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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85A747 it is the complementary color #7A58B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85A747. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85A747 shade: #8AA742, #9BB955, #ACCB68, #BDDD7B and #CEEF8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85A747. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85A747 shade: #85A747, #749534, #638321, #52710E and #415F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85A747 shade: #85A747, #9FA747, #A79647, #A77C47 and #A76247

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85A747 shade: #85A747, #6BA747, #52A747, #47A757 and #47A771

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85A747 shade matches the following richer shades: #85A747, #8BBB34, #91CE21 and #96E10D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85A747 shade: #85A747, #80945B, #7A816E, #746D82 and #6F5A95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85A747 shade: #A79647, #9FA747, #86A747, #6CA747 and #53A747

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85A747 shade: #576E2F, #6E8A3B, #85A747, #99BA5E and #ACC67B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85A747 shade: #85A747, #47A77C and #A247A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85A747 shade: #85A747, #4786A7 and #A74786

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85A747 shade: #85A747, #47A77C, #6947A7 and #A74773

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85A747 shade: #85A747, #47A799, #6947A7 and #A74756

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 57 / 35

HEX #85A747

RGB 133 167 71

HSL 81.25, 0.4%, 0.47%

LAB 64.22, -27.03, 45.04

 

Complementary color

CMYK 34 / 52 / 0 / 28

HEX #7A58B8

RGB 122 88 184

HSL 261.25, 0.4%, 0.53%

LAB 45.05, 35.08, -46

 

CMYK 17 / 0 / 60 / 35

HEX #8AA742

RGB 138 167 66

HSL 77.23, 0.43%, 0.46%

LAB 64.51, -25.46, 47.76

 

CMYK 16 / 0 / 54 / 27

HEX #9BB955

RGB 155 185 85

HSL 78, 0.42%, 0.53%

LAB 71.09, -25.74, 46.75

 

CMYK 15 / 0 / 49 / 20

HEX #ACCB68

RGB 172 203 104

HSL 78.79, 0.49%, 0.6%

LAB 77.57, -25.93, 45.64

 

CMYK 14 / 0 / 44 / 13

HEX #BDDD7B

RGB 189 221 123

HSL 79.59, 0.59%, 0.67%

LAB 83.95, -26.05, 44.49

 

CMYK 14 / 0 / 41 / 6

HEX #CEEF8E

RGB 206 239 142

HSL 80.41, 0.75%, 0.75%

LAB 90.23, -26.14, 43.36

 

CMYK 20 / 0 / 57 / 35

HEX #85A747

RGB 133 167 71

HSL 81.25, 0.4%, 0.47%

LAB 64.22, -27.03, 45.04

 

CMYK 22 / 0 / 65 / 42

HEX #749534

RGB 116 149 52

HSL 80.41, 0.48%, 0.39%

LAB 57.52, -26.75, 45.94

 

CMYK 24 / 0 / 75 / 49

HEX #638321

RGB 99 131 33

HSL 79.59, 0.6%, 0.32%

LAB 50.68, -26.31, 46.38

 

CMYK 27 / 0 / 88 / 56

HEX #52710E

RGB 82 113 14

HSL 78.79, 0.78%, 0.25%

LAB 43.71, -25.61, 45.73

 

CMYK 32 / 0 / 100 / 63

HEX #415F00

RGB 65 95 0

HSL 78.95, 1%, 0.19%

LAB 36.57, -24.55, 43.06

 

CMYK 20 / 0 / 57 / 35

HEX #85A747

RGB 133 167 71

HSL 81.25, 0.4%, 0.47%

LAB 64.22, -27.03, 45.04

 

CMYK 5 / 0 / 57 / 35

HEX #9FA747

RGB 159 167 71

HSL 65, 0.4%, 0.47%

LAB 66.11, -16.33, 47.68

 

CMYK 0 / 10 / 57 / 35

HEX #A79647

RGB 167 150 71

HSL 49.38, 0.4%, 0.47%

LAB 62.07, -3.89, 43.27

 

