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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85B4DE it is the complementary color #7A4B21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85B4DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85B4DE shade: #8AB4D9, #9BC6EC, #ACD8FF, #BDEAFF and #CEFCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85B4DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85B4DE shade: #85B4DE, #74A2CB, #6390B8, #527EA5 and #416C92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85B4DE shade: #86B4DE, #869DDE, #8786DE, #9F86DE and #B686DE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85B4DE shade: #86B4DE, #869DDE and #8686DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85B4DE shade matches the following richer shades: #86B4DE, #7AB5EA and #6EB6F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85B4DE shade: #86B4DE, #93B4D1, #9FB3C5, #ACB2B8 and #B8B2AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85B4DE shade: #86DED8, #86CCDE, #86B5DE, #869EDE and #8686DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85B4DE shade: #468DCC, #66A0D5, #86B4DE, #A7C8E6 and #C7DCEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85B4DE shade: #85B4DE, #C186DE and #D8DE86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85B4DE shade: #85B4DE, #DE86B5 and #B5DE86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85B4DE shade: #85B4DE, #C186DE, #DEAF86 and #A3DE86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85B4DE shade: #85B4DE, #DB86DE, #DEAF86 and #89DE86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 19 / 0 / 13

HEX #85B4DE

RGB 133 180 222

HSL 208.31, 0.57%, 0.7%

LAB 71.49, -5, -26.04

 

Complementary color

CMYK 0 / 39 / 73 / 52

HEX #7A4B21

RGB 122 75 33

HSL 28.31, 0.57%, 0.3%

LAB 36.52, 15.93, 32.52

 

CMYK 36 / 17 / 0 / 15

HEX #8AB4D9

RGB 138 180 217

HSL 208.1, 0.51%, 0.7%

LAB 71.59, -4.97, -23.13

 

CMYK 34 / 16 / 0 / 7

HEX #9BC6EC

RGB 155 198 236

HSL 208.15, 0.68%, 0.77%

LAB 78.12, -5.17, -23.38

 

CMYK 33 / 15 / 0 / 0

HEX #ACD8FF

RGB 172 216 255

HSL 208.19, 1%, 0.84%

LAB 84.54, -5.34, -23.65

 

CMYK 26 / 8 / 0 / 0

HEX #BDEAFF

RGB 189 234 255

HSL 199.09, 1%, 0.87%

LAB 90.27, -9.86, -14.9

 

CMYK 19 / 1 / 0 / 0

HEX #CEFCFF

RGB 206 252 255

HSL 183.67, 1%, 0.9%

LAB 95.98, -13.93, -6.29

 

CMYK 40 / 19 / 0 / 13

HEX #85B4DE

RGB 133 180 222

HSL 208.31, 0.57%, 0.7%

LAB 71.49, -5, -26.04

 

CMYK 43 / 20 / 0 / 20

HEX #74A2CB

RGB 116 162 203

HSL 208.28, 0.46%, 0.63%

LAB 64.86, -4.7, -25.83

 

CMYK 46 / 22 / 0 / 28

HEX #6390B8

RGB 99 144 184

HSL 208.24, 0.37%, 0.55%

LAB 58.09, -4.35, -25.65

 

CMYK 50 / 24 / 0 / 35

HEX #527EA5

RGB 82 126 165

HSL 208.19, 0.34%, 0.48%

LAB 51.19, -3.91, -25.48

 

CMYK 55 / 26 / 0 / 43

HEX #416C92

RGB 65 108 146

HSL 208.15, 0.38%, 0.41%

LAB 44.12, -3.33, -25.33

 

CMYK 40 / 19 / 0 / 13

HEX #86B4DE

RGB 134 180 222

HSL 208.64, 0.57%, 0.7%

LAB 71.54, -4.73, -25.95

 

CMYK 40 / 29 / 0 / 13

HEX #869DDE

RGB 134 157 222

HSL 224.32, 0.57%, 0.7%

LAB 65.32, 8.1, -35.56

 

CMYK 39 / 40 / 0 / 13

HEX #8786DE

RGB 135 134 222

HSL 240.68, 0.57%, 0.7%

LAB 59.41, 21.7, -44.82

 

CMYK 28 / 40 / 0 / 13

HEX #9F86DE

RGB 159 134 222

HSL 257.05, 0.57%, 0.7%

LAB 61.39, 28.21, -41.57

 

CMYK 18 / 40 / 0 / 13

HEX #B686DE

RGB 182 134 222

HSL 272.73, 0.57%, 0.7%

LAB 63.56, 34.84, -38

 

CMYK 40 / 19 / 0 / 13

HEX #86B4DE

RGB 134 180 222

HSL 208.64, 0.57%, 0.7%

LAB 71.54, -4.73, -25.95

 

CMYK 40 / 29 / 0 / 13

HEX #869DDE

RGB 134 157 222

HSL 224.32, 0.57%, 0.7%

LAB 65.32, 8.1, -35.56

 

CMYK 40 / 40 / 0 / 13

HEX #8686DE

RGB 134 134 222

HSL 240, 0.57%, 0.7%

LAB 59.34, 21.44, -44.94

 

CMYK 40 / 19 / 0 / 13

HEX #86B4DE

RGB 134 180 222

HSL 208.64, 0.57%, 0.7%

LAB 71.54, -4.73, -25.95

 

CMYK 48 / 23 / 0 / 8

HEX #7AB5EA

RGB 122 181 234

HSL 208.39, 0.73%, 0.7%

LAB 71.64, -4.94, -32.39

 

CMYK 55 / 26 / 0 / 4

HEX #6EB6F6

RGB 110 182 246

HSL 208.24, 0.88%, 0.7%

LAB 71.84, -4.58, -38.63

 

