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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8583B7 it is the complementary color #7A7C48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8583B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8583B7 shade: #8A83B2, #9B95C5, #ACA7D8, #BDB9EB and #CECBFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8583B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8583B7 shade: #8583B7, #7471A4, #635F91, #524D7E and #413B6B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8583B7 shade: #8583B8, #9483B8, #A283B8, #B083B8 and #B883B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8583B7 shade: #8583B8 and #8383B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8583B7 shade matches the following richer shades: #8583B8, #7774C7, #6964D7, #5A54E7 and #4C45F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8583B7 shade: #8583B8, #9493A8, #A2A398, #B1B289 and #BFC279

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8583B7 shade: #839EB8, #8390B8, #8583B8, #9383B8 and #A183B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8583B7 shade: #575594, #6C69A9, #8583B8, #9F9EC7 and #B9B8D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8583B7 shade: #8583B7, #B883AC and #97B883

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8583B7 shade: #8583B7, #B88583 and #83B885

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8583B7 shade: #8583B7, #B883AC, #B6B883 and #83B890

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8583B7 shade: #8583B7, #B8839C, #B6B883 and #83B89F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 28 / 0 / 28

HEX #8583B7

RGB 133 131 183

HSL 242.31, 0.27%, 0.62%

LAB 56.72, 12.52, -27.01

 

Complementary color

CMYK 2 / 0 / 42 / 51

HEX #7A7C48

RGB 122 124 72

HSL 62.31, 0.27%, 0.38%

LAB 50.71, -9.17, 28.1

 

CMYK 22 / 26 / 0 / 30

HEX #8A83B2

RGB 138 131 178

HSL 248.94, 0.23%, 0.61%

LAB 56.93, 12.84, -23.8

 

CMYK 21 / 24 / 0 / 23

HEX #9B95C5

RGB 155 149 197

HSL 247.5, 0.29%, 0.68%

LAB 63.75, 12.38, -23.96

 

CMYK 20 / 23 / 0 / 15

HEX #ACA7D8

RGB 172 167 216

HSL 246.12, 0.39%, 0.75%

LAB 70.43, 11.96, -24.14

 

CMYK 20 / 21 / 0 / 8

HEX #BDB9EB

RGB 189 185 235

HSL 244.8, 0.56%, 0.82%

LAB 76.99, 11.58, -24.35

 

CMYK 19 / 20 / 0 / 0

HEX #CECBFE

RGB 206 203 254

HSL 243.53, 0.96%, 0.9%

LAB 83.44, 11.23, -24.58

 

CMYK 27 / 28 / 0 / 28

HEX #8583B7

RGB 133 131 183

HSL 242.31, 0.27%, 0.62%

LAB 56.72, 12.52, -27.01

 

CMYK 29 / 31 / 0 / 36

HEX #7471A4

RGB 116 113 164

HSL 243.53, 0.22%, 0.54%

LAB 49.74, 13.07, -26.96

 

CMYK 32 / 34 / 0 / 43

HEX #635F91

RGB 99 95 145

HSL 244.8, 0.21%, 0.47%

LAB 42.58, 13.72, -26.96

 

CMYK 35 / 39 / 0 / 51

HEX #524D7E

RGB 82 77 126

HSL 246.12, 0.24%, 0.4%

LAB 35.22, 14.48, -27.02

 

CMYK 39 / 45 / 0 / 58

HEX #413B6B

RGB 65 59 107

HSL 247.5, 0.29%, 0.33%

LAB 27.61, 15.42, -27.17

 

CMYK 28 / 29 / 0 / 28

HEX #8583B8

RGB 133 131 184

HSL 242.26, 0.27%, 0.62%

LAB 56.76, 12.77, -27.52

 

CMYK 20 / 29 / 0 / 28

HEX #9483B8

RGB 148 131 184

HSL 259.25, 0.27%, 0.62%

LAB 58.03, 17.45, -25.46

 

