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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8424EA it is the complementary color #7BDB15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8424EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8424EA shade: #8924E5, #9A36F8, #AB48FF, #BC5AFF and #CD6CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8424EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8424EA shade: #8424EA, #7312D7, #6200C4, #5100B1 and #40009E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8424EA shade: #8423EA, #B923EA, #EA23E5, #EA23B0 and #EA237A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8424EA shade: #8423EA, #4E23EA and #2323EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8424EA shade matches the following richer shades: #8423EA and #8310FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8424EA shade: #8423EA, #8437D7, #854AC3, #855DB0 and #86719D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8424EA shade: #232DEA, #4E23EA, #8323EA, #B823EA and #EA23E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8424EA shade: #5B0FAB, #6F13D1, #8423EA, #9949EE and #AE6FF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8424EA shade: #8424EA, #EA2362 and #23EA34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8424EA shade: #8424EA, #EA8323 and #23EA83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8424EA shade: #8424EA, #EA2362, #8AEA23 and #23EAAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8424EA shade: #8424EA, #EA2326, #8AEA23 and #23EAE7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 85 / 0 / 8

HEX #8424EA

RGB 132 36 234

HSL 269.09, 0.83%, 0.53%

LAB 41.39, 72.99, -80.67

 

Complementary color

CMYK 44 / 0 / 90 / 14

HEX #7BDB15

RGB 123 219 21

HSL 89.09, 0.83%, 0.47%

LAB 79, -55.82, 74.97

 

CMYK 40 / 84 / 0 / 10

HEX #8924E5

RGB 137 36 229

HSL 271.4, 0.79%, 0.52%

LAB 41.59, 72.51, -77.47

 

CMYK 38 / 78 / 0 / 3

HEX #9A36F8

RGB 154 54 248

HSL 270.93, 0.93%, 0.59%

LAB 47.35, 73.29, -78.68

 

CMYK 33 / 72 / 0 / 0

HEX #AB48FF

RGB 171 72 255

HSL 272.46, 1%, 0.64%

LAB 52.41, 70.74, -74.23

 

CMYK 26 / 65 / 0 / 0

HEX #BC5AFF

RGB 188 90 255

HSL 275.64, 1%, 0.68%

LAB 57.29, 66.26, -66.23

 

CMYK 20 / 58 / 0 / 0

HEX #CD6CFF

RGB 205 108 255

HSL 279.59, 1%, 0.71%

LAB 62.44, 61.68, -57.86

 

CMYK 44 / 85 / 0 / 8

HEX #8424EA

RGB 132 36 234

HSL 269.09, 0.83%, 0.53%

LAB 41.39, 72.99, -80.67

 

CMYK 47 / 92 / 0 / 16

HEX #7312D7

RGB 115 18 215

HSL 269.54, 0.85%, 0.46%

LAB 35.95, 71.22, -78.82

 

CMYK 50 / 100 / 0 / 23

HEX #6200C4

RGB 98 0 196

HSL 270, 1%, 0.38%

LAB 30.84, 68.33, -76.28

 

CMYK 54 / 100 / 0 / 31

HEX #5100B1

RGB 81 0 177

HSL 267.46, 1%, 0.35%

LAB 26.52, 62.81, -72.22

 

CMYK 59 / 100 / 0 / 38

HEX #40009E

RGB 64 0 158

HSL 264.3, 1%, 0.31%

LAB 22.16, 57.24, -68.01

 

CMYK 44 / 85 / 0 / 8

HEX #8423EA

RGB 132 35 234

HSL 269.25, 0.83%, 0.53%

LAB 41.29, 73.27, -80.82

 

CMYK 21 / 85 / 0 / 8

HEX #B923EA

RGB 185 35 234

HSL 285.23, 0.83%, 0.53%

LAB 48.83, 80.5, -68.2

 

CMYK 0 / 85 / 2 / 8

HEX #EA23E5

RGB 234 35 229

HSL 301.51, 0.83%, 0.53%

LAB 56.44, 87.8, -52.72

 

CMYK 0 / 85 / 25 / 8

HEX #EA23B0

RGB 234 35 176

HSL 317.49, 0.83%, 0.53%

LAB 53.85, 80.89, -26.37

 

CMYK 0 / 85 / 48 / 8

HEX #EA237A

RGB 234 35 122

HSL 333.77, 0.83%, 0.53%

LAB 51.95, 75.6, 2.92

 

CMYK 44 / 85 / 0 / 8

HEX #8423EA

RGB 132 35 234

HSL 269.25, 0.83%, 0.53%

LAB 41.29, 73.27, -80.82

 

CMYK 67 / 85 / 0 / 8

HEX #4E23EA

RGB 78 35 234

HSL 252.96, 0.83%, 0.53%

LAB 35.52, 68.18, -90.54

 

CMYK 85 / 85 / 0 / 8

HEX #2323EA

RGB 35 35 234

HSL 240, 0.83%, 0.53%

LAB 32.92, 66.05, -94.95

 

CMYK 44 / 85 / 0 / 8

HEX #8423EA

RGB 132 35 234

HSL 269.25, 0.83%, 0.53%

LAB 41.29, 73.27, -80.82

 

CMYK 48 / 94 / 0 / 0

HEX #8310FE

RGB 131 16 254

HSL 268.99, 0.99%, 0.53%

LAB 41.77, 81.43, -91.31

 

CMYK 44 / 85 / 0 / 8

HEX #8423EA

RGB 132 35 234

HSL 269.25, 0.83%, 0.53%

LAB 41.29, 73.27, -80.82

 

