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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #842C62 it is the complementary color #7BD39D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #842C62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #842C62 shade: #892C5D, #9A3E70, #AB5083, #BC6296 and #CD74A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #842C62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #842C62 shade: #842C62, #731A4F, #62083C, #510029 and #400016

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #842C62 shade: #852C63, #852C4B, #852C33 and #852C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #842C62 shade: #852C63, #852C7B, #782C85, #602C85 and #482C85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #842C62 shade matches the following richer shades: #852C63, #941E66, #A20F69 and #B1016D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #842C62 shade: #852C63, #773B60, #68495C, #5A5759 and #4C6656

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #842C62 shade: #782C85, #852C7B, #852C63, #852C4B and #852C34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #842C62 shade: #471735, #66224C, #852C63, #A4367A and #C04490

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #842C62 shade: #842C62, #85602C and #2C8584

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #842C62 shade: #842C62, #63852C and #2C6385

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #842C62 shade: #842C62, #85602C, #2C854E and #2C5185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #842C62 shade: #842C62, #857B2C, #2C854E and #2C3785

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 26 / 48

HEX #842C62

RGB 132 44 98

HSL 323.18, 0.5%, 0.35%

LAB 33.11, 43.4, -12.15

 

Complementary color

CMYK 42 / 0 / 26 / 17

HEX #7BD39D

RGB 123 211 157

HSL 143.18, 0.5%, 0.65%

LAB 78.01, -38.35, 18.62

 

CMYK 0 / 68 / 32 / 46

HEX #892C5D

RGB 137 44 93

HSL 328.39, 0.51%, 0.35%

LAB 33.79, 44.25, -7.82

 

CMYK 0 / 60 / 27 / 40

HEX #9A3E70

RGB 154 62 112

HSL 327.39, 0.43%, 0.42%

LAB 40.39, 43.95, -9.62

 

CMYK 0 / 53 / 23 / 33

HEX #AB5083

RGB 171 80 131

HSL 326.37, 0.36%, 0.49%

LAB 47.02, 43.34, -11

 

CMYK 0 / 48 / 20 / 26

HEX #BC6296

RGB 188 98 150

HSL 325.33, 0.4%, 0.56%

LAB 53.63, 42.6, -12.1

 

CMYK 0 / 43 / 18 / 20

HEX #CD74A9

RGB 205 116 169

HSL 324.27, 0.47%, 0.63%

LAB 60.19, 41.81, -13.03

 

CMYK 0 / 67 / 26 / 48

HEX #842C62

RGB 132 44 98

HSL 323.18, 0.5%, 0.35%

LAB 33.11, 43.4, -12.15

 

CMYK 0 / 77 / 31 / 55

HEX #731A4F

RGB 115 26 79

HSL 324.27, 0.63%, 0.28%

LAB 26.59, 43.07, -9.94

 

CMYK 0 / 92 / 39 / 62

HEX #62083C

RGB 98 8 60

HSL 325.33, 0.85%, 0.21%

LAB 20.43, 41.4, -6.65

 

CMYK 0 / 100 / 49 / 68

HEX #510029

RGB 81 0 41

HSL 329.63, 1%, 0.16%

LAB 15, 37.23, -1.56

 

CMYK 0 / 100 / 66 / 75

HEX #400016

RGB 64 0 22

HSL 339.38, 1%, 0.13%

LAB 10.17, 30.97, 5.21

 

CMYK 0 / 67 / 26 / 48

HEX #852C63

RGB 133 44 99

HSL 322.92, 0.5%, 0.35%

LAB 33.33, 43.85, -12.45

 

CMYK 0 / 67 / 44 / 48

HEX #852C4B

RGB 133 44 75

HSL 339.1, 0.5%, 0.35%

LAB 32.47, 40.81, 1.8

 

CMYK 0 / 67 / 62 / 48

HEX #852C33

RGB 133 44 51

HSL 355.28, 0.5%, 0.35%

LAB 31.87, 38.59, 16.61

 

