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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #857595 it is the complementary color #7A8A6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #857595. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #857595 shade: #8A7590, #9B87A3, #AC99B6, #BDABC9 and #CEBDDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #857595. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #857595 shade: #857595, #746382, #63516F, #523F5C and #412D49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #857595 shade: #847494, #8D7494, #947493, #94748A and #947482

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #857595 shade: #847494, #7C7494 and #747494

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #857595 shade matches the following richer shades: #847494, #8460A8, #844DBC, #8439CF and #8425E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #857595 shade: #847494, #848880, #849C6C, #84B059 and #84C345

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #857595 shade: #747594, #7C7494, #847494, #8D7494 and #947493

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #857595 shade: #5B4F67, #6F617E, #847494, #998BA6 and #ADA3B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #857595 shade: #857595, #94747E and #749477

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #857595 shade: #857595, #948474 and #749484

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #857595 shade: #857595, #94747E, #849474 and #74948A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #857595 shade: #857595, #947474, #849474 and #749494

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 21 / 0 / 42

HEX #857595

RGB 133 117 149

HSL 270, 0.13%, 0.52%

LAB 51.7, 12.65, -15.05

 

Complementary color

CMYK 12 / 0 / 23 / 46

HEX #7A8A6A

RGB 122 138 106

HSL 90, 0.13%, 0.48%

LAB 55.44, -11.93, 15.25

 

CMYK 4 / 19 / 0 / 44

HEX #8A7590

RGB 138 117 144

HSL 286.67, 0.11%, 0.51%

LAB 51.99, 13.34, -11.62

 

CMYK 5 / 17 / 0 / 36

HEX #9B87A3

RGB 155 135 163

HSL 282.86, 0.13%, 0.58%

LAB 58.92, 12.87, -12.05

 

CMYK 5 / 16 / 0 / 29

HEX #AC99B6

RGB 172 153 182

HSL 279.31, 0.17%, 0.66%

LAB 65.69, 12.45, -12.47

 

CMYK 6 / 15 / 0 / 21

HEX #BDABC9

RGB 189 171 201

HSL 276, 0.22%, 0.73%

LAB 72.34, 12.06, -12.89

 

CMYK 6 / 14 / 0 / 14

HEX #CEBDDC

RGB 206 189 220

HSL 272.9, 0.31%, 0.8%

LAB 78.86, 11.71, -13.3

 

CMYK 11 / 21 / 0 / 42

HEX #857595

RGB 133 117 149

HSL 270, 0.13%, 0.52%

LAB 51.7, 12.65, -15.05

 

CMYK 11 / 24 / 0 / 49

HEX #746382

RGB 116 99 130

HSL 272.9, 0.14%, 0.45%

LAB 44.59, 13.15, -14.72

 

CMYK 11 / 27 / 0 / 56

HEX #63516F

RGB 99 81 111

HSL 276, 0.16%, 0.38%

LAB 37.27, 13.73, -14.42

 

CMYK 11 / 32 / 0 / 64

HEX #523F5C

RGB 82 63 92

HSL 279.31, 0.19%, 0.3%

LAB 29.72, 14.4, -14.12

 

CMYK 11 / 38 / 0 / 71

HEX #412D49

RGB 65 45 73

HSL 282.86, 0.24%, 0.23%

LAB 21.88, 15.18, -13.84

 

CMYK 11 / 22 / 0 / 42

HEX #847494

RGB 132 116 148

HSL 270, 0.13%, 0.52%

LAB 51.31, 12.67, -15.06

 

CMYK 5 / 22 / 0 / 42

HEX #8D7494

RGB 141 116 148

HSL 286.88, 0.13%, 0.52%

LAB 52.17, 15.83, -13.68

 

CMYK 0 / 22 / 1 / 42

HEX #947493

RGB 148 116 147

HSL 301.88, 0.13%, 0.52%

LAB 52.83, 18.12, -12.02

 

CMYK 0 / 22 / 7 / 42

HEX #94748A

RGB 148 116 138

HSL 318.75, 0.13%, 0.52%

LAB 52.53, 16.38, -7.2

 

CMYK 0 / 22 / 12 / 42

HEX #947482

RGB 148 116 130

HSL 333.75, 0.13%, 0.52%

LAB 52.28, 14.92, -2.86

 

CMYK 11 / 22 / 0 / 42

HEX #847494

RGB 132 116 148

HSL 270, 0.13%, 0.52%

LAB 51.31, 12.67, -15.06

 

CMYK 16 / 22 / 0 / 42

HEX #7C7494

RGB 124 116 148

HSL 255, 0.13%, 0.52%

LAB 50.59, 9.9, -16.23

 

CMYK 22 / 22 / 0 / 42

HEX #747494

RGB 116 116 148

HSL 240, 0.13%, 0.52%

LAB 49.91, 7.2, -17.32

 

CMYK 11 / 22 / 0 / 42

HEX #847494

RGB 132 116 148

HSL 270, 0.13%, 0.52%

LAB 51.31, 12.67, -15.06

 

CMYK 21 / 43 / 0 / 34

HEX #8460A8

RGB 132 96 168

HSL 270, 0.29%, 0.52%

LAB 47.1, 29.15, -33.31

 

CMYK 30 / 59 / 0 / 26

HEX #844DBC

RGB 132 77 188

HSL 269.73, 0.45%, 0.52%

LAB 44.01, 44.79, -49.94

 

CMYK 36 / 72 / 0 / 19

HEX #8439CF

RGB 132 57 207

HSL 270, 0.61%, 0.52%

LAB 41.75, 59.21, -64.62

 

CMYK 42 / 84 / 0 / 11

HEX #8425E3

RGB 132 37 227

HSL 270, 0.77%, 0.52%

LAB 40.86, 71.15, -77.56

 

