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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #854C36 it is the complementary color #7AB3C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #854C36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #854C36 shade: #8A4C31, #9B5E44, #AC7057, #BD826A and #CE947D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #854C36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #854C36 shade: #854C36, #743A23, #632810, #521600 and #410400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #854C36 shade: #854C36, #853736 and #853636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #854C36 shade: #854C36, #856236, #857736, #7F8536 and #698536

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #854C36 shade matches the following richer shades: #854C36, #954627, #A43F18 and #B33808

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #854C36 shade: #854C36, #765345, #675A55, #586164 and #486773

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #854C36 shade: #85364B, #853636, #854B36, #856036 and #857636

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #854C36 shade: #4B2B1E, #683C2A, #854C36, #A35D42 and #B97155

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #854C36 shade: #854C36, #608536 and #364185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #854C36 shade: #854C36, #36854B and #4B3685

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #854C36 shade: #854C36, #608536, #367085 and #5B3685

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #854C36 shade: #854C36, #498536, #367085 and #733685

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 59 / 48

HEX #854C36

RGB 133 76 54

HSL 16.71, 0.42%, 0.37%

LAB 38.59, 21.81, 23.37

 

Complementary color

CMYK 39 / 11 / 0 / 21

HEX #7AB3C9

RGB 122 179 201

HSL 196.71, 0.42%, 0.63%

LAB 69.89, -12.9, -17.03

 

CMYK 0 / 45 / 64 / 46

HEX #8A4C31

RGB 138 76 49

HSL 18.2, 0.48%, 0.37%

LAB 39.23, 23.58, 27.27

 

CMYK 0 / 39 / 56 / 39

HEX #9B5E44

RGB 155 94 68

HSL 17.93, 0.39%, 0.44%

LAB 46.17, 22.14, 25.34

 

CMYK 0 / 35 / 49 / 33

HEX #AC7057

RGB 172 112 87

HSL 17.65, 0.34%, 0.51%

LAB 53, 20.91, 23.65

 

CMYK 0 / 31 / 44 / 26

HEX #BD826A

RGB 189 130 106

HSL 17.35, 0.39%, 0.58%

LAB 59.73, 19.85, 22.16

 

CMYK 0 / 28 / 39 / 19

HEX #CE947D

RGB 206 148 125

HSL 17.04, 0.45%, 0.65%

LAB 66.35, 18.93, 20.82

 

CMYK 0 / 43 / 59 / 48

HEX #854C36

RGB 133 76 54

HSL 16.71, 0.42%, 0.37%

LAB 38.59, 21.81, 23.37

 

CMYK 0 / 50 / 70 / 55

HEX #743A23

RGB 116 58 35

HSL 17.04, 0.54%, 0.3%

LAB 31.49, 23.37, 25.5

 

CMYK 0 / 60 / 84 / 61

HEX #632810

RGB 99 40 16

HSL 17.35, 0.72%, 0.23%

LAB 24.35, 25.16, 27.87

 

CMYK 0 / 73 / 100 / 68

HEX #521600

RGB 82 22 0

HSL 16.1, 1%, 0.16%

LAB 17.31, 26.89, 26.15

 

CMYK 0 / 94 / 100 / 75

HEX #410400

RGB 65 4 0

HSL 3.69, 1%, 0.13%

LAB 10.64, 28.19, 16.67

 

CMYK 0 / 43 / 59 / 48

HEX #854C36

RGB 133 76 54

HSL 16.71, 0.42%, 0.37%

LAB 38.59, 21.81, 23.37

 

CMYK 0 / 59 / 59 / 48

HEX #853736

RGB 133 55 54

HSL 0.76, 0.42%, 0.37%

LAB 33.95, 33.45, 17.42

 

CMYK 0 / 59 / 59 / 48

HEX #853636

RGB 133 54 54

HSL 0, 0.42%, 0.37%

LAB 33.76, 33.96, 17.16

 

CMYK 0 / 43 / 59 / 48

HEX #854C36

RGB 133 76 54

HSL 16.71, 0.42%, 0.37%

LAB 38.59, 21.81, 23.37

 

CMYK 0 / 26 / 59 / 48

HEX #856236

RGB 133 98 54

HSL 33.42, 0.42%, 0.37%

LAB 44.22, 8.87, 30.27

 

CMYK 0 / 11 / 59 / 48

HEX #857736

RGB 133 119 54

HSL 49.37, 0.42%, 0.37%

LAB 50.03, -3.27, 37.08

 

CMYK 5 / 0 / 59 / 48

HEX #7F8536

RGB 127 133 54

HSL 64.56, 0.42%, 0.37%

LAB 53.55, -13.69, 40.91

 

CMYK 21 / 0 / 59 / 48

HEX #698536

RGB 105 133 54

HSL 81.27, 0.42%, 0.37%

LAB 51.89, -23.15, 38.58

 

CMYK 0 / 43 / 59 / 48

HEX #854C36

RGB 133 76 54

HSL 16.71, 0.42%, 0.37%

LAB 38.59, 21.81, 23.37

 

CMYK 0 / 53 / 74 / 42

HEX #954627

RGB 149 70 39

HSL 16.91, 0.59%, 0.37%

LAB 39.44, 30.94, 33.62

 

CMYK 0 / 62 / 85 / 36

HEX #A43F18

RGB 164 63 24

HSL 16.71, 0.74%, 0.37%

LAB 40.43, 39.86, 43.01

 

CMYK 0 / 69 / 96 / 30

HEX #B33808

RGB 179 56 8

HSL 16.84, 0.91%, 0.37%

LAB 41.89, 48.11, 51.11

 

