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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #858DC7 it is the complementary color #7A7238. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #858DC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #858DC7 shade: #8A8DC2, #9B9FD5, #ACB1E8, #BDC3FB and #CED5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #858DC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #858DC7 shade: #858DC7, #747BB4, #6369A1, #52578E and #41457B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #858DC7 shade: #848CC6, #8E84C6, #A084C6, #B284C6 and #C384C6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #858DC7 shade: #848CC6 and #8484C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #858DC7 shade matches the following richer shades: #848CC6, #7681D5, #6776E3 and #596BF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #858DC7 shade: #848CC6, #9397B8, #A1A2A9, #B0AD9B and #BEB88D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #858DC7 shade: #84B0C6, #849FC6, #848DC6, #8D84C6 and #9F84C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #858DC7 shade: #4E59AA, #6872B9, #848CC6, #A0A7D3 and #BDC1E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #858DC7 shade: #858DC7, #C684C2 and #A7C684

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #858DC7 shade: #858DC7, #C6848D and #8DC684

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #858DC7 shade: #858DC7, #C684C2, #C6BD84 and #84C689

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #858DC7 shade: #858DC7, #C684AE, #C6BD84 and #84C69C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 29 / 0 / 22

HEX #858DC7

RGB 133 141 199

HSL 232.73, 0.37%, 0.65%

LAB 60.03, 10.83, -30.95

 

Complementary color

CMYK 0 / 7 / 54 / 52

HEX #7A7238

RGB 122 114 56

HSL 52.73, 0.37%, 0.35%

LAB 47.57, -5.27, 32.91

 

CMYK 29 / 27 / 0 / 24

HEX #8A8DC2

RGB 138 141 194

HSL 236.79, 0.31%, 0.65%

LAB 60.2, 11, -27.84

 

CMYK 27 / 25 / 0 / 16

HEX #9B9FD5

RGB 155 159 213

HSL 235.86, 0.41%, 0.72%

LAB 66.95, 10.55, -27.94

 

CMYK 26 / 24 / 0 / 9

HEX #ACB1E8

RGB 172 177 232

HSL 235, 0.57%, 0.79%

LAB 73.57, 10.14, -28.07

 

CMYK 25 / 22 / 0 / 2

HEX #BDC3FB

RGB 189 195 251

HSL 234.19, 0.89%, 0.86%

LAB 80.07, 9.77, -28.23

 

CMYK 19 / 16 / 0 / 0

HEX #CED5FF

RGB 206 213 255

HSL 231.43, 1%, 0.9%

LAB 85.97, 6.11, -21.26

 

CMYK 33 / 29 / 0 / 22

HEX #858DC7

RGB 133 141 199

HSL 232.73, 0.37%, 0.65%

LAB 60.03, 10.83, -30.95

 

CMYK 36 / 32 / 0 / 29

HEX #747BB4

RGB 116 123 180

HSL 233.44, 0.3%, 0.58%

LAB 53.14, 11.4, -30.95

 

CMYK 39 / 35 / 0 / 37

HEX #6369A1

RGB 99 105 161

HSL 234.19, 0.25%, 0.51%

LAB 46.08, 12.06, -31

 

CMYK 42 / 39 / 0 / 44

HEX #52578E

RGB 82 87 142

HSL 235, 0.27%, 0.44%

LAB 38.83, 12.87, -31.12

 

CMYK 47 / 44 / 0 / 52

HEX #41457B

RGB 65 69 123

HSL 235.86, 0.31%, 0.37%

LAB 31.37, 13.87, -31.33

 

CMYK 33 / 29 / 0 / 22

HEX #848CC6

RGB 132 140 198

HSL 232.73, 0.37%, 0.65%

LAB 59.65, 10.86, -30.99

 

CMYK 28 / 33 / 0 / 22

HEX #8E84C6

RGB 142 132 198

HSL 249.09, 0.37%, 0.65%

LAB 58.35, 18.44, -32.95

 

CMYK 19 / 33 / 0 / 22

HEX #A084C6

RGB 160 132 198

HSL 265.45, 0.37%, 0.65%

LAB 59.94, 23.9, -30.36

 

CMYK 10 / 33 / 0 / 22

HEX #B284C6

RGB 178 132 198

HSL 281.82, 0.37%, 0.65%

LAB 61.69, 29.56, -27.5

 

CMYK 2 / 33 / 0 / 22

HEX #C384C6

RGB 195 132 198

HSL 297.27, 0.37%, 0.65%

LAB 63.49, 35, -24.58

 

CMYK 33 / 29 / 0 / 22

HEX #848CC6

RGB 132 140 198

HSL 232.73, 0.37%, 0.65%

LAB 59.65, 10.86, -30.99

 

CMYK 33 / 33 / 0 / 22

HEX #8484C6

RGB 132 132 198

HSL 240, 0.37%, 0.65%

LAB 57.55, 15.53, -34.27

 

CMYK 33 / 29 / 0 / 22

HEX #848CC6

RGB 132 140 198

HSL 232.73, 0.37%, 0.65%

LAB 59.65, 10.86, -30.99

 

CMYK 45 / 39 / 0 / 16

HEX #7681D5

RGB 118 129 213

HSL 233.05, 0.53%, 0.65%

LAB 56.44, 17.77, -44.54

 

CMYK 55 / 48 / 0 / 11

HEX #6776E3

RGB 103 118 227

HSL 232.74, 0.69%, 0.65%

LAB 53.37, 25.3, -57.37

 

CMYK 63 / 56 / 0 / 5

HEX #596BF2

RGB 89 107 242

HSL 232.94, 0.85%, 0.65%

LAB 50.75, 34.38, -70.04

 

