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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84EC44 it is the complementary color #7B13BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84EC44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84EC44 shade: #89EC3F, #9AFE52, #ABFF65, #BCFF78 and #CDFF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84EC44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84EC44 shade: #84EC44, #73DA31, #62C81E, #51B60B and #40A400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84EC44 shade: #85EC45, #B2EC45, #DFEC45, #ECCC45 and #EC9F45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84EC44 shade: #85EC45, #57EC45, #45EC5F, #45EC8C and #45ECBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84EC44 shade matches the following richer shades: #85EC45 and #81FD34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84EC44 shade: #85EC45, #89DC55, #8CCB66, #90BB76 and #94AA87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84EC44 shade: #DEEC45, #B2EC45, #85EC45, #58EC45 and #45EC5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84EC44 shade: #59CB14, #6CE81F, #85EC45, #9DF06A and #B6F490

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84EC44 shade: #84EC44, #45ECCD and #EC45C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84EC44 shade: #84EC44, #4585EC and #EC4585

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84EC44 shade: #84EC44, #45ECCD, #AC45EC and #EC4564

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84EC44 shade: #84EC44, #45D9EC, #AC45EC and #EC5845

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 71 / 7

HEX #84EC44

RGB 132 236 68

HSL 97.14, 0.82%, 0.6%

LAB 84.65, -57.4, 68.12

 

Complementary color

CMYK 34 / 90 / 0 / 27

HEX #7B13BB

RGB 123 19 187

HSL 277.14, 0.82%, 0.4%

LAB 34.53, 65.95, -64.77

 

CMYK 42 / 0 / 73 / 7

HEX #89EC3F

RGB 137 236 63

HSL 94.34, 0.82%, 0.59%

LAB 84.83, -56.17, 70.08

 

CMYK 39 / 0 / 68 / 0

HEX #9AFE52

RGB 154 254 82

HSL 94.88, 0.99%, 0.66%

LAB 90.95, -56.56, 69.84

 

CMYK 33 / 0 / 60 / 0

HEX #ABFF65

RGB 171 255 101

HSL 92.73, 1%, 0.7%

LAB 92.18, -49.9, 63.93

 

CMYK 26 / 0 / 53 / 0

HEX #BCFF78

RGB 188 255 120

HSL 89.78, 1%, 0.74%

LAB 93.26, -42.3, 57.18

 

CMYK 20 / 0 / 45 / 0

HEX #CDFF8B

RGB 205 255 139

HSL 85.86, 1%, 0.77%

LAB 94.47, -34.29, 50.1

 

CMYK 44 / 0 / 71 / 7

HEX #84EC44

RGB 132 236 68

HSL 97.14, 0.82%, 0.6%

LAB 84.65, -57.4, 68.12

 

CMYK 47 / 0 / 78 / 15

HEX #73DA31

RGB 115 218 49

HSL 96.57, 0.7%, 0.52%

LAB 78.47, -56.85, 68.04

 

CMYK 51 / 0 / 85 / 22

HEX #62C81E

RGB 98 200 30

HSL 96, 0.74%, 0.45%

LAB 72.23, -56.03, 67.13

 

CMYK 55 / 0 / 94 / 29

HEX #51B60B

RGB 81 182 11

HSL 95.44, 0.89%, 0.38%

LAB 65.93, -54.84, 64.92

 

CMYK 61 / 0 / 100 / 36

HEX #40A400

RGB 64 164 0

HSL 96.59, 1%, 0.32%

LAB 59.56, -53.18, 61.01

 

CMYK 44 / 0 / 71 / 7

HEX #85EC45

RGB 133 236 69

HSL 97.01, 0.81%, 0.6%

LAB 84.69, -57.02, 67.83

 

CMYK 25 / 0 / 71 / 7

HEX #B2EC45

RGB 178 236 69

HSL 80.84, 0.81%, 0.6%

LAB 86.94, -41.62, 70.83

 

