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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #849CB8 it is the complementary color #7B6347. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #849CB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #849CB8 shade: #899CB3, #9AAEC6, #ABC0D9, #BCD2EC and #CDE4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #849CB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #849CB8 shade: #849CB8, #738AA5, #627892, #51667F and #40546C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #849CB8 shade: #839CB8, #838DB8, #8883B8, #9683B8 and #A483B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #849CB8 shade: #839CB8, #838DB8 and #8383B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #849CB8 shade matches the following richer shades: #839CB8, #749AC7, #6499D7, #5498E7 and #4597F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #849CB8 shade: #839CB8, #939DA8, #A39E98, #B29F89 and #C2A079

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #849CB8 shade: #83B8B8, #83AAB8, #839CB8, #838EB8 and #8783B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #849CB8 shade: #557294, #6987A9, #839CB8, #9EB1C7 and #B8C6D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #849CB8 shade: #849CB8, #AA83B8 and #B1B883

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #849CB8 shade: #849CB8, #B8839C and #9CB883

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #849CB8 shade: #849CB8, #AA83B8, #B89F83 and #91B883

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #849CB8 shade: #849CB8, #B883B6, #B89F83 and #83B885

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 15 / 0 / 28

HEX #849CB8

RGB 132 156 184

HSL 212.31, 0.27%, 0.62%

LAB 63.46, -1.86, -17.27

 

Complementary color

CMYK 0 / 20 / 42 / 52

HEX #7B6347

RGB 123 99 71

HSL 32.31, 0.27%, 0.38%

LAB 43.64, 5.53, 19.55

 

CMYK 23 / 13 / 0 / 30

HEX #899CB3

RGB 137 156 179

HSL 212.86, 0.22%, 0.62%

LAB 63.63, -1.52, -14.17

 

CMYK 22 / 12 / 0 / 22

HEX #9AAEC6

RGB 154 174 198

HSL 212.73, 0.28%, 0.69%

LAB 70.33, -1.66, -14.53

 

CMYK 21 / 12 / 0 / 15

HEX #ABC0D9

RGB 171 192 217

HSL 212.61, 0.38%, 0.76%

LAB 76.9, -1.8, -14.89

 

CMYK 20 / 11 / 0 / 7

HEX #BCD2EC

RGB 188 210 236

HSL 212.5, 0.56%, 0.83%

LAB 83.36, -1.93, -15.26

 

CMYK 20 / 11 / 0 / 0

HEX #CDE4FF

RGB 205 228 255

HSL 212.4, 1%, 0.9%

LAB 89.71, -2.05, -15.63

 

CMYK 28 / 15 / 0 / 28

HEX #849CB8

RGB 132 156 184

HSL 212.31, 0.27%, 0.62%

LAB 63.46, -1.86, -17.27

 

CMYK 30 / 16 / 0 / 35

HEX #738AA5

RGB 115 138 165

HSL 212.4, 0.22%, 0.55%

LAB 56.62, -1.68, -16.97

 

CMYK 33 / 18 / 0 / 43

HEX #627892

RGB 98 120 146

HSL 212.5, 0.2%, 0.48%

LAB 49.62, -1.47, -16.7

 

CMYK 36 / 20 / 0 / 50

HEX #51667F

RGB 81 102 127

HSL 212.61, 0.22%, 0.41%

LAB 42.44, -1.22, -16.46

 

CMYK 41 / 22 / 0 / 58

HEX #40546C

RGB 64 84 108

HSL 212.73, 0.26%, 0.34%

LAB 35.03, -0.91, -16.24

 

CMYK 29 / 15 / 0 / 28

HEX #839CB8

RGB 131 156 184

HSL 211.7, 0.27%, 0.62%

LAB 63.39, -2.16, -17.37

 

CMYK 29 / 23 / 0 / 28

HEX #838DB8

RGB 131 141 184

HSL 228.68, 0.27%, 0.62%

LAB 59.28, 6.35, -23.64

 