CMYK 33 / 29 / 0 / 22

HEX #848CC6

RGB 132 140 198

HSL 232.73, 0.37%, 0.65%

LAB 59.65, 10.86, -30.99

 

CMYK 20 / 18 / 0 / 28

HEX #9397B8

RGB 147 151 184

HSL 233.51, 0.21%, 0.65%

LAB 63.17, 5.66, -17.6

 

CMYK 5 / 4 / 0 / 34

HEX #A1A2A9

RGB 161 162 169

HSL 232.5, 0.04%, 0.65%

LAB 66.74, 1.01, -3.75

 

CMYK 0 / 2 / 12 / 31

HEX #B0AD9B

RGB 176 173 155

HSL 51.43, 0.12%, 0.65%

LAB 70.51, -2.11, 9.63

 

CMYK 0 / 3 / 26 / 25

HEX #BEB88D

RGB 190 184 141

HSL 52.65, 0.27%, 0.65%

LAB 74.29, -4.78, 22.66

 

CMYK 33 / 11 / 0 / 22

HEX #84B0C6

RGB 132 176 198

HSL 200, 0.37%, 0.65%

LAB 69.49, -9.33, -15.92

 

CMYK 33 / 20 / 0 / 22

HEX #849FC6

RGB 132 159 198

HSL 215.45, 0.37%, 0.65%

LAB 64.79, 0, -23.07

 

CMYK 33 / 29 / 0 / 22

HEX #848DC6

RGB 132 141 198

HSL 231.82, 0.37%, 0.65%

LAB 59.92, 10.28, -30.57

 

CMYK 29 / 33 / 0 / 22

HEX #8D84C6

RGB 141 132 198

HSL 248.18, 0.37%, 0.65%

LAB 58.27, 18.14, -33.09

 

CMYK 20 / 33 / 0 / 22

HEX #9F84C6

RGB 159 132 198

HSL 264.55, 0.37%, 0.65%

LAB 59.84, 23.59, -30.51

 

CMYK 54 / 48 / 0 / 33

HEX #4E59AA

RGB 78 89 170

HSL 232.83, 0.37%, 0.49%

LAB 40.68, 19.55, -44.97

 

CMYK 44 / 38 / 0 / 27

HEX #6872B9

RGB 104 114 185

HSL 232.59, 0.37%, 0.57%

LAB 50.07, 14.97, -38.7

 

CMYK 33 / 29 / 0 / 22

HEX #848CC6

RGB 132 140 198

HSL 232.73, 0.37%, 0.65%

LAB 59.65, 10.86, -30.99

 

CMYK 24 / 21 / 0 / 17

HEX #A0A7D3

RGB 160 167 211

HSL 231.76, 0.37%, 0.73%

LAB 69.34, 7.09, -23.15

 

CMYK 16 / 14 / 0 / 12

HEX #BDC1E0

RGB 189 193 224

HSL 233.14, 0.36%, 0.81%

LAB 78.66, 4.84, -15.89

 

CMYK 33 / 29 / 0 / 22

HEX #858DC7

RGB 133 141 199

HSL 232.73, 0.37%, 0.65%

LAB 60.03, 10.83, -30.95

 

CMYK 0 / 33 / 2 / 22

HEX #C684C2

RGB 198 132 194

HSL 303.64, 0.37%, 0.65%

LAB 63.67, 35.22, -22.02

 

CMYK 16 / 0 / 33 / 22

HEX #A7C684

RGB 167 198 132

HSL 88.18, 0.37%, 0.65%

LAB 76.23, -21.95, 29.74

 

CMYK 33 / 29 / 0 / 22

HEX #858DC7

RGB 133 141 199

HSL 232.73, 0.37%, 0.65%

LAB 60.03, 10.83, -30.95

 

CMYK 0 / 33 / 29 / 22

HEX #C6848D

RGB 198 132 141

HSL 351.82, 0.37%, 0.65%

LAB 62.02, 26.61, 5.61

 

CMYK 29 / 0 / 33 / 22

HEX #8DC684

RGB 141 198 132

HSL 111.82, 0.37%, 0.65%

LAB 74.65, -31.16, 27.35

 

CMYK 33 / 29 / 0 / 22

HEX #858DC7

RGB 133 141 199

HSL 232.73, 0.37%, 0.65%

LAB 60.03, 10.83, -30.95

 

CMYK 0 / 33 / 2 / 22

HEX #C684C2

RGB 198 132 194

HSL 303.64, 0.37%, 0.65%

LAB 63.67, 35.22, -22.02

 

CMYK 0 / 5 / 33 / 22

HEX #C6BD84

RGB 198 189 132

HSL 51.82, 0.37%, 0.65%

LAB 76.11, -5.46, 30

 

CMYK 33 / 0 / 31 / 22

HEX #84C689

RGB 132 198 137

HSL 124.55, 0.37%, 0.65%

LAB 74.25, -33.31, 24.1

 

CMYK 33 / 29 / 0 / 22

HEX #858DC7

RGB 133 141 199

HSL 232.73, 0.37%, 0.65%

LAB 60.03, 10.83, -30.95

 

CMYK 0 / 33 / 12 / 22

HEX #C684AE

RGB 198 132 174

HSL 321.82, 0.37%, 0.65%

LAB 62.98, 31.68, -11.77

 

CMYK 0 / 5 / 33 / 22

HEX #C6BD84

RGB 198 189 132

HSL 51.82, 0.37%, 0.65%

LAB 76.11, -5.46, 30

 

CMYK 33 / 0 / 21 / 22

HEX #84C69C

RGB 132 198 156

HSL 141.82, 0.37%, 0.65%

LAB 74.63, -29.86, 14.5

 

Description

Color code: HEX #858DC7 | qconv.com Color code: HEX #858DC7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 141 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 141 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 29 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 29% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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