CMYK 0 / 26 / 57 / 35

HEX #A77C47

RGB 167 124 71

HSL 33.13, 0.4%, 0.47%

LAB 55.16, 10.53, 35.13

 

CMYK 0 / 41 / 57 / 35

HEX #A76247

RGB 167 98 71

HSL 16.88, 0.4%, 0.47%

LAB 48.77, 25.2, 27.24

 

CMYK 20 / 0 / 57 / 35

HEX #85A747

RGB 133 167 71

HSL 81.25, 0.4%, 0.47%

LAB 64.22, -27.03, 45.04

 

CMYK 36 / 0 / 57 / 35

HEX #6BA747

RGB 107 167 71

HSL 97.5, 0.4%, 0.47%

LAB 62.69, -36.82, 42.87

 

CMYK 51 / 0 / 57 / 35

HEX #52A747

RGB 82 167 71

HSL 113.13, 0.4%, 0.47%

LAB 61.56, -44.86, 41.26

 

CMYK 57 / 0 / 48 / 35

HEX #47A757

RGB 71 167 87

HSL 130, 0.4%, 0.47%

LAB 61.36, -45.61, 32.96

 

CMYK 57 / 0 / 32 / 35

HEX #47A771

RGB 71 167 113

HSL 146.25, 0.4%, 0.47%

LAB 61.8, -40.96, 19.65

 

CMYK 20 / 0 / 57 / 35

HEX #85A747

RGB 133 167 71

HSL 81.25, 0.4%, 0.47%

LAB 64.22, -27.03, 45.04

 

CMYK 26 / 0 / 72 / 27

HEX #8BBB34

RGB 139 187 52

HSL 81.33, 0.56%, 0.47%

LAB 70.37, -35.53, 59.63

 

CMYK 30 / 0 / 84 / 19

HEX #91CE21

RGB 145 206 33

HSL 81.16, 0.72%, 0.47%

LAB 76.24, -42.55, 70.79

 

CMYK 33 / 0 / 94 / 12

HEX #96E10D

RGB 150 225 13

HSL 81.23, 0.89%, 0.47%

LAB 82.04, -49.2, 78.95

 

CMYK 20 / 0 / 57 / 35

HEX #85A747

RGB 133 167 71

HSL 81.25, 0.4%, 0.47%

LAB 64.22, -27.03, 45.04

 

CMYK 14 / 0 / 39 / 42

HEX #80945B

RGB 128 148 91

HSL 81.05, 0.24%, 0.47%

LAB 58.53, -17.17, 27.82

 

CMYK 5 / 0 / 15 / 49

HEX #7A816E

RGB 122 129 110

HSL 82.11, 0.08%, 0.47%

LAB 52.91, -6.27, 9.43

 

CMYK 11 / 16 / 0 / 49

HEX #746D82

RGB 116 109 130

HSL 260, 0.09%, 0.47%

LAB 47.32, 7.13, -10.59

 

CMYK 26 / 40 / 0 / 42

HEX #6F5A95

RGB 111 90 149

HSL 261.36, 0.25%, 0.47%

LAB 42.55, 21.58, -29.32

 

CMYK 0 / 10 / 57 / 35

HEX #A79647

RGB 167 150 71

HSL 49.38, 0.4%, 0.47%

LAB 62.07, -3.89, 43.27

 

CMYK 5 / 0 / 57 / 35

HEX #9FA747

RGB 159 167 71

HSL 65, 0.4%, 0.47%

LAB 66.11, -16.33, 47.68

 

CMYK 20 / 0 / 57 / 35

HEX #86A747

RGB 134 167 71

HSL 80.63, 0.4%, 0.47%

LAB 64.29, -26.63, 45.13

 

