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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #840EAE it is the complementary color #7BF151. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #840EAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #840EAE shade: #890EA9, #9A20BC, #AB32CF, #BC44E2 and #CD56F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #840EAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #840EAE shade: #840EAE, #73009B, #620088, #510075 and #400062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #840EAE shade: #840EAE, #AE0EAD, #AE0E82, #AE0E56 and #AE0E2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #840EAE shade: #840EAE, #590EAE, #2D0EAE and #0E0EAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #840EAE shade matches the following richer shades: #840EAE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #840EAE shade: #840EAE, #7D1D9F, #752C90, #6E3B80 and #674B71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #840EAE shade: #2E0EAE, #590EAE, #830EAE, #AE0EAE and #AE0E83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #840EAE shade: #4A0762, #670B88, #840EAE, #A111D4 and #B722ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #840EAE shade: #840EAE, #AE0E18 and #0EAE43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #840EAE shade: #840EAE, #AE830E and #0EAE83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #840EAE shade: #840EAE, #AE0E18, #38AE0E and #0EAEA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #840EAE shade: #840EAE, #AE330E, #38AE0E and #0E89AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 92 / 0 / 32

HEX #840EAE

RGB 132 14 174

HSL 284.25, 0.85%, 0.37%

LAB 34.55, 65.54, -56.95

 

Complementary color

CMYK 49 / 0 / 66 / 5

HEX #7BF151

RGB 123 241 81

HSL 104.25, 0.85%, 0.63%

LAB 85.86, -60.94, 64.48

 

CMYK 19 / 92 / 0 / 34

HEX #890EA9

RGB 137 14 169

HSL 287.61, 0.85%, 0.36%

LAB 35, 65.36, -53.19

 

CMYK 18 / 83 / 0 / 26

HEX #9A20BC

RGB 154 32 188

HSL 286.92, 0.71%, 0.43%

LAB 40.47, 67.83, -55.49

 

CMYK 17 / 76 / 0 / 19

HEX #AB32CF

RGB 171 50 207

HSL 286.24, 0.62%, 0.5%

LAB 46.24, 69.11, -57.09

 

CMYK 17 / 70 / 0 / 11

HEX #BC44E2

RGB 188 68 226

HSL 285.57, 0.73%, 0.58%

LAB 52.19, 69.61, -58.22

 

CMYK 16 / 65 / 0 / 4

HEX #CD56F5

RGB 205 86 245

HSL 284.91, 0.89%, 0.65%

LAB 58.25, 69.61, -59.03

 

CMYK 24 / 92 / 0 / 32

HEX #840EAE

RGB 132 14 174

HSL 284.25, 0.85%, 0.37%

LAB 34.55, 65.54, -56.95

 

CMYK 26 / 100 / 0 / 39

HEX #73009B

RGB 115 0 155

HSL 284.52, 1%, 0.3%

LAB 29.44, 61.66, -53.91

 

CMYK 28 / 100 / 0 / 47

HEX #620088

RGB 98 0 136

HSL 283.24, 1%, 0.27%

LAB 24.87, 55.71, -49.73

 

CMYK 31 / 100 / 0 / 54

HEX #510075

RGB 81 0 117

HSL 281.54, 1%, 0.23%

LAB 20.18, 49.62, -45.46

 

CMYK 35 / 100 / 0 / 62

HEX #400062

RGB 64 0 98

HSL 279.18, 1%, 0.19%

LAB 15.34, 43.34, -41.07

 

CMYK 24 / 92 / 0 / 32

HEX #840EAE

RGB 132 14 174

HSL 284.25, 0.85%, 0.37%

LAB 34.55, 65.54, -56.95

 

CMYK 0 / 92 / 1 / 32

HEX #AE0EAD

RGB 174 14 173

HSL 300.38, 0.85%, 0.37%

LAB 41.74, 72.16, -44.4

 

CMYK 0 / 92 / 25 / 32

HEX #AE0E82

RGB 174 14 130

HSL 316.5, 0.85%, 0.37%

LAB 39.45, 66.3, -21.91

 

CMYK 0 / 92 / 51 / 32

HEX #AE0E56

RGB 174 14 86

HSL 333, 0.85%, 0.37%

LAB 37.81, 61.88, 3.42

 

CMYK 0 / 92 / 75 / 32

HEX #AE0E2B

RGB 174 14 43

HSL 349.13, 0.85%, 0.37%

LAB 36.91, 59.35, 29.72

 

CMYK 24 / 92 / 0 / 32

HEX #840EAE

RGB 132 14 174

HSL 284.25, 0.85%, 0.37%

LAB 34.55, 65.54, -56.95

 

CMYK 49 / 92 / 0 / 32

HEX #590EAE

RGB 89 14 174

HSL 268.13, 0.85%, 0.37%

LAB 28.1, 60.17, -67.78

 

CMYK 74 / 92 / 0 / 32

HEX #2D0EAE

RGB 45 14 174

HSL 251.63, 0.85%, 0.37%

LAB 23.43, 56.91, -75.65

 

CMYK 92 / 92 / 0 / 32

HEX #0E0EAE

RGB 14 14 174

HSL 240, 0.85%, 0.37%

LAB 21.81, 55.94, -78.4

 

CMYK 24 / 92 / 0 / 32

HEX #840EAE

RGB 132 14 174

HSL 284.25, 0.85%, 0.37%

LAB 34.55, 65.54, -56.95

 

CMYK 24 / 92 / 0 / 32

HEX #840EAE

RGB 132 14 174

HSL 284.25, 0.85%, 0.37%

LAB 34.55, 65.54, -56.95

 

