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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #849440 it is the complementary color #7B6BBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #849440. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #849440 shade: #89943B, #9AA64E, #ABB861, #BCCA74 and #CDDC87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #849440. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #849440 shade: #849440, #73822D, #62701A, #515E07 and #404C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #849440 shade: #859540, #958F40, #957840, #956040 and #954940

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #849440 shade: #859540, #6E9540, #579540, #409540 and #409557

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #849440 shade matches the following richer shades: #859540, #90A72E, #9BB81D and #A5C90C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #849440 shade: #859540, #7A8451, #707362, #656174 and #5A5085

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #849440 shade: #957740, #958E40, #869540, #6F9540 and #589540

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #849440 shade: #525C27, #6B7933, #859540, #9FB24C and #AEBF69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #849440 shade: #849440, #409561 and #834095

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #849440 shade: #849440, #408695 and #954086

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #849440 shade: #849440, #409561, #4F4095 and #954075

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #849440 shade: #849440, #40957A, #4F4095 and #95405B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 57 / 42

HEX #849440

RGB 132 148 64

HSL 71.43, 0.4%, 0.42%

LAB 58.47, -18.56, 41.76

 

Complementary color

CMYK 36 / 44 / 0 / 25

HEX #7B6BBF

RGB 123 107 191

HSL 251.43, 0.4%, 0.58%

LAB 50.08, 25.97, -42.05

 

CMYK 7 / 0 / 60 / 42

HEX #89943B

RGB 137 148 59

HSL 67.42, 0.43%, 0.41%

LAB 58.8, -16.85, 44.61

 

CMYK 7 / 0 / 53 / 35

HEX #9AA64E

RGB 154 166 78

HSL 68.18, 0.36%, 0.48%

LAB 65.51, -17.3, 43.56

 

CMYK 7 / 0 / 47 / 28

HEX #ABB861

RGB 171 184 97

HSL 68.97, 0.38%, 0.55%

LAB 72.1, -17.65, 42.41

 

CMYK 7 / 0 / 43 / 21

HEX #BCCA74

RGB 188 202 116

HSL 69.77, 0.45%, 0.62%

LAB 78.57, -17.92, 41.23

 

CMYK 7 / 0 / 39 / 14

HEX #CDDC87

RGB 205 220 135

HSL 70.59, 0.55%, 0.7%

LAB 84.95, -18.12, 40.07

 

CMYK 11 / 0 / 57 / 42

HEX #849440

RGB 132 148 64

HSL 71.43, 0.4%, 0.42%

LAB 58.47, -18.56, 41.76

 

CMYK 12 / 0 / 65 / 49

HEX #73822D

RGB 115 130 45

HSL 70.59, 0.49%, 0.34%

LAB 51.61, -18.1, 42.7

 

CMYK 13 / 0 / 77 / 56

HEX #62701A

RGB 98 112 26

HSL 69.77, 0.62%, 0.27%

LAB 44.6, -17.43, 43.1

 

CMYK 14 / 0 / 93 / 63

HEX #515E07

RGB 81 94 7

HSL 68.97, 0.86%, 0.2%

LAB 37.43, -16.46, 42.18

 

CMYK 16 / 0 / 100 / 70

HEX #404C00

RGB 64 76 0

HSL 69.47, 1%, 0.15%

LAB 30.06, -15.01, 38.08

 

CMYK 11 / 0 / 57 / 42

HEX #859540

RGB 133 149 64

HSL 71.29, 0.4%, 0.42%

LAB 58.84, -18.65, 42.2

 

CMYK 0 / 4 / 57 / 42

HEX #958F40

RGB 149 143 64

HSL 55.76, 0.4%, 0.42%

LAB 58.42, -8.55, 42.08

 

CMYK 0 / 19 / 57 / 42

HEX #957840

RGB 149 120 64

HSL 39.53, 0.4%, 0.42%

LAB 52.05, 4.24, 34.66

 

