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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #849824 it is the complementary color #7B67DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #849824. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #849824 shade: #89981F, #9AAA32, #ABBC45, #BCCE58 and #CDE06B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #849824. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #849824 shade: #849824, #738611, #627400, #516200 and #405000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #849824 shade: #849823, #988D23, #986D23, #984E23 and #982E23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #849824 shade: #849823, #659823, #459823, #269823 and #239841

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #849824 shade matches the following richer shades: #849823, #8EA814 and #98B705

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #849824 shade: #849823, #7A8933, #707A42, #666B51 and #5C5B60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #849824 shade: #986D23, #988D23, #859823, #669823 and #469823

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #849824 shade: #4A5614, #67771C, #849823, #A1BA2B and #B8D13D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #849824 shade: #849824, #23984E and #7D2398

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #849824 shade: #849824, #238598 and #982385

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #849824 shade: #849824, #23984E, #372398 and #98236D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #849824 shade: #849824, #239871, #372398 and #98234A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 76 / 40

HEX #849824

RGB 132 152 36

HSL 70.34, 0.62%, 0.37%

LAB 59.42, -22.54, 54.51

 

Complementary color

CMYK 44 / 53 / 0 / 14

HEX #7B67DB

RGB 123 103 219

HSL 250.34, 0.62%, 0.63%

LAB 50.72, 36.19, -57.03

 

CMYK 10 / 0 / 80 / 40

HEX #89981F

RGB 137 152 31

HSL 67.44, 0.66%, 0.36%

LAB 59.77, -20.59, 56.59

 

CMYK 9 / 0 / 71 / 33

HEX #9AAA32

RGB 154 170 50

HSL 68, 0.55%, 0.43%

LAB 66.4, -21.41, 56.78

 

CMYK 9 / 0 / 63 / 26

HEX #ABBC45

RGB 171 188 69

HSL 68.57, 0.47%, 0.5%

LAB 72.93, -22.04, 56.28

 

CMYK 9 / 0 / 57 / 19

HEX #BCCE58

RGB 188 206 88

HSL 69.15, 0.55%, 0.58%

LAB 79.35, -22.54, 55.44

 

CMYK 8 / 0 / 52 / 12

HEX #CDE06B

RGB 205 224 107

HSL 69.74, 0.65%, 0.65%

LAB 85.68, -22.93, 54.44

 

CMYK 13 / 0 / 76 / 40

HEX #849824

RGB 132 152 36

HSL 70.34, 0.62%, 0.37%

LAB 59.42, -22.54, 54.51

 

CMYK 14 / 0 / 87 / 47

HEX #738611

RGB 115 134 17

HSL 69.74, 0.77%, 0.3%

LAB 52.66, -21.62, 53.57

 

CMYK 16 / 0 / 100 / 55

HEX #627400

RGB 98 116 0

HSL 69.31, 1%, 0.23%

LAB 45.75, -20.45, 51.05

 

CMYK 17 / 0 / 100 / 62

HEX #516200

RGB 81 98 0

HSL 70.41, 1%, 0.19%

LAB 38.7, -18.85, 45.17

 

CMYK 20 / 0 / 100 / 69

HEX #405000

RGB 64 80 0

HSL 72, 1%, 0.16%

LAB 31.41, -17.22, 39.1

 

CMYK 13 / 0 / 77 / 40

HEX #849823

RGB 132 152 35

HSL 70.26, 0.63%, 0.37%

LAB 59.42, -22.58, 54.84

 

CMYK 0 / 7 / 77 / 40

HEX #988D23

RGB 152 141 35

HSL 54.36, 0.63%, 0.37%

LAB 57.89, -7.93, 54.02

 

CMYK 0 / 28 / 77 / 40

HEX #986D23

RGB 152 109 35

HSL 37.95, 0.63%, 0.37%

LAB 49.17, 10, 45.73

 

CMYK 0 / 49 / 77 / 40

HEX #984E23

RGB 152 78 35

HSL 22.05, 0.63%, 0.37%

LAB 41.6, 27.65, 38.17

 

CMYK 0 / 70 / 77 / 40

HEX #982E23

RGB 152 46 35

HSL 5.64, 0.63%, 0.37%

LAB 35.5, 43.51, 31.73

 

CMYK 13 / 0 / 77 / 40

HEX #849823

RGB 132 152 35

HSL 70.26, 0.63%, 0.37%

LAB 59.42, -22.58, 54.84

 

CMYK 34 / 0 / 77 / 40

HEX #659823

RGB 101 152 35

HSL 86.15, 0.63%, 0.37%

LAB 57.41, -35.27, 52.23

 

CMYK 55 / 0 / 77 / 40

HEX #459823

RGB 69 152 35

HSL 102.56, 0.63%, 0.37%

LAB 55.93, -46.07, 50.29

 

CMYK 75 / 0 / 77 / 40

HEX #269823

RGB 38 152 35

HSL 118.46, 0.63%, 0.37%

LAB 55.06, -53.18, 49.14

 

CMYK 77 / 0 / 57 / 40

HEX #239841

RGB 35 152 65

HSL 135.38, 0.63%, 0.37%

LAB 55.27, -50.42, 36.41

 

CMYK 13 / 0 / 77 / 40

HEX #849823

RGB 132 152 35

HSL 70.26, 0.63%, 0.37%

LAB 59.42, -22.58, 54.84

 

CMYK 15 / 0 / 88 / 34

HEX #8EA814

RGB 142 168 20

HSL 70.54, 0.79%, 0.37%

LAB 64.81, -26.74, 63.84

 

CMYK 17 / 0 / 97 / 28

HEX #98B705

RGB 152 183 5

HSL 70.45, 0.95%, 0.37%

LAB 69.86, -30, 70.3

 