CMYK 12 / 29 / 0 / 28

HEX #A283B8

RGB 162 131 184

HSL 275.09, 0.27%, 0.62%

LAB 59.32, 21.98, -23.36

 

CMYK 4 / 29 / 0 / 28

HEX #B083B8

RGB 176 131 184

HSL 290.94, 0.27%, 0.62%

LAB 60.71, 26.6, -21.11

 

CMYK 0 / 29 / 3 / 28

HEX #B883B2

RGB 184 131 178

HSL 306.79, 0.27%, 0.62%

LAB 61.34, 28.13, -16.67

 

CMYK 28 / 29 / 0 / 28

HEX #8583B8

RGB 133 131 184

HSL 242.26, 0.27%, 0.62%

LAB 56.76, 12.77, -27.52

 

CMYK 29 / 29 / 0 / 28

HEX #8383B8

RGB 131 131 184

HSL 240, 0.27%, 0.62%

LAB 56.6, 12.16, -27.78

 

CMYK 28 / 29 / 0 / 28

HEX #8583B8

RGB 133 131 184

HSL 242.26, 0.27%, 0.62%

LAB 56.76, 12.77, -27.52

 

CMYK 40 / 42 / 0 / 22

HEX #7774C7

RGB 119 116 199

HSL 242.17, 0.43%, 0.62%

LAB 52.44, 21.75, -42.93

 

CMYK 51 / 53 / 0 / 16

HEX #6964D7

RGB 105 100 215

HSL 242.61, 0.59%, 0.62%

LAB 48.29, 32.87, -58.74

 

CMYK 61 / 64 / 0 / 9

HEX #5A54E7

RGB 90 84 231

HSL 242.45, 0.75%, 0.62%

LAB 44.64, 44.74, -73.8

 

CMYK 69 / 72 / 0 / 4

HEX #4C45F6

RGB 76 69 246

HSL 242.37, 0.91%, 0.62%

LAB 41.92, 56.15, -86.75

 

CMYK 28 / 29 / 0 / 28

HEX #8583B8

RGB 133 131 184

HSL 242.26, 0.27%, 0.62%

LAB 56.76, 12.77, -27.52

 

CMYK 12 / 13 / 0 / 34

HEX #9493A8

RGB 148 147 168

HSL 242.86, 0.11%, 0.62%

LAB 61.65, 4.67, -10.87

 

CMYK 1 / 0 / 7 / 36

HEX #A2A398

RGB 162 163 152

HSL 65.45, 0.06%, 0.62%

LAB 66.63, -2.39, 5.58

 

CMYK 1 / 0 / 23 / 30

HEX #B1B289

RGB 177 178 137

HSL 61.46, 0.21%, 0.62%

LAB 71.55, -7.21, 20.91

 

CMYK 2 / 0 / 38 / 24

HEX #BFC279

RGB 191 194 121

HSL 62.47, 0.37%, 0.62%

LAB 76.7, -12.13, 36.38

 

CMYK 29 / 14 / 0 / 28

HEX #839EB8

RGB 131 158 184

HSL 209.43, 0.27%, 0.62%

LAB 63.95, -3.28, -16.53

 

CMYK 29 / 22 / 0 / 28

HEX #8390B8

RGB 131 144 184

HSL 225.28, 0.27%, 0.62%

LAB 60.1, 4.62, -22.4

 

CMYK 28 / 29 / 0 / 28

HEX #8583B8

RGB 133 131 184

HSL 242.26, 0.27%, 0.62%

LAB 56.76, 12.77, -27.52

 

CMYK 20 / 29 / 0 / 28

HEX #9383B8

RGB 147 131 184

HSL 258.11, 0.27%, 0.62%

LAB 57.94, 17.13, -25.6

 

CMYK 13 / 29 / 0 / 28

HEX #A183B8

RGB 161 131 184

HSL 273.96, 0.27%, 0.62%

LAB 59.22, 21.65, -23.52

 

