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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #845037 it is the complementary color #7BAFC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #845037. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #845037 shade: #895032, #9A6245, #AB7458, #BC866B and #CD987E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #845037. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #845037 shade: #845037, #733E24, #622C11, #511A00 and #400800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #845037 shade: #855037, #853B37 and #853737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #845037 shade: #855037, #856537, #857A37, #7A8537 and #658537

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #845037 shade matches the following richer shades: #855037, #944B28, #A34619 and #B24009

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #845037 shade: #855037, #755646, #665B56, #576065 and #476674

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #845037 shade: #853748, #853B37, #855037, #856437 and #857937

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #845037 shade: #4A2D1F, #673F2B, #855037, #A26243 and #B87656

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #845037 shade: #845037, #5D8537 and #373E85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #845037 shade: #845037, #378550 and #503785

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #845037 shade: #845037, #5D8537, #376C85 and #5F3785

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #845037 shade: #845037, #458537, #376C85 and #763785

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 58 / 48

HEX #845037

RGB 132 80 55

HSL 19.48, 0.41%, 0.37%

LAB 39.44, 19.12, 23.82

 

Complementary color

CMYK 39 / 13 / 0 / 22

HEX #7BAFC8

RGB 123 175 200

HSL 199.48, 0.41%, 0.63%

LAB 68.78, -10.76, -18.15

 

CMYK 0 / 42 / 64 / 46

HEX #895032

RGB 137 80 50

HSL 20.69, 0.47%, 0.37%

LAB 40.06, 20.92, 27.65

 

CMYK 0 / 36 / 55 / 40

HEX #9A6245

RGB 154 98 69

HSL 20.47, 0.38%, 0.44%

LAB 47.02, 19.52, 25.82

 

CMYK 0 / 32 / 49 / 33

HEX #AB7458

RGB 171 116 88

HSL 20.24, 0.33%, 0.51%

LAB 53.87, 18.34, 24.2

 

CMYK 0 / 29 / 43 / 26

HEX #BC866B

RGB 188 134 107

HSL 20, 0.38%, 0.58%

LAB 60.61, 17.33, 22.75

 

CMYK 0 / 26 / 39 / 20

HEX #CD987E

RGB 205 152 126

HSL 19.75, 0.44%, 0.65%

LAB 67.23, 16.46, 21.44

 

CMYK 0 / 39 / 58 / 48

HEX #845037

RGB 132 80 55

HSL 19.48, 0.41%, 0.37%

LAB 39.44, 19.12, 23.82

 

CMYK 0 / 46 / 69 / 55

HEX #733E24

RGB 115 62 36

HSL 19.75, 0.52%, 0.3%

LAB 32.3, 20.66, 25.81

 

CMYK 0 / 55 / 83 / 62

HEX #622C11

RGB 98 44 17

HSL 20, 0.7%, 0.23%

LAB 25.07, 22.48, 27.99

 

CMYK 0 / 68 / 100 / 68

HEX #511A00

RGB 81 26 0

HSL 19.26, 1%, 0.16%

LAB 17.86, 24.44, 26.77

 

CMYK 0 / 88 / 100 / 75

HEX #400800

RGB 64 8 0

HSL 7.5, 1%, 0.13%

LAB 11.02, 26.06, 17.17

 

CMYK 0 / 40 / 59 / 48

HEX #855037

RGB 133 80 55

HSL 19.23, 0.41%, 0.37%

LAB 39.58, 19.56, 24.02

 

CMYK 0 / 56 / 59 / 48

HEX #853B37

RGB 133 59 55

HSL 3.08, 0.41%, 0.37%

LAB 34.78, 31.43, 17.87

 

CMYK 0 / 59 / 59 / 48

HEX #853737

RGB 133 55 55

HSL 0, 0.41%, 0.37%

LAB 33.97, 33.53, 16.81

 

CMYK 0 / 40 / 59 / 48

HEX #855037

RGB 133 80 55

HSL 19.23, 0.41%, 0.37%

LAB 39.58, 19.56, 24.02

 

CMYK 0 / 24 / 59 / 48

HEX #856537

RGB 133 101 55

HSL 35.38, 0.41%, 0.37%

LAB 45.04, 7.2, 30.71

 

CMYK 0 / 8 / 59 / 48

HEX #857A37

RGB 133 122 55

HSL 51.54, 0.41%, 0.37%

LAB 50.9, -4.88, 37.56

 

CMYK 8 / 0 / 59 / 48

HEX #7A8537

RGB 122 133 55

HSL 68.46, 0.41%, 0.37%

LAB 53.16, -15.8, 39.87

 

CMYK 24 / 0 / 59 / 48

HEX #658537

RGB 101 133 55

HSL 84.62, 0.41%, 0.37%

LAB 51.63, -24.69, 37.73

 

CMYK 0 / 40 / 59 / 48

HEX #855037

RGB 133 80 55

HSL 19.23, 0.41%, 0.37%

LAB 39.58, 19.56, 24.02

 

CMYK 0 / 49 / 73 / 42

HEX #944B28

RGB 148 75 40

HSL 19.44, 0.57%, 0.37%

LAB 40.38, 27.86, 34.06

 

CMYK 0 / 57 / 85 / 36

HEX #A34619

RGB 163 70 25

HSL 19.57, 0.73%, 0.37%

LAB 41.59, 36.05, 43.52

 

CMYK 0 / 64 / 95 / 30

HEX #B24009

RGB 178 64 9

HSL 19.53, 0.9%, 0.37%

LAB 42.99, 44.32, 51.43

 

