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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84D241 it is the complementary color #7B2DBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84D241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84D241 shade: #89D23C, #9AE44F, #ABF662, #BCFF75 and #CDFF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84D241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84D241 shade: #84D241, #73C02E, #62AE1B, #519C08 and #408A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84D241 shade: #84D240, #ABD240, #D2D240, #D2AB40 and #D28340

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84D241 shade: #84D240, #5CD240, #40D24C, #40D273 and #40D29A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84D241 shade matches the following richer shades: #84D240, #82E52D and #81F81B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84D241 shade: #84D240, #85BF53, #87AC66, #889979 and #89868C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84D241 shade: #D2D240, #ABD240, #84D240, #5ED240 and #40D24A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84D241 shade: #5B9C24, #6FBD2C, #84D240, #99DA62 and #AFE283

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84D241 shade: #84D241, #40D2AB and #D240BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84D241 shade: #84D241, #4084D2 and #D24084

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84D241 shade: #84D241, #40D2AB, #8E40D2 and #D24067

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84D241 shade: #84D241, #40CDD2, #8E40D2 and #D24540

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 69 / 18

HEX #84D241

RGB 132 210 65

HSL 92.28, 0.62%, 0.54%

LAB 76.91, -47.22, 61.32

 

Complementary color

CMYK 35 / 76 / 0 / 25

HEX #7B2DBE

RGB 123 45 190

HSL 272.28, 0.62%, 0.46%

LAB 37.49, 58.68, -61.7

 

CMYK 35 / 0 / 71 / 18

HEX #89D23C

RGB 137 210 60

HSL 89.2, 0.63%, 0.53%

LAB 77.12, -45.84, 63.46

 

CMYK 32 / 0 / 65 / 11

HEX #9AE44F

RGB 154 228 79

HSL 89.8, 0.73%, 0.6%

LAB 83.4, -46.17, 63.05

 

CMYK 30 / 0 / 60 / 4

HEX #ABF662

RGB 171 246 98

HSL 90.41, 0.89%, 0.67%

LAB 89.6, -46.37, 62.31

 

CMYK 26 / 0 / 54 / 0

HEX #BCFF75

RGB 188 255 117

HSL 89.13, 1%, 0.73%

LAB 93.23, -42.6, 58.48

 

CMYK 20 / 0 / 47 / 0

HEX #CDFF88

RGB 205 255 136

HSL 85.21, 1%, 0.77%

LAB 94.43, -34.62, 51.46

 

CMYK 37 / 0 / 69 / 18

HEX #84D241

RGB 132 210 65

HSL 92.28, 0.62%, 0.54%

LAB 76.91, -47.22, 61.32

 

CMYK 40 / 0 / 76 / 25

HEX #73C02E

RGB 115 192 46

HSL 91.64, 0.61%, 0.47%

LAB 70.55, -46.79, 61.43

 

CMYK 44 / 0 / 84 / 32

HEX #62AE1B

RGB 98 174 27

HSL 91.02, 0.73%, 0.39%

LAB 64.12, -46.12, 60.69

 

CMYK 48 / 0 / 95 / 39

HEX #519C08

RGB 81 156 8

HSL 90.41, 0.9%, 0.32%

LAB 57.6, -45.1, 58.52

 

CMYK 54 / 0 / 100 / 46

HEX #408A00

RGB 64 138 0

HSL 92.17, 1%, 0.27%

LAB 51, -43.63, 54.26

 

CMYK 37 / 0 / 70 / 18

HEX #84D240

RGB 132 210 64

HSL 92.05, 0.62%, 0.54%

LAB 76.9, -47.29, 61.69

 

CMYK 19 / 0 / 70 / 18

HEX #ABD240

RGB 171 210 64

HSL 76.03, 0.62%, 0.54%

LAB 79.11, -32.89, 64.65

 

CMYK 0 / 0 / 70 / 18

HEX #D2D240

RGB 210 210 64

HSL 60, 0.62%, 0.54%

LAB 81.93, -17, 68.38

 

