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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #857E96 it is the complementary color #7A8169. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #857E96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #857E96 shade: #8A7E91, #9B90A4, #ACA2B7, #BDB4CA and #CEC6DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #857E96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #857E96 shade: #857E96, #746C83, #635A70, #52485D and #41364A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #857E96 shade: #847D95, #8B7D95, #917D95, #957D93 and #957D8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #857E96 shade: #847D95, #7E7D95 and #7D7D95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #857E96 shade matches the following richer shades: #847D95, #7C6AA8, #7458BB, #6D45CE and #6532E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #857E96 shade: #847D95, #8C9082, #94A36F, #9CB65C and #A4C949

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #857E96 shade: #7D8395, #7E7D95, #847D95, #8A7D95 and #917D95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #857E96 shade: #5C566A, #706980, #847D95, #9A94A7 and #AFABBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #857E96 shade: #857E96, #957D8A and #80957D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #857E96 shade: #857E96, #95847D and #7D9584

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #857E96 shade: #857E96, #957D8A, #8E957D and #7D9589

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #857E96 shade: #857E96, #957D83, #8E957D and #7D9590

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 16 / 0 / 41

HEX #857E96

RGB 133 126 150

HSL 257.5, 0.1%, 0.54%

LAB 54.14, 7.59, -11.94

 

Complementary color

CMYK 5 / 0 / 19 / 49

HEX #7A8169

RGB 122 129 105

HSL 77.5, 0.1%, 0.46%

LAB 52.79, -7.14, 12.16

 

CMYK 5 / 13 / 0 / 43

HEX #8A7E91

RGB 138 126 145

HSL 277.89, 0.08%, 0.53%

LAB 54.42, 8.3, -8.58

 

CMYK 5 / 12 / 0 / 36

HEX #9B90A4

RGB 155 144 164

HSL 273, 0.1%, 0.6%

LAB 61.3, 7.95, -9.05

 

CMYK 6 / 11 / 0 / 28

HEX #ACA2B7

RGB 172 162 183

HSL 268.57, 0.13%, 0.68%

LAB 68.04, 7.64, -9.51

 

CMYK 6 / 11 / 0 / 21

HEX #BDB4CA

RGB 189 180 202

HSL 264.55, 0.17%, 0.75%

LAB 74.65, 7.34, -9.97

 

CMYK 7 / 10 / 0 / 13

HEX #CEC6DD

RGB 206 198 221

HSL 260.87, 0.25%, 0.82%

LAB 81.14, 7.07, -10.43

 

CMYK 11 / 16 / 0 / 41

HEX #857E96

RGB 133 126 150

HSL 257.5, 0.1%, 0.54%

LAB 54.14, 7.59, -11.94

 

CMYK 11 / 18 / 0 / 49

HEX #746C83

RGB 116 108 131

HSL 260.87, 0.1%, 0.47%

LAB 47.08, 7.96, -11.55

 

CMYK 12 / 20 / 0 / 56

HEX #635A70

RGB 99 90 112

HSL 264.55, 0.11%, 0.4%

LAB 39.81, 8.37, -11.18

 

CMYK 12 / 23 / 0 / 64

HEX #52485D

RGB 82 72 93

HSL 268.57, 0.13%, 0.32%

LAB 32.3, 8.84, -10.82

 

CMYK 12 / 27 / 0 / 71

HEX #41364A

RGB 65 54 74

HSL 273, 0.16%, 0.25%

LAB 24.5, 9.4, -10.48

 

CMYK 11 / 16 / 0 / 42

HEX #847D95

RGB 132 125 149

HSL 257.5, 0.1%, 0.54%

LAB 53.75, 7.61, -11.95

 

CMYK 7 / 16 / 0 / 42

HEX #8B7D95

RGB 139 125 149

HSL 275, 0.1%, 0.54%

LAB 54.37, 10.08, -10.96

 