CMYK 39 / 74 / 0 / 16

HEX #8437D7

RGB 132 55 215

HSL 268.88, 0.67%, 0.53%

LAB 42.07, 61.95, -68.71

 

CMYK 32 / 62 / 0 / 24

HEX #854AC3

RGB 133 74 195

HSL 269.26, 0.5%, 0.53%

LAB 43.98, 48.33, -54.05

 

CMYK 24 / 47 / 0 / 31

HEX #855DB0

RGB 133 93 176

HSL 268.92, 0.34%, 0.53%

LAB 46.91, 33.13, -38.3

 

CMYK 15 / 28 / 0 / 38

HEX #86719D

RGB 134 113 157

HSL 268.64, 0.18%, 0.53%

LAB 51.05, 17.15, -20.71

 

CMYK 85 / 81 / 0 / 8

HEX #232DEA

RGB 35 45 234

HSL 236.98, 0.83%, 0.53%

LAB 34.34, 61.83, -92.57

 

CMYK 67 / 85 / 0 / 8

HEX #4E23EA

RGB 78 35 234

HSL 252.96, 0.83%, 0.53%

LAB 35.52, 68.18, -90.54

 

CMYK 44 / 85 / 0 / 8

HEX #8323EA

RGB 131 35 234

HSL 268.94, 0.83%, 0.53%

LAB 41.17, 73.15, -81.04

 

CMYK 21 / 85 / 0 / 8

HEX #B823EA

RGB 184 35 234

HSL 284.92, 0.83%, 0.53%

LAB 48.68, 80.35, -68.45

 

CMYK 0 / 85 / 1 / 8

HEX #EA23E7

RGB 234 35 231

HSL 300.9, 0.83%, 0.53%

LAB 56.55, 88.09, -53.67

 

CMYK 47 / 91 / 0 / 33

HEX #5B0FAB

RGB 91 15 171

HSL 269.23, 0.84%, 0.36%

LAB 28.13, 59.47, -65.91

 

CMYK 47 / 91 / 0 / 18

HEX #6F13D1

RGB 111 19 209

HSL 269.05, 0.83%, 0.45%

LAB 34.9, 69.3, -77.1

 

CMYK 44 / 85 / 0 / 8

HEX #8423EA

RGB 132 35 234

HSL 269.25, 0.83%, 0.53%

LAB 41.29, 73.27, -80.82

 

CMYK 36 / 69 / 0 / 7

HEX #9949EE

RGB 153 73 238

HSL 269.09, 0.83%, 0.61%

LAB 49.14, 63.21, -70.15

 

CMYK 28 / 54 / 0 / 5

HEX #AE6FF1

RGB 174 111 241

HSL 269.08, 0.82%, 0.69%

LAB 58.71, 49.56, -56.29

 

CMYK 44 / 85 / 0 / 8

HEX #8424EA

RGB 132 36 234

HSL 269.09, 0.83%, 0.53%

LAB 41.39, 72.99, -80.67

 

CMYK 0 / 85 / 58 / 8

HEX #EA2362

RGB 234 35 98

HSL 341.01, 0.83%, 0.53%

LAB 51.35, 73.89, 16.65

 

CMYK 85 / 0 / 78 / 8

HEX #23EA34

RGB 35 234 52

HSL 125.13, 0.83%, 0.53%

LAB 81.54, -77.23, 69.43

 

CMYK 44 / 85 / 0 / 8

HEX #8424EA

RGB 132 36 234

HSL 269.09, 0.83%, 0.53%

LAB 41.39, 72.99, -80.67

 

CMYK 0 / 44 / 85 / 8

HEX #EA8323

RGB 234 131 35

HSL 28.94, 0.83%, 0.53%

LAB 64.84, 33.45, 63.74

 

CMYK 85 / 0 / 44 / 8

HEX #23EA83

RGB 35 234 131

HSL 148.94, 0.83%, 0.53%

LAB 82.29, -68, 37.32

 

CMYK 44 / 85 / 0 / 8

HEX #8424EA

RGB 132 36 234

HSL 269.09, 0.83%, 0.53%

LAB 41.39, 72.99, -80.67

 

CMYK 0 / 85 / 58 / 8

HEX #EA2362

RGB 234 35 98

HSL 341.01, 0.83%, 0.53%

LAB 51.35, 73.89, 16.65

 

CMYK 41 / 0 / 85 / 8

HEX #8AEA23

RGB 138 234 35

HSL 88.94, 0.83%, 0.53%

LAB 84.16, -56.38, 77.08

 

CMYK 85 / 0 / 27 / 8

HEX #23EAAB

RGB 35 234 171

HSL 161.01, 0.83%, 0.53%

LAB 82.99, -60.07, 17.88

 

CMYK 44 / 85 / 0 / 8

HEX #8424EA

RGB 132 36 234

HSL 269.09, 0.83%, 0.53%

LAB 41.39, 72.99, -80.67

 

CMYK 0 / 85 / 84 / 8

HEX #EA2326

RGB 234 35 38

HSL 359.1, 0.83%, 0.53%

LAB 50.49, 71.37, 50.27

 

CMYK 41 / 0 / 85 / 8

HEX #8AEA23

RGB 138 234 35

HSL 88.94, 0.83%, 0.53%

LAB 84.16, -56.38, 77.08

 

CMYK 85 / 0 / 1 / 8

HEX #23EAE7

RGB 35 234 231

HSL 179.1, 0.83%, 0.53%

LAB 84.47, -44.69, -11.5

 

Description

Color code: HEX #8424EA | qconv.com Color code: HEX #8424EA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 36 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 36 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 85 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 85% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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