CMYK 0 / 43 / 59 / 48

HEX #854C36

RGB 133 76 54

HSL 16.71, 0.42%, 0.37%

LAB 38.59, 21.81, 23.37

 

CMYK 0 / 30 / 42 / 54

HEX #765345

RGB 118 83 69

HSL 17.14, 0.26%, 0.37%

LAB 38.67, 12.65, 13.99

 

CMYK 0 / 13 / 17 / 60

HEX #675A55

RGB 103 90 85

HSL 16.67, 0.1%, 0.37%

LAB 39.33, 4.35, 4.82

 

CMYK 12 / 3 / 0 / 61

HEX #586164

RGB 88 97 100

HSL 195, 0.06%, 0.37%

LAB 40.48, -2.79, -2.9

 

CMYK 37 / 10 / 0 / 55

HEX #486773

RGB 72 103 115

HSL 196.74, 0.23%, 0.37%

LAB 41.71, -7.96, -10.33

 

CMYK 0 / 59 / 44 / 48

HEX #85364B

RGB 133 54 75

HSL 344.05, 0.42%, 0.37%

LAB 34.26, 36.02, 4.38

 

CMYK 0 / 59 / 59 / 48

HEX #853636

RGB 133 54 54

HSL 0, 0.42%, 0.37%

LAB 33.76, 33.96, 17.16

 

CMYK 0 / 44 / 59 / 48

HEX #854B36

RGB 133 75 54

HSL 15.95, 0.42%, 0.37%

LAB 38.35, 22.39, 23.06

 

CMYK 0 / 28 / 59 / 48

HEX #856036

RGB 133 96 54

HSL 31.9, 0.42%, 0.37%

LAB 43.68, 10.05, 29.63

 

CMYK 0 / 11 / 59 / 48

HEX #857636

RGB 133 118 54

HSL 48.61, 0.42%, 0.37%

LAB 49.75, -2.7, 36.76

 

CMYK 0 / 43 / 60 / 71

HEX #4B2B1E

RGB 75 43 30

HSL 17.33, 0.43%, 0.21%

LAB 21.27, 13.26, 14.69

 

CMYK 0 / 42 / 60 / 59

HEX #683C2A

RGB 104 60 42

HSL 17.42, 0.42%, 0.29%

LAB 30.26, 17.35, 19.31

 

CMYK 0 / 43 / 59 / 48

HEX #854C36

RGB 133 76 54

HSL 16.71, 0.42%, 0.37%

LAB 38.59, 21.81, 23.37

 

CMYK 0 / 43 / 60 / 36

HEX #A35D42

RGB 163 93 66

HSL 16.7, 0.42%, 0.45%

LAB 46.99, 25.91, 27.76

 

CMYK 0 / 39 / 54 / 27

HEX #B97155

RGB 185 113 85

HSL 16.8, 0.42%, 0.53%

LAB 54.85, 25.54, 27.5

 

CMYK 0 / 43 / 59 / 48

HEX #854C36

RGB 133 76 54

HSL 16.71, 0.42%, 0.37%

LAB 38.59, 21.81, 23.37

 

CMYK 28 / 0 / 59 / 48

HEX #608536

RGB 96 133 54

HSL 88.1, 0.42%, 0.37%

LAB 51.3, -26.8, 37.76

 

CMYK 59 / 51 / 0 / 48

HEX #364185

RGB 54 65 133

HSL 231.65, 0.42%, 0.37%

LAB 30.06, 17.32, -39.7

 

CMYK 0 / 43 / 59 / 48

HEX #854C36

RGB 133 76 54

HSL 16.71, 0.42%, 0.37%

LAB 38.59, 21.81, 23.37

 

CMYK 59 / 0 / 44 / 48

HEX #36854B

RGB 54 133 75

HSL 135.95, 0.42%, 0.37%

LAB 49.58, -37.69, 24.19

 

CMYK 44 / 59 / 0 / 48

HEX #4B3685

RGB 75 54 133

HSL 255.95, 0.42%, 0.37%

LAB 28.97, 29.34, -41.35

 

CMYK 0 / 43 / 59 / 48

HEX #854C36

RGB 133 76 54

HSL 16.71, 0.42%, 0.37%

LAB 38.59, 21.81, 23.37

 

CMYK 28 / 0 / 59 / 48

HEX #608536

RGB 96 133 54

HSL 88.1, 0.42%, 0.37%

LAB 51.3, -26.8, 37.76

 

CMYK 59 / 16 / 0 / 48

HEX #367085

RGB 54 112 133

HSL 195.95, 0.42%, 0.37%

LAB 44.33, -12.38, -17.3

 

CMYK 32 / 59 / 0 / 48

HEX #5B3685

RGB 91 54 133

HSL 268.1, 0.42%, 0.37%

LAB 30.77, 33.38, -38.36

 

CMYK 0 / 43 / 59 / 48

HEX #854C36

RGB 133 76 54

HSL 16.71, 0.42%, 0.37%

LAB 38.59, 21.81, 23.37

 

CMYK 45 / 0 / 59 / 48

HEX #498536

RGB 73 133 54

HSL 105.57, 0.42%, 0.37%

LAB 50.05, -35.25, 35.99

 

CMYK 59 / 16 / 0 / 48

HEX #367085

RGB 54 112 133

HSL 195.95, 0.42%, 0.37%

LAB 44.33, -12.38, -17.3

 

CMYK 14 / 59 / 0 / 48

HEX #733685

RGB 115 54 133

HSL 286.33, 0.42%, 0.37%

LAB 33.93, 39.87, -33.13

 

Description

Color code: HEX #854C36 | qconv.com Color code: HEX #854C36 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 76 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 76 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 59 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 59% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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