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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #844E28 it is the complementary color #7BB1D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #844E28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #844E28 shade: #894E23, #9A6036, #AB7249, #BC845C and #CD966F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #844E28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #844E28 shade: #844E28, #733C15, #622A02, #511800 and #400600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #844E28 shade: #844E28, #843528 and #842828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #844E28 shade: #844E28, #846728, #848028, #708428 and #578428

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #844E28 shade matches the following richer shades: #844E28, #924C1A and #A0490C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #844E28 shade: #844E28, #765136, #685344, #5A5652 and #4C5860

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #844E28 shade: #842835, #843528, #844D28, #846628 and #847E28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #844E28 shade: #452915, #653B1F, #844E28, #A46132 and #C3743C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #844E28 shade: #844E28, #4D8428 and #282884

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #844E28 shade: #844E28, #28844D and #4D2884

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #844E28 shade: #844E28, #4D8428, #285F84 and #5F2884

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #844E28 shade: #844E28, #318428, #285F84 and #7B2884

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 70 / 48

HEX #844E28

RGB 132 78 40

HSL 24.78, 0.53%, 0.34%

LAB 38.74, 19.16, 31.58

 

Complementary color

CMYK 43 / 18 / 0 / 16

HEX #7BB1D7

RGB 123 177 215

HSL 204.78, 0.53%, 0.66%

LAB 69.87, -7.83, -24.74

 

CMYK 0 / 43 / 74 / 46

HEX #894E23

RGB 137 78 35

HSL 25.29, 0.59%, 0.34%

LAB 39.39, 21.11, 35.17

 

CMYK 0 / 38 / 65 / 40

HEX #9A6036

RGB 154 96 54

HSL 25.2, 0.48%, 0.41%

LAB 46.31, 19.46, 33.4

 

CMYK 0 / 33 / 57 / 33

HEX #AB7249

RGB 171 114 73

HSL 25.1, 0.4%, 0.48%

LAB 53.14, 18.08, 31.68

 

CMYK 0 / 30 / 51 / 26

HEX #BC845C

RGB 188 132 92

HSL 25, 0.42%, 0.55%

LAB 59.86, 16.91, 30.1

 

CMYK 0 / 27 / 46 / 20

HEX #CD966F

RGB 205 150 111

HSL 24.89, 0.48%, 0.62%

LAB 66.47, 15.9, 28.65

 

CMYK 0 / 41 / 70 / 48

HEX #844E28

RGB 132 78 40

HSL 24.78, 0.53%, 0.34%

LAB 38.74, 19.16, 31.58

 

CMYK 0 / 48 / 82 / 55

HEX #733C15

RGB 115 60 21

HSL 24.89, 0.69%, 0.27%

LAB 31.65, 21, 33.35

 

CMYK 0 / 57 / 98 / 62

HEX #622A02

RGB 98 42 2

HSL 25, 0.96%, 0.2%

LAB 24.5, 23.12, 34.1

 

CMYK 0 / 70 / 100 / 68

HEX #511800

RGB 81 24 0

HSL 17.78, 1%, 0.16%

LAB 17.47, 25.48, 26.3

 

CMYK 0 / 91 / 100 / 75

HEX #400600

RGB 64 6 0

HSL 5.63, 1%, 0.13%

LAB 10.71, 26.94, 16.73

 

CMYK 0 / 41 / 70 / 48

HEX #844E28

RGB 132 78 40

HSL 24.78, 0.53%, 0.34%

LAB 38.74, 19.16, 31.58

 

CMYK 0 / 60 / 70 / 48

HEX #843528

RGB 132 53 40

HSL 8.48, 0.53%, 0.34%

LAB 33.15, 33.09, 25.1

 

CMYK 0 / 70 / 70 / 48

HEX #842828

RGB 132 40 40

HSL 0, 0.53%, 0.34%

LAB 30.82, 39.29, 22.3

 

CMYK 0 / 41 / 70 / 48

HEX #844E28

RGB 132 78 40

HSL 24.78, 0.53%, 0.34%

LAB 38.74, 19.16, 31.58

 

CMYK 0 / 22 / 70 / 48

HEX #846728

RGB 132 103 40

HSL 41.09, 0.53%, 0.34%

LAB 45.3, 4.45, 38.77

 

CMYK 0 / 3 / 70 / 48

HEX #848028

RGB 132 128 40

HSL 57.39, 0.53%, 0.34%

LAB 52.39, -9.72, 46.13

 

CMYK 15 / 0 / 70 / 48

HEX #708428

RGB 112 132 40

HSL 73.04, 0.53%, 0.34%

LAB 51.95, -20.8, 45.16

 

CMYK 34 / 0 / 70 / 48

HEX #578428

RGB 87 132 40

HSL 89.35, 0.53%, 0.34%

LAB 50.31, -31.12, 42.95

 

CMYK 0 / 41 / 70 / 48

HEX #844E28

RGB 132 78 40

HSL 24.78, 0.53%, 0.34%

LAB 38.74, 19.16, 31.58

 

CMYK 0 / 48 / 82 / 43

HEX #924C1A

RGB 146 76 26

HSL 25, 0.7%, 0.34%

LAB 40.17, 25.81, 40.79

 

CMYK 0 / 54 / 93 / 37

HEX #A0490C

RGB 160 73 12

HSL 24.73, 0.86%, 0.34%

LAB 41.63, 32.99, 48.21

 

CMYK 0 / 41 / 70 / 48

HEX #844E28

RGB 132 78 40

HSL 24.78, 0.53%, 0.34%

LAB 38.74, 19.16, 31.58

 

