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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #846A23 it is the complementary color #7B95DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #846A23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #846A23 shade: #896A1E, #9A7C31, #AB8E44, #BCA057 and #CDB26A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #846A23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #846A23 shade: #846A23, #735810, #624600, #513400 and #402200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #846A23 shade: #846A23, #845023, #843623 and #842323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #846A23 shade: #846A23, #848423, #6A8423, #508423 and #358423

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #846A23 shade matches the following richer shades: #846A23, #927115 and #A07708

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #846A23 shade: #846A23, #776430, #695E3E, #5C574C and #4E5159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #846A23 shade: #843523, #844F23, #846923, #848323 and #6C8423

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #846A23 shade: #433612, #64501A, #846A23, #A5842C and #C69F34

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #846A23 shade: #846A23, #2B8423 and #422384

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #846A23 shade: #846A23, #238469 and #692384

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #846A23 shade: #846A23, #2B8423, #233F84 and #7C2384

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #846A23 shade: #846A23, #238438, #233F84 and #84236F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 73 / 48

HEX #846A23

RGB 132 106 35

HSL 43.92, 0.58%, 0.33%

LAB 46.09, 2.41, 41.92

 

Complementary color

CMYK 44 / 32 / 0 / 14

HEX #7B95DC

RGB 123 149 220

HSL 223.92, 0.58%, 0.67%

LAB 62.4, 9.3, -39.06

 

CMYK 0 / 23 / 78 / 46

HEX #896A1E

RGB 137 106 30

HSL 42.62, 0.64%, 0.33%

LAB 46.61, 4.52, 44.75

 

CMYK 0 / 19 / 68 / 40

HEX #9A7C31

RGB 154 124 49

HSL 42.86, 0.52%, 0.4%

LAB 53.5, 3.13, 43.95

 

CMYK 0 / 17 / 60 / 33

HEX #AB8E44

RGB 171 142 68

HSL 43.11, 0.43%, 0.47%

LAB 60.27, 2.01, 42.78

 

CMYK 0 / 15 / 54 / 26

HEX #BCA057

RGB 188 160 87

HSL 43.37, 0.43%, 0.54%

LAB 66.92, 1.09, 41.49

 

CMYK 0 / 13 / 48 / 20

HEX #CDB26A

RGB 205 178 106

HSL 43.64, 0.5%, 0.61%

LAB 73.45, 0.32, 40.19

 

CMYK 0 / 20 / 73 / 48

HEX #846A23

RGB 132 106 35

HSL 43.92, 0.58%, 0.33%

LAB 46.09, 2.41, 41.92

 

CMYK 0 / 23 / 86 / 55

HEX #735810

RGB 115 88 16

HSL 43.64, 0.76%, 0.26%

LAB 39, 3.99, 42.18

 

CMYK 0 / 29 / 100 / 62

HEX #624600

RGB 98 70 0

HSL 42.86, 1%, 0.19%

LAB 31.75, 5.99, 40.94

 

CMYK 0 / 36 / 100 / 68

HEX #513400

RGB 81 52 0

HSL 38.52, 1%, 0.16%

LAB 24.34, 8.62, 33.84

 

CMYK 0 / 47 / 100 / 75

HEX #402200

RGB 64 34 0

HSL 31.88, 1%, 0.13%

LAB 16.67, 11.48, 24.6

 

CMYK 0 / 20 / 73 / 48

HEX #846A23

RGB 132 106 35

HSL 43.92, 0.58%, 0.33%

LAB 46.09, 2.41, 41.92

 

CMYK 0 / 39 / 73 / 48

HEX #845023

RGB 132 80 35

HSL 27.84, 0.58%, 0.33%

LAB 39.18, 17.69, 34.74

 

CMYK 0 / 59 / 73 / 48

HEX #843623

RGB 132 54 35

HSL 11.75, 0.58%, 0.33%

LAB 33.28, 32.28, 28.25

 

CMYK 0 / 73 / 73 / 48

HEX #842323

RGB 132 35 35

HSL 0, 0.58%, 0.33%

LAB 29.98, 41.1, 24.45

 

CMYK 0 / 20 / 73 / 48

HEX #846A23

RGB 132 106 35

HSL 43.92, 0.58%, 0.33%

LAB 46.09, 2.41, 41.92

 

CMYK 0 / 0 / 73 / 48

HEX #848423

RGB 132 132 35

HSL 60, 0.58%, 0.33%

LAB 53.52, -12.17, 49.25

 

CMYK 20 / 0 / 73 / 48

HEX #6A8423

RGB 106 132 35

HSL 76.08, 0.58%, 0.33%

LAB 51.48, -23.72, 46.56

 

CMYK 39 / 0 / 73 / 48

HEX #508423

RGB 80 132 35

HSL 92.16, 0.58%, 0.33%

LAB 49.89, -34.15, 44.45

 

CMYK 60 / 0 / 73 / 48

HEX #358423

RGB 53 132 35

HSL 108.87, 0.58%, 0.33%

LAB 48.74, -42.81, 42.9

 

CMYK 0 / 20 / 73 / 48

HEX #846A23

RGB 132 106 35

HSL 43.92, 0.58%, 0.33%

LAB 46.09, 2.41, 41.92

 

CMYK 0 / 23 / 86 / 43

HEX #927115

RGB 146 113 21

HSL 44.16, 0.75%, 0.33%

LAB 49.47, 4.39, 50.92

 

CMYK 0 / 26 / 95 / 37

HEX #A07708

RGB 160 119 8

HSL 43.82, 0.9%, 0.33%

LAB 52.6, 7.23, 57.16

 