CMYK 0 / 40 / 59 / 48

HEX #855037

RGB 133 80 55

HSL 19.23, 0.41%, 0.37%

LAB 39.58, 19.56, 24.02

 

CMYK 0 / 26 / 40 / 54

HEX #755646

RGB 117 86 70

HSL 20.43, 0.25%, 0.37%

LAB 39.38, 10.52, 14.33

 

CMYK 0 / 11 / 16 / 60

HEX #665B56

RGB 102 91 86

HSL 18.75, 0.09%, 0.37%

LAB 39.54, 3.51, 4.49

 

CMYK 14 / 5 / 0 / 60

HEX #576065

RGB 87 96 101

HSL 201.43, 0.07%, 0.37%

LAB 40.13, -2.33, -4.04

 

CMYK 39 / 12 / 0 / 55

HEX #476674

RGB 71 102 116

HSL 198.67, 0.24%, 0.37%

LAB 41.38, -7.4, -11.45

 

CMYK 0 / 59 / 46 / 48

HEX #853748

RGB 133 55 72

HSL 346.92, 0.41%, 0.37%

LAB 34.37, 35.17, 6.47

 

CMYK 0 / 56 / 59 / 48

HEX #853B37

RGB 133 59 55

HSL 3.08, 0.41%, 0.37%

LAB 34.78, 31.43, 17.87

 

CMYK 0 / 40 / 59 / 48

HEX #855037

RGB 133 80 55

HSL 19.23, 0.41%, 0.37%

LAB 39.58, 19.56, 24.02

 

CMYK 0 / 25 / 59 / 48

HEX #856437

RGB 133 100 55

HSL 34.62, 0.41%, 0.37%

LAB 44.77, 7.79, 30.38

 

CMYK 0 / 9 / 59 / 48

HEX #857937

RGB 133 121 55

HSL 50.77, 0.41%, 0.37%

LAB 50.61, -4.31, 37.24

 

CMYK 0 / 39 / 58 / 71

HEX #4A2D1F

RGB 74 45 31

HSL 19.53, 0.41%, 0.21%

LAB 21.7, 11.58, 14.54

 

CMYK 0 / 39 / 58 / 60

HEX #673F2B

RGB 103 63 43

HSL 20, 0.41%, 0.29%

LAB 30.91, 15.15, 19.48

 

CMYK 0 / 40 / 59 / 48

HEX #855037

RGB 133 80 55

HSL 19.23, 0.41%, 0.37%

LAB 39.58, 19.56, 24.02

 

CMYK 0 / 40 / 59 / 36

HEX #A26243

RGB 162 98 67

HSL 19.58, 0.41%, 0.45%

LAB 48.03, 22.77, 28.46

 

CMYK 0 / 36 / 53 / 28

HEX #B87656

RGB 184 118 86

HSL 19.59, 0.41%, 0.53%

LAB 55.91, 22.46, 28.27

 

CMYK 0 / 39 / 58 / 48

HEX #845037

RGB 132 80 55

HSL 19.48, 0.41%, 0.37%

LAB 39.44, 19.12, 23.82

 

CMYK 30 / 0 / 59 / 48

HEX #5D8537

RGB 93 133 55

HSL 90.77, 0.41%, 0.37%

LAB 51.13, -27.88, 37.02

 

CMYK 59 / 53 / 0 / 48

HEX #373E85

RGB 55 62 133

HSL 234.62, 0.41%, 0.37%

LAB 29.29, 19.55, -40.93

 

CMYK 0 / 39 / 58 / 48

HEX #845037

RGB 132 80 55

HSL 19.48, 0.41%, 0.37%

LAB 39.44, 19.12, 23.82

 

CMYK 59 / 0 / 40 / 48

HEX #378550

RGB 55 133 80

HSL 139.23, 0.41%, 0.37%

LAB 49.7, -36.52, 21.57

 

CMYK 40 / 59 / 0 / 48

HEX #503785

RGB 80 55 133

HSL 259.23, 0.41%, 0.37%

LAB 29.74, 29.96, -40.08

 

CMYK 0 / 39 / 58 / 48

HEX #845037

RGB 132 80 55

HSL 19.48, 0.41%, 0.37%

LAB 39.44, 19.12, 23.82

 

CMYK 30 / 0 / 59 / 48

HEX #5D8537

RGB 93 133 55

HSL 90.77, 0.41%, 0.37%

LAB 51.13, -27.88, 37.02

 

CMYK 59 / 19 / 0 / 48

HEX #376C85

RGB 55 108 133

HSL 199.23, 0.41%, 0.37%

LAB 43.11, -9.86, -19.16

 

CMYK 29 / 59 / 0 / 48

HEX #5F3785

RGB 95 55 133

HSL 270.77, 0.41%, 0.37%

LAB 31.48, 33.86, -37.19

 

CMYK 0 / 39 / 58 / 48

HEX #845037

RGB 132 80 55

HSL 19.48, 0.41%, 0.37%

LAB 39.44, 19.12, 23.82

 

CMYK 48 / 0 / 59 / 48

HEX #458537

RGB 69 133 55

HSL 109.23, 0.41%, 0.37%

LAB 49.88, -36.43, 35.25

 

CMYK 59 / 19 / 0 / 48

HEX #376C85

RGB 55 108 133

HSL 199.23, 0.41%, 0.37%

LAB 43.11, -9.86, -19.16

 

CMYK 11 / 59 / 0 / 48

HEX #763785

RGB 118 55 133

HSL 288.46, 0.41%, 0.37%

LAB 34.55, 40.18, -32.12

 

Description

Color code: HEX #845037 | qconv.com Color code: HEX #845037 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 80 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 80 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 58 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 58% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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