CMYK 0 / 67 / 67 / 48

HEX #852C2C

RGB 133 44 44

HSL 0, 0.5%, 0.35%

LAB 31.74, 38.1, 20.93

 

CMYK 0 / 67 / 26 / 48

HEX #852C63

RGB 133 44 99

HSL 322.92, 0.5%, 0.35%

LAB 33.33, 43.85, -12.45

 

CMYK 0 / 67 / 8 / 48

HEX #852C7B

RGB 133 44 123

HSL 306.74, 0.5%, 0.35%

LAB 34.43, 47.61, -25.93

 

CMYK 10 / 67 / 0 / 48

HEX #782C85

RGB 120 44 133

HSL 291.24, 0.5%, 0.35%

LAB 32.89, 46.08, -34.74

 

CMYK 28 / 67 / 0 / 48

HEX #602C85

RGB 96 44 133

HSL 275.06, 0.5%, 0.35%

LAB 29.37, 40.17, -40.58

 

CMYK 46 / 67 / 0 / 48

HEX #482C85

RGB 72 44 133

HSL 258.88, 0.5%, 0.35%

LAB 26.37, 34.72, -45.58

 

CMYK 0 / 67 / 26 / 48

HEX #852C63

RGB 133 44 99

HSL 322.92, 0.5%, 0.35%

LAB 33.33, 43.85, -12.45

 

CMYK 0 / 80 / 31 / 42

HEX #941E66

RGB 148 30 102

HSL 323.39, 0.66%, 0.35%

LAB 34.36, 53.57, -12.54

 

CMYK 0 / 91 / 35 / 36

HEX #A20F69

RGB 162 15 105

HSL 323.27, 0.83%, 0.35%

LAB 36.07, 60.68, -11.61

 

CMYK 0 / 99 / 38 / 31

HEX #B1016D

RGB 177 1 109

HSL 323.18, 0.99%, 0.35%

LAB 38.68, 66.12, -9.9

 

CMYK 0 / 67 / 26 / 48

HEX #852C63

RGB 133 44 99

HSL 322.92, 0.5%, 0.35%

LAB 33.33, 43.85, -12.45

 

CMYK 0 / 50 / 19 / 53

HEX #773B60

RGB 119 59 96

HSL 323, 0.34%, 0.35%

LAB 33.76, 31.24, -10.08

 

CMYK 0 / 30 / 12 / 59

HEX #68495C

RGB 104 73 92

HSL 323.23, 0.18%, 0.35%

LAB 34.96, 16.55, -5.93

 

CMYK 0 / 3 / 1 / 65

HEX #5A5759

RGB 90 87 89

HSL 320, 0.02%, 0.35%

LAB 37.32, 1.63, -0.73

 

CMYK 25 / 0 / 16 / 60

HEX #4C6656

RGB 76 102 86

HSL 143.08, 0.15%, 0.35%

LAB 40.75, -13.31, 5.94

 

CMYK 10 / 67 / 0 / 48

HEX #782C85

RGB 120 44 133

HSL 291.24, 0.5%, 0.35%

LAB 32.89, 46.08, -34.74

 

CMYK 0 / 67 / 8 / 48

HEX #852C7B

RGB 133 44 123

HSL 306.74, 0.5%, 0.35%

LAB 34.43, 47.61, -25.93

 

CMYK 0 / 67 / 26 / 48

HEX #852C63

RGB 133 44 99

HSL 322.92, 0.5%, 0.35%

LAB 33.33, 43.85, -12.45

 

CMYK 0 / 67 / 44 / 48

HEX #852C4B

RGB 133 44 75

HSL 339.1, 0.5%, 0.35%

LAB 32.47, 40.81, 1.8

 

CMYK 0 / 67 / 61 / 48

HEX #852C34

RGB 133 44 52

HSL 354.61, 0.5%, 0.35%

LAB 31.89, 38.67, 15.99

 

