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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8463FC it is the complementary color #7B9C03. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8463FC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8463FC shade: #8963F7, #9A75FF, #AB87FF, #BC99FF and #CDABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8463FC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8463FC shade: #8463FC, #7351E9, #623FD6, #512DC3 and #401BB0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8463FC shade: #8464FB, #AD64FB, #D664FB, #FB64F8 and #FB64CF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8463FC shade: #8464FB and #6464FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8463FC shade matches the following richer shades: #8464FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8463FC shade: #8464FB, #8C70EF, #937DE2, #9A8AD5 and #A197C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8463FC shade: #6496FB, #646EFB, #8264FB, #AA64FB and #D364FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8463FC shade: #4513FA, #643BFB, #8464FB, #A48CFC and #C4B4FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8463FC shade: #8463FC, #FB64BF and #82FB64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8463FC shade: #8463FC, #FB8264 and #64FB82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8463FC shade: #8463FC, #FB64BF, #DDFB64 and #64FBA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8463FC shade: #8463FC, #FB6491, #DDFB64 and #64FBCE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 61 / 0 / 1

HEX #8463FC

RGB 132 99 252

HSL 252.94, 0.96%, 0.69%

LAB 52.79, 49.67, -72.14

 

Complementary color

CMYK 21 / 0 / 98 / 39

HEX #7B9C03

RGB 123 156 3

HSL 72.94, 0.96%, 0.31%

LAB 59.88, -29.33, 62.04

 

CMYK 45 / 60 / 0 / 3

HEX #8963F7

RGB 137 99 247

HSL 255.41, 0.9%, 0.68%

LAB 52.9, 49.26, -69.16

 

CMYK 40 / 54 / 0 / 0

HEX #9A75FF

RGB 154 117 255

HSL 256.09, 1%, 0.73%

LAB 58.8, 45.08, -64

 

CMYK 33 / 47 / 0 / 0

HEX #AB87FF

RGB 171 135 255

HSL 258, 1%, 0.76%

LAB 64.33, 39.11, -55.08

 

CMYK 26 / 40 / 0 / 0

HEX #BC99FF

RGB 188 153 255

HSL 260.59, 1%, 0.8%

LAB 69.96, 33.59, -46.08

 

CMYK 20 / 33 / 0 / 0

HEX #CDABFF

RGB 205 171 255

HSL 264.29, 1%, 0.84%

LAB 75.65, 28.53, -37.08

 

CMYK 48 / 61 / 0 / 1

HEX #8463FC

RGB 132 99 252

HSL 252.94, 0.96%, 0.69%

LAB 52.79, 49.67, -72.14

 

CMYK 51 / 65 / 0 / 9

HEX #7351E9

RGB 115 81 233

HSL 253.42, 0.78%, 0.62%

LAB 46.19, 51.08, -72.3

 

CMYK 54 / 71 / 0 / 16

HEX #623FD6

RGB 98 63 214

HSL 253.91, 0.65%, 0.54%

LAB 39.59, 52.49, -72.33

 

CMYK 58 / 77 / 0 / 24

HEX #512DC3

RGB 81 45 195

HSL 254.4, 0.63%, 0.47%

LAB 33.06, 53.72, -72.08

 

CMYK 64 / 85 / 0 / 31

HEX #401BB0

RGB 64 27 176

HSL 254.9, 0.73%, 0.4%

LAB 26.76, 54.4, -71.28

 

CMYK 47 / 60 / 0 / 2

HEX #8464FB

RGB 132 100 251

HSL 252.72, 0.95%, 0.69%

LAB 52.93, 48.84, -71.36

 

CMYK 31 / 60 / 0 / 2

HEX #AD64FB

RGB 173 100 251

HSL 269.01, 0.95%, 0.69%

LAB 57.04, 57.36, -64.52

 

CMYK 15 / 60 / 0 / 2

HEX #D664FB

RGB 214 100 251

HSL 285.3, 0.95%, 0.69%

LAB 61.98, 66.71, -56.34

 

CMYK 0 / 60 / 1 / 2

HEX #FB64F8

RGB 251 100 248

HSL 301.19, 0.95%, 0.69%

LAB 66.83, 74.95, -46.69

 

CMYK 0 / 60 / 18 / 2

HEX #FB64CF

RGB 251 100 207

HSL 317.48, 0.95%, 0.69%

LAB 65.06, 68.76, -26.62

 

CMYK 47 / 60 / 0 / 2

HEX #8464FB

RGB 132 100 251

HSL 252.72, 0.95%, 0.69%

LAB 52.93, 48.84, -71.36

 

CMYK 60 / 60 / 0 / 2

HEX #6464FB

RGB 100 100 251

HSL 240, 0.95%, 0.69%

LAB 50.44, 43.22, -75.52

 

CMYK 47 / 60 / 0 / 2

HEX #8464FB

RGB 132 100 251

HSL 252.72, 0.95%, 0.69%

LAB 52.93, 48.84, -71.36

 

CMYK 47 / 60 / 0 / 2

HEX #8464FB

RGB 132 100 251

HSL 252.72, 0.95%, 0.69%

LAB 52.93, 48.84, -71.36

 

CMYK 41 / 53 / 0 / 6

HEX #8C70EF

RGB 140 112 239

HSL 253.23, 0.8%, 0.69%

LAB 55.48, 40.43, -60.54

 

