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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8517CB it is the complementary color #7AE834. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8517CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8517CB shade: #8A17C6, #9B29D9, #AC3BEC, #BD4DFF and #CE5FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8517CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8517CB shade: #8517CB, #7405B8, #6300A5, #520092 and #41007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8517CB shade: #8416C9, #B416C9, #C916AE, #C9167E and #C9164E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8517CB shade: #8416C9, #5316C9, #2316C9 and #1616C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8517CB shade matches the following richer shades: #8416C9 and #8804DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8517CB shade: #8416C9, #8028B7, #7C3AA5, #784C93 and #745F81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8517CB shade: #2216C9, #5216C9, #8216C9, #B216C9 and #C916B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8517CB shade: #530E7F, #6B12A4, #8416C9, #9A23E6 and #AB48EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8517CB shade: #8517CB, #C9163A and #16C93A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8517CB shade: #8517CB, #C98216 and #16C982

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8517CB shade: #8517CB, #C9163A, #5EC916 and #16C9A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8517CB shade: #8517CB, #C92816, #5EC916 and #16B8C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 89 / 0 / 20

HEX #8517CB

RGB 133 23 203

HSL 276.67, 0.8%, 0.44%

LAB 37.68, 69.72, -68.93

 

Complementary color

CMYK 47 / 0 / 78 / 9

HEX #7AE834

RGB 122 232 52

HSL 96.67, 0.8%, 0.56%

LAB 82.97, -59.85, 71.5

 

CMYK 30 / 88 / 0 / 22

HEX #8A17C6

RGB 138 23 198

HSL 279.43, 0.79%, 0.43%

LAB 38.01, 69.38, -65.45

 

CMYK 29 / 81 / 0 / 15

HEX #9B29D9

RGB 155 41 217

HSL 278.86, 0.7%, 0.51%

LAB 43.6, 71.11, -67.22

 

CMYK 27 / 75 / 0 / 7

HEX #AC3BEC

RGB 172 59 236

HSL 278.31, 0.82%, 0.58%

LAB 49.44, 71.88, -68.42

 

CMYK 26 / 70 / 0 / 0

HEX #BD4DFF

RGB 189 77 255

HSL 277.75, 1%, 0.65%

LAB 55.43, 72.02, -69.24

 

CMYK 19 / 63 / 0 / 0

HEX #CE5FFF

RGB 206 95 255

HSL 281.63, 1%, 0.69%

LAB 60.36, 67.91, -61.18

 

CMYK 34 / 89 / 0 / 20

HEX #8517CB

RGB 133 23 203

HSL 276.67, 0.8%, 0.44%

LAB 37.68, 69.72, -68.93

 

CMYK 37 / 97 / 0 / 28

HEX #7405B8

RGB 116 5 184

HSL 277.21, 0.95%, 0.37%

LAB 32.44, 66.75, -66.46

 

CMYK 40 / 100 / 0 / 35

HEX #6300A5

RGB 99 0 165

HSL 276, 1%, 0.32%

LAB 27.76, 61.77, -62.85

 

CMYK 44 / 100 / 0 / 43

HEX #520092

RGB 82 0 146

HSL 273.7, 1%, 0.29%

LAB 23.23, 55.95, -58.75

 

CMYK 49 / 100 / 0 / 50

HEX #41007F

RGB 65 0 127

HSL 270.71, 1%, 0.25%

LAB 18.61, 50.02, -54.53

 

CMYK 34 / 89 / 0 / 21

HEX #8416C9

RGB 132 22 201

HSL 276.87, 0.8%, 0.44%

LAB 37.29, 69.39, -68.41

 

CMYK 10 / 89 / 0 / 21

HEX #B416C9

RGB 180 22 201

HSL 292.96, 0.8%, 0.44%

LAB 44.93, 76.47, -55.65

 

CMYK 0 / 89 / 13 / 21

HEX #C916AE

RGB 201 22 174

HSL 309.05, 0.8%, 0.44%

LAB 47.04, 76.18, -36.27

 

CMYK 0 / 89 / 37 / 21

HEX #C9167E

RGB 201 22 126

HSL 325.14, 0.8%, 0.44%

LAB 44.94, 70.58, -10.59

 

CMYK 0 / 89 / 61 / 21

HEX #C9164E

RGB 201 22 78

HSL 341.23, 0.8%, 0.44%

LAB 43.57, 66.77, 17.35

 

CMYK 34 / 89 / 0 / 21

HEX #8416C9

RGB 132 22 201

HSL 276.87, 0.8%, 0.44%

LAB 37.29, 69.39, -68.41

 

CMYK 59 / 89 / 0 / 21

HEX #5316C9

RGB 83 22 201

HSL 260.45, 0.8%, 0.44%

LAB 30.95, 64.16, -79.08

 

CMYK 83 / 89 / 0 / 21

HEX #2316C9

RGB 35 22 201

HSL 244.36, 0.8%, 0.44%

LAB 27.15, 61.46, -85.5

 

CMYK 89 / 89 / 0 / 21

HEX #1616C9

RGB 22 22 201

HSL 240, 0.8%, 0.44%

LAB 26.62, 61.11, -86.39

 

CMYK 34 / 89 / 0 / 21

HEX #8416C9

RGB 132 22 201

HSL 276.87, 0.8%, 0.44%

LAB 37.29, 69.39, -68.41

 

CMYK 38 / 98 / 0 / 14

HEX #8804DC

RGB 136 4 220

HSL 276.67, 0.96%, 0.44%

LAB 38.71, 76.3, -77.07

 

CMYK 34 / 89 / 0 / 21

HEX #8416C9

RGB 132 22 201

HSL 276.87, 0.8%, 0.44%

LAB 37.29, 69.39, -68.41

 

