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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84E892 it is the complementary color #7B176D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84E892. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84E892 shade: #89E88D, #9AFAA0, #ABFFB3, #BCFFC6 and #CDFFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84E892. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84E892 shade: #84E892, #73D67F, #62C46C, #51B259 and #40A046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84E892 shade: #82E790, #8FE782, #AAE782, #C6E782 and #E1E782

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84E892 shade: #82E790, #82E7AB, #82E7C7, #82E7E2 and #82D1E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84E892 shade matches the following richer shades: #82E790 and #76F388

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84E892 shade: #82E790, #8EDB99, #9ACFA2, #A6C3AA and #B2B7B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84E892 shade: #AAE782, #90E782, #82E790, #82E7AA and #82E7C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84E892 shade: #3DDA53, #60E072, #82E790, #A5EDAF and #C8F4CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84E892 shade: #84E892, #82C5E7 and #E7829D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84E892 shade: #84E892, #9082E7 and #E79082

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84E892 shade: #84E892, #82C5E7, #E782D9 and #E7A482

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84E892 shade: #84E892, #82A7E7, #E782D9 and #E7C282

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 37 / 9

HEX #84E892

RGB 132 232 146

HSL 128.4, 0.68%, 0.71%

LAB 84.33, -46.94, 32.93

 

Complementary color

CMYK 0 / 81 / 11 / 52

HEX #7B176D

RGB 123 23 109

HSL 308.4, 0.68%, 0.29%

LAB 29.23, 50.43, -25.36

 

CMYK 41 / 0 / 39 / 9

HEX #89E88D

RGB 137 232 141

HSL 122.53, 0.67%, 0.72%

LAB 84.46, -46.29, 35.66

 

CMYK 38 / 0 / 36 / 2

HEX #9AFAA0

RGB 154 250 160

HSL 123.75, 0.91%, 0.79%

LAB 90.68, -46.07, 34.48

 

CMYK 33 / 0 / 30 / 0

HEX #ABFFB3

RGB 171 255 179

HSL 125.71, 1%, 0.84%

LAB 93.2, -40.15, 28.47

 

CMYK 26 / 0 / 22 / 0

HEX #BCFFC6

RGB 188 255 198

HSL 128.96, 1%, 0.87%

LAB 94.44, -31.71, 20.66

 

CMYK 20 / 0 / 15 / 0

HEX #CDFFD9

RGB 205 255 217

HSL 134.4, 1%, 0.9%

LAB 95.79, -23.01, 12.99

 

CMYK 43 / 0 / 37 / 9

HEX #84E892

RGB 132 232 146

HSL 128.4, 0.68%, 0.71%

LAB 84.33, -46.94, 32.93

 

CMYK 46 / 0 / 41 / 16

HEX #73D67F

RGB 115 214 127

HSL 127.27, 0.55%, 0.65%

LAB 78.03, -47.12, 34.16

 

CMYK 50 / 0 / 45 / 23

HEX #62C46C

RGB 98 196 108

HSL 126.12, 0.45%, 0.58%

LAB 71.66, -47.22, 35.46

 

CMYK 54 / 0 / 50 / 30

HEX #51B259

RGB 81 178 89

HSL 124.95, 0.39%, 0.51%

LAB 65.21, -47.21, 36.81

 

CMYK 60 / 0 / 56 / 37

HEX #40A046

RGB 64 160 70

HSL 123.75, 0.43%, 0.44%

LAB 58.67, -46.99, 38.18

 

CMYK 44 / 0 / 38 / 9

HEX #82E790

RGB 130 231 144

HSL 128.32, 0.68%, 0.71%

LAB 83.92, -47.4, 33.39

 

CMYK 38 / 0 / 44 / 9

HEX #8FE782

RGB 143 231 130

HSL 112.28, 0.68%, 0.71%

LAB 84.28, -45.64, 40.94

 