CMYK 26 / 29 / 0 / 28

HEX #8883B8

RGB 136 131 184

HSL 245.66, 0.27%, 0.62%

LAB 57, 13.69, -27.12

 

CMYK 18 / 29 / 0 / 28

HEX #9683B8

RGB 150 131 184

HSL 261.51, 0.27%, 0.62%

LAB 58.2, 18.09, -25.17

 

CMYK 11 / 29 / 0 / 28

HEX #A483B8

RGB 164 131 184

HSL 277.36, 0.27%, 0.62%

LAB 59.51, 22.63, -23.05

 

CMYK 29 / 15 / 0 / 28

HEX #839CB8

RGB 131 156 184

HSL 211.7, 0.27%, 0.62%

LAB 63.39, -2.16, -17.37

 

CMYK 29 / 23 / 0 / 28

HEX #838DB8

RGB 131 141 184

HSL 228.68, 0.27%, 0.62%

LAB 59.28, 6.35, -23.64

 

CMYK 29 / 29 / 0 / 28

HEX #8383B8

RGB 131 131 184

HSL 240, 0.27%, 0.62%

LAB 56.6, 12.16, -27.78

 

CMYK 29 / 15 / 0 / 28

HEX #839CB8

RGB 131 156 184

HSL 211.7, 0.27%, 0.62%

LAB 63.39, -2.16, -17.37

 

CMYK 42 / 23 / 0 / 22

HEX #749AC7

RGB 116 154 199

HSL 212.53, 0.43%, 0.62%

LAB 62.46, -1.34, -27.28

 

CMYK 53 / 29 / 0 / 16

HEX #6499D7

RGB 100 153 215

HSL 212.35, 0.59%, 0.62%

LAB 62, 0.08, -37.01

 

CMYK 64 / 34 / 0 / 9

HEX #5498E7

RGB 84 152 231

HSL 212.24, 0.75%, 0.62%

LAB 61.75, 2.67, -46.32

 

CMYK 72 / 39 / 0 / 4

HEX #4597F6

RGB 69 151 246

HSL 212.2, 0.91%, 0.62%

LAB 61.7, 6.11, -54.7

 

CMYK 29 / 15 / 0 / 28

HEX #839CB8

RGB 131 156 184

HSL 211.7, 0.27%, 0.62%

LAB 63.39, -2.16, -17.37

 

CMYK 13 / 7 / 0 / 34

HEX #939DA8

RGB 147 157 168

HSL 211.43, 0.11%, 0.62%

LAB 64.28, -1.27, -6.95

 

CMYK 0 / 3 / 7 / 36

HEX #A39E98

RGB 163 158 152

HSL 32.73, 0.06%, 0.62%

LAB 65.36, 0.71, 3.77

 

CMYK 0 / 11 / 23 / 30

HEX #B29F89

RGB 178 159 137

HSL 32.2, 0.21%, 0.62%

LAB 66.57, 3.4, 14.03

 

CMYK 0 / 18 / 38 / 24

HEX #C2A079

RGB 194 160 121

HSL 32.05, 0.37%, 0.62%

LAB 68.01, 7.08, 25.05

 

CMYK 29 / 0 / 0 / 28

HEX #83B8B8

RGB 131 184 184

HSL 180, 0.27%, 0.62%

LAB 71.26, -17.22, -5.59

 

CMYK 29 / 8 / 0 / 28

HEX #83AAB8

RGB 131 170 184

HSL 195.85, 0.27%, 0.62%

LAB 67.3, -9.84, -11.48

 

CMYK 29 / 15 / 0 / 28

HEX #839CB8

RGB 131 156 184

HSL 211.7, 0.27%, 0.62%

LAB 63.39, -2.16, -17.37

 

CMYK 29 / 23 / 0 / 28

HEX #838EB8

RGB 131 142 184

HSL 227.55, 0.27%, 0.62%

LAB 59.55, 5.77, -23.23

 

