 59 / 16

HEX #ACD657

RGB 172 214 87

HSL 79.84, 0.61%, 0.59%

LAB 80.49, -32.72, 56.86

 

CMYK 19 / 0 / 54 / 9

HEX #BDE86A

RGB 189 232 106

HSL 80.48, 0.73%, 0.66%

LAB 86.79, -32.95, 55.9

 

CMYK 18 / 0 / 50 / 2

HEX #CEFA7D

RGB 206 250 125

HSL 81.12, 0.93%, 0.74%

LAB 93, -33.1, 54.85

 

CMYK 25 / 0 / 70 / 30

HEX #85B236

RGB 133 178 54

HSL 81.77, 0.53%, 0.45%

LAB 67.35, -33.61, 55.73

 

CMYK 28 / 0 / 78 / 37

HEX #74A023

RGB 116 160 35

HSL 81.12, 0.64%, 0.38%

LAB 60.76, -33.09, 55.71

 

CMYK 30 / 0 / 89 / 44

HEX #638E10

RGB 99 142 16

HSL 80.48, 0.8%, 0.31%

LAB 54.07, -32.33, 54.55

 

CMYK 34 / 0 / 100 / 51

HEX #527C00

RGB 82 124 0

HSL 80.32, 1%, 0.24%

LAB 47.25, -31.29, 51.71

 

CMYK 39 / 0 / 100 / 58

HEX #416A00

RGB 65 106 0

HSL 83.21, 1%, 0.21%

LAB 40.3, -29.8, 45.93

 

CMYK 25 / 0 / 70 / 31

HEX #83AF35

RGB 131 175 53

HSL 81.64, 0.54%, 0.45%

LAB 66.32, -33.06, 55.03

 

CMYK 6 / 0 / 70 / 31

HEX #A4AF35

RGB 164 175 53

HSL 65.41, 0.54%, 0.45%

LAB 68.61, -19.5, 58.09

 

CMYK 0 / 12 / 70 / 31

HEX #AF9A35

RGB 175 154 53

HSL 49.67, 0.54%, 0.45%

LAB 63.74, -3.74, 53.49

 

CMYK 0 / 31 / 70 / 31

HEX #AF7935

RGB 175 121 53

HSL 33.44, 0.54%, 0.45%

LAB 55.12, 14.49, 44.49

 

CMYK 0 / 50 / 70 / 31

HEX #AF5835

RGB 175 88 53

HSL 17.21, 0.54%, 0.45%

LAB 47.43, 32.71, 36

 

CMYK 25 / 0 / 70 / 31

HEX #83AF35

RGB 131 175 53

HSL 81.64, 0.54%, 0.45%

LAB 66.32, -33.06, 55.03

 

CMYK 44 / 0 / 70 / 31

HEX #62AF35

RGB 98 175 53

HSL 97.87, 0.54%, 0.45%

LAB 64.57, -44.99, 52.68

 

CMYK 63 / 0 / 70 / 31

HEX #41AF35

RGB 65 175 53

HSL 114.1, 0.54%, 0.45%

LAB 63.38, -54.2, 51.06

 

CMYK 70 / 0 / 58 / 31

HEX #35AF4A

RGB 53 175 74

HSL 130.33, 0.54%, 0.45%

LAB 63.27, -54.37, 41.62

 

CMYK 70 / 0 / 39 / 31

HEX #35AF6B

RGB 53 175 107

HSL 146.56, 0.54%, 0.45%

LAB 63.74, -49.04, 25.41

 

CMYK 25 / 0 / 70 / 31

HEX #83AF35

RGB 131 175 53

HSL 81.64, 0.54%, 0.45%

LAB 66.32, -33.06, 55.03

 

CMYK 30 / 0 / 82 / 24

HEX #88C223

RGB 136 194 35

HSL 81.89, 0.69%, 0.45%

LAB 72.19, -40.64, 66.56

 

CMYK 33 / 0 / 92 / 17

HEX #8DD410

RGB 141 212 16

HSL 81.73, 0.86%, 0.45%

LAB 77.75, -47.01, 74.99

 

CMYK 25 / 0 / 70 / 31

HEX #83AF35

RGB 131 175 53

HSL 81.64, 0.54%, 0.45%

LAB 66.32, -33.06, 55.03

 

CMYK 20 / 0 / 54 / 38

HEX #7E9D48

RGB 126 157 72

HSL 81.88, 0.37%, 0.45%

LAB 60.8, -24.82, 40.46

 

CMYK 12 / 0 / 34 / 46

HEX #798A5B

RGB 121 138 91

HSL 81.7, 0.21%, 0.45%

LAB 55.07, -14.69, 23.19

 

CMYK 3 / 0 / 8 / 53

HEX #74776D

RGB 116 119 109

HSL 78, 0.04%, 0.45%

LAB 49.51, -3.11, 5.1

 

