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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #845F58 it is the complementary color #7BA0A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #845F58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #845F58 shade: #895F53, #9A7166, #AB8379, #BC958C and #CDA79F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #845F58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #845F58 shade: #845F58, #734D45, #623B32, #51291F and #40170C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #845F58 shade: #835E57 and #835757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #845F58 shade: #835E57, #836A57, #837657, #838257 and #798357

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #845F58 shade matches the following richer shades: #835E57, #955245, #A74634, #B83A22 and #CA2E10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #845F58 shade: #835E57, #716A69, #60767B, #4E828C and #3C8F9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #845F58 shade: #835768, #83575C, #835E57, #836957 and #837557

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #845F58 shade: #523B36, #6A4C47, #835E57, #9B7169 and #AB8882

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #845F58 shade: #845F58, #748357 and #576283

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #845F58 shade: #845F58, #57835E and #5E5783

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #845F58 shade: #845F58, #748357, #577D83 and #675783

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #845F58 shade: #845F58, #678357, #577D83 and #745783

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 33 / 48

HEX #845F58

RGB 132 95 88

HSL 9.55, 0.2%, 0.43%

LAB 43.94, 14.05, 9.95

 

Complementary color

CMYK 26 / 4 / 0 / 35

HEX #7BA0A7

RGB 123 160 167

HSL 189.55, 0.2%, 0.57%

LAB 63.46, -10.95, -7.78

 

CMYK 0 / 31 / 39 / 46

HEX #895F53

RGB 137 95 83

HSL 13.33, 0.25%, 0.43%

LAB 44.41, 15.5, 13.72

 

CMYK 0 / 27 / 34 / 40

HEX #9A7166

RGB 154 113 102

HSL 12.69, 0.2%, 0.5%

LAB 51.43, 14.63, 12.45

 

CMYK 0 / 23 / 29 / 33

HEX #AB8379

RGB 171 131 121

HSL 12, 0.23%, 0.57%

LAB 58.29, 13.89, 11.33

 

CMYK 0 / 21 / 26 / 26

HEX #BC958C

RGB 188 149 140

HSL 11.25, 0.26%, 0.64%

LAB 65.03, 13.25, 10.31

 

CMYK 0 / 19 / 22 / 20

HEX #CDA79F

RGB 205 167 159

HSL 10.43, 0.32%, 0.71%

LAB 71.64, 12.69, 9.38

 

CMYK 0 / 28 / 33 / 48

HEX #845F58

RGB 132 95 88

HSL 9.55, 0.2%, 0.43%

LAB 43.94, 14.05, 9.95

 

CMYK 0 / 33 / 40 / 55

HEX #734D45

RGB 115 77 69

HSL 10.43, 0.25%, 0.36%

LAB 36.71, 14.96, 11.25

 

CMYK 0 / 40 / 49 / 62

HEX #623B32

RGB 98 59 50

HSL 11.25, 0.32%, 0.29%

LAB 29.3, 16.08, 12.81

 

CMYK 0 / 49 / 62 / 68

HEX #51291F

RGB 81 41 31

HSL 12, 0.45%, 0.22%

LAB 21.7, 17.47, 14.77

 

CMYK 0 / 64 / 81 / 75

HEX #40170C

RGB 64 23 12

HSL 12.69, 0.68%, 0.15%

LAB 14, 19.14, 16.26

 

CMYK 0 / 28 / 34 / 49

HEX #835E57

RGB 131 94 87

HSL 9.55, 0.2%, 0.43%

LAB 43.53, 14.08, 9.98

 

CMYK 0 / 34 / 34 / 49

HEX #835757

RGB 131 87 87

HSL 0, 0.2%, 0.43%

LAB 41.74, 18.23, 7.44

 

CMYK 0 / 28 / 34 / 49

HEX #835E57

RGB 131 94 87

HSL 9.55, 0.2%, 0.43%

LAB 43.53, 14.08, 9.98

 

CMYK 0 / 19 / 34 / 49

HEX #836A57

RGB 131 106 87

HSL 25.91, 0.2%, 0.43%

LAB 46.74, 6.99, 14.42

 

CMYK 0 / 10 / 34 / 49

HEX #837657

RGB 131 118 87

HSL 42.27, 0.2%, 0.43%

LAB 50.06, 0.02, 18.93

 

CMYK 0 / 1 / 34 / 49

HEX #838257

RGB 131 130 87

HSL 58.64, 0.2%, 0.43%

LAB 53.47, -6.76, 23.47

 

CMYK 8 / 0 / 34 / 49

HEX #798357

RGB 121 131 87

HSL 73.64, 0.2%, 0.43%

LAB 52.93, -11.48, 22.61

 

CMYK 0 / 28 / 34 / 49

HEX #835E57

RGB 131 94 87

HSL 9.55, 0.2%, 0.43%

LAB 43.53, 14.08, 9.98

 

CMYK 0 / 45 / 54 / 42

HEX #955245

RGB 149 82 69

HSL 9.75, 0.37%, 0.43%

LAB 42.54, 26.51, 19.9

 

CMYK 0 / 58 / 69 / 35

HEX #A74634

RGB 167 70 52

HSL 9.39, 0.53%, 0.43%

LAB 42.53, 38.78, 30.55

 

CMYK 0 / 68 / 82 / 28

HEX #B83A22

RGB 184 58 34

HSL 9.6, 0.69%, 0.43%

LAB 43.26, 49.55, 42.1

 

CMYK 0 / 77 / 92 / 21

HEX #CA2E10

RGB 202 46 16

HSL 9.68, 0.85%, 0.43%

LAB 45.01, 59.21, 52.79

 

