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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84EE38 it is the complementary color #7B11C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84EE38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84EE38 shade: #89EE33, #9AFF46, #ABFF59, #BCFF6C and #CDFF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84EE38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84EE38 shade: #84EE38, #73DC25, #62CA12, #51B800 and #40A600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84EE38 shade: #85ED39, #B5ED39, #E6ED39, #EDC539 and #ED9439

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84EE38 shade: #85ED39, #54ED39, #39ED4F, #39ED80 and #39EDB0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84EE38 shade matches the following richer shades: #85ED39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84EE38 shade: #85ED39, #87DC4B, #8ACB5C, #8DB96D and #90A87F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84EE38 shade: #E7ED39, #B7ED39, #87ED39, #57ED39 and #39ED4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84EE38 shade: #5BC411, #6DEA14, #85ED39, #9CF15F and #B4F485

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84EE38 shade: #84EE38, #39EDC3 and #ED39CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84EE38 shade: #84EE38, #3987ED and #ED3987

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84EE38 shade: #84EE38, #39EDC3, #9F39ED and #ED3963

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84EE38 shade: #84EE38, #39E1ED, #9F39ED and #ED4539

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 76 / 7

HEX #84EE38

RGB 132 238 56

HSL 94.95, 0.84%, 0.58%

LAB 85.17, -58.89, 72.54

 

Complementary color

CMYK 38 / 91 / 0 / 22

HEX #7B11C7

RGB 123 17 199

HSL 274.95, 0.84%, 0.42%

LAB 35.47, 68.84, -70.28

 

CMYK 42 / 0 / 79 / 7

HEX #89EE33

RGB 137 238 51

HSL 92.41, 0.85%, 0.57%

LAB 85.36, -57.59, 74.24

 

CMYK 40 / 0 / 73 / 0

HEX #9AFF46

RGB 154 255 70

HSL 92.76, 1%, 0.64%

LAB 91.16, -57.75, 74.25

 

CMYK 33 / 0 / 65 / 0

HEX #ABFF59

RGB 171 255 89

HSL 90.36, 1%, 0.67%

LAB 92.09, -50.86, 68.64

 

CMYK 26 / 0 / 58 / 0

HEX #BCFF6C

RGB 188 255 108

HSL 87.35, 1%, 0.71%

LAB 93.14, -43.43, 62.3

 

CMYK 20 / 0 / 50 / 0

HEX #CDFF7F

RGB 205 255 127

HSL 83.44, 1%, 0.75%

LAB 94.33, -35.55, 55.51

 

CMYK 45 / 0 / 76 / 7

HEX #84EE38

RGB 132 238 56

HSL 94.95, 0.84%, 0.58%

LAB 85.17, -58.89, 72.54

 

CMYK 48 / 0 / 83 / 14

HEX #73DC25

RGB 115 220 37

HSL 94.43, 0.72%, 0.5%

LAB 79.02, -58.16, 71.77

 

CMYK 51 / 0 / 91 / 21

HEX #62CA12

RGB 98 202 18

HSL 93.91, 0.84%, 0.43%

LAB 72.81, -57.14, 69.88

 

CMYK 56 / 0 / 100 / 28

HEX #51B800

RGB 81 184 0

HSL 93.59, 1%, 0.36%

LAB 66.54, -55.77, 66.75

 

CMYK 61 / 0 / 100 / 35

HEX #40A600

RGB 64 166 0

HSL 96.87, 1%, 0.33%

LAB 60.21, -53.88, 61.52

 

CMYK 44 / 0 / 76 / 7

HEX #85ED39

RGB 133 237 57

HSL 94.67, 0.83%, 0.58%

LAB 84.92, -58.15, 72.02

 

CMYK 24 / 0 / 76 / 7

HEX #B5ED39

RGB 181 237 57

HSL 78.67, 0.83%, 0.58%

LAB 87.33, -41.56, 75.15

 

CMYK 3 / 0 / 76 / 7

HEX #E6ED39

RGB 230 237 57

HSL 62.33, 0.83%, 0.58%

LAB 90.64, -22.18, 79.4

 

CMYK 0 / 17 / 76 / 7

HEX #EDC539

RGB 237 197 57

HSL 46.67, 0.83%, 0.58%

LAB 80.87, 0.71, 70.65

 

CMYK 0 / 38 / 76 / 7

HEX #ED9439

RGB 237 148 57

HSL 30.33, 0.83%, 0.58%

LAB 69.1, 26.48, 59.43

 

CMYK 44 / 0 / 76 / 7

HEX #85ED39

RGB 133 237 57

HSL 94.67, 0.83%, 0.58%

LAB 84.92, -58.15, 72.02

 

CMYK 65 / 0 / 76 / 7

HEX #54ED39

RGB 84 237 57

HSL 111, 0.83%, 0.58%

LAB 83.31, -70.78, 69.91

 

CMYK 76 / 0 / 67 / 7

HEX #39ED4F

RGB 57 237 79

HSL 127.33, 0.83%, 0.58%

LAB 82.91, -73.58, 61.59

 

CMYK 76 / 0 / 46 / 7

HEX #39ED80

RGB 57 237 128

HSL 143.67, 0.83%, 0.58%

LAB 83.44, -67.3, 40.32

 

CMYK 76 / 0 / 26 / 7

HEX #39EDB0

RGB 57 237 176

HSL 159.67, 0.83%, 0.58%

LAB 84.26, -58.07, 17.1

 

CMYK 44 / 0 / 76 / 7

HEX #85ED39

RGB 133 237 57

HSL 94.67, 0.83%, 0.58%

LAB 84.92, -58.15, 72.02

 