CMYK 0 / 36 / 57 / 42

HEX #956040

RGB 149 96 64

HSL 22.59, 0.4%, 0.42%

LAB 45.81, 18.06, 27.03

 

CMYK 0 / 51 / 57 / 42

HEX #954940

RGB 149 73 64

HSL 6.35, 0.4%, 0.42%

LAB 40.45, 31.03, 20.19

 

CMYK 11 / 0 / 57 / 42

HEX #859540

RGB 133 149 64

HSL 71.29, 0.4%, 0.42%

LAB 58.84, -18.65, 42.2

 

CMYK 26 / 0 / 57 / 42

HEX #6E9540

RGB 110 149 64

HSL 87.53, 0.4%, 0.42%

LAB 57.25, -28.05, 39.97

 

CMYK 42 / 0 / 57 / 42

HEX #579540

RGB 87 149 64

HSL 103.76, 0.4%, 0.42%

LAB 55.98, -36.48, 38.16

 

CMYK 57 / 0 / 57 / 42

HEX #409540

RGB 64 149 64

HSL 120, 0.4%, 0.42%

LAB 55.03, -43.43, 36.8

 

CMYK 57 / 0 / 42 / 42

HEX #409557

RGB 64 149 87

HSL 136.24, 0.4%, 0.42%

LAB 55.35, -39.89, 25.2

 

CMYK 11 / 0 / 57 / 42

HEX #859540

RGB 133 149 64

HSL 71.29, 0.4%, 0.42%

LAB 58.84, -18.65, 42.2

 

CMYK 14 / 0 / 72 / 35

HEX #90A72E

RGB 144 167 46

HSL 71.4, 0.57%, 0.42%

LAB 64.77, -24.37, 56.41

 

CMYK 16 / 0 / 84 / 28

HEX #9BB81D

RGB 155 184 29

HSL 71.23, 0.73%, 0.42%

LAB 70.41, -28.74, 66.95

 

CMYK 18 / 0 / 94 / 21

HEX #A5C90C

RGB 165 201 12

HSL 71.43, 0.89%, 0.42%

LAB 75.95, -32.99, 74.63

 

CMYK 11 / 0 / 57 / 42

HEX #859540

RGB 133 149 64

HSL 71.29, 0.4%, 0.42%

LAB 58.84, -18.65, 42.2

 

CMYK 8 / 0 / 39 / 48

HEX #7A8451

RGB 122 132 81

HSL 71.76, 0.24%, 0.42%

LAB 53.2, -12.43, 26.32

 

CMYK 3 / 0 / 15 / 55

HEX #707362

RGB 112 115 98

HSL 70.59, 0.08%, 0.42%

LAB 47.74, -4.42, 9.03

 

CMYK 13 / 16 / 0 / 55

HEX #656174

RGB 101 97 116

HSL 252.63, 0.09%, 0.42%

LAB 42.12, 5.73, -10.12

 

CMYK 32 / 40 / 0 / 48

HEX #5A5085

RGB 90 80 133

HSL 251.32, 0.25%, 0.42%

LAB 37.12, 17.02, -28.29

 

CMYK 0 / 20 / 57 / 42

HEX #957740

RGB 149 119 64

HSL 38.82, 0.4%, 0.42%

LAB 51.78, 4.81, 34.33

 

CMYK 0 / 5 / 57 / 42

HEX #958E40

RGB 149 142 64

HSL 55.06, 0.4%, 0.42%

LAB 58.14, -8.01, 41.75

 

CMYK 10 / 0 / 57 / 42

HEX #869540

RGB 134 149 64

HSL 70.59, 0.4%, 0.42%

LAB 58.91, -18.23, 42.31

 

CMYK 26 / 0 / 57 / 42

HEX #6F9540

RGB 111 149 64

HSL 86.82, 0.4%, 0.42%

LAB 57.31, -27.66, 40.05

 

