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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #846928 it is the complementary color #7B96D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #846928. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #846928 shade: #896923, #9A7B36, #AB8D49, #BC9F5C and #CDB16F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #846928. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #846928 shade: #846928, #735715, #624502, #513300 and #402100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #846928 shade: #846928, #845028, #843828 and #842828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #846928 shade: #846928, #848228, #6E8428, #558428 and #3C8428

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #846928 shade matches the following richer shades: #846928, #926F1A and #A0750C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #846928 shade: #846928, #766336, #685E44, #5A5852 and #4C5260

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #846928 shade: #843828, #845028, #846928, #848128 and #6F8428

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #846928 shade: #453715, #65501F, #846928, #A48232 and #C39B3C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #846928 shade: #846928, #318428 and #442884

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #846928 shade: #846928, #288469 and #692884

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #846928 shade: #846928, #318428, #284484 and #7B2884

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #846928 shade: #846928, #28843B, #284484 and #842872

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 70 / 48

HEX #846928

RGB 132 105 40

HSL 42.39, 0.53%, 0.34%

LAB 45.86, 3.29, 39.36

 

Complementary color

CMYK 43 / 30 / 0 / 16

HEX #7B96D7

RGB 123 150 215

HSL 222.39, 0.53%, 0.66%

LAB 62.45, 7.29, -36.21

 

CMYK 0 / 23 / 74 / 46

HEX #896923

RGB 137 105 35

HSL 41.18, 0.59%, 0.34%

LAB 46.37, 5.34, 42.38

 

CMYK 0 / 20 / 65 / 40

HEX #9A7B36

RGB 154 123 54

HSL 41.4, 0.48%, 0.41%

LAB 53.28, 4.02, 41.32

 

CMYK 0 / 18 / 57 / 33

HEX #AB8D49

RGB 171 141 73

HSL 41.63, 0.4%, 0.48%

LAB 60.06, 2.95, 40.03

 

CMYK 0 / 15 / 51 / 26

HEX #BC9F5C

RGB 188 159 92

HSL 41.88, 0.42%, 0.55%

LAB 66.72, 2.07, 38.69

 

CMYK 0 / 14 / 46 / 20

HEX #CDB16F

RGB 205 177 111

HSL 42.13, 0.48%, 0.62%

LAB 73.27, 1.34, 37.39

 

CMYK 0 / 20 / 70 / 48

HEX #846928

RGB 132 105 40

HSL 42.39, 0.53%, 0.34%

LAB 45.86, 3.29, 39.36

 

CMYK 0 / 24 / 82 / 55

HEX #735715

RGB 115 87 21

HSL 42.13, 0.69%, 0.27%

LAB 38.75, 4.78, 40.09

 

CMYK 0 / 30 / 98 / 62

HEX #624502

RGB 98 69 2

HSL 41.88, 0.96%, 0.2%

LAB 31.48, 6.67, 39.94

 

CMYK 0 / 37 / 100 / 68

HEX #513300

RGB 81 51 0

HSL 37.78, 1%, 0.16%

LAB 24.05, 9.26, 33.56

 

CMYK 0 / 48 / 100 / 75

HEX #402100

RGB 64 33 0

HSL 30.94, 1%, 0.13%

LAB 16.39, 12.14, 24.26

 

CMYK 0 / 20 / 70 / 48

HEX #846928

RGB 132 105 40

HSL 42.39, 0.53%, 0.34%

LAB 45.86, 3.29, 39.36

 

CMYK 0 / 39 / 70 / 48

HEX #845028

RGB 132 80 40

HSL 26.09, 0.53%, 0.34%

LAB 39.23, 17.99, 32.14

 

CMYK 0 / 58 / 70 / 48

HEX #843828

RGB 132 56 40

HSL 10.43, 0.53%, 0.34%

LAB 33.75, 31.53, 25.81

 

CMYK 0 / 70 / 70 / 48

HEX #842828

RGB 132 40 40

HSL 0, 0.53%, 0.34%

LAB 30.82, 39.29, 22.3

 

CMYK 0 / 20 / 70 / 48

HEX #846928

RGB 132 105 40

HSL 42.39, 0.53%, 0.34%

LAB 45.86, 3.29, 39.36

 

CMYK 0 / 2 / 70 / 48

HEX #848228

RGB 132 130 40

HSL 58.7, 0.53%, 0.34%

LAB 52.98, -10.81, 46.72

 

CMYK 17 / 0 / 70 / 48

HEX #6E8428

RGB 110 132 40

HSL 74.35, 0.53%, 0.34%

LAB 51.8, -21.67, 44.96

 

CMYK 36 / 0 / 70 / 48

HEX #558428

RGB 85 132 40

HSL 90.65, 0.53%, 0.34%

LAB 50.2, -31.89, 42.79

 

CMYK 55 / 0 / 70 / 48

HEX #3C8428

RGB 60 132 40

HSL 106.96, 0.53%, 0.34%

LAB 49.03, -40.4, 41.2

 

CMYK 0 / 20 / 70 / 48

HEX #846928

RGB 132 105 40

HSL 42.39, 0.53%, 0.34%

LAB 45.86, 3.29, 39.36

 

CMYK 0 / 24 / 82 / 43

HEX #926F1A

RGB 146 111 26

HSL 42.5, 0.7%, 0.34%

LAB 48.95, 5.7, 48.81

 

CMYK 0 / 27 / 93 / 37

HEX #A0750C

RGB 160 117 12

HSL 42.57, 0.86%, 0.34%

LAB 52.09, 8.43, 56.01

 

