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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #858A85 it is the complementary color #7A757A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #858A85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #858A85 shade: #8A8A80, #9B9C93, #ACAEA6, #BDC0B9 and #CED2CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #858A85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #858A85 shade: #858A85, #747872, #63665F, #52544C and #414239

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #858A85 shade: #848984, #868984, #878984, #888984 and #898984

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #858A85 shade: #848984, #848986, #848987, #848988 and #848989

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #858A85 shade matches the following richer shades: #848984, #719C71, #5DB05D, #4AC34A and #37D737

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #858A85 shade: #848984, #987698, #AB62AB, #BE4FBE and #D23BD2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #858A85 shade: #878984, #868984, #848984, #848986 and #848987

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #858A85 shade: #5C5F5C, #707470, #848984, #999D99 and #AEB1AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #858A85 shade: #858A85, #848889 and #898486

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #858A85 shade: #858A85, #848489 and #898484

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #858A85 shade: #858A85, #848889, #898489 and #898584

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #858A85 shade: #858A85, #848789, #898489 and #898784

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 4 / 46

HEX #858A85

RGB 133 138 133

HSL 120, 0.02%, 0.53%

LAB 56.94, -2.82, 2.03

 

Complementary color

CMYK 0 / 4 / 0 / 52

HEX #7A757A

RGB 122 117 122

HSL 300, 0.02%, 0.47%

LAB 49.82, 2.91, -2.07

 

CMYK 0 / 0 / 7 / 46

HEX #8A8A80

RGB 138 138 128

HSL 60, 0.04%, 0.52%

LAB 57.21, -1.89, 5.35

 

CMYK 1 / 0 / 6 / 39

HEX #9B9C93

RGB 155 156 147

HSL 66.67, 0.04%, 0.59%

LAB 64.04, -2.05, 4.58

 

CMYK 1 / 0 / 5 / 32

HEX #ACAEA6

RGB 172 174 166

HSL 75, 0.05%, 0.67%

LAB 70.73, -2.19, 3.85

 

CMYK 2 / 0 / 4 / 25

HEX #BDC0B9

RGB 189 192 185

HSL 85.71, 0.05%, 0.74%

LAB 77.29, -2.32, 3.15

 

CMYK 2 / 0 / 3 / 18

HEX #CED2CC

RGB 206 210 204

HSL 100, 0.06%, 0.81%

LAB 83.74, -2.45, 2.48

 

CMYK 4 / 0 / 4 / 46

HEX #858A85

RGB 133 138 133

HSL 120, 0.02%, 0.53%

LAB 56.94, -2.82, 2.03

 

CMYK 3 / 0 / 5 / 53

HEX #747872

RGB 116 120 114

HSL 100, 0.03%, 0.46%

LAB 49.93, -2.71, 2.76

 

CMYK 3 / 0 / 7 / 60

HEX #63665F

RGB 99 102 95

HSL 85.71, 0.04%, 0.39%

LAB 42.74, -2.6, 3.55

 

CMYK 2 / 0 / 10 / 67

HEX #52544C

RGB 82 84 76

HSL 75, 0.05%, 0.31%

LAB 35.31, -2.47, 4.4

 

CMYK 2 / 0 / 14 / 74

HEX #414239

RGB 65 66 57

HSL 66.67, 0.07%, 0.24%

LAB 27.62, -2.33, 5.34

 

CMYK 4 / 0 / 4 / 46

HEX #848984

RGB 132 137 132

HSL 120, 0.02%, 0.53%

LAB 56.55, -2.83, 2.03

 

CMYK 2 / 0 / 4 / 46

HEX #868984

RGB 134 137 132

HSL 96, 0.02%, 0.53%

LAB 56.71, -2.08, 2.28

 

CMYK 1 / 0 / 4 / 46

HEX #878984

RGB 135 137 132

HSL 84, 0.02%, 0.53%

LAB 56.79, -1.71, 2.41

 