CMYK 0 / 68 / 25 / 72

HEX #471735

RGB 71 23 53

HSL 322.5, 0.51%, 0.18%

LAB 16.55, 26.79, -8.12

 

CMYK 0 / 67 / 25 / 60

HEX #66224C

RGB 102 34 76

HSL 322.94, 0.5%, 0.27%

LAB 25.23, 35.36, -10.22

 

CMYK 0 / 67 / 26 / 48

HEX #852C63

RGB 133 44 99

HSL 322.92, 0.5%, 0.35%

LAB 33.33, 43.85, -12.45

 

CMYK 0 / 67 / 26 / 36

HEX #A4367A

RGB 164 54 122

HSL 322.91, 0.5%, 0.43%

LAB 41.11, 51.91, -14.56

 

CMYK 0 / 65 / 25 / 25

HEX #C04490

RGB 192 68 144

HSL 323.23, 0.5%, 0.51%

LAB 48.7, 57.09, -15.95

 

CMYK 0 / 67 / 26 / 48

HEX #842C62

RGB 132 44 98

HSL 323.18, 0.5%, 0.35%

LAB 33.11, 43.4, -12.15

 

CMYK 0 / 28 / 67 / 48

HEX #85602C

RGB 133 96 44

HSL 35.06, 0.5%, 0.35%

LAB 43.56, 9.28, 34.89

 

CMYK 67 / 0 / 1 / 48

HEX #2C8584

RGB 44 133 132

HSL 179.33, 0.5%, 0.35%

LAB 50.66, -25.86, -7.17

 

CMYK 0 / 67 / 26 / 48

HEX #842C62

RGB 132 44 98

HSL 323.18, 0.5%, 0.35%

LAB 33.11, 43.4, -12.15

 

CMYK 26 / 0 / 67 / 48

HEX #63852C

RGB 99 133 44

HSL 82.92, 0.5%, 0.35%

LAB 51.39, -26.51, 42.57

 

CMYK 67 / 26 / 0 / 48

HEX #2C6385

RGB 44 99 133

HSL 202.92, 0.5%, 0.35%

LAB 39.84, -6.74, -24.26

 

CMYK 0 / 67 / 26 / 48

HEX #842C62

RGB 132 44 98

HSL 323.18, 0.5%, 0.35%

LAB 33.11, 43.4, -12.15

 

CMYK 0 / 28 / 67 / 48

HEX #85602C

RGB 133 96 44

HSL 35.06, 0.5%, 0.35%

LAB 43.56, 9.28, 34.89

 

CMYK 67 / 0 / 41 / 48

HEX #2C854E

RGB 44 133 78

HSL 142.92, 0.5%, 0.35%

LAB 49.33, -39.39, 22.14

 

CMYK 67 / 39 / 0 / 48

HEX #2C5185

RGB 44 81 133

HSL 215.06, 0.5%, 0.35%

LAB 34.22, 4.61, -33.08

 

CMYK 0 / 67 / 26 / 48

HEX #842C62

RGB 132 44 98

HSL 323.18, 0.5%, 0.35%

LAB 33.11, 43.4, -12.15

 

CMYK 0 / 8 / 67 / 48

HEX #857B2C

RGB 133 123 44

HSL 53.26, 0.5%, 0.35%

LAB 51.08, -6.25, 43.05

 

CMYK 67 / 0 / 41 / 48

HEX #2C854E

RGB 44 133 78

HSL 142.92, 0.5%, 0.35%

LAB 49.33, -39.39, 22.14

 

CMYK 67 / 59 / 0 / 48

HEX #2C3785

RGB 44 55 133

HSL 232.58, 0.5%, 0.35%

LAB 26.62, 22.19, -45.27

 

Description

Color code: HEX #842C62 | qconv.com Color code: HEX #842C62 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 44 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 44 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 26 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 26% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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