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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #843F59 it is the complementary color #7BC0A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #843F59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #843F59 shade: #893F54, #9A5167, #AB637A, #BC758D and #CD87A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #843F59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #843F59 shade: #843F59, #732D46, #621B33, #510920 and #40000D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #843F59 shade: #823E58, #823E46 and #823E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #843F59 shade: #823E58, #823E6A, #823E7D, #763E82 and #633E82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #843F59 shade matches the following richer shades: #823E58, #922F54, #A21F50, #B10F4C and #C10049

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #843F59 shade: #823E58, #734E5C, #635E60, #536E64 and #447D67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #843F59 shade: #823E7D, #823E6B, #823E58, #823E46 and #82493E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #843F59 shade: #4B2432, #663145, #823E58, #9E4C6B and #B36180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #843F59 shade: #843F59, #82763E and #3E7482

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #843F59 shade: #843F59, #58823E and #3E5882

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #843F59 shade: #843F59, #82763E, #3E8268 and #3E4B82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #843F59 shade: #843F59, #7A823E, #3E8268 and #463E82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 33 / 48

HEX #843F59

RGB 132 63 89

HSL 337.39, 0.35%, 0.38%

LAB 36.33, 32.68, -1.58

 

Complementary color

CMYK 36 / 0 / 14 / 25

HEX #7BC0A6

RGB 123 192 166

HSL 157.39, 0.35%, 0.62%

LAB 72.67, -27.61, 6.25

 

CMYK 0 / 54 / 39 / 46

HEX #893F54

RGB 137 63 84

HSL 342.97, 0.37%, 0.39%

LAB 36.95, 33.87, 2.59

 

CMYK 0 / 47 / 33 / 40

HEX #9A5167

RGB 154 81 103

HSL 341.92, 0.31%, 0.46%

LAB 43.85, 32.92, 1.06

 

CMYK 0 / 42 / 29 / 33

HEX #AB637A

RGB 171 99 122

HSL 340.83, 0.3%, 0.53%

LAB 50.67, 31.99, -0.18

 

CMYK 0 / 38 / 25 / 26

HEX #BC758D

RGB 188 117 141

HSL 339.72, 0.35%, 0.6%

LAB 57.4, 31.11, -1.24

 

CMYK 0 / 34 / 22 / 20

HEX #CD87A0

RGB 205 135 160

HSL 338.57, 0.41%, 0.67%

LAB 64.04, 30.29, -2.17

 

CMYK 0 / 52 / 33 / 48

HEX #843F59

RGB 132 63 89

HSL 337.39, 0.35%, 0.38%

LAB 36.33, 32.68, -1.58

 

CMYK 0 / 61 / 39 / 55

HEX #732D46

RGB 115 45 70

HSL 338.57, 0.44%, 0.31%

LAB 29.32, 33.51, 0.11

 

CMYK 0 / 72 / 48 / 62

HEX #621B33

RGB 98 27 51

HSL 339.72, 0.57%, 0.25%

LAB 22.37, 33.98, 2.49

 

CMYK 0 / 89 / 60 / 68

HEX #510920

RGB 81 9 32

HSL 340.83, 0.8%, 0.18%

LAB 15.74, 33.42, 6.11

 

CMYK 0 / 100 / 80 / 75

HEX #40000D

RGB 64 0 13

HSL 347.81, 1%, 0.13%

LAB 9.95, 30.38, 10.26

 

CMYK 0 / 52 / 32 / 49

HEX #823E58

RGB 130 62 88

HSL 337.06, 0.35%, 0.38%

LAB 35.78, 32.35, -1.79

 

CMYK 0 / 52 / 46 / 49

HEX #823E46

RGB 130 62 70

HSL 352.94, 0.35%, 0.38%

LAB 35.27, 30.09, 8.94

 

CMYK 0 / 52 / 52 / 49

HEX #823E3E

RGB 130 62 62

HSL 0, 0.35%, 0.38%

LAB 35.08, 29.24, 13.77

 