CMYK 1 / 0 / 4 / 46

HEX #888984

RGB 136 137 132

HSL 72, 0.02%, 0.53%

LAB 56.87, -1.34, 2.54

 

CMYK 0 / 0 / 4 / 46

HEX #898984

RGB 137 137 132

HSL 60, 0.02%, 0.53%

LAB 56.95, -0.96, 2.67

 

CMYK 4 / 0 / 4 / 46

HEX #848984

RGB 132 137 132

HSL 120, 0.02%, 0.53%

LAB 56.55, -2.83, 2.03

 

CMYK 4 / 0 / 2 / 46

HEX #848986

RGB 132 137 134

HSL 144, 0.02%, 0.53%

LAB 56.6, -2.43, 0.96

 

CMYK 4 / 0 / 1 / 46

HEX #848987

RGB 132 137 135

HSL 156, 0.02%, 0.53%

LAB 56.63, -2.23, 0.42

 

CMYK 4 / 0 / 1 / 46

HEX #848988

RGB 132 137 136

HSL 168, 0.02%, 0.53%

LAB 56.66, -2.03, -0.11

 

CMYK 4 / 0 / 0 / 46

HEX #848989

RGB 132 137 137

HSL 180, 0.02%, 0.53%

LAB 56.69, -1.83, -0.65

 

CMYK 4 / 0 / 4 / 46

HEX #848984

RGB 132 137 132

HSL 120, 0.02%, 0.53%

LAB 56.55, -2.83, 2.03

 

CMYK 28 / 0 / 28 / 39

HEX #719C71

RGB 113 156 113

HSL 120, 0.18%, 0.53%

LAB 60.32, -23.47, 17.94

 

CMYK 47 / 0 / 47 / 31

HEX #5DB05D

RGB 93 176 93

HSL 120, 0.34%, 0.53%

LAB 65.1, -42.48, 34.74

 

CMYK 62 / 0 / 62 / 24

HEX #4AC34A

RGB 74 195 74

HSL 120, 0.5%, 0.53%

LAB 70.16, -57.24, 49.71

 

CMYK 74 / 0 / 74 / 16

HEX #37D737

RGB 55 215 55

HSL 120, 0.67%, 0.53%

LAB 75.88, -69.11, 63.04

 

CMYK 4 / 0 / 4 / 46

HEX #848984

RGB 132 137 132

HSL 120, 0.02%, 0.53%

LAB 56.55, -2.83, 2.03

 

CMYK 0 / 22 / 0 / 40

HEX #987698

RGB 152 118 152

HSL 300, 0.14%, 0.53%

LAB 53.92, 19.38, -13.26

 

CMYK 0 / 43 / 0 / 33

HEX #AB62AB

RGB 171 98 171

HSL 300, 0.3%, 0.53%

LAB 52.21, 40.69, -26.76

 

CMYK 0 / 58 / 0 / 25

HEX #BE4FBE

RGB 190 79 190

HSL 300, 0.46%, 0.53%

LAB 52.13, 58.93, -37.73

 

CMYK 0 / 72 / 0 / 18

HEX #D23BD2

RGB 210 59 210

HSL 300, 0.63%, 0.53%

LAB 53.47, 74.54, -46.89

 

CMYK 1 / 0 / 4 / 46

HEX #878984

RGB 135 137 132

HSL 84, 0.02%, 0.53%

LAB 56.79, -1.71, 2.41

 

CMYK 2 / 0 / 4 / 46

HEX #868984

RGB 134 137 132

HSL 96, 0.02%, 0.53%

LAB 56.71, -2.08, 2.28

 

CMYK 4 / 0 / 4 / 46

HEX #848984

RGB 132 137 132

HSL 120, 0.02%, 0.53%

LAB 56.55, -2.83, 2.03

 

CMYK 4 / 0 / 2 / 46

HEX #848986

RGB 132 137 134

HSL 144, 0.02%, 0.53%

LAB 56.6, -2.43, 0.96

 