CMYK 11 / 22 / 0 / 42

HEX #847494

RGB 132 116 148

HSL 270, 0.13%, 0.52%

LAB 51.31, 12.67, -15.06

 

CMYK 3 / 0 / 6 / 47

HEX #848880

RGB 132 136 128

HSL 90, 0.03%, 0.52%

LAB 56.16, -3.04, 3.77

 

CMYK 15 / 0 / 31 / 39

HEX #849C6C

RGB 132 156 108

HSL 90, 0.2%, 0.52%

LAB 61.45, -17.33, 22.44

 

CMYK 25 / 0 / 49 / 31

HEX #84B059

RGB 132 176 89

HSL 90.34, 0.36%, 0.52%

LAB 67.03, -29.86, 39.6

 

CMYK 32 / 0 / 65 / 24

HEX #84C345

RGB 132 195 69

HSL 90, 0.51%, 0.52%

LAB 72.47, -40.52, 55.06

 

CMYK 22 / 21 / 0 / 42

HEX #747594

RGB 116 117 148

HSL 238.13, 0.13%, 0.52%

LAB 50.18, 6.61, -16.9

 

CMYK 16 / 22 / 0 / 42

HEX #7C7494

RGB 124 116 148

HSL 255, 0.13%, 0.52%

LAB 50.59, 9.9, -16.23

 

CMYK 11 / 22 / 0 / 42

HEX #847494

RGB 132 116 148

HSL 270, 0.13%, 0.52%

LAB 51.31, 12.67, -15.06

 

CMYK 5 / 22 / 0 / 42

HEX #8D7494

RGB 141 116 148

HSL 286.88, 0.13%, 0.52%

LAB 52.17, 15.83, -13.68

 

CMYK 0 / 22 / 1 / 42

HEX #947493

RGB 148 116 147

HSL 301.88, 0.13%, 0.52%

LAB 52.83, 18.12, -12.02

 

CMYK 12 / 23 / 0 / 60

HEX #5B4F67

RGB 91 79 103

HSL 270, 0.13%, 0.36%

LAB 35.59, 10.16, -12.06

 

CMYK 12 / 23 / 0 / 51

HEX #6F617E

RGB 111 97 126

HSL 268.97, 0.13%, 0.44%

LAB 43.41, 11.67, -14.14

 

CMYK 11 / 22 / 0 / 42

HEX #847494

RGB 132 116 148

HSL 270, 0.13%, 0.52%

LAB 51.31, 12.67, -15.06

 

CMYK 8 / 16 / 0 / 35

HEX #998BA6

RGB 153 139 166

HSL 271.11, 0.13%, 0.6%

LAB 59.88, 10.51, -12.34

 

CMYK 6 / 11 / 0 / 28

HEX #ADA3B8

RGB 173 163 184

HSL 268.57, 0.13%, 0.68%

LAB 68.42, 7.63, -9.5

 

CMYK 11 / 21 / 0 / 42

HEX #857595

RGB 133 117 149

HSL 270, 0.13%, 0.52%

LAB 51.7, 12.65, -15.05

 

CMYK 0 / 22 / 15 / 42

HEX #94747E

RGB 148 116 126

HSL 341.25, 0.13%, 0.52%

LAB 52.17, 14.21, -0.69

 

CMYK 22 / 0 / 20 / 42

HEX #749477

RGB 116 148 119

HSL 125.63, 0.13%, 0.52%

LAB 58.25, -17.19, 11.73

 

CMYK 11 / 21 / 0 / 42

HEX #857595

RGB 133 117 149

HSL 270, 0.13%, 0.52%

LAB 51.7, 12.65, -15.05

 

CMYK 0 / 11 / 22 / 42

HEX #948474

RGB 148 132 116

HSL 30, 0.13%, 0.52%

LAB 56.15, 3.36, 10.85

 

CMYK 22 / 0 / 11 / 42

HEX #749484

RGB 116 148 132

HSL 150, 0.13%, 0.52%

LAB 58.56, -14.6, 4.8

 

CMYK 11 / 21 / 0 / 42

HEX #857595

RGB 133 117 149

HSL 270, 0.13%, 0.52%

LAB 51.7, 12.65, -15.05

 

CMYK 0 / 22 / 15 / 42

HEX #94747E

RGB 148 116 126

HSL 341.25, 0.13%, 0.52%

LAB 52.17, 14.21, -0.69

 

CMYK 11 / 0 / 22 / 42

HEX #849474

RGB 132 148 116

HSL 90, 0.13%, 0.52%

LAB 59.29, -11.8, 15.05

 

CMYK 22 / 0 / 7 / 42

HEX #74948A

RGB 116 148 138

HSL 161.25, 0.13%, 0.52%

LAB 58.72, -13.32, 1.61

 

CMYK 11 / 21 / 0 / 42

HEX #857595

RGB 133 117 149

HSL 270, 0.13%, 0.52%

LAB 51.7, 12.65, -15.05

 

CMYK 0 / 22 / 22 / 42

HEX #947474

RGB 148 116 116

HSL 0, 0.13%, 0.52%

LAB 51.89, 12.54, 4.8

 

CMYK 11 / 0 / 22 / 42

HEX #849474

RGB 132 148 116

HSL 90, 0.13%, 0.52%

LAB 59.29, -11.8, 15.05

 

CMYK 22 / 0 / 0 / 42

HEX #749494

RGB 116 148 148

HSL 180, 0.13%, 0.52%

LAB 59, -11.09, -3.68

 

Description

Color code: HEX #857595 | qconv.com Color code: HEX #857595 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 117 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 117 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 21 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 21% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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