CMYK 6 / 0 / 71 / 7

HEX #DFEC45

RGB 223 236 69

HSL 64.67, 0.81%, 0.6%

LAB 89.91, -24.04, 74.74

 

CMYK 0 / 14 / 71 / 7

HEX #ECCC45

RGB 236 204 69

HSL 48.5, 0.81%, 0.6%

LAB 82.62, -2.8, 67.96

 

CMYK 0 / 33 / 71 / 7

HEX #EC9F45

RGB 236 159 69

HSL 32.34, 0.81%, 0.6%

LAB 71.59, 20.79, 56.74

 

CMYK 44 / 0 / 71 / 7

HEX #85EC45

RGB 133 236 69

HSL 97.01, 0.81%, 0.6%

LAB 84.69, -57.02, 67.83

 

CMYK 63 / 0 / 71 / 7

HEX #57EC45

RGB 87 236 69

HSL 113.53, 0.81%, 0.6%

LAB 83.15, -68.99, 65.76

 

CMYK 71 / 0 / 60 / 7

HEX #45EC5F

RGB 69 236 95

HSL 129.34, 0.81%, 0.6%

LAB 82.96, -69.82, 55.08

 

CMYK 71 / 0 / 41 / 7

HEX #45EC8C

RGB 69 236 140

HSL 145.51, 0.81%, 0.6%

LAB 83.52, -63.29, 34.53

 

CMYK 71 / 0 / 21 / 7

HEX #45ECBA

RGB 69 236 186

HSL 162.04, 0.81%, 0.6%

LAB 84.38, -53.93, 12.09

 

CMYK 44 / 0 / 71 / 7

HEX #85EC45

RGB 133 236 69

HSL 97.01, 0.81%, 0.6%

LAB 84.69, -57.02, 67.83

 

CMYK 49 / 0 / 79 / 1

HEX #81FD34

RGB 129 253 52

HSL 97.01, 0.98%, 0.6%

LAB 89.47, -65.5, 77.65

 

CMYK 44 / 0 / 71 / 7

HEX #85EC45

RGB 133 236 69

HSL 97.01, 0.81%, 0.6%

LAB 84.69, -57.02, 67.83

 

CMYK 38 / 0 / 61 / 14

HEX #89DC55

RGB 137 220 85

HSL 96.89, 0.66%, 0.6%

LAB 80.27, -48.08, 56.94

 

CMYK 31 / 0 / 50 / 20

HEX #8CCB66

RGB 140 203 102

HSL 97.43, 0.49%, 0.6%

LAB 75.6, -37.94, 43.77

 

CMYK 23 / 0 / 37 / 27

HEX #90BB76

RGB 144 187 118

HSL 97.39, 0.34%, 0.6%

LAB 71.4, -26.95, 30.42

 

CMYK 13 / 0 / 21 / 33

HEX #94AA87

RGB 148 170 135

HSL 97.71, 0.17%, 0.6%

LAB 67.12, -14.26, 15.54

 

CMYK 6 / 0 / 71 / 7

HEX #DEEC45

RGB 222 236 69

HSL 65.03, 0.81%, 0.6%

LAB 89.84, -24.45, 74.65

 

CMYK 25 / 0 / 71 / 7

HEX #B2EC45

RGB 178 236 69

HSL 80.84, 0.81%, 0.6%

LAB 86.94, -41.62, 70.83

 

CMYK 44 / 0 / 71 / 7

HEX #85EC45

RGB 133 236 69

HSL 97.01, 0.81%, 0.6%

LAB 84.69, -57.02, 67.83

 

CMYK 63 / 0 / 71 / 7

HEX #58EC45

RGB 88 236 69

HSL 113.17, 0.81%, 0.6%

LAB 83.18, -68.78, 65.8

 

CMYK 71 / 0 / 60 / 7

HEX #45EC5E

RGB 69 236 94

HSL 128.98, 0.81%, 0.6%

LAB 82.95, -69.93, 55.5

 