CMYK 44 / 0 / 76 / 7

HEX #85ED39

RGB 133 237 57

HSL 94.67, 0.83%, 0.58%

LAB 84.92, -58.15, 72.02

 

CMYK 39 / 0 / 66 / 14

HEX #87DC4B

RGB 135 220 75

HSL 95.17, 0.67%, 0.58%

LAB 80.09, -49.59, 60.83

 

CMYK 32 / 0 / 55 / 20

HEX #8ACB5C

RGB 138 203 92

HSL 95.14, 0.52%, 0.58%

LAB 75.38, -39.76, 48.23

 

CMYK 24 / 0 / 41 / 27

HEX #8DB96D

RGB 141 185 109

HSL 94.74, 0.35%, 0.58%

LAB 70.5, -28.33, 33.89

 

CMYK 14 / 0 / 24 / 34

HEX #90A87F

RGB 144 168 127

HSL 95.12, 0.19%, 0.58%

LAB 66.11, -16.03, 18.49

 

CMYK 3 / 0 / 76 / 7

HEX #E7ED39

RGB 231 237 57

HSL 62, 0.83%, 0.58%

LAB 90.71, -21.77, 79.5

 

CMYK 23 / 0 / 76 / 7

HEX #B7ED39

RGB 183 237 57

HSL 78, 0.83%, 0.58%

LAB 87.45, -40.81, 75.31

 

CMYK 43 / 0 / 76 / 7

HEX #87ED39

RGB 135 237 57

HSL 94, 0.83%, 0.58%

LAB 85, -57.53, 72.13

 

CMYK 63 / 0 / 76 / 7

HEX #57ED39

RGB 87 237 57

HSL 110, 0.83%, 0.58%

LAB 83.38, -70.16, 70.01

 

CMYK 76 / 0 / 68 / 7

HEX #39ED4B

RGB 57 237 75

HSL 126, 0.83%, 0.58%

LAB 82.88, -73.95, 63.09

 

CMYK 54 / 0 / 91 / 23

HEX #5BC411

RGB 91 196 17

HSL 95.2, 0.84%, 0.42%

LAB 70.69, -56.97, 68.17

 

CMYK 53 / 0 / 91 / 8

HEX #6DEA14

RGB 109 234 20

HSL 95.05, 0.84%, 0.5%

LAB 82.99, -65.41, 78.19

 

CMYK 44 / 0 / 76 / 7

HEX #85ED39

RGB 133 237 57

HSL 94.67, 0.83%, 0.58%

LAB 84.92, -58.15, 72.02

 

CMYK 35 / 0 / 61 / 5

HEX #9CF15F

RGB 156 241 95

HSL 94.93, 0.84%, 0.66%

LAB 87.39, -49.61, 60.89

 

CMYK 26 / 0 / 45 / 4

HEX #B4F485

RGB 180 244 133

HSL 94.59, 0.83%, 0.74%

LAB 89.9, -38.81, 46.96

 

CMYK 45 / 0 / 76 / 7

HEX #84EE38

RGB 132 238 56

HSL 94.95, 0.84%, 0.58%

LAB 85.17, -58.89, 72.54

 

CMYK 76 / 0 / 18 / 7

HEX #39EDC3

RGB 57 237 195

HSL 166, 0.83%, 0.58%

LAB 84.68, -53.66, 7.77

 

CMYK 0 / 76 / 13 / 7

HEX #ED39CF

RGB 237 57 207

HSL 310, 0.83%, 0.58%

LAB 57.5, 80.4, -38.54

 

CMYK 45 / 0 / 76 / 7

HEX #84EE38

RGB 132 238 56

HSL 94.95, 0.84%, 0.58%

LAB 85.17, -58.89, 72.54

 

CMYK 76 / 43 / 0 / 7

HEX #3987ED

RGB 57 135 237

HSL 214, 0.83%, 0.58%

LAB 56.4, 10.99, -58.21

 

CMYK 0 / 76 / 43 / 7

HEX #ED3987

RGB 237 57 135

HSL 334, 0.83%, 0.58%

LAB 54.74, 72.14, -0.75

 

CMYK 45 / 0 / 76 / 7

HEX #84EE38

RGB 132 238 56

HSL 94.95, 0.84%, 0.58%

LAB 85.17, -58.89, 72.54

 

CMYK 76 / 0 / 18 / 7

HEX #39EDC3

RGB 57 237 195

HSL 166, 0.83%, 0.58%

LAB 84.68, -53.66, 7.77

 

CMYK 33 / 76 / 0 / 7

HEX #9F39ED

RGB 159 57 237

HSL 274, 0.83%, 0.58%

LAB 47.51, 70.6, -72.2

 

CMYK 0 / 76 / 58 / 7

HEX #ED3963

RGB 237 57 99

HSL 346, 0.83%, 0.58%

LAB 53.85, 69.33, 19.53

 

CMYK 45 / 0 / 76 / 7

HEX #84EE38

RGB 132 238 56

HSL 94.95, 0.84%, 0.58%

LAB 85.17, -58.89, 72.54

 

CMYK 76 / 5 / 0 / 7

HEX #39E1ED

RGB 57 225 237

HSL 184, 0.83%, 0.58%

LAB 82.29, -37.17, -17.92

 

CMYK 33 / 76 / 0 / 7

HEX #9F39ED

RGB 159 57 237

HSL 274, 0.83%, 0.58%

LAB 47.51, 70.6, -72.2

 

CMYK 0 / 71 / 76 / 7

HEX #ED4539

RGB 237 69 57

HSL 4, 0.83%, 0.58%

LAB 54.61, 63.31, 44.67

 

Description

Color code: HEX #84EE38 | qconv.com Color code: HEX #84EE38 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 238 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 238 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 76 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 76% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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