CMYK 0 / 19 / 70 / 18

HEX #D2AB40

RGB 210 171 64

HSL 43.97, 0.62%, 0.54%

LAB 71.69, 3.07, 58.12

 

CMYK 0 / 38 / 70 / 18

HEX #D28340

RGB 210 131 64

HSL 27.53, 0.62%, 0.54%

LAB 61.92, 24.64, 47.79

 

CMYK 37 / 0 / 70 / 18

HEX #84D240

RGB 132 210 64

HSL 92.05, 0.62%, 0.54%

LAB 76.9, -47.29, 61.69

 

CMYK 56 / 0 / 70 / 18

HEX #5CD240

RGB 92 210 64

HSL 108.49, 0.62%, 0.54%

LAB 75.29, -59.27, 59.52

 

CMYK 70 / 0 / 64 / 18

HEX #40D24C

RGB 64 210 76

HSL 124.93, 0.62%, 0.54%

LAB 74.64, -64.18, 53.79

 

CMYK 70 / 0 / 45 / 18

HEX #40D273

RGB 64 210 115

HSL 140.96, 0.62%, 0.54%

LAB 75.09, -58.93, 36.11

 

CMYK 70 / 0 / 27 / 18

HEX #40D29A

RGB 64 210 154

HSL 156.99, 0.62%, 0.54%

LAB 75.77, -51.42, 16.81

 

CMYK 37 / 0 / 70 / 18

HEX #84D240

RGB 132 210 64

HSL 92.05, 0.62%, 0.54%

LAB 76.9, -47.29, 61.69

 

CMYK 43 / 0 / 80 / 10

HEX #82E52D

RGB 130 229 45

HSL 92.28, 0.78%, 0.54%

LAB 82.36, -56.62, 73

 

CMYK 48 / 0 / 89 / 3

HEX #81F81B

RGB 129 248 27

HSL 92.31, 0.94%, 0.54%

LAB 87.91, -64.6, 81.56

 

CMYK 37 / 0 / 70 / 18

HEX #84D240

RGB 132 210 64

HSL 92.05, 0.62%, 0.54%

LAB 76.9, -47.29, 61.69

 

CMYK 30 / 0 / 57 / 25

HEX #85BF53

RGB 133 191 83

HSL 92.22, 0.46%, 0.54%

LAB 71.47, -37.1, 47.78

 

CMYK 22 / 0 / 41 / 33

HEX #87AC66

RGB 135 172 102

HSL 91.71, 0.3%, 0.54%

LAB 66.22, -25.16, 31.97

 

CMYK 11 / 0 / 21 / 40

HEX #889979

RGB 136 153 121

HSL 91.88, 0.14%, 0.54%

LAB 61.13, -12.12, 14.84

 

CMYK 2 / 4 / 0 / 45

HEX #89868C

RGB 137 134 140

HSL 270, 0.03%, 0.54%

LAB 56.35, 2.3, -2.82

 

CMYK 0 / 0 / 70 / 18

HEX #D2D240

RGB 210 210 64

HSL 60, 0.62%, 0.54%

LAB 81.93, -17, 68.38

 

CMYK 19 / 0 / 70 / 18

HEX #ABD240

RGB 171 210 64

HSL 76.03, 0.62%, 0.54%

LAB 79.11, -32.89, 64.65

 

CMYK 37 / 0 / 70 / 18

HEX #84D240

RGB 132 210 64

HSL 92.05, 0.62%, 0.54%

LAB 76.9, -47.29, 61.69

 

CMYK 55 / 0 / 70 / 18

HEX #5ED240

RGB 94 210 64

HSL 107.67, 0.62%, 0.54%

LAB 75.35, -58.76, 59.6

 

CMYK 70 / 0 / 65 / 18

HEX #40D24A

RGB 64 210 74

HSL 124.11, 0.62%, 0.54%

LAB 74.62, -64.39, 54.61

 