CMYK 0 / 28 / 34 / 49

HEX #835E57

RGB 131 94 87

HSL 9.55, 0.2%, 0.43%

LAB 43.53, 14.08, 9.98

 

CMYK 0 / 6 / 7 / 56

HEX #716A69

RGB 113 106 105

HSL 7.5, 0.04%, 0.43%

LAB 45.41, 2.54, 1.54

 

CMYK 22 / 4 / 0 / 52

HEX #60767B

RGB 96 118 123

HSL 191.11, 0.12%, 0.43%

LAB 48.1, -6.83, -5.42

 

CMYK 44 / 7 / 0 / 45

HEX #4E828C

RGB 78 130 140

HSL 189.68, 0.28%, 0.43%

LAB 51.24, -14.58, -10.85

 

CMYK 62 / 9 / 0 / 38

HEX #3C8F9E

RGB 60 143 158

HSL 189.18, 0.45%, 0.43%

LAB 55.15, -20.3, -15.45

 

CMYK 0 / 34 / 21 / 49

HEX #835768

RGB 131 87 104

HSL 336.82, 0.2%, 0.43%

LAB 42.22, 20.86, -2.3

 

CMYK 0 / 34 / 30 / 49

HEX #83575C

RGB 131 87 92

HSL 353.18, 0.2%, 0.43%

LAB 41.87, 18.96, 4.56

 

CMYK 0 / 28 / 34 / 49

HEX #835E57

RGB 131 94 87

HSL 9.55, 0.2%, 0.43%

LAB 43.53, 14.08, 9.98

 

CMYK 0 / 20 / 34 / 49

HEX #836957

RGB 131 105 87

HSL 24.55, 0.2%, 0.43%

LAB 46.47, 7.58, 14.05

 

CMYK 0 / 11 / 34 / 49

HEX #837557

RGB 131 117 87

HSL 40.91, 0.2%, 0.43%

LAB 49.78, 0.59, 18.56

 

CMYK 0 / 28 / 34 / 68

HEX #523B36

RGB 82 59 54

HSL 10.71, 0.21%, 0.27%

LAB 27.26, 9.34, 7.07

 

CMYK 0 / 28 / 33 / 58

HEX #6A4C47

RGB 106 76 71

HSL 8.57, 0.2%, 0.35%

LAB 35.38, 11.93, 7.97

 

CMYK 0 / 28 / 34 / 49

HEX #835E57

RGB 131 94 87

HSL 9.55, 0.2%, 0.43%

LAB 43.53, 14.08, 9.98

 

CMYK 0 / 27 / 32 / 39

HEX #9B7169

RGB 155 113 105

HSL 9.6, 0.2%, 0.51%

LAB 51.61, 15.45, 10.97

 

CMYK 0 / 20 / 24 / 33

HEX #AB8882

RGB 171 136 130

HSL 8.78, 0.2%, 0.59%

LAB 59.78, 12.39, 8.28

 

CMYK 0 / 28 / 33 / 48

HEX #845F58

RGB 132 95 88

HSL 9.55, 0.2%, 0.43%

LAB 43.94, 14.05, 9.95

 

CMYK 11 / 0 / 34 / 49

HEX #748357

RGB 116 131 87

HSL 80.45, 0.2%, 0.43%

LAB 52.55, -13.53, 22.02

 

CMYK 34 / 25 / 0 / 49

HEX #576283

RGB 87 98 131

HSL 225, 0.2%, 0.43%

LAB 41.85, 4.22, -19.74

 

CMYK 0 / 28 / 33 / 48

HEX #845F58

RGB 132 95 88

HSL 9.55, 0.2%, 0.43%

LAB 43.94, 14.05, 9.95

 

CMYK 34 / 0 / 28 / 49

HEX #57835E

RGB 87 131 94

HSL 129.55, 0.2%, 0.43%

LAB 50.77, -23.3, 15.31

 

CMYK 28 / 34 / 0 / 49

HEX #5E5783

RGB 94 87 131

HSL 249.55, 0.2%, 0.43%

LAB 39.3, 13.31, -23.64

 

CMYK 0 / 28 / 33 / 48

HEX #845F58

RGB 132 95 88

HSL 9.55, 0.2%, 0.43%

LAB 43.94, 14.05, 9.95

 

CMYK 11 / 0 / 34 / 49

HEX #748357

RGB 116 131 87

HSL 80.45, 0.2%, 0.43%

LAB 52.55, -13.53, 22.02

 

CMYK 34 / 5 / 0 / 49

HEX #577D83

RGB 87 125 131

HSL 188.18, 0.2%, 0.43%

LAB 49.9, -11.69, -7.54

 

CMYK 21 / 34 / 0 / 49

HEX #675783

RGB 103 87 131

HSL 261.82, 0.2%, 0.43%

LAB 40.15, 16.26, -22.26

 

CMYK 0 / 28 / 33 / 48

HEX #845F58

RGB 132 95 88

HSL 9.55, 0.2%, 0.43%

LAB 43.94, 14.05, 9.95

 

CMYK 21 / 0 / 34 / 49

HEX #678357

RGB 103 131 87

HSL 98.18, 0.2%, 0.43%

LAB 51.62, -18.69, 20.62

 

CMYK 34 / 5 / 0 / 49

HEX #577D83

RGB 87 125 131

HSL 188.18, 0.2%, 0.43%

LAB 49.9, -11.69, -7.54

 

CMYK 11 / 34 / 0 / 49

HEX #745783

RGB 116 87 131

HSL 279.55, 0.2%, 0.43%

LAB 41.48, 20.67, -20.08

 

Description

Color code: HEX #845F58 | qconv.com Color code: HEX #845F58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 95 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 95 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 33 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 33% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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