CMYK 0 / 20 / 70 / 48

HEX #846928

RGB 132 105 40

HSL 42.39, 0.53%, 0.34%

LAB 45.86, 3.29, 39.36

 

CMYK 0 / 16 / 54 / 54

HEX #766336

RGB 118 99 54

HSL 42.19, 0.37%, 0.34%

LAB 42.83, 1.38, 28.2

 

CMYK 0 / 10 / 35 / 59

HEX #685E44

RGB 104 94 68

HSL 43.33, 0.21%, 0.34%

LAB 40.19, -0.36, 16.39

 

CMYK 0 / 2 / 9 / 65

HEX #5A5852

RGB 90 88 82

HSL 45, 0.05%, 0.34%

LAB 37.41, -0.41, 3.76

 

CMYK 21 / 15 / 0 / 62

HEX #4C5260

RGB 76 82 96

HSL 222, 0.12%, 0.34%

LAB 34.83, 1, -8.94

 

CMYK 0 / 58 / 70 / 48

HEX #843828

RGB 132 56 40

HSL 10.43, 0.53%, 0.34%

LAB 33.75, 31.53, 25.81

 

CMYK 0 / 39 / 70 / 48

HEX #845028

RGB 132 80 40

HSL 26.09, 0.53%, 0.34%

LAB 39.23, 17.99, 32.14

 

CMYK 0 / 20 / 70 / 48

HEX #846928

RGB 132 105 40

HSL 42.39, 0.53%, 0.34%

LAB 45.86, 3.29, 39.36

 

CMYK 0 / 2 / 70 / 48

HEX #848128

RGB 132 129 40

HSL 58.04, 0.53%, 0.34%

LAB 52.68, -10.27, 46.43

 

CMYK 16 / 0 / 70 / 48

HEX #6F8428

RGB 111 132 40

HSL 73.7, 0.53%, 0.34%

LAB 51.88, -21.24, 45.06

 

CMYK 0 / 20 / 70 / 73

HEX #453715

RGB 69 55 21

HSL 42.5, 0.53%, 0.18%

LAB 23.84, 1.54, 23.18

 

CMYK 0 / 21 / 69 / 60

HEX #65501F

RGB 101 80 31

HSL 42, 0.53%, 0.26%

LAB 35.21, 2.72, 31.37

 

CMYK 0 / 20 / 70 / 48

HEX #846928

RGB 132 105 40

HSL 42.39, 0.53%, 0.34%

LAB 45.86, 3.29, 39.36

 

CMYK 0 / 21 / 70 / 36

HEX #A48232

RGB 164 130 50

HSL 42.11, 0.53%, 0.42%

LAB 56.18, 4.35, 46.64

 

CMYK 0 / 21 / 69 / 24

HEX #C39B3C

RGB 195 155 60

HSL 42.22, 0.53%, 0.5%

LAB 66.04, 4.92, 53.5

 

CMYK 0 / 20 / 70 / 48

HEX #846928

RGB 132 105 40

HSL 42.39, 0.53%, 0.34%

LAB 45.86, 3.29, 39.36

 

CMYK 63 / 0 / 70 / 48

HEX #318428

RGB 49 132 40

HSL 114.13, 0.53%, 0.34%

LAB 48.65, -43.39, 40.68

 

CMYK 48 / 70 / 0 / 48

HEX #442884

RGB 68 40 132

HSL 258.26, 0.53%, 0.34%

LAB 24.99, 35.92, -47.21

 

CMYK 0 / 20 / 70 / 48

HEX #846928

RGB 132 105 40

HSL 42.39, 0.53%, 0.34%

LAB 45.86, 3.29, 39.36

 

CMYK 70 / 0 / 20 / 48

HEX #288469

RGB 40 132 105

HSL 162.39, 0.53%, 0.34%

LAB 49.46, -33.62, 6.85

 

CMYK 20 / 70 / 0 / 48

HEX #692884

RGB 105 40 132

HSL 282.39, 0.53%, 0.34%

LAB 29.88, 44.04, -39.07

 

CMYK 0 / 20 / 70 / 48

HEX #846928

RGB 132 105 40

HSL 42.39, 0.53%, 0.34%

LAB 45.86, 3.29, 39.36

 

CMYK 63 / 0 / 70 / 48

HEX #318428

RGB 49 132 40

HSL 114.13, 0.53%, 0.34%

LAB 48.65, -43.39, 40.68

 

CMYK 70 / 48 / 0 / 48

HEX #284484

RGB 40 68 132

HSL 221.74, 0.53%, 0.34%

LAB 30.04, 12.21, -39.15

 

CMYK 7 / 70 / 0 / 48

HEX #7B2884

RGB 123 40 132

HSL 294.13, 0.53%, 0.34%

LAB 32.69, 48.36, -34.41

 

CMYK 0 / 20 / 70 / 48

HEX #846928

RGB 132 105 40

HSL 42.39, 0.53%, 0.34%

LAB 45.86, 3.29, 39.36

 

CMYK 70 / 0 / 55 / 48

HEX #28843B

RGB 40 132 59

HSL 132.39, 0.53%, 0.34%

LAB 48.6, -43.06, 31.45

 

CMYK 70 / 48 / 0 / 48

HEX #284484

RGB 40 68 132

HSL 221.74, 0.53%, 0.34%

LAB 30.04, 12.21, -39.15

 

CMYK 0 / 70 / 14 / 48

HEX #842872

RGB 132 40 114

HSL 311.74, 0.53%, 0.34%

LAB 33.22, 47.51, -22.18

 

Description

Color code: HEX #846928 | qconv.com Color code: HEX #846928 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 105 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 105 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 70 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 70% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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