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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85615E it is the complementary color #7A9EA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85615E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85615E shade: #8A6159, #9B736C, #AC857F, #BD9792 and #CEA9A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85615E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85615E shade: #85615E, #744F4B, #633D38, #522B25 and #411912

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85615E shade: #86625F and #865F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85615E shade: #86625F, #866C5F, #86775F, #86815F and #80865F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85615E shade matches the following richer shades: #86625F, #98524C, #AB423A, #BD3327 and #D02314

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85615E shade: #86625F, #737171, #618184, #4E9196 and #3BA1A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85615E shade: #865F71, #865F67, #86615F, #866C5F and #86765F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85615E shade: #553E3C, #6E504E, #86625F, #9B7673 and #AC8D8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85615E shade: #85615E, #7B865F and #5F6C86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85615E shade: #85615E, #5F8661 and #615F86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85615E shade: #85615E, #7B865F, #5F8386 and #695F86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85615E shade: #85615E, #70865F, #5F8386 and #755F86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 29 / 48

HEX #85615E

RGB 133 97 94

HSL 4.62, 0.17%, 0.45%

LAB 44.72, 14.16, 7.45

 

Complementary color

CMYK 24 / 2 / 0 / 37

HEX #7A9EA1

RGB 122 158 161

HSL 184.62, 0.17%, 0.55%

LAB 62.65, -11.59, -5.62

 

CMYK 0 / 30 / 36 / 46

HEX #8A6159

RGB 138 97 89

HSL 9.8, 0.22%, 0.45%

LAB 45.18, 15.53, 11.2

 

CMYK 0 / 26 / 30 / 39

HEX #9B736C

RGB 155 115 108

HSL 8.94, 0.19%, 0.52%

LAB 52.19, 14.72, 10.02

 

CMYK 0 / 23 / 26 / 33

HEX #AC857F

RGB 172 133 127

HSL 8, 0.21%, 0.59%

LAB 59.05, 14.02, 8.97

 

CMYK 0 / 20 / 23 / 26

HEX #BD9792

RGB 189 151 146

HSL 6.98, 0.25%, 0.66%

LAB 65.77, 13.42, 8.02

 

CMYK 0 / 18 / 20 / 19

HEX #CEA9A5

RGB 206 169 165

HSL 5.85, 0.29%, 0.73%

LAB 72.37, 12.88, 7.14

 

CMYK 0 / 27 / 29 / 48

HEX #85615E

RGB 133 97 94

HSL 4.62, 0.17%, 0.45%

LAB 44.72, 14.16, 7.45

 

CMYK 0 / 32 / 35 / 55

HEX #744F4B

RGB 116 79 75

HSL 5.85, 0.21%, 0.37%

LAB 37.5, 15, 8.63

 

CMYK 0 / 38 / 43 / 61

HEX #633D38

RGB 99 61 56

HSL 6.98, 0.28%, 0.3%

LAB 30.1, 16.03, 10.05

 

CMYK 0 / 48 / 55 / 68

HEX #522B25

RGB 82 43 37

HSL 8, 0.38%, 0.23%

LAB 22.5, 17.29, 11.82

 

CMYK 0 / 62 / 72 / 75

HEX #411912

RGB 65 25 18

HSL 8.94, 0.57%, 0.16%

LAB 14.75, 18.82, 14.09

 

CMYK 0 / 27 / 29 / 47

HEX #86625F

RGB 134 98 95

HSL 4.62, 0.17%, 0.45%

LAB 45.12, 14.13, 7.43

 

CMYK 0 / 29 / 29 / 47

HEX #865F5F

RGB 134 95 95

HSL 0, 0.17%, 0.45%

LAB 44.35, 15.9, 6.32

 

CMYK 0 / 27 / 29 / 47

HEX #86625F

RGB 134 98 95

HSL 4.62, 0.17%, 0.45%

LAB 45.12, 14.13, 7.43

 

CMYK 0 / 19 / 29 / 47

HEX #866C5F

RGB 134 108 95

HSL 20, 0.17%, 0.45%

LAB 47.78, 8.24, 11.16

 

CMYK 0 / 11 / 29 / 47

HEX #86775F

RGB 134 119 95

HSL 36.92, 0.17%, 0.45%

LAB 50.79, 1.85, 15.34

 

CMYK 0 / 4 / 29 / 47

HEX #86815F

RGB 134 129 95

HSL 52.31, 0.17%, 0.45%

LAB 53.59, -3.84, 19.16

 

CMYK 4 / 0 / 29 / 47

HEX #80865F

RGB 128 134 95

HSL 69.23, 0.17%, 0.45%

LAB 54.52, -9.1, 20.31

 

CMYK 0 / 27 / 29 / 47

HEX #86625F

RGB 134 98 95

HSL 4.62, 0.17%, 0.45%

LAB 45.12, 14.13, 7.43

 

CMYK 0 / 46 / 50 / 40

HEX #98524C

RGB 152 82 76

HSL 4.74, 0.33%, 0.45%

LAB 43.11, 28.41, 16.5

 

CMYK 0 / 61 / 66 / 33

HEX #AB423A

RGB 171 66 58

HSL 4.25, 0.49%, 0.45%

LAB 42.55, 42.55, 27.21

 

CMYK 0 / 73 / 79 / 26

HEX #BD3327

RGB 189 51 39

HSL 4.8, 0.66%, 0.45%

LAB 43.26, 54.04, 39.78

 

CMYK 0 / 83 / 90 / 18

HEX #D02314

RGB 208 35 20

HSL 4.79, 0.82%, 0.45%

LAB 45.17, 63.97, 51.98

 