CMYK 26 / 0 / 44 / 9

HEX #AAE782

RGB 170 231 130

HSL 96.24, 0.68%, 0.71%

LAB 85.66, -36.77, 42.97

 

CMYK 14 / 0 / 44 / 9

HEX #C6E782

RGB 198 231 130

HSL 79.6, 0.68%, 0.71%

LAB 87.37, -26.67, 45.49

 

CMYK 3 / 0 / 44 / 9

HEX #E1E782

RGB 225 231 130

HSL 63.56, 0.68%, 0.71%

LAB 89.29, -16.36, 48.28

 

CMYK 44 / 0 / 38 / 9

HEX #82E790

RGB 130 231 144

HSL 128.32, 0.68%, 0.71%

LAB 83.92, -47.4, 33.39

 

CMYK 44 / 0 / 26 / 9

HEX #82E7AB

RGB 130 231 171

HSL 144.36, 0.68%, 0.71%

LAB 84.4, -42.68, 20.19

 

CMYK 44 / 0 / 14 / 9

HEX #82E7C7

RGB 130 231 199

HSL 160.99, 0.68%, 0.71%

LAB 85.01, -36.95, 6.41

 

CMYK 44 / 0 / 2 / 9

HEX #82E7E2

RGB 130 231 226

HSL 177.03, 0.68%, 0.71%

LAB 85.7, -30.71, -6.8

 

CMYK 44 / 10 / 0 / 9

HEX #82D1E7

RGB 130 209 231

HSL 193.07, 0.68%, 0.71%

LAB 79.68, -18.63, -18.45

 

CMYK 44 / 0 / 38 / 9

HEX #82E790

RGB 130 231 144

HSL 128.32, 0.68%, 0.71%

LAB 83.92, -47.4, 33.39

 

CMYK 51 / 0 / 44 / 5

HEX #76F388

RGB 118 243 136

HSL 128.64, 0.84%, 0.71%

LAB 86.86, -56.69, 41.09

 

CMYK 44 / 0 / 38 / 9

HEX #82E790

RGB 130 231 144

HSL 128.32, 0.68%, 0.71%

LAB 83.92, -47.4, 33.39

 

CMYK 35 / 0 / 30 / 14

HEX #8EDB99

RGB 142 219 153

HSL 128.57, 0.52%, 0.71%

LAB 81.13, -37.13, 25.14

 

CMYK 26 / 0 / 22 / 19

HEX #9ACFA2

RGB 154 207 162

HSL 129.06, 0.36%, 0.71%

LAB 78.52, -26.1, 16.92

 

CMYK 15 / 0 / 13 / 24

HEX #A6C3AA

RGB 166 195 170

HSL 128.28, 0.19%, 0.71%

LAB 76.09, -14.62, 9.31

 

CMYK 3 / 0 / 2 / 28

HEX #B2B7B3

RGB 178 183 179

HSL 132, 0.03%, 0.71%

LAB 73.92, -2.49, 1.41

 

CMYK 26 / 0 / 44 / 9

HEX #AAE782

RGB 170 231 130

HSL 96.24, 0.68%, 0.71%

LAB 85.66, -36.77, 42.97

 

CMYK 38 / 0 / 44 / 9

HEX #90E782

RGB 144 231 130

HSL 111.68, 0.68%, 0.71%

LAB 84.33, -45.33, 41.01

 

CMYK 44 / 0 / 38 / 9

HEX #82E790

RGB 130 231 144

HSL 128.32, 0.68%, 0.71%

LAB 83.92, -47.4, 33.39

 

CMYK 44 / 0 / 26 / 9

HEX #82E7AA

RGB 130 231 170

HSL 143.76, 0.68%, 0.71%

LAB 84.38, -42.87, 20.68

 

CMYK 44 / 0 / 15 / 9

HEX #82E7C5

RGB 130 231 197

HSL 159.8, 0.68%, 0.71%

LAB 84.96, -37.39, 7.39

 