CMYK 56 / 0 / 90 / 20

HEX #59CB14

RGB 89 203 20

HSL 97.38, 0.82%, 0.44%

LAB 72.82, -59.92, 69.45

 

CMYK 53 / 0 / 87 / 9

HEX #6CE81F

RGB 108 232 31

HSL 97.01, 0.81%, 0.52%

LAB 82.38, -64.68, 75.88

 

CMYK 44 / 0 / 71 / 7

HEX #85EC45

RGB 133 236 69

HSL 97.01, 0.81%, 0.6%

LAB 84.69, -57.02, 67.83

 

CMYK 35 / 0 / 56 / 6

HEX #9DF06A

RGB 157 240 106

HSL 97.16, 0.82%, 0.68%

LAB 87.26, -47.82, 55.99

 

CMYK 25 / 0 / 41 / 4

HEX #B6F490

RGB 182 244 144

HSL 97.2, 0.82%, 0.76%

LAB 90.16, -36.76, 41.99

 

CMYK 44 / 0 / 71 / 7

HEX #84EC44

RGB 132 236 68

HSL 97.14, 0.82%, 0.6%

LAB 84.65, -57.4, 68.12

 

CMYK 71 / 0 / 13 / 7

HEX #45ECCD

RGB 69 236 205

HSL 168.86, 0.81%, 0.6%

LAB 84.82, -49.36, 2.76

 

CMYK 0 / 71 / 15 / 7

HEX #EC45C8

RGB 236 69 200

HSL 312.93, 0.81%, 0.6%

LAB 58.28, 75.61, -33.33

 

CMYK 44 / 0 / 71 / 7

HEX #84EC44

RGB 132 236 68

HSL 97.14, 0.82%, 0.6%

LAB 84.65, -57.4, 68.12

 

CMYK 71 / 44 / 0 / 7

HEX #4585EC

RGB 69 133 236

HSL 217.01, 0.81%, 0.6%

LAB 56.18, 13.36, -57.98

 

CMYK 0 / 71 / 44 / 7

HEX #EC4585

RGB 236 69 133

HSL 337.01, 0.81%, 0.6%

LAB 55.87, 67.87, 2.06

 

CMYK 44 / 0 / 71 / 7

HEX #84EC44

RGB 132 236 68

HSL 97.14, 0.82%, 0.6%

LAB 84.65, -57.4, 68.12

 

CMYK 71 / 0 / 13 / 7

HEX #45ECCD

RGB 69 236 205

HSL 168.86, 0.81%, 0.6%

LAB 84.82, -49.36, 2.76

 

CMYK 27 / 71 / 0 / 7

HEX #AC45EC

RGB 172 69 236

HSL 277.01, 0.81%, 0.6%

LAB 50.78, 68.05, -66.25

 

CMYK 0 / 71 / 58 / 7

HEX #EC4564

RGB 236 69 100

HSL 348.86, 0.81%, 0.6%

LAB 55.08, 65.22, 20.56

 

CMYK 44 / 0 / 71 / 7

HEX #84EC44

RGB 132 236 68

HSL 97.14, 0.82%, 0.6%

LAB 84.65, -57.4, 68.12

 

CMYK 71 / 8 / 0 / 7

HEX #45D9EC

RGB 69 217 236

HSL 186.83, 0.81%, 0.6%

LAB 80.15, -32.37, -20.6

 

CMYK 27 / 71 / 0 / 7

HEX #AC45EC

RGB 172 69 236

HSL 277.01, 0.81%, 0.6%

LAB 50.78, 68.05, -66.25

 

CMYK 0 / 63 / 71 / 7

HEX #EC5845

RGB 236 88 69

HSL 6.83, 0.81%, 0.6%

LAB 57.31, 56.05, 41.13

 

Description

Color code: HEX #84EC44 | qconv.com Color code: HEX #84EC44 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 236 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 236 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 71 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 71% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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