CMYK 42 / 0 / 77 / 39

HEX #5B9C24

RGB 91 156 36

HSL 92.5, 0.63%, 0.38%

LAB 58.16, -40.61, 52.43

 

CMYK 41 / 0 / 77 / 26

HEX #6FBD2C

RGB 111 189 44

HSL 92.28, 0.62%, 0.46%

LAB 69.44, -47.03, 60.95

 

CMYK 37 / 0 / 70 / 18

HEX #84D240

RGB 132 210 64

HSL 92.05, 0.62%, 0.54%

LAB 76.9, -47.29, 61.69

 

CMYK 30 / 0 / 55 / 15

HEX #99DA62

RGB 153 218 98

HSL 92.5, 0.62%, 0.62%

LAB 80.63, -40.51, 51.82

 

CMYK 23 / 0 / 42 / 11

HEX #AFE283

RGB 175 226 131

HSL 92.21, 0.62%, 0.7%

LAB 84.56, -32.6, 41.15

 

CMYK 37 / 0 / 69 / 18

HEX #84D241

RGB 132 210 65

HSL 92.28, 0.62%, 0.54%

LAB 76.91, -47.22, 61.32

 

CMYK 70 / 0 / 19 / 18

HEX #40D2AB

RGB 64 210 171

HSL 163.97, 0.62%, 0.54%

LAB 76.14, -47.5, 8.27

 

CMYK 0 / 70 / 9 / 18

HEX #D240BF

RGB 210 64 191

HSL 307.81, 0.62%, 0.54%

LAB 53.09, 69.94, -36.58

 

CMYK 37 / 0 / 69 / 18

HEX #84D241

RGB 132 210 65

HSL 92.28, 0.62%, 0.54%

LAB 76.91, -47.22, 61.32

 

CMYK 70 / 37 / 0 / 18

HEX #4084D2

RGB 64 132 210

HSL 212.05, 0.62%, 0.54%

LAB 54.29, 4.03, -46.44

 

CMYK 0 / 70 / 37 / 18

HEX #D24084

RGB 210 64 132

HSL 332.05, 0.62%, 0.54%

LAB 50.73, 62.29, -5.41

 

CMYK 37 / 0 / 69 / 18

HEX #84D241

RGB 132 210 65

HSL 92.28, 0.62%, 0.54%

LAB 76.91, -47.22, 61.32

 

CMYK 70 / 0 / 19 / 18

HEX #40D2AB

RGB 64 210 171

HSL 163.97, 0.62%, 0.54%

LAB 76.14, -47.5, 8.27

 

CMYK 32 / 70 / 0 / 18

HEX #8E40D2

RGB 142 64 210

HSL 272.05, 0.62%, 0.54%

LAB 44.33, 58.67, -62.09

 

CMYK 0 / 70 / 51 / 18

HEX #D24067

RGB 210 64 103

HSL 343.97, 0.62%, 0.54%

LAB 49.92, 59.54, 10.94

 

CMYK 37 / 0 / 69 / 18

HEX #84D241

RGB 132 210 65

HSL 92.28, 0.62%, 0.54%

LAB 76.91, -47.22, 61.32

 

CMYK 70 / 2 / 0 / 18

HEX #40CDD2

RGB 64 205 210

HSL 182.05, 0.62%, 0.54%

LAB 75.7, -34.93, -13.37

 

CMYK 32 / 70 / 0 / 18

HEX #8E40D2

RGB 142 64 210

HSL 272.05, 0.62%, 0.54%

LAB 44.33, 58.67, -62.09

 

CMYK 0 / 67 / 70 / 18

HEX #D24540

RGB 210 69 64

HSL 2.05, 0.62%, 0.54%

LAB 49.89, 55.02, 34.15

 

Description

Color code: HEX #84D241 | qconv.com Color code: HEX #84D241 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 210 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 210 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 69 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 69% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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