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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8513CF it is the complementary color #7AEC30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8513CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8513CF shade: #8A13CA, #9B25DD, #AC37F0, #BD49FF and #CE5BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8513CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8513CF shade: #8513CF, #7401BC, #6300A9, #520096 and #410083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8513CF shade: #8413CD, #B613CD, #CD13B2, #CD137F and #CD134D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8513CF shade: #8413CD, #5113CD, #1F13CD and #1313CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8513CF shade matches the following richer shades: #8413CD and #8700DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8513CF shade: #8413CD, #8025BB, #7C37A9, #784996 and #745B84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8513CF shade: #1F13CD, #5113CD, #8213CD, #B413CD and #CD13B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8513CF shade: #530C81, #6B0FA7, #8413CD, #9A1FEA and #AB45ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8513CF shade: #8513CF, #CD1338 and #13CD38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8513CF shade: #8513CF, #CD8213 and #13CD82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8513CF shade: #8513CF, #CD1338, #5DCD13 and #13CDA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8513CF shade: #8513CF, #CD2513, #5DCD13 and #13BACD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 91 / 0 / 19

HEX #8513CF

RGB 133 19 207

HSL 276.38, 0.83%, 0.44%

LAB 37.77, 71.33, -71.12

 

Complementary color

CMYK 48 / 0 / 80 / 7

HEX #7AEC30

RGB 122 236 48

HSL 96.38, 0.83%, 0.56%

LAB 84.14, -61.53, 73.72

 

CMYK 32 / 91 / 0 / 21

HEX #8A13CA

RGB 138 19 202

HSL 279.02, 0.83%, 0.43%

LAB 38.08, 70.95, -67.67

 

CMYK 30 / 83 / 0 / 13

HEX #9B25DD

RGB 155 37 221

HSL 278.48, 0.73%, 0.51%

LAB 43.53, 73.04, -69.64

 

CMYK 28 / 77 / 0 / 6

HEX #AC37F0

RGB 172 55 240

HSL 277.95, 0.86%, 0.58%

LAB 49.25, 74.08, -70.99

 

CMYK 26 / 71 / 0 / 0

HEX #BD49FF

RGB 189 73 255

HSL 278.24, 1%, 0.64%

LAB 54.87, 73.6, -70.14

 

CMYK 19 / 64 / 0 / 0

HEX #CE5BFF

RGB 206 91 255

HSL 282.07, 1%, 0.68%

LAB 59.73, 69.65, -62.2

 

CMYK 36 / 91 / 0 / 19

HEX #8513CF

RGB 133 19 207

HSL 276.38, 0.83%, 0.44%

LAB 37.77, 71.33, -71.12

 

CMYK 38 / 99 / 0 / 26

HEX #7401BC

RGB 116 1 188

HSL 276.9, 0.99%, 0.37%

LAB 32.63, 68.15, -68.53

 

CMYK 41 / 100 / 0 / 34

HEX #6300A9

RGB 99 0 169

HSL 275.15, 1%, 0.33%

LAB 28.16, 62.61, -64.61

 

CMYK 45 / 100 / 0 / 41

HEX #520096

RGB 82 0 150

HSL 272.8, 1%, 0.29%

LAB 23.66, 56.83, -60.53

 

CMYK 50 / 100 / 0 / 49

HEX #410083

RGB 65 0 131

HSL 269.77, 1%, 0.26%

LAB 19.07, 50.95, -56.32

 

CMYK 36 / 91 / 0 / 20

HEX #8413CD

RGB 132 19 205

HSL 276.45, 0.83%, 0.44%

LAB 37.44, 70.8, -70.49

 

CMYK 11 / 91 / 0 / 20

HEX #B613CD

RGB 182 19 205

HSL 292.58, 0.83%, 0.44%

LAB 45.38, 77.89, -57.22

 

CMYK 0 / 91 / 13 / 20

HEX #CD13B2

RGB 205 19 178

HSL 308.71, 0.83%, 0.44%

LAB 47.83, 77.88, -37.33

 

CMYK 0 / 91 / 38 / 20

HEX #CD137F

RGB 205 19 127

HSL 325.16, 0.83%, 0.44%

LAB 45.6, 72.01, -10.12

 

CMYK 0 / 91 / 62 / 20

HEX #CD134D

RGB 205 19 77

HSL 341.29, 0.83%, 0.44%

LAB 44.21, 68.16, 18.97

 

CMYK 36 / 91 / 0 / 20

HEX #8413CD

RGB 132 19 205

HSL 276.45, 0.83%, 0.44%

LAB 37.44, 70.8, -70.49

 

CMYK 60 / 91 / 0 / 20

HEX #5113CD

RGB 81 19 205

HSL 260, 0.83%, 0.44%

LAB 30.93, 65.76, -81.45

 

CMYK 85 / 91 / 0 / 20

HEX #1F13CD

RGB 31 19 205

HSL 243.87, 0.83%, 0.44%

LAB 27.2, 63.35, -87.77

 

CMYK 91 / 91 / 0 / 20

HEX #1313CD

RGB 19 19 205

HSL 240, 0.83%, 0.44%

LAB 26.77, 63.1, -88.5

 

CMYK 36 / 91 / 0 / 20

HEX #8413CD

RGB 132 19 205

HSL 276.45, 0.83%, 0.44%

LAB 37.44, 70.8, -70.49

 

CMYK 39 / 100 / 0 / 13

HEX #8700DF

RGB 135 0 223

HSL 276.32, 1%, 0.44%

LAB 38.69, 77.25, -78.82

 

CMYK 36 / 91 / 0 / 20

HEX #8413CD

RGB 132 19 205

HSL 276.45, 0.83%, 0.44%

LAB 37.44, 70.8, -70.49

 