CMYK 30 / 78 / 0 / 28

HEX #8028B7

RGB 128 40 183

HSL 276.92, 0.64%, 0.44%

LAB 36.98, 59.88, -58.38

 

CMYK 25 / 65 / 0 / 35

HEX #7C3AA5

RGB 124 58 165

HSL 277.01, 0.48%, 0.44%

LAB 37.89, 47.29, -46.21

 

CMYK 18 / 48 / 0 / 42

HEX #784C93

RGB 120 76 147

HSL 277.18, 0.32%, 0.44%

LAB 40.03, 32.23, -32.01

 

CMYK 10 / 26 / 0 / 49

HEX #745F81

RGB 116 95 129

HSL 277.06, 0.15%, 0.44%

LAB 43.48, 15.35, -15.81

 

CMYK 83 / 89 / 0 / 21

HEX #2216C9

RGB 34 22 201

HSL 244.02, 0.8%, 0.44%

LAB 27.1, 61.43, -85.58

 

CMYK 59 / 89 / 0 / 21

HEX #5216C9

RGB 82 22 201

HSL 260.11, 0.8%, 0.44%

LAB 30.84, 64.08, -79.26

 

CMYK 35 / 89 / 0 / 21

HEX #8216C9

RGB 130 22 201

HSL 276.2, 0.8%, 0.44%

LAB 37, 69.13, -68.91

 

CMYK 11 / 89 / 0 / 21

HEX #B216C9

RGB 178 22 201

HSL 292.29, 0.8%, 0.44%

LAB 44.6, 76.14, -56.21

 

CMYK 0 / 89 / 11 / 21

HEX #C916B2

RGB 201 22 178

HSL 307.71, 0.8%, 0.44%

LAB 47.24, 76.72, -38.31

 

CMYK 35 / 89 / 0 / 50

HEX #530E7F

RGB 83 14 127

HSL 276.64, 0.8%, 0.28%

LAB 22.6, 48.59, -47.87

 

CMYK 35 / 89 / 0 / 36

HEX #6B12A4

RGB 107 18 164

HSL 276.58, 0.8%, 0.36%

LAB 30.01, 59.18, -58.51

 

CMYK 34 / 89 / 0 / 21

HEX #8416C9

RGB 132 22 201

HSL 276.87, 0.8%, 0.44%

LAB 37.29, 69.39, -68.41

 

CMYK 33 / 85 / 0 / 10

HEX #9A23E6

RGB 154 35 230

HSL 276.62, 0.8%, 0.52%

LAB 43.92, 75.23, -74.12

 

CMYK 27 / 69 / 0 / 8

HEX #AB48EA

RGB 171 72 234

HSL 276.67, 0.79%, 0.6%

LAB 50.96, 66.19, -64.85

 

CMYK 34 / 89 / 0 / 20

HEX #8517CB

RGB 133 23 203

HSL 276.67, 0.8%, 0.44%

LAB 37.68, 69.72, -68.93

 

CMYK 0 / 89 / 71 / 21

HEX #C9163A

RGB 201 22 58

HSL 347.93, 0.8%, 0.44%

LAB 43.21, 65.74, 29.31

 

CMYK 89 / 0 / 71 / 21

HEX #16C93A

RGB 22 201 58

HSL 132.07, 0.8%, 0.44%

LAB 71.04, -68.28, 56.93

 

CMYK 34 / 89 / 0 / 20

HEX #8517CB

RGB 133 23 203

HSL 276.67, 0.8%, 0.44%

LAB 37.68, 69.72, -68.93

 

CMYK 0 / 35 / 89 / 21

HEX #C98216

RGB 201 130 22

HSL 36.2, 0.8%, 0.44%

LAB 60.28, 19.8, 62.12

 

CMYK 89 / 0 / 35 / 21

HEX #16C982

RGB 22 201 130

HSL 156.2, 0.8%, 0.44%

LAB 71.93, -57.6, 24.13

 

CMYK 34 / 89 / 0 / 20

HEX #8517CB

RGB 133 23 203

HSL 276.67, 0.8%, 0.44%

LAB 37.68, 69.72, -68.93

 

CMYK 0 / 89 / 71 / 21

HEX #C9163A

RGB 201 22 58

HSL 347.93, 0.8%, 0.44%

LAB 43.21, 65.74, 29.31

 

CMYK 53 / 0 / 89 / 21

HEX #5EC916

RGB 94 201 22

HSL 95.87, 0.8%, 0.44%

LAB 72.37, -57.8, 68.8

 

CMYK 89 / 0 / 17 / 21

HEX #16C9A6

RGB 22 201 166

HSL 168.27, 0.8%, 0.44%

LAB 72.69, -49.2, 5.93

 

CMYK 34 / 89 / 0 / 20

HEX #8517CB

RGB 133 23 203

HSL 276.67, 0.8%, 0.44%

LAB 37.68, 69.72, -68.93

 

CMYK 0 / 80 / 89 / 21

HEX #C92816

RGB 201 40 22

HSL 6.03, 0.8%, 0.44%

LAB 44.22, 60.74, 49.84

 

CMYK 53 / 0 / 89 / 21

HEX #5EC916

RGB 94 201 22

HSL 95.87, 0.8%, 0.44%

LAB 72.37, -57.8, 68.8

 

CMYK 89 / 8 / 0 / 21

HEX #16B8C9

RGB 22 184 201

HSL 185.7, 0.8%, 0.44%

LAB 68.51, -31.52, -19.39

 

Description

Color code: HEX #8517CB | qconv.com Color code: HEX #8517CB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 23 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 23 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 89 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 89% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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