CMYK 3 / 16 / 0 / 42

HEX #917D95

RGB 145 125 149

HSL 290, 0.1%, 0.54%

LAB 54.92, 12.22, -10.07

 

CMYK 0 / 16 / 1 / 42

HEX #957D93

RGB 149 125 147

HSL 305, 0.1%, 0.54%

LAB 55.24, 13.27, -8.4

 

CMYK 0 / 16 / 6 / 42

HEX #957D8C

RGB 149 125 140

HSL 322.5, 0.1%, 0.54%

LAB 55.02, 11.92, -4.66

 

CMYK 11 / 16 / 0 / 42

HEX #847D95

RGB 132 125 149

HSL 257.5, 0.1%, 0.54%

LAB 53.75, 7.61, -11.95

 

CMYK 15 / 16 / 0 / 42

HEX #7E7D95

RGB 126 125 149

HSL 242.5, 0.1%, 0.54%

LAB 53.25, 5.52, -12.76

 

CMYK 16 / 16 / 0 / 42

HEX #7D7D95

RGB 125 125 149

HSL 240, 0.1%, 0.54%

LAB 53.16, 5.18, -12.9

 

CMYK 11 / 16 / 0 / 42

HEX #847D95

RGB 132 125 149

HSL 257.5, 0.1%, 0.54%

LAB 53.75, 7.61, -11.95

 

CMYK 26 / 37 / 0 / 34

HEX #7C6AA8

RGB 124 106 168

HSL 257.42, 0.26%, 0.54%

LAB 48.79, 20.77, -30.73

 

CMYK 38 / 53 / 0 / 27

HEX #7458BB

RGB 116 88 187

HSL 256.97, 0.42%, 0.54%

LAB 44.63, 34.36, -48.45

 

CMYK 47 / 67 / 0 / 19

HEX #6D45CE

RGB 109 69 206

HSL 257.52, 0.58%, 0.54%

LAB 41.16, 48.9, -65.12

 

CMYK 55 / 78 / 0 / 12

HEX #6532E1

RGB 101 50 225

HSL 257.49, 0.74%, 0.54%

LAB 38.7, 62.11, -80.1

 

CMYK 11 / 16 / 0 / 42

HEX #847D95

RGB 132 125 149

HSL 257.5, 0.1%, 0.54%

LAB 53.75, 7.61, -11.95

 

CMYK 3 / 0 / 10 / 44

HEX #8C9082

RGB 140 144 130

HSL 77.14, 0.06%, 0.54%

LAB 59.1, -4.12, 6.93

 

CMYK 9 / 0 / 32 / 36

HEX #94A36F

RGB 148 163 111

HSL 77.31, 0.22%, 0.54%

LAB 64.67, -14.33, 25.32

 

CMYK 14 / 0 / 49 / 29

HEX #9CB65C

RGB 156 182 92

HSL 77.33, 0.38%, 0.54%

LAB 70.38, -23.17, 42.55

 

CMYK 18 / 0 / 64 / 21

HEX #A4C949

RGB 164 201 73

HSL 77.34, 0.54%, 0.54%

LAB 76.16, -30.85, 57.92

 

CMYK 16 / 12 / 0 / 42

HEX #7D8395

RGB 125 131 149

HSL 225, 0.1%, 0.54%

LAB 54.83, 1.7, -10.4

 

CMYK 15 / 16 / 0 / 42

HEX #7E7D95

RGB 126 125 149

HSL 242.5, 0.1%, 0.54%

LAB 53.25, 5.52, -12.76

 

CMYK 11 / 16 / 0 / 42

HEX #847D95

RGB 132 125 149

HSL 257.5, 0.1%, 0.54%

LAB 53.75, 7.61, -11.95

 

CMYK 7 / 16 / 0 / 42

HEX #8A7D95

RGB 138 125 149

HSL 272.5, 0.1%, 0.54%

LAB 54.28, 9.72, -11.1

 