CMYK 40 / 19 / 0 / 13

HEX #86B4DE

RGB 134 180 222

HSL 208.64, 0.57%, 0.7%

LAB 71.54, -4.73, -25.95

 

CMYK 30 / 14 / 0 / 18

HEX #93B4D1

RGB 147 180 209

HSL 208.06, 0.4%, 0.7%

LAB 71.86, -4.44, -18.3

 

CMYK 19 / 9 / 0 / 23

HEX #9FB3C5

RGB 159 179 197

HSL 208.42, 0.25%, 0.7%

LAB 71.99, -3.02, -11.45

 

CMYK 7 / 3 / 0 / 28

HEX #ACB2B8

RGB 172 178 184

HSL 210, 0.08%, 0.7%

LAB 72.28, -0.92, -3.79

 

CMYK 0 / 3 / 7 / 28

HEX #B8B2AC

RGB 184 178 172

HSL 30, 0.08%, 0.7%

LAB 72.9, 1.05, 3.81

 

CMYK 40 / 0 / 3 / 13

HEX #86DED8

RGB 134 222 216

HSL 175.91, 0.57%, 0.7%

LAB 83.06, -27.84, -5.4

 

CMYK 40 / 8 / 0 / 13

HEX #86CCDE

RGB 134 204 222

HSL 192.27, 0.57%, 0.7%

LAB 78.19, -17.41, -15.86

 

CMYK 40 / 18 / 0 / 13

HEX #86B5DE

RGB 134 181 222

HSL 207.95, 0.57%, 0.7%

LAB 71.82, -5.28, -25.53

 

CMYK 40 / 29 / 0 / 13

HEX #869EDE

RGB 134 158 222

HSL 223.64, 0.57%, 0.7%

LAB 65.59, 7.53, -35.14

 

CMYK 40 / 40 / 0 / 13

HEX #8686DE

RGB 134 134 222

HSL 240, 0.57%, 0.7%

LAB 59.34, 21.44, -44.94

 

CMYK 66 / 31 / 0 / 20

HEX #468DCC

RGB 70 141 204

HSL 208.21, 0.57%, 0.54%

LAB 56.79, -2.41, -39.09

 

CMYK 52 / 25 / 0 / 16

HEX #66A0D5

RGB 102 160 213

HSL 208.65, 0.57%, 0.62%

LAB 63.97, -4.06, -32.81

 

CMYK 40 / 19 / 0 / 13

HEX #86B4DE

RGB 134 180 222

HSL 208.64, 0.57%, 0.7%

LAB 71.54, -4.73, -25.95

 

CMYK 27 / 13 / 0 / 10

HEX #A7C8E6

RGB 167 200 230

HSL 208.57, 0.56%, 0.78%

LAB 79.18, -4.28, -18.48

 

CMYK 17 / 8 / 0 / 6

HEX #C7DCEF

RGB 199 220 239

HSL 208.5, 0.56%, 0.86%

LAB 86.78, -3.12, -11.65

 

CMYK 40 / 19 / 0 / 13

HEX #85B4DE

RGB 133 180 222

HSL 208.31, 0.57%, 0.7%

LAB 71.49, -5, -26.04

 

CMYK 13 / 40 / 0 / 13

HEX #C186DE

RGB 193 134 222

HSL 280.23, 0.57%, 0.7%

LAB 64.69, 38.1, -36.16

 

CMYK 3 / 0 / 40 / 13

HEX #D8DE86

RGB 216 222 134

HSL 64.09, 0.57%, 0.7%

LAB 86.29, -14.99, 42.43

 

CMYK 40 / 19 / 0 / 13

HEX #85B4DE

RGB 133 180 222

HSL 208.31, 0.57%, 0.7%

LAB 71.49, -5, -26.04

 

CMYK 0 / 40 / 18 / 13

HEX #DE86B5

RGB 222 134 181

HSL 327.95, 0.57%, 0.7%

LAB 66.46, 39.95, -10.23

 

CMYK 18 / 0 / 40 / 13

HEX #B5DE86

RGB 181 222 134

HSL 87.95, 0.57%, 0.7%

LAB 83.86, -28.19, 38.83

 

CMYK 40 / 19 / 0 / 13

HEX #85B4DE

RGB 133 180 222

HSL 208.31, 0.57%, 0.7%

LAB 71.49, -5, -26.04

 

CMYK 13 / 40 / 0 / 13

HEX #C186DE

RGB 193 134 222

HSL 280.23, 0.57%, 0.7%

LAB 64.69, 38.1, -36.16

 

CMYK 0 / 21 / 40 / 13

HEX #DEAF86

RGB 222 175 134

HSL 27.95, 0.57%, 0.7%

LAB 74.77, 11.73, 27.55

 

CMYK 27 / 0 / 40 / 13

HEX #A3DE86

RGB 163 222 134

HSL 100.23, 0.57%, 0.7%

LAB 82.78, -34.56, 37.24

 

CMYK 40 / 19 / 0 / 13

HEX #85B4DE

RGB 133 180 222

HSL 208.31, 0.57%, 0.7%

LAB 71.49, -5, -26.04

 

CMYK 1 / 40 / 0 / 13

HEX #DB86DE

RGB 219 134 222

HSL 297.95, 0.57%, 0.7%

LAB 67.56, 45.91, -31.48

 

CMYK 0 / 21 / 40 / 13

HEX #DEAF86

RGB 222 175 134

HSL 27.95, 0.57%, 0.7%

LAB 74.77, 11.73, 27.55

 

CMYK 38 / 0 / 40 / 13

HEX #89DE86

RGB 137 222 134

HSL 117.95, 0.57%, 0.7%

LAB 81.45, -43.03, 35.25

 

Description

Color code: HEX #85B4DE | qconv.com Color code: HEX #85B4DE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 180 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 180 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 19 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 19% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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