CMYK 0 / 52 / 32 / 49

HEX #823E58

RGB 130 62 88

HSL 337.06, 0.35%, 0.38%

LAB 35.78, 32.35, -1.79

 

CMYK 0 / 52 / 18 / 49

HEX #823E6A

RGB 130 62 106

HSL 321.18, 0.35%, 0.38%

LAB 36.43, 35.09, -12.22

 

CMYK 0 / 52 / 4 / 49

HEX #823E7D

RGB 130 62 125

HSL 304.41, 0.35%, 0.38%

LAB 37.25, 38.45, -22.82

 

CMYK 9 / 52 / 0 / 49

HEX #763E82

RGB 118 62 130

HSL 289.41, 0.35%, 0.38%

LAB 35.81, 35.77, -28.29

 

CMYK 24 / 52 / 0 / 49

HEX #633E82

RGB 99 62 130

HSL 272.65, 0.35%, 0.38%

LAB 33.37, 30.1, -32.3

 

CMYK 0 / 52 / 32 / 49

HEX #823E58

RGB 130 62 88

HSL 337.06, 0.35%, 0.38%

LAB 35.78, 32.35, -1.79

 

CMYK 0 / 68 / 42 / 43

HEX #922F54

RGB 146 47 84

HSL 337.58, 0.51%, 0.38%

LAB 35.57, 44.72, 0.76

 

CMYK 0 / 81 / 51 / 36

HEX #A21F50

RGB 162 31 80

HSL 337.56, 0.68%, 0.38%

LAB 36.44, 54.77, 4.99

 

CMYK 0 / 92 / 57 / 31

HEX #B10F4C

RGB 177 15 76

HSL 337.41, 0.84%, 0.38%

LAB 38.22, 61.74, 10.5

 

CMYK 0 / 100 / 62 / 24

HEX #C10049

RGB 193 0 73

HSL 337.31, 1%, 0.38%

LAB 40.93, 67.08, 16.67

 

CMYK 0 / 52 / 32 / 49

HEX #823E58

RGB 130 62 88

HSL 337.06, 0.35%, 0.38%

LAB 35.78, 32.35, -1.79

 

CMYK 0 / 32 / 20 / 55

HEX #734E5C

RGB 115 78 92

HSL 337.3, 0.19%, 0.38%

LAB 37.6, 17.87, -1.88

 

CMYK 0 / 5 / 3 / 61

HEX #635E60

RGB 99 94 96

HSL 336, 0.03%, 0.38%

LAB 40.41, 2.4, -0.43

 

CMYK 25 / 0 / 9 / 57

HEX #536E64

RGB 83 110 100

HSL 157.78, 0.14%, 0.38%

LAB 44.1, -12.18, 2.35

 

CMYK 46 / 0 / 18 / 51

HEX #447D67

RGB 68 125 103

HSL 156.84, 0.3%, 0.38%

LAB 48.1, -24.32, 6.21

 

CMYK 0 / 52 / 4 / 49

HEX #823E7D

RGB 130 62 125

HSL 304.41, 0.35%, 0.38%

LAB 37.25, 38.45, -22.82

 

CMYK 0 / 52 / 18 / 49

HEX #823E6B

RGB 130 62 107

HSL 320.29, 0.35%, 0.38%

LAB 36.47, 35.26, -12.79

 

CMYK 0 / 52 / 32 / 49

HEX #823E58

RGB 130 62 88

HSL 337.06, 0.35%, 0.38%

LAB 35.78, 32.35, -1.79

 

CMYK 0 / 52 / 46 / 49

HEX #823E46

RGB 130 62 70

HSL 352.94, 0.35%, 0.38%

LAB 35.27, 30.09, 8.94

 

CMYK 0 / 44 / 52 / 49

HEX #82493E

RGB 130 73 62

HSL 9.71, 0.35%, 0.38%

LAB 37.59, 23, 17.12

 