CMYK 72 / 0 / 62 / 15

HEX #3DDA53

RGB 61 218 83

HSL 128.41, 0.68%, 0.55%

LAB 77.14, -66.57, 53.59

 

CMYK 57 / 0 / 49 / 12

HEX #60E072

RGB 96 224 114

HSL 128.44, 0.67%, 0.63%

LAB 80.19, -57.87, 43.2

 

CMYK 44 / 0 / 38 / 9

HEX #82E790

RGB 130 231 144

HSL 128.32, 0.68%, 0.71%

LAB 83.92, -47.4, 33.39

 

CMYK 30 / 0 / 26 / 7

HEX #A5EDAF

RGB 165 237 175

HSL 128.33, 0.67%, 0.79%

LAB 87.81, -34.51, 23.08

 

CMYK 18 / 0 / 16 / 4

HEX #C8F4CE

RGB 200 244 206

HSL 128.18, 0.67%, 0.87%

LAB 92.33, -21.25, 13.69

 

CMYK 43 / 0 / 37 / 9

HEX #84E892

RGB 132 232 146

HSL 128.4, 0.68%, 0.71%

LAB 84.33, -46.94, 32.93

 

CMYK 44 / 15 / 0 / 9

HEX #82C5E7

RGB 130 197 231

HSL 200.2, 0.68%, 0.71%

LAB 76.34, -12.43, -23.52

 

CMYK 0 / 44 / 32 / 9

HEX #E7829D

RGB 231 130 157

HSL 343.96, 0.68%, 0.71%

LAB 66.05, 41.79, 2.85

 

CMYK 43 / 0 / 37 / 9

HEX #84E892

RGB 132 232 146

HSL 128.4, 0.68%, 0.71%

LAB 84.33, -46.94, 32.93

 

CMYK 38 / 44 / 0 / 9

HEX #9082E7

RGB 144 130 231

HSL 248.32, 0.68%, 0.71%

LAB 59.58, 28.82, -49.51

 

CMYK 0 / 38 / 44 / 9

HEX #E79082

RGB 231 144 130

HSL 8.32, 0.68%, 0.71%

LAB 68.42, 31.38, 21.34

 

CMYK 43 / 0 / 37 / 9

HEX #84E892

RGB 132 232 146

HSL 128.4, 0.68%, 0.71%

LAB 84.33, -46.94, 32.93

 

CMYK 44 / 15 / 0 / 9

HEX #82C5E7

RGB 130 197 231

HSL 200.2, 0.68%, 0.71%

LAB 76.34, -12.43, -23.52

 

CMYK 0 / 44 / 6 / 9

HEX #E782D9

RGB 231 130 217

HSL 308.32, 0.68%, 0.71%

LAB 67.99, 50.69, -27.92

 

CMYK 0 / 29 / 44 / 9

HEX #E7A482

RGB 231 164 130

HSL 20.2, 0.68%, 0.71%

LAB 72.99, 20.74, 27.5

 

CMYK 43 / 0 / 37 / 9

HEX #84E892

RGB 132 232 146

HSL 128.4, 0.68%, 0.71%

LAB 84.33, -46.94, 32.93

 

CMYK 44 / 28 / 0 / 9

HEX #82A7E7

RGB 130 167 231

HSL 218.02, 0.68%, 0.71%

LAB 68.13, 3.91, -36.16

 

CMYK 0 / 44 / 6 / 9

HEX #E782D9

RGB 231 130 217

HSL 308.32, 0.68%, 0.71%

LAB 67.99, 50.69, -27.92

 

CMYK 0 / 16 / 44 / 9

HEX #E7C282

RGB 231 194 130

HSL 38.02, 0.68%, 0.71%

LAB 80.28, 4.84, 37.04

 

Description

Color code: HEX #84E892 | qconv.com Color code: HEX #84E892 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 232 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 232 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 37 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 37% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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