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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84D585 it is the complementary color #7B2A7A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84D585. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84D585 shade: #89D580, #9AE793, #ABF9A6, #BCFFB9 and #CDFFCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84D585. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84D585 shade: #84D585, #73C372, #62B15F, #519F4C and #408D39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84D585 shade: #85D586, #99D585, #AFD585, #C5D585 and #D5D085

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84D585 shade: #85D586, #85D59B, #85D5B1, #85D5C7 and #85CED5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84D585 shade matches the following richer shades: #85D586, #78E279, #6BEF6C and #5DFC5F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84D585 shade: #85D586, #92C893, #9FBAA0, #ADADAD and #BAA0B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84D585 shade: #B0D585, #9AD585, #85D585, #85D59A and #85D5B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84D585 shade: #47C049, #66CA67, #85D586, #A4DFA4 and #C2EAC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84D585 shade: #84D585, #85C5D5 and #D585A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84D585 shade: #84D585, #8585D5 and #D58585

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84D585 shade: #84D585, #85C5D5, #D585D5 and #D59585

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84D585 shade: #84D585, #85ADD5, #D585D5 and #D5AD85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 38 / 16

HEX #84D585

RGB 132 213 133

HSL 120.74, 0.49%, 0.68%

LAB 78.57, -40.77, 31.95

 

Complementary color

CMYK 0 / 66 / 1 / 52

HEX #7B2A7A

RGB 123 42 122

HSL 300.74, 0.49%, 0.32%

LAB 32.42, 45.63, -28.59

 

CMYK 36 / 0 / 40 / 16

HEX #89D580

RGB 137 213 128

HSL 113.65, 0.5%, 0.67%

LAB 78.73, -39.96, 34.75

 

CMYK 33 / 0 / 36 / 9

HEX #9AE793

RGB 154 231 147

HSL 115, 0.64%, 0.74%

LAB 85.06, -39.75, 33.58

 

CMYK 31 / 0 / 33 / 2

HEX #ABF9A6

RGB 171 249 166

HSL 116.39, 0.87%, 0.81%

LAB 91.31, -39.53, 32.46

 

CMYK 26 / 0 / 27 / 0

HEX #BCFFB9

RGB 188 255 185

HSL 117.43, 1%, 0.86%

LAB 94.19, -33.86, 26.93

 

CMYK 20 / 0 / 20 / 0

HEX #CDFFCC

RGB 205 255 204

HSL 118.82, 1%, 0.9%

LAB 95.52, -25.25, 19.26

 

CMYK 38 / 0 / 38 / 16

HEX #84D585

RGB 132 213 133

HSL 120.74, 0.49%, 0.68%

LAB 78.57, -40.77, 31.95

 

CMYK 41 / 0 / 42 / 24

HEX #73C372

RGB 115 195 114

HSL 119.26, 0.4%, 0.61%

LAB 72.15, -40.98, 33.17

 

CMYK 45 / 0 / 46 / 31

HEX #62B15F

RGB 98 177 95

HSL 117.8, 0.34%, 0.53%

LAB 65.65, -41.13, 34.46

 

CMYK 49 / 0 / 52 / 38

HEX #519F4C

RGB 81 159 76

HSL 116.39, 0.35%, 0.46%

LAB 59.04, -41.19, 35.77

 

CMYK 55 / 0 / 60 / 45

HEX #408D39

RGB 64 141 57

HSL 115, 0.42%, 0.39%

LAB 52.33, -41.07, 37.07

 

CMYK 38 / 0 / 37 / 16

HEX #85D586

RGB 133 213 134

HSL 120.75, 0.49%, 0.68%

LAB 78.63, -40.31, 31.53

 

CMYK 28 / 0 / 38 / 16

HEX #99D585

RGB 153 213 133

HSL 105, 0.49%, 0.68%

LAB 79.64, -33.97, 33.56

 

CMYK 18 / 0 / 38 / 16

HEX #AFD585

RGB 175 213 133

HSL 88.5, 0.49%, 0.68%

LAB 80.96, -26.2, 35.52

 