CMYK 13 / 21 / 0 / 50

HEX #6F6580

RGB 111 101 128

HSL 262.22, 0.12%, 0.45%

LAB 44.58, 9.7, -13.57

 

CMYK 0 / 13 / 70 / 31

HEX #AF9935

RGB 175 153 53

HSL 49.18, 0.54%, 0.45%

LAB 63.47, -3.2, 53.22

 

CMYK 6 / 0 / 70 / 31

HEX #A5AF35

RGB 165 175 53

HSL 64.92, 0.54%, 0.45%

LAB 68.69, -19.07, 58.19

 

CMYK 25 / 0 / 70 / 31

HEX #84AF35

RGB 132 175 53

HSL 81.15, 0.54%, 0.45%

LAB 66.38, -32.67, 55.12

 

CMYK 43 / 0 / 70 / 31

HEX #64AF35

RGB 100 175 53

HSL 96.89, 0.54%, 0.45%

LAB 64.66, -44.33, 52.8

 

CMYK 61 / 0 / 70 / 31

HEX #44AF35

RGB 68 175 53

HSL 112.62, 0.54%, 0.45%

LAB 63.46, -53.5, 51.18

 

CMYK 25 / 0 / 70 / 56

HEX #547022

RGB 84 112 34

HSL 81.54, 0.53%, 0.29%

LAB 43.64, -23.09, 38.5

 

CMYK 26 / 0 / 69 / 44

HEX #6B902C

RGB 107 144 44

HSL 82.2, 0.53%, 0.37%

LAB 55.33, -28.6, 46.87

 

CMYK 25 / 0 / 70 / 31

HEX #83AF35

RGB 131 175 53

HSL 81.64, 0.54%, 0.45%

LAB 66.32, -33.06, 55.03

 

CMYK 23 / 0 / 64 / 22

HEX #98C647

RGB 152 198 71

HSL 81.73, 0.53%, 0.53%

LAB 74.52, -34.26, 56.77

 

CMYK 18 / 0 / 50 / 18

HEX #AAD067

RGB 170 208 103

HSL 81.71, 0.53%, 0.61%

LAB 78.83, -29.19, 47.61

 

CMYK 25 / 0 / 70 / 30

HEX #85B236

RGB 133 178 54

HSL 81.77, 0.53%, 0.45%

LAB 67.35, -33.61, 55.73

 

CMYK 70 / 0 / 31 / 31

HEX #35AF78

RGB 53 175 120

HSL 152.95, 0.54%, 0.45%

LAB 63.98, -46.4, 18.73

 

CMYK 3 / 70 / 0 / 31

HEX #A935AF

RGB 169 53 175

HSL 297.05, 0.54%, 0.45%

LAB 44.34, 61.85, -41.48

 

CMYK 25 / 0 / 70 / 30

HEX #85B236

RGB 133 178 54

HSL 81.77, 0.53%, 0.45%

LAB 67.35, -33.61, 55.73

 

CMYK 70 / 25 / 0 / 31

HEX #3584AF

RGB 53 132 175

HSL 201.15, 0.54%, 0.45%

LAB 52.24, -9.9, -29.73

 

CMYK 0 / 70 / 25 / 31

HEX #AF3584

RGB 175 53 132

HSL 321.15, 0.54%, 0.45%

LAB 43.25, 56.72, -17.27

 

CMYK 25 / 0 / 70 / 30

HEX #85B236

RGB 133 178 54

HSL 81.77, 0.53%, 0.45%

LAB 67.35, -33.61, 55.73

 

CMYK 70 / 0 / 31 / 31

HEX #35AF78

RGB 53 175 120

HSL 152.95, 0.54%, 0.45%

LAB 63.98, -46.4, 18.73

 

CMYK 45 / 70 / 0 / 31

HEX #6035AF

RGB 96 53 175

HSL 261.15, 0.54%, 0.45%

LAB 34.25, 46.43, -58.25

 

CMYK 0 / 70 / 38 / 31

HEX #AF356C

RGB 175 53 108

HSL 332.95, 0.54%, 0.45%

LAB 42.37, 53.79, -3.8

 

CMYK 25 / 0 / 70 / 30

HEX #85B236

RGB 133 178 54

HSL 81.77, 0.53%, 0.45%

LAB 67.35, -33.61, 55.73

 

CMYK 70 / 0 / 10 / 31

HEX #35AF9D

RGB 53 175 157

HSL 171.15, 0.54%, 0.45%

LAB 64.84, -37.41, -0.46

 

CMYK 45 / 70 / 0 / 31

HEX #6035AF

RGB 96 53 175

HSL 261.15, 0.54%, 0.45%

LAB 34.25, 46.43, -58.25

 

CMYK 0 / 70 / 59 / 31

HEX #AF3548

RGB 175 53 72

HSL 350.66, 0.54%, 0.45%

LAB 41.42, 50.5, 17.34

 

Description

Color code: HEX #85B236 | qconv.com Color code: HEX #85B236 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 178 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 178 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 70 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 70% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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