CMYK 0 / 31 / 54 / 54

HEX #765136

RGB 118 81 54

HSL 25.31, 0.37%, 0.34%

LAB 37.85, 12.15, 22.01

 

CMYK 0 / 20 / 35 / 59

HEX #685344

RGB 104 83 68

HSL 25, 0.21%, 0.34%

LAB 37.02, 6.3, 12.09

 

CMYK 0 / 4 / 9 / 65

HEX #5A5652

RGB 90 86 82

HSL 30, 0.05%, 0.34%

LAB 36.82, 0.81, 2.9

 

CMYK 21 / 8 / 0 / 62

HEX #4C5860

RGB 76 88 96

HSL 204, 0.12%, 0.34%

LAB 36.67, -2.71, -6.19

 

CMYK 0 / 70 / 60 / 48

HEX #842835

RGB 132 40 53

HSL 351.52, 0.53%, 0.34%

LAB 31.07, 40.17, 14.21

 

CMYK 0 / 60 / 70 / 48

HEX #843528

RGB 132 53 40

HSL 8.48, 0.53%, 0.34%

LAB 33.15, 33.09, 25.1

 

CMYK 0 / 42 / 70 / 48

HEX #844D28

RGB 132 77 40

HSL 24.13, 0.53%, 0.34%

LAB 38.49, 19.74, 31.3

 

CMYK 0 / 23 / 70 / 48

HEX #846628

RGB 132 102 40

HSL 40.43, 0.53%, 0.34%

LAB 45.03, 5.03, 38.48

 

CMYK 0 / 5 / 70 / 48

HEX #847E28

RGB 132 126 40

HSL 56.09, 0.53%, 0.34%

LAB 51.82, -8.62, 45.55

 

CMYK 0 / 41 / 70 / 73

HEX #452915

RGB 69 41 21

HSL 25, 0.53%, 0.18%

LAB 19.66, 10.76, 18.35

 

CMYK 0 / 42 / 69 / 60

HEX #653B1F

RGB 101 59 31

HSL 24, 0.53%, 0.26%

LAB 29.4, 15.67, 24.85

 

CMYK 0 / 41 / 70 / 48

HEX #844E28

RGB 132 78 40

HSL 24.78, 0.53%, 0.34%

LAB 38.74, 19.16, 31.58

 

CMYK 0 / 41 / 70 / 36

HEX #A46132

RGB 164 97 50

HSL 24.74, 0.53%, 0.42%

LAB 47.84, 23, 37.64

 

CMYK 0 / 41 / 69 / 24

HEX #C3743C

RGB 195 116 60

HSL 24.89, 0.53%, 0.5%

LAB 56.51, 26.26, 43.28

 

CMYK 0 / 41 / 70 / 48

HEX #844E28

RGB 132 78 40

HSL 24.78, 0.53%, 0.34%

LAB 38.74, 19.16, 31.58

 

CMYK 42 / 0 / 70 / 48

HEX #4D8428

RGB 77 132 40

HSL 95.87, 0.53%, 0.34%

LAB 49.78, -34.84, 42.22

 

CMYK 70 / 70 / 0 / 48

HEX #282884

RGB 40 40 132

HSL 240, 0.53%, 0.34%

LAB 22.42, 31.21, -51.51

 

CMYK 0 / 41 / 70 / 48

HEX #844E28

RGB 132 78 40

HSL 24.78, 0.53%, 0.34%

LAB 38.74, 19.16, 31.58

 

CMYK 70 / 0 / 42 / 48

HEX #28844D

RGB 40 132 77

HSL 144.13, 0.53%, 0.34%

LAB 48.87, -39.96, 22.08

 

CMYK 42 / 70 / 0 / 48

HEX #4D2884

RGB 77 40 132

HSL 264.13, 0.53%, 0.34%

LAB 26.04, 37.76, -45.45

 

CMYK 0 / 41 / 70 / 48

HEX #844E28

RGB 132 78 40

HSL 24.78, 0.53%, 0.34%

LAB 38.74, 19.16, 31.58

 

CMYK 42 / 0 / 70 / 48

HEX #4D8428

RGB 77 132 40

HSL 95.87, 0.53%, 0.34%

LAB 49.78, -34.84, 42.22

 

CMYK 70 / 28 / 0 / 48

HEX #285F84

RGB 40 95 132

HSL 204.13, 0.53%, 0.34%

LAB 38.38, -5.38, -25.93

 

CMYK 28 / 70 / 0 / 48

HEX #5F2884

RGB 95 40 132

HSL 275.87, 0.53%, 0.34%

LAB 28.42, 41.72, -41.48

 

CMYK 0 / 41 / 70 / 48

HEX #844E28

RGB 132 78 40

HSL 24.78, 0.53%, 0.34%

LAB 38.74, 19.16, 31.58

 

CMYK 63 / 0 / 70 / 48

HEX #318428

RGB 49 132 40

HSL 114.13, 0.53%, 0.34%

LAB 48.65, -43.39, 40.68

 

CMYK 70 / 28 / 0 / 48

HEX #285F84

RGB 40 95 132

HSL 204.13, 0.53%, 0.34%

LAB 38.38, -5.38, -25.93

 

CMYK 7 / 70 / 0 / 48

HEX #7B2884

RGB 123 40 132

HSL 294.13, 0.53%, 0.34%

LAB 32.69, 48.36, -34.41

 

Description

Color code: HEX #844E28 | qconv.com Color code: HEX #844E28 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 78 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 78 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 70 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 70% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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