CMYK 35 / 0 / 57 / 35

HEX #6CA747

RGB 108 167 71

HSL 96.88, 0.4%, 0.47%

LAB 62.74, -36.47, 42.94

HEX #6CA747

CMYK 50 / 0 / 57 / 35

HEX #53A747

RGB 83 167 71

HSL 112.5, 0.4%, 0.47%

LAB 61.59, -44.57, 41.31

HEX #53A747

CMYK 21 / 0 / 57 / 57

HEX #576E2F

RGB 87 110 47

HSL 81.9, 0.4%, 0.31%

LAB 43.34, -19.56, 31.92

 

CMYK 20 / 0 / 57 / 46

HEX #6E8A3B

RGB 110 138 59

HSL 81.27, 0.4%, 0.39%

LAB 53.82, -23.12, 38.44

 

CMYK 20 / 0 / 57 / 35

HEX #85A747

RGB 133 167 71

HSL 81.25, 0.4%, 0.47%

LAB 64.22, -27.03, 45.04

 

CMYK 18 / 0 / 49 / 27

HEX #99BA5E

RGB 153 186 94

HSL 81.52, 0.4%, 0.55%

LAB 71.35, -26.1, 42.68

 

CMYK 13 / 0 / 38 / 22

HEX #ACC67B

RGB 172 198 123

HSL 80.8, 0.4%, 0.63%

LAB 76.43, -21.28, 34.72

 

CMYK 20 / 0 / 57 / 35

HEX #85A747

RGB 133 167 71

HSL 81.25, 0.4%, 0.47%

LAB 64.22, -27.03, 45.04

 

CMYK 57 / 0 / 26 / 35

HEX #47A77C

RGB 71 167 124

HSL 153.13, 0.4%, 0.47%

LAB 62.03, -38.65, 13.91

 

CMYK 3 / 57 / 0 / 35

HEX #A247A7

RGB 162 71 167

HSL 296.88, 0.4%, 0.47%

LAB 45.6, 51.06, -34.82

 

CMYK 20 / 0 / 57 / 35

HEX #85A747

RGB 133 167 71

HSL 81.25, 0.4%, 0.47%

LAB 64.22, -27.03, 45.04

 

CMYK 57 / 20 / 0 / 35

HEX #4786A7

RGB 71 134 167

HSL 200.63, 0.4%, 0.47%

LAB 53.15, -10.39, -23.66

 

CMYK 0 / 57 / 20 / 35

HEX #A74786

RGB 167 71 134

HSL 320.63, 0.4%, 0.47%

LAB 44.86, 46.93, -16.14

 

CMYK 20 / 0 / 57 / 35

HEX #85A747

RGB 133 167 71

HSL 81.25, 0.4%, 0.47%

LAB 64.22, -27.03, 45.04

 

CMYK 57 / 0 / 26 / 35

HEX #47A77C

RGB 71 167 124

HSL 153.13, 0.4%, 0.47%

LAB 62.03, -38.65, 13.91

 

CMYK 37 / 57 / 0 / 35

HEX #6947A7

RGB 105 71 167

HSL 261.25, 0.4%, 0.47%

LAB 38.38, 36.15, -46.76

 

CMYK 0 / 57 / 31 / 35

HEX #A74773

RGB 167 71 115

HSL 332.5, 0.4%, 0.47%

LAB 44.18, 44.25, -5.59

 

CMYK 20 / 0 / 57 / 35

HEX #85A747

RGB 133 167 71

HSL 81.25, 0.4%, 0.47%

LAB 64.22, -27.03, 45.04

 

CMYK 57 / 0 / 8 / 35

HEX #47A799

RGB 71 167 153

HSL 171.25, 0.4%, 0.47%

LAB 62.74, -31.63, -1.25

 

CMYK 37 / 57 / 0 / 35

HEX #6947A7

RGB 105 71 167

HSL 261.25, 0.4%, 0.47%

LAB 38.38, 36.15, -46.76

 

CMYK 0 / 57 / 49 / 35

HEX #A74756

RGB 167 71 86

HSL 350.63, 0.4%, 0.47%

LAB 43.35, 40.92, 11.08

 

Description

Color code: HEX #85A747 | qconv.com Color code: HEX #85A747 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 167 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 167 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 57 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 57% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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