CMYK 3 / 16 / 0 / 42

HEX #917D95

RGB 145 125 149

HSL 290, 0.1%, 0.54%

LAB 54.92, 12.22, -10.07

 

CMYK 13 / 19 / 0 / 58

HEX #5C566A

RGB 92 86 106

HSL 258, 0.1%, 0.38%

LAB 37.79, 6.85, -10.59

 

CMYK 13 / 18 / 0 / 50

HEX #706980

RGB 112 105 128

HSL 258.26, 0.1%, 0.46%

LAB 45.78, 7.64, -11.75

 

CMYK 11 / 16 / 0 / 42

HEX #847D95

RGB 132 125 149

HSL 257.5, 0.1%, 0.54%

LAB 53.75, 7.61, -11.95

 

CMYK 8 / 11 / 0 / 35

HEX #9A94A7

RGB 154 148 167

HSL 258.95, 0.1%, 0.62%

LAB 62.37, 5.96, -9.16

 

CMYK 6 / 8 / 0 / 27

HEX #AFABBA

RGB 175 171 186

HSL 256, 0.1%, 0.7%

LAB 70.72, 4.31, -7.16

 

CMYK 11 / 16 / 0 / 41

HEX #857E96

RGB 133 126 150

HSL 257.5, 0.1%, 0.54%

LAB 54.14, 7.59, -11.94

 

CMYK 0 / 16 / 7 / 42

HEX #957D8A

RGB 149 125 138

HSL 327.5, 0.1%, 0.54%

LAB 54.96, 11.54, -3.59

 

CMYK 14 / 0 / 16 / 42

HEX #80957D

RGB 128 149 125

HSL 112.5, 0.1%, 0.54%

LAB 59.49, -12.25, 10.21

 

CMYK 11 / 16 / 0 / 41

HEX #857E96

RGB 133 126 150

HSL 257.5, 0.1%, 0.54%

LAB 54.14, 7.59, -11.94

 

CMYK 0 / 11 / 16 / 42

HEX #95847D

RGB 149 132 125

HSL 17.5, 0.1%, 0.54%

LAB 56.46, 5.22, 6.12

 

CMYK 16 / 0 / 11 / 42

HEX #7D9584

RGB 125 149 132

HSL 137.5, 0.1%, 0.54%

LAB 59.45, -11.99, 6.16

 

CMYK 11 / 16 / 0 / 41

HEX #857E96

RGB 133 126 150

HSL 257.5, 0.1%, 0.54%

LAB 54.14, 7.59, -11.94

 

CMYK 0 / 16 / 7 / 42

HEX #957D8A

RGB 149 125 138

HSL 327.5, 0.1%, 0.54%

LAB 54.96, 11.54, -3.59

 

CMYK 5 / 0 / 16 / 42

HEX #8E957D

RGB 142 149 125

HSL 77.5, 0.1%, 0.54%

LAB 60.54, -6.99, 11.83

 

CMYK 16 / 0 / 8 / 42

HEX #7D9589

RGB 125 149 137

HSL 150, 0.1%, 0.54%

LAB 59.58, -10.98, 3.5

 

CMYK 11 / 16 / 0 / 41

HEX #857E96

RGB 133 126 150

HSL 257.5, 0.1%, 0.54%

LAB 54.14, 7.59, -11.94

 

CMYK 0 / 16 / 12 / 42

HEX #957D83

RGB 149 125 131

HSL 345, 0.1%, 0.54%

LAB 54.76, 10.27, 0.19

 

CMYK 5 / 0 / 16 / 42

HEX #8E957D

RGB 142 149 125

HSL 77.5, 0.1%, 0.54%

LAB 60.54, -6.99, 11.83

 

CMYK 16 / 0 / 3 / 42

HEX #7D9590

RGB 125 149 144

HSL 167.5, 0.1%, 0.54%

LAB 59.77, -9.52, -0.21

 

Description

Color code: HEX #857E96 | qconv.com Color code: HEX #857E96 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 126 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 126 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 16 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 16% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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