CMYK 0 / 27 / 29 / 47

HEX #86625F

RGB 134 98 95

HSL 4.62, 0.17%, 0.45%

LAB 45.12, 14.13, 7.43

 

CMYK 0 / 2 / 2 / 55

HEX #737171

RGB 115 113 113

HSL 0, 0.01%, 0.45%

LAB 47.81, 0.77, 0.27

 

CMYK 27 / 2 / 0 / 48

HEX #618184

RGB 97 129 132

HSL 185.14, 0.15%, 0.45%

LAB 51.73, -10.54, -5.33

 

CMYK 48 / 3 / 0 / 41

HEX #4E9196

RGB 78 145 150

HSL 184.17, 0.32%, 0.45%

LAB 56.16, -19.85, -9.26

 

CMYK 65 / 5 / 0 / 34

HEX #3BA1A9

RGB 59 161 169

HSL 184.36, 0.48%, 0.45%

LAB 61.03, -26.39, -12.83

 

CMYK 0 / 29 / 16 / 47

HEX #865F71

RGB 134 95 113

HSL 332.31, 0.17%, 0.45%

LAB 44.86, 18.84, -3.84

 

CMYK 0 / 29 / 23 / 47

HEX #865F67

RGB 134 95 103

HSL 347.69, 0.17%, 0.45%

LAB 44.56, 17.15, 1.78

 

CMYK 0 / 28 / 29 / 47

HEX #86615F

RGB 134 97 95

HSL 3.08, 0.17%, 0.45%

LAB 44.86, 14.72, 7.06

 

CMYK 0 / 19 / 29 / 47

HEX #866C5F

RGB 134 108 95

HSL 20, 0.17%, 0.45%

LAB 47.78, 8.24, 11.16

 

CMYK 0 / 12 / 29 / 47

HEX #86765F

RGB 134 118 95

HSL 35.38, 0.17%, 0.45%

LAB 50.51, 2.42, 14.96

 

CMYK 0 / 27 / 29 / 67

HEX #553E3C

RGB 85 62 60

HSL 4.8, 0.17%, 0.28%

LAB 28.65, 9.73, 5.15

 

CMYK 0 / 27 / 29 / 57

HEX #6E504E

RGB 110 80 78

HSL 3.75, 0.17%, 0.37%

LAB 37.12, 12.27, 6.11

 

CMYK 0 / 27 / 29 / 47

HEX #86625F

RGB 134 98 95

HSL 4.62, 0.17%, 0.45%

LAB 45.12, 14.13, 7.43

 

CMYK 0 / 24 / 26 / 39

HEX #9B7673

RGB 155 118 115

HSL 4.5, 0.17%, 0.53%

LAB 53.13, 14.02, 7.25

 

CMYK 0 / 18 / 19 / 33

HEX #AC8D8B

RGB 172 141 139

HSL 3.64, 0.17%, 0.61%

LAB 61.38, 11.37, 5.46

 

CMYK 0 / 27 / 29 / 48

HEX #85615E

RGB 133 97 94

HSL 4.62, 0.17%, 0.45%

LAB 44.72, 14.16, 7.45

 

CMYK 8 / 0 / 29 / 47

HEX #7B865F

RGB 123 134 95

HSL 76.92, 0.17%, 0.45%

LAB 54.12, -11.13, 19.71

 

CMYK 29 / 19 / 0 / 47

HEX #5F6C86

RGB 95 108 134

HSL 220, 0.17%, 0.45%

LAB 45.47, 1.51, -15.94

 

CMYK 0 / 27 / 29 / 48

HEX #85615E

RGB 133 97 94

HSL 4.62, 0.17%, 0.45%

LAB 44.72, 14.16, 7.45

 

CMYK 29 / 0 / 28 / 47

HEX #5F8661

RGB 95 134 97

HSL 123.08, 0.17%, 0.45%

LAB 52.23, -21.48, 15.68

 

CMYK 28 / 29 / 0 / 47

HEX #615F86

RGB 97 95 134

HSL 243.08, 0.17%, 0.45%

LAB 41.92, 10.1, -21.38

 

CMYK 0 / 27 / 29 / 48

HEX #85615E

RGB 133 97 94

HSL 4.62, 0.17%, 0.45%

LAB 44.72, 14.16, 7.45

 

CMYK 8 / 0 / 29 / 47

HEX #7B865F

RGB 123 134 95

HSL 76.92, 0.17%, 0.45%

LAB 54.12, -11.13, 19.71

 

CMYK 29 / 2 / 0 / 47

HEX #5F8386

RGB 95 131 134

HSL 184.62, 0.17%, 0.45%

LAB 52.27, -11.8, -5.71

 

CMYK 22 / 29 / 0 / 47

HEX #695F86

RGB 105 95 134

HSL 255.38, 0.17%, 0.45%

LAB 42.63, 12.74, -20.23

 

CMYK 0 / 27 / 29 / 48

HEX #85615E

RGB 133 97 94

HSL 4.62, 0.17%, 0.45%

LAB 44.72, 14.16, 7.45

 

CMYK 16 / 0 / 29 / 47

HEX #70865F

RGB 112 134 95

HSL 93.85, 0.17%, 0.45%

LAB 53.3, -15.49, 18.46

 

CMYK 29 / 2 / 0 / 47

HEX #5F8386

RGB 95 131 134

HSL 184.62, 0.17%, 0.45%

LAB 52.27, -11.8, -5.71

 

CMYK 13 / 29 / 0 / 47

HEX #755F86

RGB 117 95 134

HSL 273.85, 0.17%, 0.45%

LAB 43.78, 16.84, -18.35

 

Description

Color code: HEX #85615E | qconv.com Color code: HEX #85615E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 97 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 97 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 29 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 29% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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