CMYK 41 / 43 / 0 / 42

HEX #575594

RGB 87 85 148

HSL 241.9, 0.27%, 0.46%

LAB 39, 17.35, -34.46

 

CMYK 36 / 38 / 0 / 34

HEX #6C69A9

RGB 108 105 169

HSL 242.81, 0.27%, 0.54%

LAB 47.18, 16.91, -33.93

 

CMYK 28 / 29 / 0 / 28

HEX #8583B8

RGB 133 131 184

HSL 242.26, 0.27%, 0.62%

LAB 56.76, 12.77, -27.52

 

CMYK 20 / 21 / 0 / 22

HEX #9F9EC7

RGB 159 158 199

HSL 241.46, 0.27%, 0.7%

LAB 66.48, 9.02, -20.87

 

CMYK 14 / 14 / 0 / 16

HEX #B9B8D6

RGB 185 184 214

HSL 242, 0.27%, 0.78%

LAB 75.73, 6.31, -14.92

 

CMYK 27 / 28 / 0 / 28

HEX #8583B7

RGB 133 131 183

HSL 242.31, 0.27%, 0.62%

LAB 56.72, 12.52, -27.01

 

CMYK 0 / 29 / 7 / 28

HEX #B883AC

RGB 184 131 172

HSL 313.58, 0.27%, 0.62%

LAB 61.13, 27.03, -13.57

 

CMYK 18 / 0 / 29 / 28

HEX #97B883

RGB 151 184 131

HSL 97.36, 0.27%, 0.62%

LAB 71.21, -20.99, 23.36

 

CMYK 27 / 28 / 0 / 28

HEX #8583B7

RGB 133 131 183

HSL 242.31, 0.27%, 0.62%

LAB 56.72, 12.52, -27.01

 

CMYK 0 / 28 / 29 / 28

HEX #B88583

RGB 184 133 131

HSL 2.26, 0.27%, 0.62%

LAB 60.43, 19.3, 8.83

 

CMYK 29 / 0 / 28 / 28

HEX #83B885

RGB 131 184 133

HSL 122.26, 0.27%, 0.62%

LAB 70.04, -27.65, 20.48

 

CMYK 27 / 28 / 0 / 28

HEX #8583B7

RGB 133 131 183

HSL 242.31, 0.27%, 0.62%

LAB 56.72, 12.52, -27.01

 

CMYK 0 / 29 / 7 / 28

HEX #B883AC

RGB 184 131 172

HSL 313.58, 0.27%, 0.62%

LAB 61.13, 27.03, -13.57

 

CMYK 1 / 0 / 29 / 28

HEX #B6B883

RGB 182 184 131

HSL 62.26, 0.27%, 0.62%

LAB 73.46, -9.26, 26.77

 

CMYK 29 / 0 / 22 / 28

HEX #83B890

RGB 131 184 144

HSL 134.72, 0.27%, 0.62%

LAB 70.26, -25.67, 14.84

 

CMYK 27 / 28 / 0 / 28

HEX #8583B7

RGB 133 131 183

HSL 242.31, 0.27%, 0.62%

LAB 56.72, 12.52, -27.01

 

CMYK 0 / 29 / 15 / 28

HEX #B8839C

RGB 184 131 156

HSL 331.7, 0.27%, 0.62%

LAB 60.63, 24.25, -5.19

 

CMYK 1 / 0 / 29 / 28

HEX #B6B883

RGB 182 184 131

HSL 62.26, 0.27%, 0.62%

LAB 73.46, -9.26, 26.77

 

CMYK 29 / 0 / 14 / 28

HEX #83B89F

RGB 131 184 159

HSL 151.7, 0.27%, 0.62%

LAB 70.6, -22.72, 7.15

 

Description

Color code: HEX #8583B7 | qconv.com Color code: HEX #8583B7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 131 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 131 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 28 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 28% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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