CMYK 13 / 0 / 77 / 40

HEX #849823

RGB 132 152 35

HSL 70.26, 0.63%, 0.37%

LAB 59.42, -22.58, 54.84

 

CMYK 11 / 0 / 63 / 46

HEX #7A8933

RGB 122 137 51

HSL 70.47, 0.46%, 0.37%

LAB 54.31, -18.24, 43.04

 

CMYK 8 / 0 / 46 / 52

HEX #707A42

RGB 112 122 66

HSL 70.71, 0.3%, 0.37%

LAB 49.2, -13.1, 29.31

 

CMYK 5 / 0 / 24 / 58

HEX #666B51

RGB 102 107 81

HSL 71.54, 0.14%, 0.37%

LAB 44.14, -6.84, 13.97

 

CMYK 4 / 5 / 0 / 62

HEX #5C5B60

RGB 92 91 96

HSL 252, 0.03%, 0.37%

LAB 38.9, 1.47, -2.73

 

CMYK 0 / 28 / 77 / 40

HEX #986D23

RGB 152 109 35

HSL 37.95, 0.63%, 0.37%

LAB 49.17, 10, 45.73

 

CMYK 0 / 7 / 77 / 40

HEX #988D23

RGB 152 141 35

HSL 54.36, 0.63%, 0.37%

LAB 57.89, -7.93, 54.02

 

CMYK 13 / 0 / 77 / 40

HEX #859823

RGB 133 152 35

HSL 69.74, 0.63%, 0.37%

LAB 59.49, -22.15, 54.94

 

CMYK 33 / 0 / 77 / 40

HEX #669823

RGB 102 152 35

HSL 85.64, 0.63%, 0.37%

LAB 57.47, -34.89, 52.3

 

CMYK 54 / 0 / 77 / 40

HEX #469823

RGB 70 152 35

HSL 102.05, 0.63%, 0.37%

LAB 55.97, -45.79, 50.34

 

CMYK 14 / 0 / 77 / 66

HEX #4A5614

RGB 74 86 20

HSL 70.91, 0.62%, 0.21%

LAB 34.32, -14.77, 34.82

 

CMYK 13 / 0 / 76 / 53

HEX #67771C

RGB 103 119 28

HSL 70.55, 0.62%, 0.29%

LAB 47.19, -18.76, 44.96

 

CMYK 13 / 0 / 77 / 40

HEX #849823

RGB 132 152 35

HSL 70.26, 0.63%, 0.37%

LAB 59.42, -22.58, 54.84

 

CMYK 13 / 0 / 77 / 27

HEX #A1BA2B

RGB 161 186 43

HSL 70.49, 0.62%, 0.45%

LAB 71.47, -26.68, 64.21

 

CMYK 12 / 0 / 71 / 18

HEX #B8D13D

RGB 184 209 61

HSL 70.14, 0.62%, 0.53%

LAB 79.69, -27.39, 66.59

 

CMYK 13 / 0 / 76 / 40

HEX #849824

RGB 132 152 36

HSL 70.34, 0.62%, 0.37%

LAB 59.42, -22.54, 54.51

 

CMYK 77 / 0 / 49 / 40

HEX #23984E

RGB 35 152 78

HSL 142.05, 0.63%, 0.37%

LAB 55.45, -48.39, 29.99

 

CMYK 18 / 77 / 0 / 40

HEX #7D2398

RGB 125 35 152

HSL 286.15, 0.63%, 0.37%

LAB 33.62, 54.65, -45.22

 

CMYK 13 / 0 / 76 / 40

HEX #849824

RGB 132 152 36

HSL 70.34, 0.62%, 0.37%

LAB 59.42, -22.54, 54.51

 

CMYK 77 / 13 / 0 / 40

HEX #238598

RGB 35 133 152

HSL 189.74, 0.63%, 0.37%

LAB 51.15, -20.76, -18.12

 

CMYK 0 / 77 / 13 / 40

HEX #982385

RGB 152 35 133

HSL 309.74, 0.63%, 0.37%

LAB 37.06, 57.26, -27.8

 

CMYK 13 / 0 / 76 / 40

HEX #849824

RGB 132 152 36

HSL 70.34, 0.62%, 0.37%

LAB 59.42, -22.54, 54.51

 

CMYK 77 / 0 / 49 / 40

HEX #23984E

RGB 35 152 78

HSL 142.05, 0.63%, 0.37%

LAB 55.45, -48.39, 29.99

 

CMYK 64 / 77 / 0 / 40

HEX #372398

RGB 55 35 152

HSL 250.26, 0.63%, 0.37%

LAB 24.58, 42.77, -60.35

 

CMYK 0 / 77 / 28 / 40

HEX #98236D

RGB 152 35 109

HSL 322.05, 0.63%, 0.37%

LAB 35.95, 53.93, -14.51

 

CMYK 13 / 0 / 76 / 40

HEX #849824

RGB 132 152 36

HSL 70.34, 0.62%, 0.37%

LAB 59.42, -22.54, 54.51

 

CMYK 77 / 0 / 26 / 40

HEX #239871

RGB 35 152 113

HSL 160, 0.63%, 0.37%

LAB 56.09, -41.14, 11.62

 

CMYK 64 / 77 / 0 / 40

HEX #372398

RGB 55 35 152

HSL 250.26, 0.63%, 0.37%

LAB 24.58, 42.77, -60.35

 

CMYK 0 / 77 / 51 / 40

HEX #98234A

RGB 152 35 74

HSL 340, 0.63%, 0.37%

LAB 34.75, 50.18, 6.19

 

Description

Color code: HEX #849824 | qconv.com Color code: HEX #849824 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 152 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 152 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 76 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 76% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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