CMYK 4 / 0 / 1 / 46

HEX #848987

RGB 132 137 135

HSL 156, 0.02%, 0.53%

LAB 56.63, -2.23, 0.42

 

CMYK 3 / 0 / 3 / 63

HEX #5C5F5C

RGB 92 95 92

HSL 120, 0.02%, 0.37%

LAB 39.97, -1.81, 1.3

 

CMYK 3 / 0 / 3 / 55

HEX #707470

RGB 112 116 112

HSL 120, 0.02%, 0.45%

LAB 48.39, -2.33, 1.67

 

CMYK 4 / 0 / 4 / 46

HEX #848984

RGB 132 137 132

HSL 120, 0.02%, 0.53%

LAB 56.55, -2.83, 2.03

 

CMYK 3 / 0 / 3 / 38

HEX #999D99

RGB 153 157 153

HSL 120, 0.02%, 0.61%

LAB 64.31, -2.2, 1.58

 

CMYK 2 / 0 / 2 / 31

HEX #AEB1AE

RGB 174 177 174

HSL 120, 0.02%, 0.69%

LAB 71.89, -1.62, 1.15

 

CMYK 4 / 0 / 4 / 46

HEX #858A85

RGB 133 138 133

HSL 120, 0.02%, 0.53%

LAB 56.94, -2.82, 2.03

 

CMYK 4 / 1 / 0 / 46

HEX #848889

RGB 132 136 137

HSL 192, 0.02%, 0.53%

LAB 56.41, -1.27, -1.06

 

CMYK 0 / 4 / 2 / 46

HEX #898486

RGB 137 132 134

HSL 336, 0.02%, 0.53%

LAB 55.63, 2.26, -0.42

 

CMYK 4 / 0 / 4 / 46

HEX #858A85

RGB 133 138 133

HSL 120, 0.02%, 0.53%

LAB 56.94, -2.82, 2.03

 

CMYK 4 / 4 / 0 / 46

HEX #848489

RGB 132 132 137

HSL 240, 0.02%, 0.53%

LAB 55.29, 1.01, -2.69

 

CMYK 0 / 4 / 4 / 46

HEX #898484

RGB 137 132 132

HSL 0, 0.02%, 0.53%

LAB 55.57, 1.87, 0.66

 

CMYK 4 / 0 / 4 / 46

HEX #858A85

RGB 133 138 133

HSL 120, 0.02%, 0.53%

LAB 56.94, -2.82, 2.03

 

CMYK 4 / 1 / 0 / 46

HEX #848889

RGB 132 136 137

HSL 192, 0.02%, 0.53%

LAB 56.41, -1.27, -1.06

 

CMYK 0 / 4 / 0 / 46

HEX #898489

RGB 137 132 137

HSL 300, 0.02%, 0.53%

LAB 55.71, 2.85, -2.03

 

CMYK 0 / 3 / 4 / 46

HEX #898584

RGB 137 133 132

HSL 12, 0.02%, 0.53%

LAB 55.85, 1.3, 1.06

 

CMYK 4 / 0 / 4 / 46

HEX #858A85

RGB 133 138 133

HSL 120, 0.02%, 0.53%

LAB 56.94, -2.82, 2.03

 

CMYK 4 / 1 / 0 / 46

HEX #848789

RGB 132 135 137

HSL 204, 0.02%, 0.53%

LAB 56.13, -0.7, -1.46

 

CMYK 0 / 4 / 0 / 46

HEX #898489

RGB 137 132 137

HSL 300, 0.02%, 0.53%

LAB 55.71, 2.85, -2.03

 

CMYK 0 / 1 / 4 / 46

HEX #898784

RGB 137 135 132

HSL 36, 0.02%, 0.53%

LAB 56.4, 0.17, 1.87

 

Description

Color code: HEX #858A85 | qconv.com Color code: HEX #858A85 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 138 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 138 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 4 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 4% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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