CMYK 35 / 45 / 0 / 11

HEX #937DE2

RGB 147 125 226

HSL 253.07, 0.64%, 0.69%

LAB 58.38, 31.16, -48.62

 

CMYK 28 / 35 / 0 / 16

HEX #9A8AD5

RGB 154 138 213

HSL 252.8, 0.47%, 0.69%

LAB 61.53, 22.25, -36.36

 

CMYK 20 / 25 / 0 / 22

HEX #A197C8

RGB 161 151 200

HSL 252.24, 0.31%, 0.69%

LAB 64.87, 13.83, -23.88

 

CMYK 60 / 40 / 0 / 2

HEX #6496FB

RGB 100 150 251

HSL 220.13, 0.95%, 0.69%

LAB 62.92, 13.29, -55.43

 

CMYK 60 / 56 / 0 / 2

HEX #646EFB

RGB 100 110 251

HSL 236.03, 0.95%, 0.69%

LAB 52.76, 37.28, -71.75

 

CMYK 48 / 60 / 0 / 2

HEX #8264FB

RGB 130 100 251

HSL 251.92, 0.95%, 0.69%

LAB 52.76, 48.45, -71.65

 

CMYK 32 / 60 / 0 / 2

HEX #AA64FB

RGB 170 100 251

HSL 267.81, 0.95%, 0.69%

LAB 56.71, 56.7, -65.07

 

CMYK 16 / 60 / 0 / 2

HEX #D364FB

RGB 211 100 251

HSL 284.11, 0.95%, 0.69%

LAB 61.59, 66.01, -56.97

 

CMYK 72 / 92 / 0 / 2

HEX #4513FA

RGB 69 19 250

HSL 252.99, 0.96%, 0.53%

LAB 35.27, 76.13, -100.04

 

CMYK 60 / 76 / 0 / 2

HEX #643BFB

RGB 100 59 251

HSL 252.81, 0.96%, 0.61%

LAB 42.46, 65.05, -88.59

 

CMYK 47 / 60 / 0 / 2

HEX #8464FB

RGB 132 100 251

HSL 252.72, 0.95%, 0.69%

LAB 52.93, 48.84, -71.36

 

CMYK 35 / 44 / 0 / 1

HEX #A48CFC

RGB 164 140 252

HSL 252.86, 0.95%, 0.77%

LAB 64.71, 33.75, -52.88

 

CMYK 23 / 29 / 0 / 1

HEX #C4B4FD

RGB 196 180 253

HSL 253.15, 0.95%, 0.85%

LAB 76.96, 20.49, -34.04

 

CMYK 48 / 61 / 0 / 1

HEX #8463FC

RGB 132 99 252

HSL 252.94, 0.96%, 0.69%

LAB 52.79, 49.67, -72.14

 

CMYK 0 / 60 / 24 / 2

HEX #FB64BF

RGB 251 100 191

HSL 323.84, 0.95%, 0.69%

LAB 64.47, 66.6, -18.48

 

CMYK 48 / 0 / 60 / 2

HEX #82FB64

RGB 130 251 100

HSL 108.08, 0.95%, 0.69%

LAB 89.23, -61.02, 60.55

 

CMYK 48 / 61 / 0 / 1

HEX #8463FC

RGB 132 99 252

HSL 252.94, 0.96%, 0.69%

LAB 52.79, 49.67, -72.14

 

CMYK 0 / 48 / 60 / 2

HEX #FB8264

RGB 251 130 100

HSL 11.92, 0.95%, 0.69%

LAB 67.57, 43.58, 37.17

 

CMYK 60 / 0 / 48 / 2

HEX #64FB82

RGB 100 251 130

HSL 131.92, 0.95%, 0.69%

LAB 88.6, -64.7, 46.05

 

CMYK 48 / 61 / 0 / 1

HEX #8463FC

RGB 132 99 252

HSL 252.94, 0.96%, 0.69%

LAB 52.79, 49.67, -72.14

 

CMYK 0 / 60 / 24 / 2

HEX #FB64BF

RGB 251 100 191

HSL 323.84, 0.95%, 0.69%

LAB 64.47, 66.6, -18.48

 

CMYK 12 / 0 / 60 / 2

HEX #DDFB64

RGB 221 251 100

HSL 71.92, 0.95%, 0.69%

LAB 94.01, -30.03, 67.19

 

CMYK 60 / 0 / 36 / 2

HEX #64FBA0

RGB 100 251 160

HSL 143.84, 0.95%, 0.69%

LAB 89.04, -59.9, 31.95

 

CMYK 48 / 61 / 0 / 1

HEX #8463FC

RGB 132 99 252

HSL 252.94, 0.96%, 0.69%

LAB 52.79, 49.67, -72.14

 

CMYK 0 / 60 / 42 / 2

HEX #FB6491

RGB 251 100 145

HSL 342.12, 0.95%, 0.69%

LAB 63.07, 61.34, 5.76

 

CMYK 12 / 0 / 60 / 2

HEX #DDFB64

RGB 221 251 100

HSL 71.92, 0.95%, 0.69%

LAB 94.01, -30.03, 67.19

 

CMYK 60 / 0 / 18 / 2

HEX #64FBCE

RGB 100 251 206

HSL 162.12, 0.95%, 0.69%

LAB 89.93, -50.59, 9.69

 

Description

Color code: HEX #8463FC | qconv.com Color code: HEX #8463FC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 99 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 99 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 61 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 61% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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