CMYK 8 / 0 / 38 / 16

HEX #C5D585

RGB 197 213 133

HSL 72, 0.49%, 0.68%

LAB 82.46, -17.96, 37.76

 

CMYK 0 / 2 / 38 / 16

HEX #D5D085

RGB 213 208 133

HSL 56.25, 0.49%, 0.68%

LAB 82.35, -9.23, 37.86

 

CMYK 38 / 0 / 37 / 16

HEX #85D586

RGB 133 213 134

HSL 120.75, 0.49%, 0.68%

LAB 78.63, -40.31, 31.53

 

CMYK 38 / 0 / 27 / 16

HEX #85D59B

RGB 133 213 155

HSL 136.5, 0.49%, 0.68%

LAB 79.01, -36.76, 21.12

 

CMYK 38 / 0 / 17 / 16

HEX #85D5B1

RGB 133 213 177

HSL 153, 0.49%, 0.68%

LAB 79.47, -32.49, 10.13

 

CMYK 38 / 0 / 7 / 16

HEX #85D5C7

RGB 133 213 199

HSL 169.5, 0.49%, 0.68%

LAB 80.01, -27.7, -0.83

 

CMYK 38 / 3 / 0 / 16

HEX #85CED5

RGB 133 206 213

HSL 185.25, 0.49%, 0.68%

LAB 78.42, -20.93, -10.68

 

CMYK 38 / 0 / 37 / 16

HEX #85D586

RGB 133 213 134

HSL 120.75, 0.49%, 0.68%

LAB 78.63, -40.31, 31.53

 

CMYK 47 / 0 / 46 / 11

HEX #78E279

RGB 120 226 121

HSL 120.57, 0.65%, 0.68%

LAB 81.71, -51.56, 41.89

 

CMYK 55 / 0 / 55 / 6

HEX #6BEF6C

RGB 107 239 108

HSL 120.45, 0.8%, 0.68%

LAB 84.97, -61.64, 51.9

 

CMYK 63 / 0 / 62 / 1

HEX #5DFC5F

RGB 93 252 95

HSL 120.75, 0.96%, 0.68%

LAB 88.34, -70.76, 61.32

 

CMYK 38 / 0 / 37 / 16

HEX #85D586

RGB 133 213 134

HSL 120.75, 0.49%, 0.68%

LAB 78.63, -40.31, 31.53

 

CMYK 27 / 0 / 27 / 22

HEX #92C893

RGB 146 200 147

HSL 121.11, 0.33%, 0.68%

LAB 75.78, -27.98, 21.01

 

CMYK 15 / 0 / 14 / 27

HEX #9FBAA0

RGB 159 186 160

HSL 122.22, 0.16%, 0.68%

LAB 72.91, -14.24, 10.13

 

CMYK 0 / 0 / 0 / 32

HEX #ADADAD

RGB 173 173 173

HSL 0, 0%, 0.68%

LAB 70.72, 0, -0.01

 

CMYK 0 / 14 / 1 / 27

HEX #BAA0B9

RGB 186 160 185

HSL 302.31, 0.16%, 0.68%

LAB 68.81, 13.99, -9.35

 

CMYK 17 / 0 / 38 / 16

HEX #B0D585

RGB 176 213 133

HSL 87.75, 0.49%, 0.68%

LAB 81.02, -25.83, 35.62

 

CMYK 28 / 0 / 38 / 16

HEX #9AD585

RGB 154 213 133

HSL 104.25, 0.49%, 0.68%

LAB 79.7, -33.62, 33.64

 

CMYK 38 / 0 / 38 / 16

HEX #85D585

RGB 133 213 133

HSL 120, 0.49%, 0.68%

LAB 78.62, -40.46, 32.02

 

CMYK 38 / 0 / 28 / 16

HEX #85D59A

RGB 133 213 154

HSL 135.75, 0.49%, 0.68%

LAB 78.99, -36.94, 21.62

 