CMYK 21 / 82 / 0 / 38

HEX #7D1D9F

RGB 125 29 159

HSL 284.31, 0.69%, 0.37%

LAB 33.44, 58.03, -49.77

 

CMYK 19 / 69 / 0 / 44

HEX #752C90

RGB 117 44 144

HSL 283.8, 0.53%, 0.37%

LAB 33.13, 47.63, -41.18

 

CMYK 14 / 54 / 0 / 50

HEX #6E3B80

RGB 110 59 128

HSL 284.35, 0.37%, 0.37%

LAB 33.99, 34.61, -29.99

 

CMYK 9 / 34 / 0 / 56

HEX #674B71

RGB 103 75 113

HSL 284.21, 0.2%, 0.37%

LAB 36.19, 19.36, -17.28

 

CMYK 74 / 92 / 0 / 32

HEX #2E0EAE

RGB 46 14 174

HSL 252, 0.85%, 0.37%

LAB 23.51, 56.96, -75.52

 

CMYK 49 / 92 / 0 / 32

HEX #590EAE

RGB 89 14 174

HSL 268.13, 0.85%, 0.37%

LAB 28.1, 60.17, -67.78

 

CMYK 25 / 92 / 0 / 32

HEX #830EAE

RGB 131 14 174

HSL 283.88, 0.85%, 0.37%

LAB 34.39, 65.39, -57.22

 

CMYK 0 / 92 / 0 / 32

HEX #AE0EAE

RGB 174 14 174

HSL 300, 0.85%, 0.37%

LAB 41.8, 72.31, -44.89

 

CMYK 0 / 92 / 25 / 32

HEX #AE0E83

RGB 174 14 131

HSL 316.13, 0.85%, 0.37%

LAB 39.5, 66.42, -22.45

 

CMYK 24 / 93 / 0 / 62

HEX #4A0762

RGB 74 7 98

HSL 284.18, 0.87%, 0.21%

LAB 17.87, 42.65, -36.86

 

CMYK 24 / 92 / 0 / 47

HEX #670B88

RGB 103 11 136

HSL 284.16, 0.85%, 0.29%

LAB 26.45, 54.3, -47.12

 

CMYK 24 / 92 / 0 / 32

HEX #840EAE

RGB 132 14 174

HSL 284.25, 0.85%, 0.37%

LAB 34.55, 65.54, -56.95

 

CMYK 24 / 92 / 0 / 17

HEX #A111D4

RGB 161 17 212

HSL 284.31, 0.85%, 0.45%

LAB 42.36, 76.26, -66.34

 

CMYK 23 / 86 / 0 / 7

HEX #B722ED

RGB 183 34 237

HSL 284.04, 0.85%, 0.53%

LAB 48.67, 80.96, -70.17

 

CMYK 24 / 92 / 0 / 32

HEX #840EAE

RGB 132 14 174

HSL 284.25, 0.85%, 0.37%

LAB 34.55, 65.54, -56.95

 

CMYK 0 / 92 / 86 / 32

HEX #AE0E18

RGB 174 14 24

HSL 356.25, 0.85%, 0.37%

LAB 36.7, 58.77, 40.52

 

CMYK 92 / 0 / 61 / 32

HEX #0EAE43

RGB 14 174 67

HSL 139.88, 0.85%, 0.37%

LAB 62.31, -59.59, 43.63

 

CMYK 24 / 92 / 0 / 32

HEX #840EAE

RGB 132 14 174

HSL 284.25, 0.85%, 0.37%

LAB 34.55, 65.54, -56.95

 

CMYK 0 / 25 / 92 / 32

HEX #AE830E

RGB 174 131 14

HSL 43.88, 0.85%, 0.37%

LAB 57.33, 7.04, 60.28

 

CMYK 92 / 0 / 25 / 32

HEX #0EAE83

RGB 14 174 131

HSL 163.88, 0.85%, 0.37%

LAB 63.35, -47.55, 11.73

 

CMYK 24 / 92 / 0 / 32

HEX #840EAE

RGB 132 14 174

HSL 284.25, 0.85%, 0.37%

LAB 34.55, 65.54, -56.95

 

CMYK 0 / 92 / 86 / 32

HEX #AE0E18

RGB 174 14 24

HSL 356.25, 0.85%, 0.37%

LAB 36.7, 58.77, 40.52

 

CMYK 68 / 0 / 92 / 32

HEX #38AE0E

RGB 56 174 14

HSL 104.25, 0.85%, 0.37%

LAB 62.63, -58.06, 61.46

 

CMYK 92 / 0 / 6 / 32

HEX #0EAEA3

RGB 14 174 163

HSL 175.88, 0.85%, 0.37%

LAB 64.17, -38.9, -4.86

 

CMYK 24 / 92 / 0 / 32

HEX #840EAE

RGB 132 14 174

HSL 284.25, 0.85%, 0.37%

LAB 34.55, 65.54, -56.95

 

CMYK 0 / 71 / 92 / 32

HEX #AE330E

RGB 174 51 14

HSL 13.88, 0.85%, 0.37%

LAB 40.24, 48.48, 47.69

 

CMYK 68 / 0 / 92 / 32

HEX #38AE0E

RGB 56 174 14

HSL 104.25, 0.85%, 0.37%

LAB 62.63, -58.06, 61.46

 

CMYK 92 / 21 / 0 / 32

HEX #0E89AE

RGB 14 137 174

HSL 193.88, 0.85%, 0.37%

LAB 52.99, -16.97, -28.03

 

Description

Color code: HEX #840EAE | qconv.com Color code: HEX #840EAE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 14 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 14 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 92 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 92% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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