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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #851990 it is the complementary color #7AE66F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #851990. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #851990 shade: #8A198B, #9B2B9E, #AC3DB1, #BD4FC4 and #CE61D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #851990. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #851990 shade: #851990, #74077D, #63006A, #520057 and #410044

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #851990 shade: #84198F, #8F197A, #8F195A, #8F193A and #8F191A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #851990 shade: #84198F, #64198F, #44198F, #24198F and #19198F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #851990 shade matches the following richer shades: #84198F and #8F0B9C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #851990 shade: #84198F, #792681, #6D3473, #624266 and #574F58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #851990 shade: #44198F, #63198F, #83198F, #8F197B and #8F195C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #851990 shade: #430C48, #63136B, #84198F, #A41FB2 and #C425D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #851990 shade: #851990, #8F2519 and #198F54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #851990 shade: #851990, #8F8319 and #198F83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #851990 shade: #851990, #8F2519, #258F19 and #19838F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #851990 shade: #851990, #8F4819, #258F19 and #195F8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 83 / 0 / 44

HEX #851990

RGB 133 25 144

HSL 294.45, 0.7%, 0.33%

LAB 33.34, 57.85, -40.7

 

Complementary color

CMYK 47 / 0 / 52 / 10

HEX #7AE66F

RGB 122 230 111

HSL 114.45, 0.7%, 0.67%

LAB 82.85, -53.92, 48.1

 

CMYK 1 / 82 / 0 / 45

HEX #8A198B

RGB 138 25 139

HSL 299.47, 0.7%, 0.32%

LAB 33.9, 58, -36.66

 

CMYK 2 / 73 / 0 / 38

HEX #9B2B9E

RGB 155 43 158

HSL 298.43, 0.57%, 0.39%

LAB 39.86, 59.35, -38.6

 

CMYK 3 / 66 / 0 / 31

HEX #AC3DB1

RGB 172 61 177

HSL 297.41, 0.49%, 0.47%

LAB 46.02, 59.8, -39.97

 

CMYK 4 / 60 / 0 / 23

HEX #BD4FC4

RGB 189 79 196

HSL 296.41, 0.5%, 0.54%

LAB 52.28, 59.73, -40.95

 

CMYK 4 / 55 / 0 / 16

HEX #CE61D7

RGB 206 97 215

HSL 295.42, 0.6%, 0.61%

LAB 58.58, 59.35, -41.7

 

CMYK 8 / 83 / 0 / 44

HEX #851990

RGB 133 25 144

HSL 294.45, 0.7%, 0.33%

LAB 33.34, 57.85, -40.7

 

CMYK 7 / 94 / 0 / 51

HEX #74077D

RGB 116 7 125

HSL 295.42, 0.89%, 0.26%

LAB 27.7, 55.16, -38.07

 

CMYK 7 / 100 / 0 / 58

HEX #63006A

RGB 99 0 106

HSL 296.04, 1%, 0.21%

LAB 22.63, 50.28, -34.2

 

CMYK 6 / 100 / 0 / 66

HEX #520057

RGB 82 0 87

HSL 296.55, 1%, 0.17%

LAB 17.84, 43.96, -29.49

 

CMYK 4 / 100 / 0 / 73

HEX #410044

RGB 65 0 68

HSL 297.35, 1%, 0.13%

LAB 12.87, 37.41, -24.59

 

CMYK 8 / 83 / 0 / 44

HEX #84198F

RGB 132 25 143

HSL 294.41, 0.7%, 0.33%

LAB 33.1, 57.48, -40.48

 

CMYK 0 / 83 / 15 / 44

HEX #8F197A

RGB 143 25 122

HSL 310.68, 0.7%, 0.33%

LAB 33.86, 56.42, -26.08

 

CMYK 0 / 83 / 37 / 44

HEX #8F195A

RGB 143 25 90

HSL 326.95, 0.7%, 0.33%

LAB 32.42, 52.3, -7.83

 

CMYK 0 / 83 / 59 / 44

HEX #8F193A

RGB 143 25 58

HSL 343.22, 0.7%, 0.33%

LAB 31.44, 49.37, 11.8

 

CMYK 0 / 83 / 82 / 44

HEX #8F191A

RGB 143 25 26

HSL 359.49, 0.7%, 0.33%

LAB 30.9, 47.71, 31.59

 

CMYK 8 / 83 / 0 / 44

HEX #84198F

RGB 132 25 143

HSL 294.41, 0.7%, 0.33%

LAB 33.1, 57.48, -40.48

 

CMYK 30 / 83 / 0 / 44

HEX #64198F

RGB 100 25 143

HSL 278.14, 0.7%, 0.33%

LAB 27.81, 51.53, -49.28

 

CMYK 52 / 83 / 0 / 44

HEX #44198F

RGB 68 25 143

HSL 261.86, 0.7%, 0.33%

LAB 23.36, 46.58, -56.74

 

CMYK 75 / 83 / 0 / 44

HEX #24198F

RGB 36 25 143

HSL 245.59, 0.7%, 0.33%

LAB 20.26, 43.17, -61.98

 

CMYK 83 / 83 / 0 / 44

HEX #19198F

RGB 25 25 143

HSL 240, 0.7%, 0.33%

LAB 19.58, 42.43, -63.12

 

CMYK 8 / 83 / 0 / 44

HEX #84198F

RGB 132 25 143

HSL 294.41, 0.7%, 0.33%

LAB 33.1, 57.48, -40.48

 

CMYK 8 / 93 / 0 / 39

HEX #8F0B9C

RGB 143 11 156

HSL 294.62, 0.87%, 0.33%

LAB 34.96, 64.5, -45.34

 