CMYK 38 / 0 / 17 / 16

HEX #85D5B0

RGB 133 213 176

HSL 152.25, 0.49%, 0.68%

LAB 79.45, -32.69, 10.63

 

CMYK 63 / 0 / 62 / 25

HEX #47C049

RGB 71 192 73

HSL 120.99, 0.49%, 0.52%

LAB 69.13, -56.93, 48.95

 

CMYK 50 / 0 / 49 / 21

HEX #66CA67

RGB 102 202 103

HSL 120.6, 0.49%, 0.6%

LAB 73.57, -49.3, 40.39

 

CMYK 38 / 0 / 37 / 16

HEX #85D586

RGB 133 213 134

HSL 120.75, 0.49%, 0.68%

LAB 78.63, -40.31, 31.53

 

CMYK 26 / 0 / 26 / 13

HEX #A4DFA4

RGB 164 223 164

HSL 120, 0.48%, 0.76%

LAB 83.63, -30.15, 23.02

 

CMYK 17 / 0 / 17 / 8

HEX #C2EAC3

RGB 194 234 195

HSL 121.5, 0.49%, 0.84%

LAB 89.04, -20.26, 14.7

 

CMYK 38 / 0 / 38 / 16

HEX #84D585

RGB 132 213 133

HSL 120.74, 0.49%, 0.68%

LAB 78.57, -40.77, 31.95

 

CMYK 38 / 8 / 0 / 16

HEX #85C5D5

RGB 133 197 213

HSL 192, 0.49%, 0.68%

LAB 75.9, -16.34, -14.46

 

CMYK 0 / 38 / 23 / 16

HEX #D585A5

RGB 213 133 165

HSL 336, 0.49%, 0.68%

LAB 64.67, 34.97, -3.96

 

CMYK 38 / 0 / 38 / 16

HEX #84D585

RGB 132 213 133

HSL 120.74, 0.49%, 0.68%

LAB 78.57, -40.77, 31.95

 

CMYK 38 / 38 / 0 / 16

HEX #8585D5

RGB 133 133 213

HSL 240, 0.49%, 0.68%

LAB 58.57, 19.28, -41.11

 

CMYK 0 / 38 / 38 / 16

HEX #D58585

RGB 213 133 133

HSL 0, 0.49%, 0.68%

LAB 63.85, 30.72, 13

 

CMYK 38 / 0 / 38 / 16

HEX #84D585

RGB 132 213 133

HSL 120.74, 0.49%, 0.68%

LAB 78.57, -40.77, 31.95

 

CMYK 38 / 8 / 0 / 16

HEX #85C5D5

RGB 133 197 213

HSL 192, 0.49%, 0.68%

LAB 75.9, -16.34, -14.46

 

CMYK 0 / 38 / 0 / 16

HEX #D585D5

RGB 213 133 213

HSL 300, 0.49%, 0.68%

LAB 66.31, 42.94, -28.47

 

CMYK 0 / 30 / 38 / 16

HEX #D59585

RGB 213 149 133

HSL 12, 0.49%, 0.68%

LAB 67.53, 22.08, 18.11

 

CMYK 38 / 0 / 38 / 16

HEX #84D585

RGB 132 213 133

HSL 120.74, 0.49%, 0.68%

LAB 78.57, -40.77, 31.95

 

CMYK 38 / 19 / 0 / 16

HEX #85ADD5

RGB 133 173 213

HSL 210, 0.49%, 0.68%

LAB 69.24, -3.56, -24.56

 

CMYK 0 / 38 / 0 / 16

HEX #D585D5

RGB 213 133 213

HSL 300, 0.49%, 0.68%

LAB 66.31, 42.94, -28.47

 

CMYK 0 / 19 / 38 / 16

HEX #D5AD85

RGB 213 173 133

HSL 30, 0.49%, 0.68%

LAB 73.37, 9.11, 26.06

 

Description

Color code: HEX #84D585 | qconv.com Color code: HEX #84D585 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 213 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 213 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 38 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 38% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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