CMYK 27 / 29 / 0 / 28

HEX #8783B8

RGB 135 131 184

HSL 244.53, 0.27%, 0.62%

LAB 56.92, 13.38, -27.26

 

CMYK 43 / 23 / 0 / 42

HEX #557294

RGB 85 114 148

HSL 212.38, 0.27%, 0.46%

LAB 47.11, -1.17, -21.8

 

CMYK 38 / 20 / 0 / 34

HEX #6987A9

RGB 105 135 169

HSL 211.88, 0.27%, 0.54%

LAB 55.27, -1.85, -21.39

 

CMYK 29 / 15 / 0 / 28

HEX #839CB8

RGB 131 156 184

HSL 211.7, 0.27%, 0.62%

LAB 63.39, -2.16, -17.37

 

CMYK 21 / 11 / 0 / 22

HEX #9EB1C7

RGB 158 177 199

HSL 212.2, 0.27%, 0.7%

LAB 71.44, -1.81, -13.37

 

CMYK 14 / 7 / 0 / 16

HEX #B8C6D6

RGB 184 198 214

HSL 212, 0.27%, 0.78%

LAB 79.29, -1.54, -9.6

 

CMYK 28 / 15 / 0 / 28

HEX #849CB8

RGB 132 156 184

HSL 212.31, 0.27%, 0.62%

LAB 63.46, -1.86, -17.27

 

CMYK 8 / 29 / 0 / 28

HEX #AA83B8

RGB 170 131 184

HSL 284.15, 0.27%, 0.62%

LAB 60.1, 24.61, -22.09

 

CMYK 4 / 0 / 29 / 28

HEX #B1B883

RGB 177 184 131

HSL 67.92, 0.27%, 0.62%

LAB 73.07, -11.2, 26.18

 

CMYK 28 / 15 / 0 / 28

HEX #849CB8

RGB 132 156 184

HSL 212.31, 0.27%, 0.62%

LAB 63.46, -1.86, -17.27

 

CMYK 0 / 29 / 15 / 28

HEX #B8839C

RGB 184 131 156

HSL 331.7, 0.27%, 0.62%

LAB 60.63, 24.25, -5.19

 

CMYK 15 / 0 / 29 / 28

HEX #9CB883

RGB 156 184 131

HSL 91.7, 0.27%, 0.62%

LAB 71.55, -19.15, 23.87

 

CMYK 28 / 15 / 0 / 28

HEX #849CB8

RGB 132 156 184

HSL 212.31, 0.27%, 0.62%

LAB 63.46, -1.86, -17.27

 

CMYK 8 / 29 / 0 / 28

HEX #AA83B8

RGB 170 131 184

HSL 284.15, 0.27%, 0.62%

LAB 60.1, 24.61, -22.09

 

CMYK 0 / 14 / 29 / 28

HEX #B89F83

RGB 184 159 131

HSL 31.7, 0.27%, 0.62%

LAB 66.99, 4.9, 18.02

 

CMYK 21 / 0 / 29 / 28

HEX #91B883

RGB 145 184 131

HSL 104.15, 0.27%, 0.62%

LAB 70.83, -23.15, 22.78

 

CMYK 28 / 15 / 0 / 28

HEX #849CB8

RGB 132 156 184

HSL 212.31, 0.27%, 0.62%

LAB 63.46, -1.86, -17.27

 

CMYK 0 / 29 / 1 / 28

HEX #B883B6

RGB 184 131 182

HSL 302.26, 0.27%, 0.62%

LAB 61.48, 28.88, -18.72

 

CMYK 0 / 14 / 29 / 28

HEX #B89F83

RGB 184 159 131

HSL 31.7, 0.27%, 0.62%

LAB 66.99, 4.9, 18.02

 

CMYK 29 / 0 / 28 / 28

HEX #83B885

RGB 131 184 133

HSL 122.26, 0.27%, 0.62%

LAB 70.04, -27.65, 20.48

 

Description

Color code: HEX #849CB8 | qconv.com Color code: HEX #849CB8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 156 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 156 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 15 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 15% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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