CMYK 32 / 80 / 0 / 27

HEX #8025BB

RGB 128 37 187

HSL 276.4, 0.67%, 0.44%

LAB 36.93, 61.79, -60.82

 

CMYK 27 / 67 / 0 / 34

HEX #7C37A9

RGB 124 55 169

HSL 276.32, 0.51%, 0.44%

LAB 37.63, 49.66, -49.03

 

CMYK 20 / 51 / 0 / 41

HEX #784996

RGB 120 73 150

HSL 276.62, 0.35%, 0.44%

LAB 39.51, 34.67, -34.64

 

CMYK 12 / 31 / 0 / 48

HEX #745B84

RGB 116 91 132

HSL 276.59, 0.18%, 0.44%

LAB 42.55, 18.47, -19.04

 

CMYK 85 / 91 / 0 / 20

HEX #1F13CD

RGB 31 19 205

HSL 243.87, 0.83%, 0.44%

LAB 27.2, 63.35, -87.77

 

CMYK 60 / 91 / 0 / 20

HEX #5113CD

RGB 81 19 205

HSL 260, 0.83%, 0.44%

LAB 30.93, 65.76, -81.45

 

CMYK 37 / 91 / 0 / 20

HEX #8213CD

RGB 130 19 205

HSL 275.81, 0.83%, 0.44%

LAB 37.15, 70.55, -70.99

 

CMYK 12 / 91 / 0 / 20

HEX #B413CD

RGB 180 19 205

HSL 291.94, 0.83%, 0.44%

LAB 45.05, 77.57, -57.78

 

CMYK 0 / 91 / 12 / 20

HEX #CD13B4

RGB 205 19 180

HSL 308.06, 0.83%, 0.44%

LAB 47.93, 78.14, -38.35

 

CMYK 36 / 91 / 0 / 49

HEX #530C81

RGB 83 12 129

HSL 276.41, 0.83%, 0.28%

LAB 22.61, 49.57, -49.13

 

CMYK 36 / 91 / 0 / 35

HEX #6B0FA7

RGB 107 15 167

HSL 276.32, 0.84%, 0.36%

LAB 30.05, 60.49, -60.25

 

CMYK 36 / 91 / 0 / 20

HEX #8413CD

RGB 132 19 205

HSL 276.45, 0.83%, 0.44%

LAB 37.44, 70.8, -70.49

 

CMYK 34 / 87 / 0 / 8

HEX #9A1FEA

RGB 154 31 234

HSL 276.35, 0.83%, 0.52%

LAB 43.93, 76.99, -76.38

 

CMYK 28 / 71 / 0 / 7

HEX #AB45ED

RGB 171 69 237

HSL 276.43, 0.82%, 0.6%

LAB 50.72, 68.07, -66.92

 

CMYK 36 / 91 / 0 / 19

HEX #8513CF

RGB 133 19 207

HSL 276.38, 0.83%, 0.44%

LAB 37.77, 71.33, -71.12

 

CMYK 0 / 91 / 73 / 20

HEX #CD1338

RGB 205 19 56

HSL 348.06, 0.83%, 0.44%

LAB 43.84, 67.14, 31.49

 

CMYK 91 / 0 / 73 / 20

HEX #13CD38

RGB 19 205 56

HSL 131.94, 0.83%, 0.44%

LAB 72.29, -69.81, 58.93

 

CMYK 36 / 91 / 0 / 19

HEX #8513CF

RGB 133 19 207

HSL 276.38, 0.83%, 0.44%

LAB 37.77, 71.33, -71.12

 

CMYK 0 / 37 / 91 / 20

HEX #CD8213

RGB 205 130 19

HSL 35.81, 0.83%, 0.44%

LAB 60.77, 21.48, 63.44

 

CMYK 91 / 0 / 37 / 20

HEX #13CD82

RGB 19 205 130

HSL 155.81, 0.83%, 0.44%

LAB 73.16, -59.21, 25.78

 

CMYK 36 / 91 / 0 / 19

HEX #8513CF

RGB 133 19 207

HSL 276.38, 0.83%, 0.44%

LAB 37.77, 71.33, -71.12

 

CMYK 0 / 91 / 73 / 20

HEX #CD1338

RGB 205 19 56

HSL 348.06, 0.83%, 0.44%

LAB 43.84, 67.14, 31.49

 

CMYK 55 / 0 / 91 / 20

HEX #5DCD13

RGB 93 205 19

HSL 96.13, 0.83%, 0.44%

LAB 73.57, -59.58, 70.29

 

CMYK 91 / 0 / 18 / 20

HEX #13CDA8

RGB 19 205 168

HSL 168.06, 0.83%, 0.44%

LAB 73.95, -50.47, 6.66

 

CMYK 36 / 91 / 0 / 19

HEX #8513CF

RGB 133 19 207

HSL 276.38, 0.83%, 0.44%

LAB 37.77, 71.33, -71.12

 

CMYK 0 / 82 / 91 / 20

HEX #CD2513

RGB 205 37 19

HSL 5.81, 0.83%, 0.44%

LAB 44.73, 62.63, 51.78

 

CMYK 55 / 0 / 91 / 20

HEX #5DCD13

RGB 93 205 19

HSL 96.13, 0.83%, 0.44%

LAB 73.57, -59.58, 70.29

 

CMYK 91 / 9 / 0 / 20

HEX #13BACD

RGB 19 186 205

HSL 186.13, 0.83%, 0.44%

LAB 69.23, -31.36, -20.49

 

Description

Color code: HEX #8513CF | qconv.com Color code: HEX #8513CF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 19 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 19 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 91 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 91% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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