CMYK 0 / 52 / 33 / 71

HEX #4B2432

RGB 75 36 50

HSL 338.46, 0.35%, 0.22%

LAB 20, 20.32, -0.78

 

CMYK 0 / 52 / 32 / 60

HEX #663145

RGB 102 49 69

HSL 337.36, 0.35%, 0.3%

LAB 27.98, 26.32, -1.44

 

CMYK 0 / 52 / 32 / 49

HEX #823E58

RGB 130 62 88

HSL 337.06, 0.35%, 0.38%

LAB 35.78, 32.35, -1.79

 

CMYK 0 / 52 / 32 / 38

HEX #9E4C6B

RGB 158 76 107

HSL 337.32, 0.35%, 0.46%

LAB 43.51, 37.59, -1.82

 

CMYK 0 / 46 / 28 / 30

HEX #B36180

RGB 179 97 128

HSL 337.32, 0.35%, 0.54%

LAB 51.49, 36.82, -2.43

 

CMYK 0 / 52 / 33 / 48

HEX #843F59

RGB 132 63 89

HSL 337.39, 0.35%, 0.38%

LAB 36.33, 32.68, -1.58

 

CMYK 0 / 9 / 52 / 49

HEX #82763E

RGB 130 118 62

HSL 49.41, 0.35%, 0.38%

LAB 49.56, -3.35, 32.27

 

CMYK 52 / 11 / 0 / 49

HEX #3E7482

RGB 62 116 130

HSL 192.35, 0.35%, 0.38%

LAB 45.81, -13.77, -13.22

 

CMYK 0 / 52 / 33 / 48

HEX #843F59

RGB 132 63 89

HSL 337.39, 0.35%, 0.38%

LAB 36.33, 32.68, -1.58

 

CMYK 32 / 0 / 52 / 49

HEX #58823E

RGB 88 130 62

HSL 97.06, 0.35%, 0.38%

LAB 49.96, -27.53, 32.01

 

CMYK 52 / 32 / 0 / 49

HEX #3E5882

RGB 62 88 130

HSL 217.06, 0.35%, 0.38%

LAB 37.14, 3.02, -26.57

 

CMYK 0 / 52 / 33 / 48

HEX #843F59

RGB 132 63 89

HSL 337.39, 0.35%, 0.38%

LAB 36.33, 32.68, -1.58

 

CMYK 0 / 9 / 52 / 49

HEX #82763E

RGB 130 118 62

HSL 49.41, 0.35%, 0.38%

LAB 49.56, -3.35, 32.27

 

CMYK 52 / 0 / 20 / 49

HEX #3E8268

RGB 62 130 104

HSL 157.06, 0.35%, 0.38%

LAB 49.48, -28.2, 7.56

 

CMYK 52 / 42 / 0 / 49

HEX #3E4B82

RGB 62 75 130

HSL 228.53, 0.35%, 0.38%

LAB 33.28, 11.45, -32.66

 

CMYK 0 / 52 / 33 / 48

HEX #843F59

RGB 132 63 89

HSL 337.39, 0.35%, 0.38%

LAB 36.33, 32.68, -1.58

 

CMYK 6 / 0 / 52 / 49

HEX #7A823E

RGB 122 130 62

HSL 67.06, 0.35%, 0.38%

LAB 52.34, -13.54, 35.43

 

CMYK 52 / 0 / 20 / 49

HEX #3E8268

RGB 62 130 104

HSL 157.06, 0.35%, 0.38%

LAB 49.48, -28.2, 7.56

 

CMYK 46 / 52 / 0 / 49

HEX #463E82

RGB 70 62 130

HSL 247.06, 0.35%, 0.38%

LAB 30.3, 22.06, -37.37

 

Description

Color code: HEX #843F59 | qconv.com Color code: HEX #843F59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 63 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 63 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 33 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 33% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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