CMYK 41 / 0 / 57 / 42

HEX #589540

RGB 88 149 64

HSL 103.06, 0.4%, 0.42%

LAB 56.03, -36.14, 38.23

 

CMYK 11 / 0 / 58 / 64

HEX #525C27

RGB 82 92 39

HSL 71.32, 0.4%, 0.26%

LAB 37.1, -12.8, 28.78

 

CMYK 12 / 0 / 58 / 53

HEX #6B7933

RGB 107 121 51

HSL 72, 0.41%, 0.34%

LAB 48.31, -16.33, 36.02

 

CMYK 11 / 0 / 57 / 42

HEX #859540

RGB 133 149 64

HSL 71.29, 0.4%, 0.42%

LAB 58.84, -18.65, 42.2

 

CMYK 11 / 0 / 57 / 30

HEX #9FB24C

RGB 159 178 76

HSL 71.18, 0.4%, 0.5%

LAB 69.28, -21.48, 48.94

 

CMYK 9 / 0 / 45 / 25

HEX #AEBF69

RGB 174 191 105

HSL 71.86, 0.4%, 0.58%

LAB 74.37, -19.13, 41.26

 

CMYK 11 / 0 / 57 / 42

HEX #849440

RGB 132 148 64

HSL 71.43, 0.4%, 0.42%

LAB 58.47, -18.56, 41.76

 

CMYK 57 / 0 / 35 / 42

HEX #409561

RGB 64 149 97

HSL 143.29, 0.4%, 0.42%

LAB 55.53, -38, 19.94

 

CMYK 12 / 57 / 0 / 42

HEX #834095

RGB 131 64 149

HSL 287.29, 0.4%, 0.42%

LAB 39.01, 42.5, -34.75

 

CMYK 11 / 0 / 57 / 42

HEX #849440

RGB 132 148 64

HSL 71.43, 0.4%, 0.42%

LAB 58.47, -18.56, 41.76

 

CMYK 57 / 10 / 0 / 42

HEX #408695

RGB 64 134 149

HSL 190.59, 0.4%, 0.42%

LAB 52.19, -17.46, -14.72

 

CMYK 0 / 57 / 10 / 42

HEX #954086

RGB 149 64 134

HSL 310.59, 0.4%, 0.42%

LAB 40.86, 44.84, -22.53

 

CMYK 11 / 0 / 57 / 42

HEX #849440

RGB 132 148 64

HSL 71.43, 0.4%, 0.42%

LAB 58.47, -18.56, 41.76

 

CMYK 57 / 0 / 35 / 42

HEX #409561

RGB 64 149 97

HSL 143.29, 0.4%, 0.42%

LAB 55.53, -38, 19.94

 

CMYK 47 / 57 / 0 / 42

HEX #4F4095

RGB 79 64 149

HSL 250.59, 0.4%, 0.42%

LAB 32.92, 28.93, -44.82

 

CMYK 0 / 57 / 21 / 42

HEX #954075

RGB 149 64 117

HSL 322.59, 0.4%, 0.42%

LAB 40.15, 42.1, -13.16

 

CMYK 11 / 0 / 57 / 42

HEX #849440

RGB 132 148 64

HSL 71.43, 0.4%, 0.42%

LAB 58.47, -18.56, 41.76

 

CMYK 57 / 0 / 18 / 42

HEX #40957A

RGB 64 149 122

HSL 160.94, 0.4%, 0.42%

LAB 56.08, -32.46, 6.59

 

CMYK 47 / 57 / 0 / 42

HEX #4F4095

RGB 79 64 149

HSL 250.59, 0.4%, 0.42%

LAB 32.92, 28.93, -44.82

 

CMYK 0 / 57 / 39 / 42

HEX #95405B

RGB 149 64 91

HSL 340.94, 0.4%, 0.42%

LAB 39.26, 38.55, 1.75

 

Description

Color code: HEX #849440 | qconv.com Color code: HEX #849440 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 148 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 148 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 57 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 57% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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