CMYK 8 / 83 / 0 / 44

HEX #84198F

RGB 132 25 143

HSL 294.41, 0.7%, 0.33%

LAB 33.1, 57.48, -40.48

 

CMYK 6 / 71 / 0 / 49

HEX #792681

RGB 121 38 129

HSL 294.73, 0.54%, 0.33%

LAB 31.89, 48.13, -33.83

 

CMYK 5 / 55 / 0 / 55

HEX #6D3473

RGB 109 52 115

HSL 294.29, 0.38%, 0.33%

LAB 31.68, 35.37, -25.49

 

CMYK 4 / 35 / 0 / 60

HEX #624266

RGB 98 66 102

HSL 293.33, 0.21%, 0.33%

LAB 32.82, 20.68, -15.6

 

CMYK 1 / 10 / 0 / 65

HEX #574F58

RGB 87 79 88

HSL 293.33, 0.05%, 0.33%

LAB 34.65, 5.19, -4.08

 

CMYK 52 / 83 / 0 / 44

HEX #44198F

RGB 68 25 143

HSL 261.86, 0.7%, 0.33%

LAB 23.36, 46.58, -56.74

 

CMYK 31 / 83 / 0 / 44

HEX #63198F

RGB 99 25 143

HSL 277.63, 0.7%, 0.33%

LAB 27.66, 51.36, -49.54

 

CMYK 8 / 83 / 0 / 44

HEX #83198F

RGB 131 25 143

HSL 293.9, 0.7%, 0.33%

LAB 32.93, 57.29, -40.77

 

CMYK 0 / 83 / 14 / 44

HEX #8F197B

RGB 143 25 123

HSL 310.17, 0.7%, 0.33%

LAB 33.91, 56.57, -26.63

 

CMYK 0 / 83 / 36 / 44

HEX #8F195C

RGB 143 25 92

HSL 325.93, 0.7%, 0.33%

LAB 32.5, 52.53, -9.02

 

CMYK 7 / 83 / 0 / 72

HEX #430C48

RGB 67 12 72

HSL 295, 0.71%, 0.16%

LAB 15.08, 34.18, -23.81

 

CMYK 7 / 82 / 0 / 58

HEX #63136B

RGB 99 19 107

HSL 294.55, 0.7%, 0.25%

LAB 24.26, 45.89, -32.24

 

CMYK 8 / 83 / 0 / 44

HEX #84198F

RGB 132 25 143

HSL 294.41, 0.7%, 0.33%

LAB 33.1, 57.48, -40.48

 

CMYK 8 / 83 / 0 / 30

HEX #A41FB2

RGB 164 31 178

HSL 294.29, 0.7%, 0.41%

LAB 41.35, 68.09, -48.07

 

CMYK 8 / 83 / 0 / 16

HEX #C425D5

RGB 196 37 213

HSL 294.2, 0.7%, 0.49%

LAB 49.33, 78.27, -55.36

 

CMYK 8 / 83 / 0 / 44

HEX #851990

RGB 133 25 144

HSL 294.45, 0.7%, 0.33%

LAB 33.34, 57.85, -40.7

 

CMYK 0 / 74 / 83 / 44

HEX #8F2519

RGB 143 37 25

HSL 6.1, 0.7%, 0.33%

LAB 32.33, 43.65, 33.59

 

CMYK 83 / 0 / 41 / 44

HEX #198F54

RGB 25 143 84

HSL 150, 0.7%, 0.33%

LAB 52.39, -45.18, 22.77

 

CMYK 8 / 83 / 0 / 44

HEX #851990

RGB 133 25 144

HSL 294.45, 0.7%, 0.33%

LAB 33.34, 57.85, -40.7

 

CMYK 0 / 8 / 83 / 44

HEX #8F8319

RGB 143 131 25

HSL 53.9, 0.7%, 0.33%

LAB 54.18, -6.99, 53.64

 

CMYK 83 / 0 / 8 / 44

HEX #198F83

RGB 25 143 131

HSL 173.9, 0.7%, 0.33%

LAB 53.48, -33.44, -2.45

 

CMYK 8 / 83 / 0 / 44

HEX #851990

RGB 133 25 144

HSL 294.45, 0.7%, 0.33%

LAB 33.34, 57.85, -40.7

 

CMYK 0 / 74 / 83 / 44

HEX #8F2519

RGB 143 37 25

HSL 6.1, 0.7%, 0.33%

LAB 32.33, 43.65, 33.59

 

CMYK 74 / 0 / 83 / 44

HEX #258F19

RGB 37 143 25

HSL 113.9, 0.7%, 0.33%

LAB 51.96, -51.05, 49.41

 

CMYK 83 / 8 / 0 / 44

HEX #19838F

RGB 25 131 143

HSL 186.1, 0.7%, 0.33%

LAB 50, -23.79, -14.63

 

CMYK 8 / 83 / 0 / 44

HEX #851990

RGB 133 25 144

HSL 294.45, 0.7%, 0.33%

LAB 33.34, 57.85, -40.7

 

CMYK 0 / 50 / 83 / 44

HEX #8F4819

RGB 143 72 25

HSL 23.9, 0.7%, 0.33%

LAB 38.8, 26.71, 39.8

 

CMYK 74 / 0 / 83 / 44

HEX #258F19

RGB 37 143 25

HSL 113.9, 0.7%, 0.33%

LAB 51.96, -51.05, 49.41

 

CMYK 83 / 34 / 0 / 44

HEX #195F8F

RGB 25 95 143

HSL 204.41, 0.7%, 0.33%

LAB 38.51, -3.3, -32.43

 

Description

Color code: HEX #851990 | qconv.com Color code: HEX #851990 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 25 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 25 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 83 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 83% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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