CMYK 0 / 20 / 73 / 48

HEX #846A23

RGB 132 106 35

HSL 43.92, 0.58%, 0.33%

LAB 46.09, 2.41, 41.92

 

CMYK 0 / 16 / 60 / 53

HEX #776430

RGB 119 100 48

HSL 43.94, 0.43%, 0.33%

LAB 43.14, 0.71, 31.88

 

CMYK 0 / 10 / 41 / 59

HEX #695E3E

RGB 105 94 62

HSL 44.65, 0.26%, 0.33%

LAB 40.17, -0.72, 19.97

 

CMYK 0 / 5 / 17 / 64

HEX #5C574C

RGB 92 87 76

HSL 41.25, 0.1%, 0.33%

LAB 37.14, -0.09, 7.12

 

CMYK 12 / 9 / 0 / 65

HEX #4E5159

RGB 78 81 89

HSL 223.64, 0.07%, 0.33%

LAB 34.45, 0.64, -5.09

 

CMYK 0 / 60 / 73 / 48

HEX #843523

RGB 132 53 35

HSL 11.13, 0.58%, 0.33%

LAB 33.08, 32.8, 28.02

 

CMYK 0 / 40 / 73 / 48

HEX #844F23

RGB 132 79 35

HSL 27.22, 0.58%, 0.33%

LAB 38.93, 18.28, 34.47

 

CMYK 0 / 20 / 73 / 48

HEX #846923

RGB 132 105 35

HSL 43.3, 0.58%, 0.33%

LAB 45.81, 2.99, 41.64

 

CMYK 0 / 1 / 73 / 48

HEX #848323

RGB 132 131 35

HSL 59.38, 0.58%, 0.33%

LAB 53.23, -11.63, 48.97

 

CMYK 18 / 0 / 73 / 48

HEX #6C8423

RGB 108 132 35

HSL 74.85, 0.58%, 0.33%

LAB 51.62, -22.86, 46.75

 

CMYK 0 / 19 / 73 / 74

HEX #433612

RGB 67 54 18

HSL 44.08, 0.58%, 0.17%

LAB 23.25, 0.91, 24.15

 

CMYK 0 / 20 / 74 / 61

HEX #64501A

RGB 100 80 26

HSL 43.78, 0.59%, 0.25%

LAB 35.05, 1.9, 33.67

 

CMYK 0 / 20 / 73 / 48

HEX #846A23

RGB 132 106 35

HSL 43.92, 0.58%, 0.33%

LAB 46.09, 2.41, 41.92

 

CMYK 0 / 20 / 73 / 35

HEX #A5842C

RGB 165 132 44

HSL 43.64, 0.58%, 0.41%

LAB 56.77, 3.36, 49.9

 

CMYK 0 / 20 / 74 / 22

HEX #C69F34

RGB 198 159 52

HSL 43.97, 0.58%, 0.49%

LAB 67.31, 3.67, 58.21

 

CMYK 0 / 20 / 73 / 48

HEX #846A23

RGB 132 106 35

HSL 43.92, 0.58%, 0.33%

LAB 46.09, 2.41, 41.92

 

CMYK 67 / 0 / 73 / 48

HEX #2B8423

RGB 43 132 35

HSL 115.05, 0.58%, 0.33%

LAB 48.43, -45.27, 42.49

 

CMYK 50 / 73 / 0 / 48

HEX #422384

RGB 66 35 132

HSL 259.18, 0.58%, 0.33%

LAB 23.76, 38.34, -49.23

 

CMYK 0 / 20 / 73 / 48

HEX #846A23

RGB 132 106 35

HSL 43.92, 0.58%, 0.33%

LAB 46.09, 2.41, 41.92

 

CMYK 73 / 0 / 20 / 48

HEX #238469

RGB 35 132 105

HSL 163.3, 0.58%, 0.33%

LAB 49.35, -34.42, 6.67

 

CMYK 20 / 73 / 0 / 48

HEX #692384

RGB 105 35 132

HSL 283.3, 0.58%, 0.33%

LAB 29.09, 46.28, -40.34

 

CMYK 0 / 20 / 73 / 48

HEX #846A23

RGB 132 106 35

HSL 43.92, 0.58%, 0.33%

LAB 46.09, 2.41, 41.92

 

CMYK 67 / 0 / 73 / 48

HEX #2B8423

RGB 43 132 35

HSL 115.05, 0.58%, 0.33%

LAB 48.43, -45.27, 42.49

 

CMYK 73 / 52 / 0 / 48

HEX #233F84

RGB 35 63 132

HSL 222.68, 0.58%, 0.33%

LAB 28.32, 14.83, -41.92

 

CMYK 6 / 73 / 0 / 48

HEX #7C2384

RGB 124 35 132

HSL 295.05, 0.58%, 0.33%

LAB 32.15, 50.57, -35.26

 

CMYK 0 / 20 / 73 / 48

HEX #846A23

RGB 132 106 35

HSL 43.92, 0.58%, 0.33%

LAB 46.09, 2.41, 41.92

 

CMYK 73 / 0 / 58 / 48

HEX #238438

RGB 35 132 56

HSL 132.99, 0.58%, 0.33%

LAB 48.44, -44.45, 32.78

 

CMYK 73 / 52 / 0 / 48

HEX #233F84

RGB 35 63 132

HSL 222.68, 0.58%, 0.33%

LAB 28.32, 14.83, -41.92

 

CMYK 0 / 73 / 16 / 48

HEX #84236F

RGB 132 35 111

HSL 312.99, 0.58%, 0.33%

LAB 32.38, 48.98, -21.58

 

Description

Color code: HEX #846A23 | qconv.com Color code: HEX #846A23 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 106 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 106 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 73 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 73% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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